Awakening in Colors -- 2026 CAFA Graduation Season CAFA Art Museum

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: Exclusive Live Sneak Peek | Behind The Scenes: Final Stage of CAFA Undergraduate Graduation Exhibition

2026-06-07

Editor-in-Chief: He YishaEditor: Du YinzhuOn-site Photos: He Yifei
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: 魁星点斗，央美等你 | 借任伯年《魁星图》寄予广大考生金榜题名

2026-06-06

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: Live Highlights in Abundance | The final phase of CAFA Graduation Season kicks off. Don’t miss it — next chance comes in a year!

2026-06-09

The second phase of the 2026 CAFA Undergraduate Graduation Exhibition runs from June 8 to June 22, marking the final chapter of the CAFA Graduation Season. Eight schools and departments — the School of Chinese Painting, School of Calligraphy, Department of Printmaking, Department of Sculpture, School of Humanities, School of Design, School of Architecture and School of Continuing Education — present a collective showcase of vibrant and heartfelt creative works.All exhibitions highlight the creative journey "from the studio to the gallery". Sketches, manuscripts and production records are displayed alongside numerous artworks, documenting the evolution of ideas and technical explorations. Visitors can closely observe the layering of brushstrokes, traces of sculpting, overlapping print layers and visualized design plans, and gain insight into the behind-the-scenes logic of artistic creation.We look forward to your presence over these 14 days. Come pause, appreciate and engage with the artworks.Reservation Channel\●●●●●●Online reservation and ticket purchasing for the 2026 CAFA Graduation Season is now available. Visitors may book tickets via the WeChat Mini Program, official WeChat account or official website of CAFA Art Museum (please refer to the official website for ticketing rules). Reservations can be made up to 7 days in advance. Daily visitor quotas are limited and will close once fully booked. The museum opens as usual on Mondays throughout the graduation season. All reservations require real-name registration with valid identification documents, and each person may only make one reservation per day. Please arrive at the museum at your reserved time after successful booking. During the graduation season, please enter the museum through the dedicated ticket check channel at the north gate of CAFA by scanning your ID card or other valid documents.Editor-in-Chief: He YishaEditor: Du YinzhuOn-site Photos: Sun Xiaomeng
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: CAFAM Art Museum Night | Graduation Season Member Exclusive Session III

2026-06-10

Editor-in-Chief / He YishaEditor / Du Yinzhu
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: Central Academy of Fine Arts Graduation Exhibition | Redefine Your Established Perceptions of Printmaking

