Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM Public Recruitment | Awakening in Colors · Art Without Age Boundaries Public Education Series Events

2026-05-09

It is the 2026 Graduation Season of the Central Academy of Fine Arts. The Public Education Department of CAFAM, in collaboration with the Art Museum Management Studio of the School of Art Management and Education, launches a new practice of museum-academia collaboration and presents the public education series Awakening in Colors · Art Without Age Boundaries.This event takes the graduation-season art scene as a bond, building a sincere and communicative "public living room" for participants of all age groups, and exploring more possibilities for public aesthetic education to bridge generational gaps. The project transforms the art museum into a generational interactive field of mutual subjectivity. With art as the medium and creation as the catalyst, participants of different ages meet and communicate through artistic practice, becoming equal and vibrant creative partners to one another.临时轮廓:家庭记忆拼贴工作坊Temporary Outline: Family Memory Collage Workshop中央美术学院美术馆公教部结合毕业季主题,推出「焕彩共生·艺无龄界」系列公教活动之「临时轮廓·家庭记忆拼贴工作坊」。本次工作坊以艺术家盖琦正“以物证钩沉记忆、以档案重组叙事”的创作方法为灵感,将“地理迁徙”拓展为更具普遍性的家庭时间流动与生活变迁,让每一组家庭都能找到属于自己的情感切入点。我们将从梳理家族记忆碎片开始,学习如何用拼贴语言讲述私人故事;再以家庭旧照与通用材料为载体,为家族中那些被时光模糊的片段构建起温柔的轮廓——也许是一位未曾谋面的长辈,也许是一段被遗忘的往事,都将在剪拼与重组中重新被看见。在动手过程中触摸家族史的温度,完成一份承载私人叙事的记忆拼贴作品。工作坊流程开场引入 · 20分钟艺术家分享创作故事,讲述如何面对家族档案的空白,从长辈故事中打捞与还原记忆的方法。记忆提取 · 20分钟从家族史聚焦到一位具体的家人,打捞他/她的专属印记:物件、气味、口头禅,以及你对他/她的“未知”与疑惑,为创作收集线索。绘制人物轮廓 · 20分钟两人一组,想象家人的经典姿态,由同伴在瓦楞纸板上勾勒并剪下轮廓,为故事搭建温柔的“容器”。拼贴叙事 · 60分钟分层完成拼贴创作:- 底色层:用碎纸打底,铺陈肌理与情绪- 照片层:将家庭照片贴在轮廓的关键位置,锚定记忆- 文字层:写下打捞的细节,让文字与图像共同叙事 临时的群像 · 15分钟将作品立牌排成家族群像,每组简单分享创作故事;结束后可前往艺术家展位,结合影像交流创作脉络。工作坊报名工作坊时间:5月10日(周日)10:00-12:00工作坊地点:中央美术学院美术馆 4层公教空间招募对象:代际搭档(建议 60–70 周岁长者 + 12 周岁以上青少年)招募人数:8 组(16 人)扫描二维码预约报名,名额有限,报满为止,不接受现场报名。注:1. 工作坊全程免费参与。2. 请报名成功的公众于活动当天准时在美术馆4层公教空间集合并签到。3.活动最终解释权归中央美术学院美术馆所有。相关毕业作品任子伊中央美术学院艺术管理与教育学院 2024 级研究生,美术博物馆管理工作室成员,“美术馆银发—青年群体协作教育模式理论建构研究”课题组核心成员。主攻艺术管理学研究方向,具备丰富展览策划与美育活动统筹经验,先后策划多项艺术展览,参与统筹多场校内外公共美育项目。联合主办: 中央美术学院美术馆公共教育部中央美术学院艺术管理与教育学院美术博物馆管理工作室焕彩共生·艺无龄界系列公教活动总策划:肖宝珍、张瀚予工作人员:姚轶群、梁雯、任子伊、惠春艳、杨婕主编 / 何一沙责编 / 杜隐珠编辑 / 张妮
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CAFAM美术馆之夜 | 毕业季会员专场

