Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

以展会心,以书会友——“她们·进行时” | CAFAM读书沙龙回顾

2026-03-13

鲜花,笑语,祝福,心与心的碰撞,3月8日,中央美术学院美术馆迎来了一个不同寻常的妇女节,一群热爱文艺的小伙伴,怀揣着自己钟爱的书籍,满怀激情地来赴“CAFAM读书沙龙”的浪漫之约,在这里度过了一个深刻充实而又轻松愉悦的下午。一位年轻的妈妈安顿好年幼的孩子,从繁琐的家务中特意抽出两个小时,来赴这场撞击心灵的文艺之约,在一个温馨而又超然的氛围里享受独属于她自己的节日和美好时光;另一位书友怀着热诚穿越了一座城池从石景山赶来,由书本抛出自己的问题,引发了现场热烈的讨论;还有书友结合自身经验,借助书本阐发了女性独立、从容的生活态度,引起大家的强烈共鸣;两位男士也乘兴而来,尽情表达,倾心交流,从不同的视角带来新的思考……中央美术学院美术馆公共教育部主任肖宝珍与读书沙龙主持人、作家陈艳敏(CAFAM志愿者)一起分享了书籍做了艺术展览导赏,带领大家与书籍和艺术展览中的女性作面对面的精神交流,深入感受艺术之美和读书之乐。书香弥漫的美术馆,在那一日,顿时也变得愈加迷人。
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CAFAM直播预告|从女儿的讲述到策展人的解读,一起走进周令钊先生70年的艺术历程

2026-03-12

讲丨解丨嘉丨宾周容周令钊之女纪玉洁中央美术学院美术馆设计部主任/总监直丨播丨通丨道抖音平台@中央美术学院美术馆小红书平台@中央美术学院美术馆哔哩哔哩平台@中央美术学院美术馆主编 / 何一沙责编 / 杜隐珠
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Announcement on the Closing of Some Exhibitions

2026-03-12

Exhibition View of “The Art New Year: Horse-Inspired”Dear Visitors,The exhibitions  The Art New Year: Horse-Inspired(1st Floor Hall) and Vibrant Imagination – Picture Books and Animation by CAFA Graduates  (3rd Floor Hall B) will close at 17:30 on Thursday, March 12, 2026. Thank you for your interest and support. Please plan your visit accordingly.We apologize for any inconvenience caused.CAFA Art MuseumMarch 11, 2026Vibrant Imagination – Picture Books and Animation by CAFA GraduatesChief Editor / He Yisha Editor / Du Yinzhu
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CAFAM Exhibition Preview | Wide Angle° Youth Experimental Project Space "Echoes of A Voyage — Lyu Zhi-qiang" Coming Soon

