Art in Renaissance Italy, 1350-1500 shatters the traditionally mythological interpretation of Renaissance, and reintroduce the splendid artworks through their production process, starting from materials such as jewel, bronze, stone, and glass and methods like printmaking and murals. Meanwhile, the author also offers a glimpse into the competition and cooperation between different artist associations and studios in depth, elucidates the complicated relationship between artists and sponsors in economic terms, reveals when and where people at that time would consume artworks, and explores how these artworks satisfied the self-interest of royal members, religious authorities, and high government officials. In one word, the book exposes readers to the Renaissance Italy and the real sense of humanity surrounding the artworks.