2026-05-09

2026中央美院毕业季您来了吗?如果还未抵达,或还没看够,或担心白天浪潮般的人流,请您务必看过来。2026.5.10 19:00-21:30母亲节专场为您的观展轻松加餐注:该专场为回馈CAFAM年票会员而设立,中央美术学院美术馆会员凭证件从中央美术学院北门进,免费入场。年票绑定的同行人,请刷身份证入校入场。欢迎您成为CAFAM年票会员,支持美术馆的发展,与我们同行,焕彩共生。微信小程序搜索“中央美术学院美术馆”→进入CAFAM年票专区→实名购买并激活。一卡畅行 全年艺术自由告别抢票 刷证进入直达毕业季免预约|30+展览畅看99元起,承包整年的美学盛宴会员分类学生年票 | 99元个人年票 | 300元•1+1双人特权,主副卡可用家庭年票 | 500元• 2大2小全家通行会员尊享免预约+会员专享活动美术馆之夜免费参与咖啡厅9折优惠观展累计3-4次即值回年费即刻开通CAFAM年卡解锁属于你的美术馆叙事主编 / 何一沙责编 / 杜隐珠
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延期公告 | 第五期“广角°青年实验项目空间”方案征集

2026-05-08

广角°青年实验项目空间中央美术学院青年教师种子计划支持项目主办中央美术学院美术馆中央美术学院教师工作部(人事处)中央美术学院教师发展中心“广角°青年实验项目空间”是展示中央美术学院青年教师策展与创作的实验田,意在通过多元的展览项目,协助并促进青年师生对跨学科联动、区域文化研究和中国传统文化作出积极回应。该项目由中央美术学院美术馆、教师工作部(人事处)和教师发展中心联合主办,鼓励青年教师在此申报并实施实验性展览项目。在过去两年期间,“广角°”已完成四期项目的征集与评选,现有22个展览方案入选。第四期“广角°青年实验项目空间”展览方案评审现场“广角°”其名,一则与美术馆一层公共空间的另一策展培育计划“锐角”呼应,将美术馆中的两个空间以青年策展实践为角度相连接,向社会展示学院在策展教育与策展实践方面的最新成果;二则与青年教师在创作与教学中不断拓宽的思想广度相联系,在前四期入选方案中,有不少扩展跨媒介实践、创作方法和艺术教学的项目。在未来的美术馆发展规划与教师工作部的青年教师种子计划中,“广角°”将作为一个起点,以校内艺术教育与社会美育传播为两条延线,展示青年与时代语境的交流,激活青年与传统文化的链接,催生青年与更广阔可能性的碰撞,期待美院青年教师以个人方案和团体方案的方式在此展现才华和创意。此项目面向中央美术学院的全体青年教师,征集涵盖展览策划、作品创作等内容的两类方案。我们希望这些方案能够体现合作精神、青年创意以及在艺术语言上的大胆探索。入选方案将获得资助实施费用4万元。3层C展厅基本情况空间面积100平方米,包含内外两个部分。空间图和平面图详见(附件1)。两类征集方案的说明第一类:团体项目·以小组形式围绕一个主题进行的实验性展览策划与实施方案(包含师生团队项目)。·方案提交材料包括:展览题目、800字展览内容/理念阐释、参展作品图及作品信息、空间规划方案、学术/公共教育活动方案(优先面向公众、联络校外的活动)、经费预算明细、小组成员介绍。(详见附件2)第二类:个人项目·一位青年教师的新作/近作展览方案,其中需包含另一位青年教师作为策展人为其构思的展览策划案。·方案提交材料包括:展览题目、800字展览内容/理念阐释、参展作品图及作品信息、空间规划方案、学术/公共教育活动方案(优先面向公众、联络校外的活动)、经费预算明细、艺术家介绍与策展人介绍。(详见附件3)其他方案申报的说明1.申请人需为45周岁以下的美院青年教职工;2.如对方案申报有其他问题,请联系美术馆易老师15901351707和胡老师13810361926。附件:附件1. 展厅平面图附件2. 团体项目方案申请书附件3. 个人项目方案申请书附件下载链接:https://pan.baidu.com/s/1b6dahS-kRtS4eI2Y4jD_ig?pwd=cafa提取码: cafa第三期入选项目展览现场“万物有灵——贾田雪个人作品展”展览现场“应物‘相’形——杜英奇雕塑新作”展览现场主办:中央美术学院美术馆中央美术学院教师工作部(人事处)中央美术学院教师发展中心“广角°”项目筹备组总顾问:林茂、徐扬、于洋总策划:靳军、韩文超、杨杰特聘专家:吴洪亮、彭锋、冀鹏程、张鹏统筹:高高、海军、李垚辰、刘京、李晶执行策划:刘希言、易玥、王静、周梓煦、胡晓岚、李捷、刘宇晗主编 / 何一沙责编 / 杜隐珠
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CAFAM直播预告|带你走进焕彩共生的央美毕业季

