Editor’s Note
Table of Contents
Digests
Art Stories
The Spirit of “Harmony” as a Driving Force of Artistic Innovation: A Reflection on the Theme of the First Jinan International Biennale
by Fan Di’an
Generation of the Art Museum's Intellectual Mechanism
by Zhang Zikang
Miles Apart, yet Close at Heart: Kansetsu Hashimoto and Qian Shoutie
by Chen Wei
The Visual Logic behind Republican Era Exhibitions at the Tianjin Art Museum
by Ai Shu
Recognizing Value in a Multicultural Society: The Social Rationale and Values behind Collections of Contemporary Chinese Art in Australia
by Ye Ying
Multidimensional Transformations of New Media Art in Traditional Museums
by Wang Ying
Hyperconnectivity: Meanings and Expressions of “Globalization” in Art Exhibition Narratives
by Feng Xue
FEATURES
The Art Museum on the Frontier: The “Virtual Exhibition” and Artificial Intelligence
Planning/Editorial Department
Virtual Reality in the Art Museum: A Review of Debates and Proposition of a Theoretical Approach
by Hao Zhou, translated by Han Han
Human Emotion Meets Machine Emotion: The Study of Affection in AI
by Yang Shuo
The Virtues and Vices of Virtual Museum Tours
by Georgia Haseldine, translated by Lu Yufan
An Exchange between Curators and Exhibition Designers: On Exploring Virtual Exhibition Courses
by Liao Liujun
How Virtual Exhibitions Can Reconnect with the Audience in the Time of We Media?
by Kang Li, Quan Wenxi
Exhibition Narratives and the Purpose of Museums and Art Museums in the New Technological Era
by Wang Weiyi
CURATORIAL STUDIES
Narrative Extension in Folded Space-Time: Construction and Integration of Form, Meaning and Spirit in the “Camel Bells Beyond the Great Wall” Exhibition
by Cheng Ping
Curatorial Context of the New Era and Reconstruction of the Curatorial Field
by Ji Pengcheng
Resonance of Philosophy and Art: How the “True Essence: Chinese Philosophy in Qi Baishi's Art” Exhibition was Curated
by Wang Yanan
Building on the Past as the Cultural Position of the Art Museum: A Case Study of Historical Research and Curatorial Practice Regarding the Printmaking Collection at Sichuan Art Museum
by Feng Shi
COLLECTION STUDIES
Evolution of Lai Shaoqi’s Printmaking Themes in Early New China and their Links to the Past: From his 1950s Color Woodcut Prints
by Ding Yuanfei
EXHIBITION STUDIES
Curatorial Interpretation: Reconsidering Art Exhibition Design
by Wang Huanran
EXHIBITION REVIEW
Does Computer Art Exist?
by Wei Ying
Why Must We Keep Revisiting the 1980s?
by Du Mengqian
From Art to Life: On “Standing on the Frontline of Life: Hu Yichuan’s Art and Archival Exhibition”
by Leng Junqi
HISTORY OF ART MUSEUM ·GAFAM
Art Museum of Guangzhou Academy of Fine Arts: Three Museums and One Center: Assembling an Important Regional Art Force
Director Talks: Wang Huangsheng, Hu Bin, Chen Xiaoyang: Self Awareness in a Regional University Art Museum
Visiting GAFAM Departments
Selected Works from GAFAM Collection
FORUMS
Designing Museums for the Future
An Opened Cube: 21st Century Art Museums Led by Visitors
Yuko Hasegawa & Kazuyo Sejima: 21st Century Museum of Contemporary Art, Kanazawa
Sjarel Ex & Shi Wenchian: Depot Boijmans Van Beuningen
Claire McKeown & David Allin: The V&A East Project
Ole Bouman & Tatsutomo Hasegawa: Design Society & Sea World Culture and the Arts Center
Q&A
NEWS
CALL FOR ARTICLES