2026-06-15

The second phase of the Undergraduate Graduation Exhibition of the Central Academy of Fine Arts opened as scheduled on June 8, showcasing works by 28 undergraduate students from the Printmaking Department in the exhibition halls on the second floor of the Art Museum. Using media including woodcut, watermark lithography, lithography, etching, silkscreen, mixed materials, video and installation art, all their creations converge on one core approach: through the act of "printing", they make authentic choices amid the ambiguous space between the physical boundaries of printmaking and their inner emotions.When printmaking is mentioned, many people still hold the stereotypical view that it is merely a form of duplication. Now, step into this year’s graduation exhibition of printmaking works at CAFA with us, and your preconceptions may well be overturned in an instant…Artist: Chen BifangTitle: Series of Flower Letters of the Four SeasonsMedium: Oil-based WoodcutSize: 60cm × 180cmTutors: Wu Jiang, Tan TanArtist Statement: Winter fades and spring arrives, as years come and go in cycles. Rooted in the temporal sequence of the Twenty-Four Solar Terms, this series takes blooming flowers as its carrier. Through carving marks left by gravers, the fleeting beauty of seasonal transitions is eternally captured.Artist: Dong FuzhiTitle: Dialogue Without an AnswerMedium: Video, Watercolor, Screen PrintSize: Video: 11 minutes; Screen Print Poster: 50cm × 70cmTutors: Wu Hong, Zheng QinyuArtist Statement: I heard a cat meowing outside the window as daily life went on as usual. I asked my family if they had heard the sound, yet none of them had. They only recalled cats they had seen before, and ordinary routines kept unfolding. The meow grew louder and louder, while everyone around remained immersed in their daily affairs. They talked about the cat, yet none could catch its cry. One day, the property management confirmed that there was indeed a "cat" in this area. People finally heard the meowing. But what fate awaited this "cat" in the end...Artist: Xu FengjiaTitle: Series Motion in SilenceMedium: LithographSize: Various SizesTutors: Kong Liang, Kang Jianfei, Jiang Fan, Jiang MiaoArtist Statement: This work employs the artistic language of printmaking to depict the subtle flows inherent in all things—like the endless stretch of running water, faint traces left by the wind, or the gentle flicker of flames. Amid tranquility, these delicate shifts appear exceptionally lucid and distinct.Artist: Ding Yu'erTitle: Do Not Go Gentle into That Good NightMedium: Copperplate Print, Mixed MediaDimensions:120cm×40cm, 80cm×40cm, 15cm×15cmTutors: Kong Liang, Kang Jianfei, Jiang Fan, Jiang MiaoDo Not Go Gentle into That Good Night consists of five copperplate prints presented in the form of light box installations. The work adopts a multi-layered structure: the bottom layer is the light source of the light box, with handcrafted and dyed paper layers sandwiched in the middle. When illuminated, the dyed paper forms a nebula-like colour field; the outermost layer is covered with the main copperplate prints made on washi paper. The intricate lines etched on the copperplate overlap with light-transmitting materials, creating a visual effect of floating, flickering and stretching across the image. The title is derived from the poem by Dylan Thomas. Rather than focusing on resistance itself, I lay more emphasis on the emotion of being reluctant to bid farewell. When countless things are destined to fade away, people will always look back out of deep attachment.Artist: Kang XinTitle: Nooks and CornersMedium: Water-based WoodcutDimensions:58cm×80cm, 22cm×25cm, 10cm×25cm,45cm×32cm, 45cm×15cm, 45cm×40cmTutors: Huang Yang, Yang HongweiArtist Statement: Set against the backdrop of urban solitary living, Nooks and Corners focuses on tiny spaces concealed within daily routines: the edge of a bed, beside curtains, in front of cabinets, and by windows. Amid the fast-paced rhythm of city life, the soul finds no place to rest. Could art serve as a haven for respite? This was the initial question driving my creation. Comprising nine prints depicting nine secluded corners, the work avoids narrative storytelling and emotional expression, choosing only quiet observation. The fluid quality of water-based woodcut allows pigments to bleed and permeate naturally. Such partially uncontrollable imprints liberate creation from the pursuit of perfection—precision gives way to sincerity. Spiritual dwelling lies not in distant lands, but in the quiet corners where our gaze settles in moments of solitude.Artist: Weng JunxiTitle: Records of the MermaidMedium: Electronic screen, wax, wooden frame, copperplate print, found objectsDimensions: 200cm×200cm×200cmTutors: Wu Hong, Zheng QinyuArtist Statement: Inspired by a rereading of Hans Christian Andersen’s fairy tale The Little Mermaid and the modern history of whaling, this work takes the mermaid as a metaphor to explore how individuals are shaped and dispossessed within larger power structures. The