2026-05-08

主编 / 何一沙责编 / 杜隐珠编辑  / 贺伊飞
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中国画的笔墨探索 | “中央美院研究生毕业展”作品秀

2026-05-07

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Lecture Preview | Context-Praxis Salon

2026-05-05

Body · Illusion · Watchfulness——The Epiphany of Eastern Aesthetics and Zhao Liang’s Dance ArtTime: 18:30–20:30, May 6, 2026Venue: Lecture Hall, CAFA Art MuseumSpeakers: Zhao Liang, Shao Yiyang, Yang Minggang, Wu Jian, Wu HongOrganizer: CAFA Art MuseumSupporter: Chinese Academy of ArtsThe Context-Praxis Salon is a public art education and academic event launched by CAFA Art Museum, aiming to connect and discuss contemporary artistic practices across diverse fields. We regularly invite experts and scholars from various disciplines to present their latest artistic practices and research findings to the public. Unlike the CAFAM Public Theatre, which adopts performance and exhibition as its core presentation forms, this salon showcases artists’ current practices through discourse and textual exchange. Together with the CAFAM Public Theatre, it forms a dual platform for the museum to conduct in-depth discussions and public communication on the cutting-edge frontiers of contemporary aesthetic education.校外观众请扫描二维码预约入校请从中央美术学院美术馆西门进入学术报告厅Off-campus visitors are requested to scan the QR code to register for entry.Please enter the Auditorium through the West Gate of CAFA Art Museum.Lecture Content————————————In recent years, Zhao Liang, a prominent young contemporary dancer, has persistently pursued and explored the integration of modern dance with Eastern elements. He has established a distinctive artistic signature while infusing the ideas and concepts of modern dance into the ancient yet vibrant Eastern physical tradition, creating a series of stage works rooted in an Eastern cultural context. Among his representative works is the Eastern Spirit and Desire Trilogy, consisting of its first chapter Illusory Metamorphosis, middle chapter Tea, Illusion and Scripture, and final chapter Twin Retreats. His piece Martial Dance is an interdisciplinary collaboration between martial artists and modern dancers, seeking to liberate contemporary martial arts from the constraints of competitive sports. Another work, Divine Harmony, was created in a Zen monastery in Shanghai. All of these creations reflect Zhao Liang’s profound exploration and sincere passion for Eastern aesthetics. His artistic practice focuses not only on the innovation of physical movement vocabulary but also on embedding unique Eastern aesthetics into his dance works through striking visual expression. For this session of the Practical Context Research Salon, we are honored to invite renowned contemporary dancer Zhao Liang to share his artistic philosophy. Scholars from relevant fields will also be present to discuss and comment on the formation of traditional Eastern spiritual charm across diverse artistic disciplines.Special Guest——————————Zhao LiangA leading contemporary Chinese dance artist, Zhao Liang graduated from the Department of Dance, Minzu University of China. He once served as a dancer with the Guangdong Modern Dance Company. Currently, he acts as the Art Director of Zhao Liang ART and a director of the China Dancers Association. He joined the Guangdong Modern Dance Company in 1998 and participated in international cultural exchange programs. In 2003, he became an independent artist and embarked on interdisciplinary creation. His representative work, the Eastern Spirit and Desire Trilogy — including Illusory Metamorphosis, Tea, Illusion and Scripture and Twin Retreats — integrates traditional Chinese opera with Western modern art. Inspired by Tang-dynasty tea utensils, Tea, Illusion and Scripture has staged nearly 200 global performances to date. His work Martial Dance further combines martial arts with modern dance. His choreographic works have won the Golden Lotus Award of China Dance and the New Drama Award of the Wenhua Awards. He also received the highest modern dance award at the International Dance Competition in Italy. Supported by the China Federation of Literary and Art Circles Fund and the National Art