苦旅心语——宋源文个案研究

  • Dates:2018-12-09 - 2019-01-03
  • Location:中央美术学院美术馆3A及4层展厅
  • Opening:2018-12-09 15:30
  • Organizer(s): 中央美术学院
  • 承办单位: 中央美术学院美术馆 中央美术学院造型学院版画系
  • 支持单位: 中国美术家协会
  • 协办单位: 中国美术家协会版画艺术委员会 国际版画联盟
  • 总策展: 范迪安
  • 学术主持: 苏新平 王少军
  • 总监: 张子康
  • 策展人: 王华祥
  • 执行策展: 蔡萌
  • 研究团队: 杨延远 时洁 李文翔 李帆
  • 展览协调: 杨宏伟 黄洋 高高 林曦 李兴华

Preface

继2017年12月,我们以“桃李桦烛”为名,为中国现代版画的先驱李桦先生成功举办了其诞辰一百一十周年纪念展之后,我们又迎来了李桦先生的继任者,原中央美术学院版画系主任宋源文教授的个案研究展。同时,我们也十分荣幸地得到了一大批宋先生版画作品的慷慨捐赠。本次展览我们以“苦旅心语”为题,从三个文化身份:版画艺术家、版画活动家、版画教育家,以及三者之间的动态关系来展开对宋源文先生的个案研究。

1版画艺术家

如果将李桦、古元、力群等一批老先生视为“第一代版画家”的话,宋源文先生无疑是“第二代版画家”的代表。与前辈艺术家不同之处在于,宋源文先生是中国版画正式纳入高等美术教育系统的首批受益者之一。我们以宋源文艺术发展过程为脉络线索,对宋源文青年时代至今全部艺术创作面貌进行梳理和总结,进而将其划分为六个阶段。从中不难发现,无论是作为学生、青年教师还是美院教授,宋源文的每个创作阶段之间既有突破与革新,又有鲜明的个性化线索。通过分析宋源文的人生经历和创作演变,旨在以其艺术创作思路为线索,呈现一个将抒情传统与现代性相结合的版画艺术家创作历程。

2版画教育家

IMG_3276.JPG八十年代中期的中央美术学院版画系全家福
(前排左起:周建夫、广军、宋源文、李桦、古元、谭权书、林志肯;后排左起:王华祥、张岩、陈晋容、马刚、德芝兰、周吉荣、马新民、张佩义、吴长江、卫祖荫、刘丽萍、苏新平)


中央美术学院版画系成立于1955年,宋源文先生于1956年进入版画系学习,1961年毕业后留校任教,1986—1993年间,担任系主任并组织版画教学工作,在版画系学习工作了38个春秋。回望宋源文在版画系的教学工作,可以概括为“参与建立中国的版画教学体系,并在此基础上恢复与改进教学”。“建立中国的版画教学体系”这一口号最早由李桦先生提出。从某种程度上看,这句口号构成了版画系的指导思想。李桦作为宋源文的老师和版画系的首任“掌门人”,无疑对宋源文先生的影响深刻。对于李桦先生来说,“建立”是从无到有;而对于宋源文先生来讲,“建立”则更多带有恢复和改革的意味。在这个部分,我们将围绕中国现代版画的知识谱系来展开分析与探讨。


3版画活动家

中国现代版画的脉络一直没断过。从鲁迅到李桦,再到宋源文,他们之间的交替像是印刷机的转轮交替,薪火相传。鲁迅是先锋的号手,吹响了文艺的初篇乐章。李桦是他精神的延续,以人民群众为对像,忠实客观地记录;但他并不满足于此,希望引领和推动整个版画事业向前发展。宋源文则在这个基点上进一步壮大了版画队伍,引入新鲜血液。作为承袭者,他把握了鲁迅的思想和李桦的理念,以有限的资源尽了自己的努力。从某程度上来说,全国版画活动不仅仅是代表版画界,也代表文艺的吼动声。本部分的研究通过分析解读全国版画活动的演进,了解历史发生的脉络线索及宋源文在其中的活动范围,在这些蛛丝马迹中还原并展现出一个历史的侧面。

