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Heterogeneous Resonance: Porcelain、Textural Shadows、Shusu

  • Dates：2026-07-07 - 2026-09-04
  • Location：Exhibition Hall C, 3rd Floor, CAFA Art Museum
  • Opening：2026-07-06
  • Organizer： CAFA Art Museum Faculty Affairs Department (Human Resources Division), Central Academy of Fine Arts Faculty Development Center, Central Academy of Fine Arts
  • Academic Host： Lü Pinjing
  • curator： Wang Ruiying
  • Artist： Pan Jingru He Yisha Li Wenlong
  • Visual Design： Yanyang

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CAFAM展览预告 | 异质共振：潘镜如、何一沙、李文龙联展 即将开展

2026-07-07

广角°青年实验项目空间 主办中央美术学院美术馆中央美术学院党委教师工作部（人事处）中央美术学院教师发展中心“广角°青年实验项目空间”于2022年初启动首期，秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念，使美术馆三层C展厅的独立空间，成为青年教师创作研展、展览策划的一块实验田。异质共振——瓷·纹影·数塑展览时间：2026年7月7日—9月4日展览地点：中央美术学院美术馆3层C展厅“广角°青年实验项目空间”第四期第三个展览：“异质共振——瓷·纹影·数塑”将于2026年7月7日在中央美术学院美术馆3层C展厅开展。本次展览为中央美术学院潘镜如、何一沙、李文龙三位青年教师的联展。展览由中央美术学院副院长吕品晶担任学术主持，中央美术学院艺术设计研究院青年教师王睿莹担任策展人。异质拓扑，听见共振的回声。当瓷土在高温中淬炼出薄如蝉翼的蛋壳，当时狮从代码流中生长出骨骼，当传统纹样在数字浪潮里碎成流动的光斑——三种看似互斥的存在，正以“异质”为锚点，撞出震颤的共振。三者的异质并非孤立的存在，而是在观众的感知中形成了一张拓扑网络。拓扑学中，边界的连续变形不改变事物的本质关联。正如瓷土的厚重与树脂的冷硬，看似是材质的两极，却在虚实混淆中共享同一种感知震颤：陶瓷骨头让你怀疑“真实”的定义，时狮让你困惑“虚拟”的边界，二者在认知错位处共振。传统纹样的静态与数字万花筒的动态，看似是时间的两端，却在形态流动中完成同一种语言转译：破碎陶瓷蛋壳上的符号是欲言又止的对话，数媒屏幕里的纹变是永不停止的表达，二者在沟通的渴望处共振。在这100平方米的场域里，异质是共振的前提，感知是共振的介质。瓷土的温度、树脂的冷光、像素的流动，从未因异质而隔绝。入口处，时狮的屏幕映着数媒的纹影，脚下散落的瓷骨则托住这场跨界的对话，那些材质、技术、观念的差异，终将在你的感官里折叠成同一条共振的曲线——这不是对差异的消解，差异不是屏障，而是让碰撞更响亮的鼓面。异质共振的终极意义，或许就在这里：让不同的媒介在感知的拓扑中，找到彼此的“非对称共生”。当你靠近那组破碎的蛋壳，或许会听见瓷片与数字粒子的私语；当你触摸3D时狮的肌理，或许能想起蛋壳破碎时的脆响；当你在数媒的纹流中伸手，或许会触到陶瓷纹样未凉的体温。这场展览，无关谁吞噬谁，只关乎：异质拓扑，听见共振的回声。所有媒介都在说同一句话——艺术的生命力，从不在单一的轨道上，而在碰撞、渗透、共振的每一个瞬间。——策展人 王睿莹参展作品潘镜如《中轴万花筒》LED模组屏 视频 2025年何一沙 《破壳系列》瓷 2023—2026年何一沙《骨头系列》瓷 2015—2016年李文龙 《信号猫》计算机数控加工 ABS 2025年展览团队| 艺术家 |潘镜如中央美术学院设计学院副教授。其创作立足中国文化遗产的当代转译，持续关注传统视觉系统在数字媒介中的再生机制，尤其聚焦汉字、纹饰与民间图样等文化符号，探索其在影像、装置、交互界面与算法生成中的跨媒介延展。曾获德国iF设计奖，作品入围全国美术作品展、亚洲艺术双年展等，并于中国美术馆、798艺术中心等机构展出。代表作品包括《隐匿的汉字》（北京恭王府博物馆）、《见山》（北京时代美术馆）、《中轴万花筒》（前门广和楼）等。何一沙艺术家，现任中央美术学院美术馆媒体部主任，毕业于中国美术学院获学士学位，于英国威尔士大学卡迪夫艺术学院获硕士学位。部分参展经历：2024中国（峰峰）首届磁州窑国际陶瓷艺术双年展，中韩陶艺特别展:纪念中韩建交30周年（2022），湖北国际当代艺术邀请展（2018），中央美术学院陶瓷艺术研究院成立仪式暨推衍——中国当代陶艺学术邀请展（2016），艺术北京——当代陶艺展（2015），2015中英文化交流年英国文化季——小羊肖恩“艺术·羊”项目等。李文龙中央美术学院设计学院副教授，硕士生导师；湖北美术学院艺术与科技专业特聘教授；跨媒介设计师，研究领域为在交叉学科大设计背景下的机器人智能设计，以及文旅融合设计。长期致力于“艺术、科技、产业”交叉融合下的创新实践。策展人王睿莹中央美术学院艺术设计研究院项目管理负责人，毕业于伦敦艺术大学策展与收藏专业。曾参与及策划过多个国内外的展览及艺术项目。曾在伦敦策划海外艺术家个展“Ludicrum Playaria”，参与国际线上艺术展、深圳湾公共艺术季等，并发起推进快乐周末艺术计划。异质共振——瓷·纹影·数塑展览时间：2026年7月7日—9月4日展览地点：中央美术学院美术馆3层C展厅主办：中央美术学院美术馆  中央美术学院教师工作部（人事处）  中央美术学院教师发展中心学术主持：吕品晶策展人：王睿莹艺术家：潘镜如  何一沙  李文龙视觉设计：燕阳主编 / 何一沙责编 / 杜隐珠
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“Heterogeneous Resonance – Porcelain · Schlieren Imaging · Digital Sculpture” Exhibition Opens as Scheduled