installation consists of three parts: wax-carved animation, residual wax plates from the animation, and an archival museum cabinet. Narrated in the first person, the animation uses the deformation of wax to visualize the agony of identity transformation, the loss of the right to self-definition under discipline, and eventual self-redemption. The museum cabinet constructs a pseudo-objective knowledge system, placing the mermaid in a position of being categorized and researched. The dual perspectives of personal testimony and circumstantial evidence jointly piece together a history of aphasia and alienation, laying bare the hidden exercise of power embedded in so-called objective records.Artist: Wang XiaoshanTitle: Retracing the Current: Rats Fleeing the Burnt GranaryMedium: Screen Print, Pastel PaperDimensions: 90cm × 70cmTutors: Kong Liang, Li Jun, Jiang Fan, Kang Jianfei, Jiang MiaoArtist Statement: This woodcut scroll selects poems about misunderstanding and conflicts from The Book of Songs. These poems have been translated repeatedly across diverse cultural languages. Core imagery is extracted from the finally generated texts to reconstruct the pictorial composition.Artist: Bian WuchenTitle: GazeMedium: Oil-based WoodcutDimensions: 120cm × 90cmTutors: Huang Yang, Yang HongweiArtist Statement: The work depicts a mysterious mountain forest space. Amid ferns stands an owl in quiet concentration, with sweeping streamlined white patterns stretching across the woodland, enveloping the scene in serene desolation.Artist: Chen GehuiTitle: Island of Hidden HeartsMedium: Multi-block Color Oil WoodcutDimensions: 182cm × 176cmTutors: Kong Liang, Kang Jianfei, Jiang Fan, Jiang MiaoArtist Statement:From childhood onward, people habitually conceal their true selves to fit into social surroundings. Pastimes and confiding in others can never fully relieve pent-up emotions, for everyone harbours an inner self with nowhere to rest. I collected other people’s emotions and personalities through questionnaires, then created a series of independent, isolated figures to construct an inner world—the Island of Hidden Hearts—a haven to hold these desires and inner sentiments.Serving as an emotional shelter in dreams, this place frees people from pretence, offering a space where feelings can settle and inner troubles slowly fade away. Though I shaped countless inner personas, only a few could be selected to build this world, for neither reality nor dreams can accommodate every individual’s inner being. This work does not advocate escaping from reality; it merely provides a resting place for emotions, allowing people to return to real life with greater peace of mind.Artist: Yi KexinTitle: Bubble Kingdom in Dreams – Emotion ChapterMedium: Mixed MediaDimensions: 270cm × 270cm × 250cmTutors: Wu Hong, Zheng QinyuArtist Statement:Centered on the theme of emotion, this work seeks to externalize abstract, ineffable feelings into visual imagery throughout the creative process.Fabricated from thermoformed acrylic sheets covered with PVC material, the installation releases emotions in diverse forms through the combination of light axes and spatial arrangement, taking on distorted, suspended, folded and other varied shapes.It is hoped that the sculptural forms and emotional hues of the piece can resonate with audiences trapped in negative emotions.Artist: Li JieTitle: Slices of Urban MarketplaceMedium: Oil-based Woodcut, Rice PaperDimensions: 26cm × 34cmTutors: Wu Jiang, Tan TanArtist Statement: Amid rapid urbanization, traditional folk life scenes that embody distinctive local culture and warm neighbourhood bonds are gradually disappearing. Created through woodcut techniques, this body of work focuses on a typical public living space—the marketplace. Through meticulous carving, it documents, depicts and reflects upon the most authentic and plain everyday life around us.Reservation ChannelThe online reservation and ticket purchasing channel for the 2026 CAFA Graduation Season is now open. Visitors may reserve and purchase tickets via the WeChat Mini Program, official WeChat public account or official website of the Central Academy of Fine Arts Art Museum (please refer to the official website for detailed ticketing instructions). Reservations can be made up to 7 days in advance. Daily visitor quotas are limited and available on a first-come, first-served basis. The museum opens normally on Mondays throughout the graduation season. All reservations must be made under real-name registration with valid identification documents, and each person is allowed only one reservation per day. Visitors shall arrive at the museum at their reserved time upon successful reservation. During the graduation season, please present your ID card or other valid documents for verification at the dedicated ticketing entrance at the north gate of the Central Academy of Fine Arts to enter the museum.
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: Grand Finale | Live Stream for The Closing Phase of CAFA Graduation Season – Book Your Spot Now!

