Accumulation -- Print Exhibition Of Contemporary Chinese Art Masters

  • Dates:2024-10-18 - 2024-11-24
  • Opening:2024-10-18
  • Organizer: CAFA Art Museum
  • Academic adviser: Su Xinping Chen Qi
  • Curator: Wu Hongliang

Details

Under the name of "Accumulation" , and using printmaking as a medium, this exhibition brings together 10 influential artists, including Xu Bing, Sui Jianguo, Zhang Xiaogang, Su Xinping, Wang Huaxiang, Meng Luding, Hong Hao, Chen Qi, Feng Mengbo, and Qiu Zhijie, with a total of 50 works of printmaking and 5 works from each artist. Due to the different creative backgrounds of the artists, they are naturally associated with a variety of different art forms, such as oil painting, sculpture, installation, video, etc., which jointly interpret a marvelous combination of contemporary consciousness and traditional printmaking genes. 


The works in the exhibition cover almost all the mainstream printmaking forms such as copperplate, lithography, silkscreen, digital printing, watermark woodcut, and so on. In terms of expression, traditional techniques such as linocut, etching, overprinting and mezzotint are applied, as well as modern techniques such as photographic platemaking, microvoltage printing, mechanical means and digital technology. The use of different techniques is not only compatible with the needs of the artists to express their works, but also involves their creative concepts and ways of thinking. More importantly, in this era of contemporary art and digitalization, a collective action to return to materialization is very meaningful in itself. 


The exhibition has been enriching itself during its three-year tour, and now it finally comes to a perfect conclusion at the Art Museum of the Central Academy of Fine Arts (CAFA). Through the printmaking practices of artists from different fields, the exhibition hopes to stimulate thinking about the nature of printmaking, discussing the "inverse thinking", "layer thinking", "plurality" and other printmaking genes behind printmaking, as well as the relationship between printmaking and contemporary art. It will discuss the genes behind printmaking, such as "inverse thinking", "layer thinking", "plurality", etc., and contemporary art, and explore the special value of printmaking genes for contemporary art. 


The exhibition will last until November 24th.

Artworks

Artworks

Photographs

Photographs

Related essays

CAFAM Preview | “Accumulation——Print Exhibition Of Contemporary Chinese Art Masters” And Academic Seminar About To Start

2024-10-15

集成——中国当代艺术名家版画展展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅 开幕时间:2024年10月18日下午14:00开幕地点:中央美术学院美术馆报告厅开幕式预约二维码(嘉宾请扫码预约进校)本次展览以“集成”为名,以版画为媒,汇聚了徐冰、隋建国、张晓刚、苏新平、王华祥、孟禄丁、洪浩、陈琦、冯梦波、邱志杰,10位在当今颇具影响力的艺术家,每人5件,共50件版画作品。因艺术家各自的创作背景不同,又自然关联到了油画、雕塑、装置、影像等多种不同的艺术形式,共同演绎了一场当代意识与传统版画基因的奇妙结合。展览作品涵盖了铜版、石版、丝网、数码打印、水印木刻等目前几乎所有的主流版画形式。在表现手法上,从线刻、腐蚀、套色、美柔汀等传统技法,到照相制版、微电压印刷、机械手段、数字技术等现代技法都有被应用。不同技法的使用既与艺术家作品表达的需求相适应,更涉及到他们的创作理念和思维方式。更重要的是,在这个当代艺术与数字化的时代,一种集体性的重回物质化的行动本身就非常有意味。展览在跨越三年的巡展中不断丰盈,如今终于在中央美术学院美术馆迎来了完美的收官。展览希望通过不同领域艺术家的版画创作实践,引发关于版画本质的思考,讨论版画背后的“逆思维”“层思维”“复数性”等版画基因与当代艺术的契合,探讨版画基因对于当代艺术的特殊价值。展览将持续到11月24日。 部分参展作品学术研讨会集成思维与版画基因时间:2024年10月18日星期五10:00—12:00地点:中央美术学院美术馆会议室研讨会预约二维码(请扫码预约进校)会议主持吴洪亮(全国政协委员、北京画院院长、本次展览策展人)发言嘉宾|参展艺术家|徐冰、隋建国、苏新平、王华祥孟禄丁、洪浩、陈琦、冯梦波|其他校内嘉宾|靳军、唐晖、于洋、张鹏、刘礼宾、张战地集成——中国当代艺术名家版画展展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅主办:中央美术学院美术馆学术顾问:苏新平 陈琦   策展人:吴洪亮   展览总监:靳军 韩文超展览统筹:王春辰 高高创意总监:唐胜策展助理:王霖 刘晶 宋金明 陆天嘉 张恩泽 梁子琦 杨嘉怡展览协调:刘希言 王若冰设计统筹:纪玉洁展览设计:王毅 书籍设计:蒋艳鸣谢   特别资助:魏新民  王庚飞   中央美术学院版画系丝网工作室中央美术学院版画系铜板工作室CHAOS版画工作室 | 北京陈琦工作室隋建国工作室主编 / 何一沙责编  / 杜隐珠
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Explore the rich and mysterious technique interpretation of 'printmaking|Printmaking Techniques for "Accumulation - Chinese Contemporary Artists' Printmaking Exhibition" (I)“集成——中国当代艺术名家版画展”的版画创作技法(一)