2026-07-09

On July 6, 2026, Wide Angle° – Youth Experimental Project Space launched its third exhibition of the fourth session, Heterogeneous Resonance – Porcelain · Schlieren Imaging · Digital Sculpture, at Gallery C on the 3rd floor of CAFA Art Museum. Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of CAFA; Han Wenchao, Secretary of the Directly-Affiliated Party Branch of the CAFA Art Museum; and Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of CAFA, delivered speeches respectively. Wang Ruiying, Project Manager of the CAFA Institute of Art & Design and curator of this exhibition, together with the three participating artists — Pan Jingru, Associate Professor of the CAFA School of Design, He Yisha, Head of the Media Department of the CAFA Art Museum, and Li Wenlong, Associate Professor of the CAFA School of Design — each gave a brief introduction to the exhibition and its featured works. Gao Gao, Deputy Director of the CAFA Art Museum, presided over the opening ceremony.Speech by Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine ArtsIn his speech, Yu Yang pointed out that this exhibition delivers artistic expressions of homogeneous resonance through heterogeneous media including ceramics, digital technology and schlieren imaging. Essentially, the three artists, via their individual artistic practices, offer concrete responses to the core issues of our era: in an age dominated by digital art and artificial intelligence, what role should art academies play? How can we engage with traditions? How can we perceive life? And how may the seemingly cold medium of digital art capture warm artworks and the warmth of life itself? Beyond encapsulating the three artists’ reflections on art and life, the exhibition also carries enlightening implications for the Central Academy of Fine Arts across creation, teaching, research, exhibition curation, as well as communication and exchange.Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum, Delivered a SpeechIn his speech, Han Wenchao first reviewed the overall progress of the Wide Angle — Youth Experimental Project Space since its proposal. He extended his congratulations to the curator and the three participating artists. He noted that while the three artists employ diverse materials and expressive forms, their creations are all rooted in traditional culture and cultural heritage. This embodies the young generation of faculty’s commitment to "upholding fundamental traditions while pursuing innovation". On one hand, they inherit traditional artistic vocabularies and cultural origins, holding fast to the core cultural lineage of the nation; on the other hand, they actively embrace the new era and deliver contemporary artistic expressions via new technologies. Han Wenchao pointed out that this exhibition represents academic exploration and independent critical thinking undertaken by young faculty in their research and creative practice, and this is the significance that varied exhibitions bring to the academic community.Speech by Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of the Central Academy of Fine ArtsIn his speech, Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of the Central Academy of Fine Arts, emphasized that the Wide Angle — Youth Experimental Project is experimental and exploratory in nature, aiming to address emerging issues and new ideological dimensions behind artistic creation. In this era of leaping advances in artificial intelligence technology, it is vital to stay true to original aspirations and academic ideals. The project enables broader audiences to witness the strength of the Academy and the creative trajectory of young artists.Speech by Wang Ruiying, Project Manager of the Institute of Art and Design, Central Academy of Fine Arts and Curator of the ExhibitionIn her speech, Wang Ruiying, Project Manager of the Institute of Art and Design at the Central Academy of Fine Arts and curator of this exhibition, clarified the core question explored by the show: What connections can be generated when seemingly vastly different media are placed within one space? Wang Ruiying pointed out that works by the three faculty members Pan Jingru, He Yisha and Li Wenlong all converge on the blurring of boundaries. Ceramics blur the line between reality and illusion, as well as the bond between figuration and abstraction; 3D printing bridges the divide between the virtual and the tangible; digital media reconstructs the coordinate system linking tradition and contemporaneity.Speech by Pan Jingru, Participating Artist and Associate Professor of the School of Design, Central Academy of Fine ArtsIn her speech, Pan Jingru, Participating Artist and Associate Professor of the School of Design at the Central Academy of Fine Arts, sincerely thanked all guests and faculty for their attendance, and briefly introduced her exhibited works Central Axis Kaleidoscope and Metamorphosis. Metamorphosis is a projection installation that explores the symbiotic relationship between traditional craftsmanship and artificial intelligence. Central Axis Kaleidoscope, by contrast, leverages digital technology to transform traditional patterns embedded in the Central Axis cultural heritage into flowing visual rhythms on screen.  