2026-03-11

"Echoes of a Voyage—— Lyu Zhi-qiang"Exhibition Time: March 13, 2026 — April 20, 2026Exhibition Venue: Hall C, 2nd Floor, CAFA Art Museum"Returning is the movement of the Dao." What the Tao Te Ching states forms a time‑transcending resonance with the operational logic of the Loop in electronic music: the movement of the Dao is reversal, an eternal tendency to return to itself. For the artist Lü Zhiqiang, the echo of this ancient image manifests most explicitly in the repeated practice of linear perspective using the rope‑and‑ink method, and also emerges in a more circuitous way through years of excavation and re‑composition of the soundscapes along his journey.In modern electronic music, the Loop is not merely a technical device but rather an ontological declaration. It breaks with the linear structure of Western classical music—beginning–development–climax–ending—and its repetitive beats and melodies outline a non‑linear, circular model of time. Nietzsche’s idea of the eternal recurrence finds an auditory re‑presentation here:“The eternal hourglass of existence will keep turning, and you are but a grain of dust within it.”Trapped in a circular orbit, should the individual feel agony or ecstasy? This is the Hamlet‑question of modern life.An old Volkswagen Jetta is the materialization of this question: every engine start, every journey marked by its tire tracks, constitutes a subjective response to eternal recurrence. During a trip to revisit the First Automobile Works in Changchun, the artist learned that the production line that assembled this car had a history of circulation—from Germany to the United States and then to China. To achieve localized production, Chinese workers had creatively modified this weathered line in countless ways. All this has silently provided a contemporary footnote to Nietzsche’s thesis: as Deleuze argued, the Same inevitably generates Difference in circulation, much like lines drawn strictly according to the rules of perspective still show subtle shifts with every snap of the inked line. The Loop of life plays on endlessly. The industrial glory of yesterday, once celebrated in early automobile advertisements, has faded, yet beneath the worn paint emerges an eternal structure. No matter how many cycles it undergoes, the soul of this “German car” is undeniably infused with the spirit of northern China.The car’s hybrid lineage also mirrors the metaphor of identity in contemporary culture: the artist’s identity is no longer a singular, ontological definition. In the prismatic world of life, he is a car owner, driver, traveler; a sound collector, DJ, and stage designer; a student of perspective and a spatial surveyor; and at the same time, a teacher within the academic system, whose duty often involves negotiating a spiral Loop between inheritance and creation, discipline and enlightenment. These parallel fragments of experience are like scattered stars, yet when consciously integrated into the subject‑identity of “artist,” an orderly constellation‑like map emerges from chaos. In fact, this map points precisely to what Benjamin called “the possibility of reshaping experience”—that is, “the liberation of historical energy confined within the social form of art as an independent entity.” Here, art as aesthetic experience has long become an abrupt method of action: it flows into the path toward the everyday with the flexible posture of perception, reflection, and intervention, introducing liberating energy into a new dimension of historical life.Wang WentingMarch 2026 Selected Previous Works 《Mohemann's Living Room》个人项目,2020A Long Road, Sound Installation, Stereo, 1 hour 11 minutes, 2019Admonition sound installation, 3-channel, 29'39", 2017"Gaze/Inhibition", watercolor paper, Chinese ink, aluminum-plastic panel, steel, alkyd paint, 180120cm, 70*70*100cm (installation part), 2015Scavenger, Installation, Performance, Urban Waste, 2012Modern Tate Museum, Waste from the Art District, 350cm × 410cm × 360cm, 2011Cabin, Tree Branches, 350cm × 200cm × 260cm, 2010Crawler, Installation & Research Documentation, Found Objects, Steel, 900cm×1200cm×350cm, 2009 Exhibition team | Curator |Wang WentingShe teaches at the School of Art Administration and Education, Central Academy of Fine Arts. The exhibitions and cultural activities she has participated in curating include "Return: Sino-German Young Artists' Group Exhibition", "The Myth of Documenta — Arnold Bode and His Successors", "Searching for Utopia — Sino-German Curators' Workshop", "Transformation Wandlung — Kathrin von Rechenberg and He Jian Dual Exhibition", etc.| Artist |Lv ZhiqiangBorn in Mohe County, Heilongjiang Province, he graduated from the School of Experimental Art, Central Academy of Fine Arts, and currently teaches there. He has extensively used materialized materials for socially engaged creations, preferring to carry out his work through field investigations and practice. He has also conducted research and painting with a focus on the study of Western perspective, and his recent works have paid attention to sound as a material.He has had solo projects such as "Mohemann’s Living Room" (C5CNM, Beijing, 2020) and "The Long Road Ahead" (Telescope Art Studio, Beijing, 2019). Some of his group exhibitions include "Sense of Touch – Group Exhibition of Young Artists from the School of Experimental Art, Central Academy of Fine Arts" (Taoxichuan Art Museum, Jingdezhen, 2021); "A Patchwork Leviathan" (Bridge Projects, Los Angeles, 2020); "There is a Form" (Song Art Museum, Beijing); "Anren Biennale" (Sichuan, 2017); "'Relay' Series Exhibition – Art Re-Long March" (National Art Museum of China, Beijing, 2016); and "The 12th National Art Exhibition" (Today Art Museum, Beijing, 2014), among others. Exhibition Information “声回路转(Echoes of a Voyage)——吕智强个人项目”展览时间:2026年3月13日—4月20日展览地点:中央美术学院美术馆2层C展厅主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心学术主持:冯梦波策展人:王文婷艺术家:吕智强视觉设计:赵序主编 / 何一沙 责编 / 杜隐珠
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CAFAM Live Preview | Treasures of Ancient and Modern Art, Visions of Childlike Innocence