Fund, Zhao Liang has been selected for the National Leading Talents Training Program for Literature and Art.Shao YiyangProfessor at the Central Academy of Fine Arts, Vice Dean of the School of Humanities, doctoral supervisor and postdoctoral supervisor. She also serves as the lead researcher of Western Art History, Director of the World Art History Association, Member of the Art Theory Committee of the Chinese Artists Association, and Director of the Chinese Oil Painting Society. Additionally, she is the Executive Editor of the Visual Culture Series published by Jiangsu Phoenix Fine Arts Publishing House. She earned her PhD in Philosophy from the University of Sydney in 2003 and once worked as a visiting professor at the University of Melbourne. In 2019, she was awarded the International Prize for Chinese Contemporary Art Criticism. Her major publications include After Postmodernism, Beyond Postmodernism, A History of Western Art, Modern and Contemporary Art of the 20th Century, Contemporary Art in a Global Context, and Western Art: A Visual History. She has led the translation of A New History of Renaissance Art and edited the series Documents of Modern Western Art Studies in China.Yang MinggangDoctor of Literature and Postdoctoral Fellow in Literary Aesthetics. He currently serves as Director and Research Fellow of the Dance Research Institute at the Chinese Academy of Arts, as well as a doctoral supervisor. His research focuses on Chinese aesthetics, ancient literary theory, literary and art history, and art criticism. He has undertaken sub-projects of major art programs funded by the National Social Science Fund of China, including Research on the Current Assessment, Construction Goals and Evaluation Criteria of the Disciplinary System, Academic System and Discourse System of Chinese Art Studies, and Theoretical and Practical Research on Chinese Aesthetics and Artistic Spirit. He also presides over the Qing-dynasty sub-project of the key National Social Science Fund project A Comprehensive History of Chinese Aesthetic Consciousness. His authored works include A Comprehensive History of Chinese Aesthetic Consciousness: Qing Dynasty Volume and The Modern Transformation of Chinese Aesthetics. He is the chief editor of the six-volume series Studies on the Spirit of Chinese Aesthetics.Wu JianAssociate Professor at the School of Art and Communication, Beijing Normal University, and Doctor of Art Studies from Peking University. Supported by the China Scholarship Council, he pursued joint research in the field of Representation Culture at the University of Tokyo. His main research focuses on modern Chinese art theory and criticism, with a particular attention to contemporary dance practice and criticism from the perspective of art theory.Wu HongProfessor and doctoral supervisor at the Central Academy of Fine Arts (CAFA). He obtained his doctoral degree from the Graduate School of CAFA in 2019, and was a visiting scholar at the Royal Academy of Fine Arts Antwerp, Belgium, from 2023 to 2024. His long-term research and creation focus on lithography, watermark woodcut and mixed media art. Characterized by woodblock imprints, ink diffusion and layered light and shadow, his practice is dedicated to the contemporary transformation of traditional printmaking, blending Eastern artistic conception with contemporary concepts. He has held numerous exhibitions at home and abroad. His solo exhibitions include Interpretation of a Poem, Calling Names Through Wood, Shifting Forms and Resonant Senses, and Wandering Ode on the Wall. His works are collected by major art institutions both domestically and internationally.Host——————Geng JinghuaCurator and writer, she serves at the Public Education Department of CAFA Art Museum. She curates and hosts art education programs including the CAFAM Public Theatre and Idea Lab. Her research focuses on case studies of contemporary artists, as well as the production and communication of public aesthetic education.Chief Editor / He YishaResponsible Editor / Du YinzhuEditor / Zhang Ni
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Start of Summer Today, Perfect for Exhibition Visits