Essentially, both Metamorphosis and Central Axis Kaleidoscope examine, to varying degrees, the modes of existence and concrete manifestations of traditional artistic forms as they become spectacles within the contemporary AI context. The distinction lies in their respective focuses: Metamorphosis centers on two contrasting orders—the agrarian civilizational order embodied by handcrafted traditional patterns, and the mechanical rational order manifested by modern artificial intelligence technology. Meanwhile, Central Axis Kaleidoscope directly renders traditional aesthetic elements into visual spectacles.Speech by He Yisha, Exhibiting Artist and Head of the Media Department of CAFA Art MuseumIn her speech, He Yisha, Exhibiting Artist and Head of the Media Department of the Art Museum of the Central Academy of Fine Arts, extended sincere gratitude to all distinguished guests, faculty members and colleagues from the Art Museum. He Yisha presented two series of works in this exhibition, namely Bone Series and Shell-Breaking Series. For Bone Series, she poured high-white ceramic slip into moulds to create thousands of thin, fragile animal bone replicas of diverse shapes. As for Shell-Breaking Series, porcelain is adopted to reproduce the fragmented forms of broken eggshells. Drawing on porcelain’s unique physical properties — hardness, fineness, pure whiteness, permanence and fragility — the two series powerfully symbolize the eternity and transience, fortitude and vulnerability, vitality and extinction of life. Moreover, the works subtly convey a distinctive gentle temperament inherent to women’s contemplation of life. Through authentic artistic language, He Yisha’s creations profoundly express a primal life experience that transcends time and geography, achieving a perfect integration of form and content.Speech by Li Wenlong, Exhibiting Artist and Associate Professor of the School of Design, Central Academy of Fine ArtsLi Wenlong, Associate Professor of the School of Design at the Central Academy of Fine Arts, expressed his sincere gratitude to all present guests and faculty. Li Wenlong exhibited his work Time Lion for this show. While creating this piece, the artist drew a parallel between the evolutionary logic of stone lion motifs in traditional Chinese culture and the generative logic of images produced by modern AI technology. He leveraged AI to generate brand-new artistic forms from the vast archive of traditional stone lion imagery. Such images derived from pre-existing images raise entirely new research questions for artists, audiences, art historians and art critics alike. The powerful full-spectrum searching and infinite generative capacity of AI both obscure and magnify the artist’s subjective vision. Meanwhile, the singular fixed quality of newly generated images largely conceals the complexity embedded within them. Nevertheless, until artificial intelligence develops autonomous consciousness, these images of images, shadows of shadows, remain nothing more than another manifestation of human subjective awareness and specific cultural contexts.Gao Gao, Deputy Director of CAFA Art Museum, presided over the event.Group Photo of GuestsGroup Photo of the Exhibition TeamOn-Site Exhibition ViewingWe look forward to young faculty and artists growing alongside the platform Wide Angle — Youth Experimental Project Space. Riding the tides of the times, we will jointly witness the historical evolution of Chinese contemporary art.The exhibition will remain on view until September 4.Exhibited WorksHeterogeneous Resonance — Porcelain · Pattern Projection · Digital SculptureExhibition Dates: July 7 – September 4, 2026Venue: Gallery C, 3rd Floor, Art Museum of the Central Academy of Fine ArtsOrganizers：CAFA Art MuseumFaculty Affairs Department (Human Resources Office), Central Academy of Fine ArtsFaculty Development Center, Central Academy of Fine ArtsAcademic Director: Lü PinjingCurator: Wang RuiyingArtists: Pan Jingru, He Yisha, Li WenlongVisual Design: Yan YangEditor-in-Chief: He Yisha Editor: Du Yinzhu
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

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(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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      Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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