2026-03-10

In this vibrant March,CAFA Art Museum extends an invitation to you.Through a series of consecutive exhibitions,we will take you into the diverse world of art.March 10th (Tuesday) 14:00Follow the official account @CAFA Art MuseumWe'll be waiting for you.Commentary | Guest—————————Gao GaoDeputy Director of CAFA Art MuseumLiu XiyanDirector of the Research and Planning Department, CAFA Art MuseumLi YaochenDirector of the Collection Department, CAFA Art MuseumEditor-in-Chief / He Yisha Editor / Du Yinzhu
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"Shape Of Myself -- 2026 Nomination Exhibition Of Contemporary Chinese Famale Artists" Debuts Today

2026-03-09

Shape Of Myself2026 Nomination Exhibition Of Contemporary Chinese Famale ArtistsExhibition Dates: March 6 – 15, 2026Venue: 4th Floor, CAFA Art MuseumHosted by: Chinese Women Painters AssociationOrganized by: CAFA Art MuseumAcademic Chair: Xu LianCurator: Wang XiaolinExecutive Curators: Kang Lei, Wei YanParticipating Artists:(Ordered by the number of strokes in their surnames)Oil Painting – Invited: Yan Ping, Liu Hong, Chen Shuxia, Chen Xi, Kang Lei, Guan PuxueOil Painting – Nominated: Wang Haiyan, Zhou Yinchen, Jie FangSculpture – Invited: Deng Ke, Zhu Zhiwei, Chi Hao, Zhou Simin, Jiang Jie, Geng XueSculpture – Nominated: Liu Rui, Yang Guang, Shi Ziyuan, Chi Di, Luo Jin, Cao Yun, Cai YalingOn the occasion of the "March 8th" International Women's Day, the "Shape Of Myself - 2026 Nomination Exhibition of Chinese Contemporary Female Artists", sponsored by the Chinese Women Artists Association and undertaken by the CAFA Art Museums, will be held on the 4th floor of the Art Museum of the Central Academy of Fine Arts from March 6th to 15th. Through academic nominations, the exhibition will focus on presenting the diverse styles and profound thoughts in contemporary female artistic creations, offering the beauty of art to Beijing in March.The exhibition, themed "Shape Of Myself " is both a poetic interpretation of female artists' efforts to shape themselves and express their inner worlds, and an accurate summary of their continuous exploration and innovation in artistic language. Currently, the creations of female artists have become an indispensable and important force in China's art world. With their unique perspectives, keen perceptions, and tenacious spirit of exploration, they have made remarkable contributions to the refinement of artistic language, the deepening of ideological concepts, and social and humanistic care. This academic nomination exhibition aims to highlight these outstanding achievements, promote academic research and public dialogue on female artistic creation, and build an exhibition and exchange platform with both academic height and social influence.This exhibition covers two major categories: oil painting and sculpture, bringing together representative works by two generations of outstanding female artists in China. It specially invites renowned artists and nominated young emerging artists to present their works side by side. Here, one can see the profound attainments of mature artists as well as the exploratory vitality of the younger generation, jointly constructing a vibrant landscape of contemporary Chinese female art.As a special gift for International Women's Day on March 8th, this exhibition is both a concentrated review of the creative achievements of contemporary Chinese female artists and a heartfelt tribute to the power of women's art. It is hoped that through this exhibition, the audience will be able to experience the charm of contemporary women's art up close and inspire academic reflection and dialogue.—— | About The Chinese Women Painters Association | The Chinese Women Painters Association was founded in December 2012. It is a national, industry-based social group approved by the Ministry of Culture and Tourism and the Ministry of Civil Affairs. Its leading organ for Party work is the Central Social Work Department. It is a group member of the All-China Women's Federation and the only national social organization of female artists established since the founding of the People's Republic of China.Guided by Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, the Chinese Women Painters Association adheres to a people-centered creative orientation. It brings together outstanding female painters of the older, middle-aged, and younger generations across various painting genres, regions, professions, and schools. By uniting theorists, curators, and other experts and scholars, the Association has built a service-oriented platform integrating creation, research, exhibition, exchange, training, and collaboration. It pools the strength of women to paint colorful chapters, continuously produces outstanding works and nurtures talented artists, and builds industry influence, exhibition brands, and social benefits. Through fine art as a medium, it promotes the artistic power of Chinese women to a broader global stage.—— Editor-in-Chief / He Yisha  Responsible Editor / Du Yinzhu
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Today Is Awakening Of Insects