2026-05-05

Start of Summer Today, Perfect for Exhibition Visits
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Zhao Li | The "Metamorphic" Expression and Visual Turn Of Ren Bonian's Flower-and-Bird Paintings From The Perspective Of Shanghai School — Centered on the Collection of CAFA Art Museum

2026-05-03

Editor-in-Chief / He YishaEditor / Du Yinzhu
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Must-visit for May Day! Over 1,000 artworks at the CAFA Postgraduate Graduation Exhibition interpret the theme of "Awakening in Colors"

2026-05-01

The annual major art event — the 2026 CAFA Graduation Season — kicked off on April 30, with the highly anticipated first phase, the Graduate Graduation Exhibition, opening concurrently. Bringing together over 1,000 elaborate works by 570 master’s and doctoral graduates, the exhibition presents a comprehensive and multi-dimensional showcase across the museum’s galleries. It features graduate creations from the School of Chinese Painting, Department of Oil Painting, Department of Printmaking, Department of Mural Painting, Department of Sculpture, Foundation Department of Fine Arts, School of Calligraphy, School of Experimental and Technological Art, School of Design, School of Cultural Heritage Conservation, Institute of Aesthetic Education, and School of Humanities.This is not only a youthful ritual bidding farewell to campus life, but also a demonstration of contemporary young artistic vitality under the new theme of "Awakening in Colors". We welcome all visitors to immerse themselves in the exhibition and experience the pioneering voices of these emerging artists as they embrace transformation and new beginnings.
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Sneak Peek of The CAFA Graduation Season! Come Take A Look?

2026-04-28

● ●●●●When art intertwines with CAFA, colors come to life. The 2026 CAFA Graduation Season is around the corner, and a visual feast themed “awakening in colors" is quietly taking shape. Every artwork by CAFA students speaks to the vitality of art. From monochrome to rich hues, from static to dynamic, and from observation to interaction, the evolving journey of artistic creation is fully presented.With fewer than 48 hours to go before the official opening of the CAFA Postgraduate Graduation Exhibition, follow our lens to the exhibition venue and catch an exclusive sneak peek of the final installation preparations.On April 30th, countless colors converge and coexist, and diverse youthful spirits unite to generate vibrant energy, blooming fully across the campus of the Central Academy of Fine Arts. More surprises await your personal discovery!The online ticket reservation channel for the 2026 CAFA Graduation Season is now open. Visitors can make reservations and purchase tickets via the Art Museum Mini Program, official WeChat account or official website of the Central Academy of Fine Arts (please refer to the official website for detailed ticket purchase instructions). Reservations can be made up to 7 days in advance. Daily visiting quotas are limited and will close once fully booked. The art museum will open as usual on Mondays during the graduation season.Real-name reservation with valid identification documents is required. Each person is limited to one reservation per day, and visitors shall arrive at the museum at the reserved time after successful reservation. During the graduation season, visitors can enter the museum by verifying their identity cards and other valid documents at the dedicated ticket checking passage at the north gate of the Central Academy of Fine Arts.主编 / 何一沙 责编 / 杜隐珠部分图片来源:小红书博主 脸脸
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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