2024-11-04

According to the plate materials, prints can be divided into multiple types such as woodblock prints, copperplate prints, lithographs, and silk screen prints. Each type of print has its unique production process and artistic expression form. This exhibition gathers 50 print works by 10 artists including Xu Bing, Sui Jianguo, Zhang Xiaogang, Su Xinping, Wang Huaxiang, Meng Luding, Hong Hao, Chen Qi, Feng Mengbo, and Qiu Zhijie, showing the dialogue between traditional art categories and contemporary creative techniques.Among many types of prints, digital micro-voltage printing prints represent the ingenious combination of modern technology and art. Woodblock prints are highly regarded for their long history and simple beauty. Lithographs attract attention because of their unique texture and profound color expression. This exhibition presents digital micro-voltage printing prints by Xu Bing, woodblock prints by Sui Jianguo, Wang Huaxiang and Chen Qi, lithographs by Feng Mengbo and Qiu Zhijie, copperplate prints by Zhang Xiaogang, Su Xinping, Wang Huaxiang and Meng Luding, and silk screen prints by Hong Hao. In the collision between traditional techniques and contemporary creativity, these works reveal visual images in multiple dimensions and the unique feelings of artists, thus reproducing the personal schemas of artists.During the exhibition, we will follow in the footsteps of the participating artists to explore the creative processes behind different types of prints and further understand printmaking techniques.Digital micro-voltage printing print═══════════════════════Xu Bing“Today, the power of what we call the media and the spreadability of prints are essentially the same. When we open ourmobile phones, your interface and mine are all the same. It's the same all over the world. Isn't this just like prints? This kind of consensus becomes extremely strong.”Xu Bing, "Phoenix Picture No.1", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.2", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.3", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.2", micro-voltage printing process, 76×56cm, 2008.Woodblock Print═══════════Sui Jianguo“The more you want to preserve the sensibility, the more you need a rational program to validate it; it's by putting these two extremes together that the work becomes interesting.”Sui Jianguo, "Time and Wormhole 1", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 2", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 3", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 4", black and white woodcut, 56×76cm, 2019.Wang Huaxiang “Woodcut print, one cut down is either black or white. We use these two colors to express this myriad world. Because wedon't want to be bound by black, we use white to destroy it. Every time a white dot is picked out, one gains a kind of liberation. When the entire picture is filled with picked-out dots, one gains an unprecedented freedom.”●●● ●Wang Huaxiang, Virus Wearing a Mask No.1", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.2", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.3", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.4", black and white woodcut, 76×56cm, 2020.
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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

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According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

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(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

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(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

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(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

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Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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