2026-03-05

Today is Awakening of Insects.
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Lantern Festival at CAFA: We admire lanterns, and We Cherish Dreams | Welcome to The Magical World Of Picture Books

2026-03-04

Welcome to the colorful and splendid paradise of imaginationOn the Lantern Festival,at CAFA,we admire lanterns, and we cherish dreams.On the 3rd floor of CAFA Art Museum, an art wonderland about "light" and "dreams" is being lit up for you. Nearly 50 young artists have presented nearly 300 original picture book artworks and 10 animated works with their brushes and stories. They are quietly displayed, yet filled with endless vitality.We will also be repeatedly drawn to the richness, diversity, and boundless creativity in the narrative conceptions and visual expressions of the works."Spring Fortune"Zhang YueSpring Blessing2020Book, printed draft, manuscript (watercolor on paper)Collection of CAFA Art MuseumA little blessing who missed the divine enlightenment meets a little fox at a small noodle shop. With the aroma of its delicious soup, the noodle shop becomes popular. In turn, the little blessing enlightens itself in its own way. Through the growth of the little blessing, the work intends to convey the longing for precious reunion and harmony behind the "Spring Festival atmosphere"."Time and Light Theater"Zhan XinyuanTime and Light Theater2023 Book, printed draftCollection of CAFA Art MuseumTaking the Changxin Palace Lantern as the main thread, the work looks back on history. Cultural relics connect the past and the present, allowing us to feel the accumulation of history and the weight of time.This book delves deeply into cultural relics and history, conveying the culture and beauty of time in a unique way, and endowing them with new contemporary significance. It integrates the once difficult-to-understand history into daily life, inheriting the past while enriching the present."Will, Goodbye Again"Yao Jiaqi, "Will, Goodbye Again" 2018 Book, printed manuscript, manuscript (gouache on paper) Collection of CAFA Art MuseumWhen the little boy faced his traveling companions getting off the bus, he gradually understood the weight of parting from initially not knowing what parting was, and cherished every farewell more. When he himself got off the bus, he was able to face it bravely. Finally, he found that we will eventually achieve "goodbye again"."Awake"Pang Rong,Awake2019Book and printed manuscriptcollected by CAFA Art MuseumA star meets a girl, and they embark on a romantic journey. Along the way, there is sweetness, thrill, fantasy, and beauty. They develop a passionate and sincere affection for each other. However, the star’s life is limited. The boundless joy shared with the girl uses up all its radiance, and it vanishes back to the Star Garden. With the help of a whale, the girl finally finds the star again. At the moment of parting, the star gives its heart to the girl, and the two cherish and understand each other deeply."Bang Bang Bang"Chen SicongBang Bang Bang2019Book and printed manuscriptCollection of CAFA Art MuseumThe night holds both curiosity and fear, and faint sounds become especially distinct in the dark. Using onomatopoeia to create atmosphere, with "Bang Bang Bang" as the thread, this book follows the young protagonist on a search to explore a unique world of the night."Pop! Darkness"Zhu Ruoge"Pop! Darkness"2024Book and printed manuscriptCollection of CAFA Art MuseumA girl who is afraid of the dark plucks up her courage to go downstairs alone in search of her toy bear.In the pitch-black house, besides the cautious girl, there seems to be something else hiding in the darkness…She searches around with a flashlight. As one lamp after another is turned on, the dark house gradually brightens,and something is scurrying away in all directions…"Sunflower"Li LuyaoSunflower2023, Book and printed manuscriptCollection of CAFA Art MuseumThis is a warm and childlike picture book featuring sunflowers with their heads bowed, showcasing the shining points around us from a child's unique perspective. It tells readers to bravely be themselves and discover the light in their hearts. Who says sunshine only comes from the sun? Whether you look up or bow your head, there is sunshine everywhere."Paper Universe"Li Ke"Paper Universe"2022, Book, ManuscriptCollection of CAFA Art MuseumIn the paper universe, on one side lives the Creator, who brings life and color to the blank pages. On the other side lives the Eraser, who likes to wipe away anything he deems unnecessary. These two worlds are isolated from each other, unaware of each other's existence. Through a chance event, the two worlds gradually begin to merge."Sea Moon"Zhu Zhongyuan"Sea Moon"2019, Book, ManuscriptCollection of CAFA Art Museum The author attempts to construct an ideal world of equality, fraternity, no disputes or selfish interests, where everyone dedicates themselves. The story begins with a child who drowns at sea being rescued by the mysterious "Sela" people. The Sela people live near the pale yellow luminous "Sea Moon" on the seabed and have built "Moon City". For generations, the people of this clan have been committed to healing injured marine creatures, silently persisting, and never being known to humans.These works all tell us that magic is never far away.May you find your own surprise and touch among them,and have a fulfilling day illuminated by imagination.Editor-in-Chief / He YishaEditor / Du Yinzhu
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Exhibition Extension Announcement | "Painted in the Depths of Time — Exhibition of Works Donated by Mr. Zhou Lingzhao" Extended to March 15th

