Editor's Note
Contents
Digests
Pictures
Collection Stories
FEATURES
Observation of "Art Museum in the Cloud" amid Social Isolation
Cultural Stratum and Disjunction: A Reflection on the Online Art Institutional Practices during COVID-19
written by Li Hang
Virtual Art Museums in New York: An Inspiration for Future Art Education
written by Wu Peiyue
Vanished Boundaries: Art Museum, Internet and Online Exhibition
written by Hu Xinrong
Performance, User, Capital: Cooperation between Art Museum and Live Streaming Platform during the Pandemic
written by Zhong Shanyu
Exploring Digital Art Museum: Four Samples in the Pandemic
written by Yang Jing
THEORIES
Intermediate Zone: University Art Museums as a Testing Ground
translated by Liu Yanchao, Lu Yufan, Hu Xinrong
Wall Space: As a Defining Boundary of Modernist Painting
written by He Guiyan
Investigation into the Beiping Ancient Works Display Center Antique Authentication Committee's Social Networks Centered around Zhou Zhaoxiang
written by Yang Shuo
Reverberations across Time and Space
written by Ma Nan
Walking between Collection and Exhibition: On Henan Art Museum's Activation of its Collections
written by Ma Caihong
Museum Membership: Marketing Mechanism in Non-profit Museums
written by Zhong Yuwei
CURATORIAL STUDIES
The Power of Design that Projects into the Future: Pre-thinking Curatorial Research of Design Exhibition
written by Ji Yujie
From "Standing up": The Three "Chinese" of Contemporary Art in China
written by Xiang Liping
COLLECTION STUDIES
On Studied-in-France Artist Guo Yinglin from His Three Paintings in CAFAM Collection
written by Dong Song
EDUCATION STUDIES
Being and Dying: A Speculative Search for International Art Education of the Future
written by Zhang Zhaolin
EXHIBITION STUDIES
Coping and Gaming of Space: Strategies in the Design of Large-scale Biennales
written by Wang Qing
EXHIBITION REVIEW
The Amber of Time
written by Zhang Yameng
Work, Design and Space: On the Exhibition "Christian Dior: Designer of Dreams"
written by Zhu Jirong
HISTORY OF ART MUSEUM · TAM
From Archaeological Display Room to Art Platform that Bridges China and the West: The Development History of Tsinghua University Art Museum
written by Ge Xiuzhi
Du Pengfei: The Mission and Responsibility of Tsinghua University Art Museum
interview by Ge Xiuzhi
Visiting TAM Departments
Selected Works from TAM Collection
FORUMS
Curation and its Time: Curatorial Responsibility and Academic Development - The Second "Curating in China" Forum
New Orientation and Epochal Theme of Curatorial Studies in China
Speaker: Fan Di'an
The Technological Boom and Responsibility of Curation
Speaker: Qiu Zhijie
The Limitedness of Text and Unlimitedness of Experience
Speaker: Shu Kewen
Constructing New Curatorial Ideas in the Context of Post-human Symbiosis
Speaker: Zhang Ga
Criticism and Consciousness of Curation: Planning and Progress of the China Art Critics Annual Assembly
Speaker: Yang Wei
Innovation and Practice of Art Museum Curation in Digital Era
Speaker: Gao Peng
New Mission and Accomplishment of Curation in New Era and New Context
Speaker: Ji Pengcheng
NEWS
CALL FOR ARTICLES