综上所述,作为一个以展览方式展开的“个案研究”,我们希望能够在吸取和总结以往同类型展览的经验基础上,持续探索一种新的研究方法与呈现方式。有鉴于此,本展览不仅是对一位德高望重的美术学院老先生艺术成就的总结与回顾,也不仅是一次对版画系教学系统及其参与主持的版画活动的观察与回望,更是在宋源文的三个文化身份之间的复杂关系基础上,在回归相对遥远和更高坐标点上,对一个有质量的生命经验在当下的意义与价值的构筑与追求。


继2017年12月,我们以“桃李桦烛”为名,为中国现代版画的先驱李桦先生成功举办了其诞辰一百一十周年纪念展之后,我们又迎来了李桦先生的继任者,原中央美术学院版画系主任宋源文教授的个案研究展。同时,我们也十分荣幸地得到了一大批宋先生版画作品的慷慨捐赠。本次展览我们以“苦旅心语”为题,从三个文化身份:版画艺术家、版画活动家、版画教育家,以及三者之间的动态关系来展开对宋源文先生的个案研究。

1版画艺术家

如果将李桦、古元、力群等一批老先生视为“第一代版画家”的话,宋源文先生无疑是“第二代版画家”的代表。与前辈艺术家不同之处在于,宋源文先生是中国版画正式纳入高等美术教育系统的首批受益者之一。我们以宋源文艺术发展过程为脉络线索,对宋源文青年时代至今全部艺术创作面貌进行梳理和总结,进而将其划分为六个阶段。从中不难发现,无论是作为学生、青年教师还是美院教授,宋源文的每个创作阶段之间既有突破与革新,又有鲜明的个性化线索。通过分析宋源文的人生经历和创作演变,旨在以其艺术创作思路为线索,呈现一个将抒情传统与现代性相结合的版画艺术家创作历程。

2版画教育家

IMG_3276.JPG八十年代中期的中央美术学院版画系全家福
(前排左起:周建夫、广军、宋源文、李桦、古元、谭权书、林志肯;后排左起:王华祥、张岩、陈晋容、马刚、德芝兰、周吉荣、马新民、张佩义、吴长江、卫祖荫、刘丽萍、苏新平)


中央美术学院版画系成立于1955年,宋源文先生于1956年进入版画系学习,1961年毕业后留校任教,1986—1993年间,担任系主任并组织版画教学工作,在版画系学习工作了38个春秋。回望宋源文在版画系的教学工作,可以概括为“参与建立中国的版画教学体系,并在此基础上恢复与改进教学”。“建立中国的版画教学体系”这一口号最早由李桦先生提出。从某种程度上看,这句口号构成了版画系的指导思想。李桦作为宋源文的老师和版画系的首任“掌门人”,无疑对宋源文先生的影响深刻。对于李桦先生来说,“建立”是从无到有;而对于宋源文先生来讲,“建立”则更多带有恢复和改革的意味。在这个部分,我们将围绕中国现代版画的知识谱系来展开分析与探讨。


3版画活动家

中国现代版画的脉络一直没断过。从鲁迅到李桦,再到宋源文,他们之间的交替像是印刷机的转轮交替,薪火相传。鲁迅是先锋的号手,吹响了文艺的初篇乐章。李桦是他精神的延续,以人民群众为对像,忠实客观地记录;但他并不满足于此,希望引领和推动整个版画事业向前发展。宋源文则在这个基点上进一步壮大了版画队伍,引入新鲜血液。作为承袭者,他把握了鲁迅的思想和李桦的理念,以有限的资源尽了自己的努力。从某程度上来说,全国版画活动不仅仅是代表版画界,也代表文艺的吼动声。本部分的研究通过分析解读全国版画活动的演进,了解历史发生的脉络线索及宋源文在其中的活动范围,在这些蛛丝马迹中还原并展现出一个历史的侧面。

综上所述,作为一个以展览方式展开的“个案研究”,我们希望能够在吸取和总结以往同类型展览的经验基础上,持续探索一种新的研究方法与呈现方式。有鉴于此,本展览不仅是对一位德高望重的美术学院老先生艺术成就的总结与回顾,也不仅是一次对版画系教学系统及其参与主持的版画活动的观察与回望,更是在宋源文的三个文化身份之间的复杂关系基础上,在回归相对遥远和更高坐标点上,对一个有质量的生命经验在当下的意义与价值的构筑与追求。


Artworks

Artworks

Photographs

Photographs

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This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!