2026-03-02

Dear Visitors,Since the opening of the exhibition "Paintings in the Depth of Time – Donated Works by Mr. Zhou Lingzhao", it has received an enthusiastic response from all sectors of society. As an important figure in the history of Chinese art, Mr. Zhou Lingzhao’s works, imbued with the memories of the times and his original artistic aspirations, have deeply touched every visitor. To allow more people the opportunity to explore the 70-year creative journey of this artistic master, the exhibition is now extended to March 15, 2026.This exhibition features 221 works donated by Mr. Zhou Lingzhao to the CAFA Art Museum, covering a wide range of categories including watercolor, gouache, sketches, comic strips, murals, posters, and designs. Spanning from 1938 to 2008, the works represent his seven decades of artistic practice.We warmly welcome teachers, students, fellow artists, and friends from all walks of life to visit the exhibition.CAFA Art MuseumMarch 1, 2026主编 / 何一沙 责编 / 杜隐珠
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展览导读 | 走进“无‘野’不成城”章节三 “生长的绿野”

2026-02-28

展览现场< CAFAM赛道特等奖方案展览 >无“野”不成城章节三 “生长的绿野”人类社会的异化是非人类物质遭遇的先兆,一如植物在人类栽培的过程中逐渐失去自身的特性与差异,人类长期以来的控制与剥夺在极大程度上忽视了非人类物质的能动性。人类如何理解世界?这一章节以地理学的“MTHG”(More- than- human Geographies, MTHG)的理论切入,以非人类的视角,深度思考我们所处的“附近”——城市远非一个纯粹的人类空间。我们存在的世界是一个多元的集合体,生物哲学提供了一种特殊的时空想象, 它是“块茎的”(去中心化的、不稳定的、多维的)和拓扑的,由此提供了一个不断被重塑的具有多元空间的世界。“再野化”(rewilding)或许能成为当代构筑起这一拓扑网落的粘合剂,“再野化”关注那些非人类物质的发展,使其重新和谐地归复我们所在的空间,“rewild”并非是人类与自然生态的对立,而是在行动者网络中找回那些不受人类规训的“野性”,世界不是先验性的存在,而是每时每刻在复杂的交织中不断生成的。“再野化”想构筑的,是一种以物本身的关系为导向的,强调非人类和人类互动共生,更生动而丰富的世界。本章节参展作品《惊蛰》作者:孙贻武创作媒介:纸本水墨创作年代:2023作品尺寸:100cm×573cm春雷动,万物生,是为惊蛰。人类如何理解世界?自然万物的苏醒与蛰伏,在某种程度上也映射着人类精神的内在生息。在条幅《惊蛰》中,艺术家孙贻武以宏观视野静观万物,将流转的自然节律融入笔墨。这一视觉图景暗合了中国古代“天地并生、万物为一”的哲思,将观众引入一方心与物游的澄明天地。
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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