2026-06-16

The Second Phase of the Undergraduate Graduation Exhibition of the Central Academy of Fine Arts is now on display, featuring graduate works from the School of Chinese Painting, School of Calligraphy, Department of Printmaking, Department of Sculpture, School of Humanities, School of Design, School of Architecture and School of Continuing Education. Ranging from ink wash paintings to digital media, and from traditional calligraphy to spatial construction, every piece embodies the creators’ observations of the times, reflections on traditions and visions for the future. CAFAM Art+ continues to launch a series of live streams, breaking geographical barriers to bring you deep access to the creative scenes and ideological core of the CAFA Graduation Exhibition.Join our livestream at 18:00 on Wednesday, June 17, as our camera pans across brilliant artworks full of awakening colors.Editor-in-Chief: He YishaEditor: Du YinzhuOn-site Photos: Sun Xiaomeng
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: Only 6 Days Left! CAFA Undergraduate Graduation Exhibition – All Four Majors of the School of Chinese Painting in One Visit

2026-06-17

The final phase of the CAFA Graduation Season will conclude on June 22, and works from the School of Chinese Painting stand out prominently among this year’s graduation creations. On the second floor of the art museum hang undergraduate pieces from four majors: Freehand Figure Painting, Fine Line Figure Painting, Landscape Painting, and Flower-and-Bird Painting. Each discipline boasts its distinct artistic style, collectively showcasing the new generation artists’ explorations and breakthroughs rooted in traditional cultural heritage, as well as their reflections on how to observe the world and express inner feelings through Chinese painting amid this rapidly evolving new era.Freehand figure works reveal the artists’ temperament through spiritual resonance and vitality; fine line figure pieces display exquisite craftsmanship via elaborate color rendering; landscape paintings embody grand vision through spatial composition; flower-and-bird works reflect meticulous observation through faithful depiction of natural subjects. Most notably, these young creators do not merely adhere to the ancient tenet of copying and emulating old masters. Instead, through constant dialogue with classical artworks, they have forged their own unique brushwork framework — a painterly language that inherits ancient cultural lineage yet carries sharp, distinctive artistic individuality.Major in Freehand Figure Painting╲Author: Yuan ZhangyuTitle: RealmMaterial: Ink and color on paperSize: 200×205cmYear: 2026
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: Spend Your Dragon Boat Festival at CAFA Graduation Exhibition | 3 Days to Go

2026-06-19

The 2026 CAFA Graduation Season is drawing to a close. Come embrace a rendezvous with art this Dragon Boat Festival! Artworks from eight schools and departments are on display: the School of Chinese Painting, School of Calligraphy, Department of Printmaking, Department of Sculpture, School of Humanities, School of Design, School of Architecture and School of Continuing Education. Here you will find nearly every art form imaginable, including ink painting, woodcut, lithography, fashion, jewelry, digital media, spatial installations and architectural landscapes. These young creators have poured all their observations, perplexities, passions and fantasies about the world into their works for you to behold. Rigorous academic training has not dimmed their vitality; instead, it lends solid grounding to every creation. With solid professional expertise, they tell vivid stories of our times.Our museum will remain open throughout the Dragon Boat Festival holiday. You are warmly invited to immerse yourself in this grand artistic celebration. The exhibition runs until June 22.〔 Exhibition Scene 〕Editor-in-Chief: He YishaEditor: Du Yinzhu
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: The 2026 CAFA Graduation Season Comes to a Successful Close Today | Looking Forward to 2027!

2026-06-22

The 2026 Graduation Season of the Central Academy of Fine Arts concluded successfully on June 22. Due to exhibition installation and dismantling arrangements, our museum will be temporarily closed starting June 23, 2026. Please follow our subsequent announcements for the reopening date.The participating schools and departments during this period include: the School of Architecture, Department of Sculpture, School of Design, School of Chinese Painting, School of Calligraphy, Department of Printmaking, School of Humanities, and School of Continuing Education. The graduation works presented by the above institutions cover diverse artistic forms, including urban landscapes, the revitalization of industrial and agricultural wastelands, ink painting and calligraphy, art design empowered by AI, as well as visual communication enhanced by cutting-edge technologies such as digital media and interactive design.School of Architecture╲Whether viewed as a public space or an artistic discipline, architecture has always stood apart from science and technology, which are widely regarded as free of ideological shackles. Every building is an intricate aggregation interwoven with physical conditions, power dynamics, cultural connotations, aesthetic values and numerous other elements. We no longer accept the supposed historical inevitability of any architectural style or cultural evolution; such notions are merely historical narratives constructed through specific perspectives and logical frameworks. Likewise, beneath architecture’s functional and aesthetic appearances lies a solid underpinning of power.Against the context of contemporary society, translating the tensions among various architectural elements into artistic expression has become the core creative focus of this year’s undergraduate architecture students.The graduation works of this cohort predominantly revolve around regeneration solutions for spaces left behind during China’s decades-long urbanization drive since the reform and opening-up era. These include dilapidated traditional agricultural villages, decaying agricultural infrastructure such as granaries, abandoned light and heavy industrial zones — including coal mines and steel mills that have completed their historical missions, renovation proposals for unfinished urban buildings near Baiziwan, and renewal plans for ageing residential communities such as Wangjing Xiyuan and Wangjing Community. A representative example is the graduation project Regeneration Scheme for Xuzhou Longdong Coal Mine developed by the Architectural Renovation and Regeneration Studio. This project serves as a model case of integrated education, research and on-site practical implementation at the Central Academy of Fine Arts.Department of Printmaking╲At the heart of printmaking creation is the use of print-specific language with distinctive "print quality" to convey artists’ perceptions and authentic experiences of contemporary society. The so-called "print quality" largely refers to a unique charm inherent to print art, forged by merging the intrinsic aesthetic properties of various physical printing media with artists’ personalized expressive styles. Prime examples include the "cutting texture" and "wood grain" found in woodcuts. A reverence for and relentless pursuit of pure artistic language has long been a tradition across all fine arts departments at the Central Academy of Fine Arts, a trait vividly reflected in the works of this year’s undergraduate printmaking graduates. What makes these pieces even more exceptional is their portrayal of the pure, fresh beauty of life, paired with a calm, tender and sincere outlook toward the world and the self. Free from grand idealistic narrative myths, they also steer clear of the extreme inward self-expression typical of modern art. This poised, peaceful and gentle temperament glimmers like crystal-clear gemstones amid today’s rapidly shifting society.School of Chinese PaintingSchool of Calligraphy╲Graduation works from the School of Chinese Painting and the School of Calligraphy lay particular emphasis on inheriting and relentlessly refining traditional artistic language, which can be regarded as the fundamental ethos shared by all fine arts departments at the Central Academy of Fine Arts. Art serves as a medium for perceiving and representing the world. Rooted in the time-honored cultural lineage of the Chinese nation, traditional Chinese painting and calligraphy embody a uniquely Chinese way of sensing the world and translating such perceptions into visual forms. Therefore, the rigorous, lifelong cultivation of painting and calligraphic language transcends mere formal techniques, evolving into an essential vehicle for artistic expression that embodies contemporary Chinese identity.Department of Sculpture╲Most graduation works of the Department of Sculpture are dedicated to carrying forward the lineage of traditional sculptural language in the dimensions of representation, expression, metaphor and symbolism. Nevertheless, this year’s creations have made remarkable breakthroughs particularly in conceptual exploration and material expansion at the intersection of sculpture and installation art. Take Vanity by Li Kejia as an example: skyscrapers carved and shaped from found object computer keyboards stand as the Babel Tower of humanity in the new century and a mirage of mankind in a new era. Surrounded and enclosed by four-sided glass mirrors, the skyscraper forms simultaneously reconstruct a vectorized landscape of towering buildings.School of Design╲Contemporary design art increasingly leans toward expressing creators’ real-time social experiences and inner emotions, which stands in stark contrast to the focus of traditional art and design. Traditional design places greater emphasis on technical limitations of material media, practical utility and functionality, cost comparability, traditional elements, prevailing aesthetic trends, and formal beauty. This shift is clearly evident in the graduation works of undergraduate students from the School of Design, Central Academy of Fine Arts. As technology, function and structure increasingly give way to form, light and shadow, color, space, and even interactivity and virtuality, design art has embraced the concept of expansive design. Meanwhile, the dividing lines between design and installation, performance, digital and other art forms have grown increasingly blurred. The undergraduate works of this year reflect the multifaceted complexity of design as a contemporary discipline, as well as the tremendous efforts these young artists have poured into sincerely articulating their personal perceptions and lived experiences. To a certain extent, such sincerity and purity constitute the most precious essence of art.We look forward to the arrival of the 2027 CAFA Graduation SeasonEditor-in-Chief: He YishaResponsible Editor: Du YinzhuContributor: Hong MeiOn-site Photographs: Sun Xiaomeng
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.