Paradigms of Art: Contemporary Art from Germany

  • Dates:2017-09-16 - 2017-10-29
  • Location:2F, CAFA Art Museum
  • Opening:2017-09-16 14:30
  • Organizer(s): Stiftung für Kunst und Kultur e.V. CAFA
  • Co-Organizer(s): CAFA Art Museum The Imperial Temple Art Museum Minsheng Art Museum Red Brick Art Museum Today Art Museum Yuan Art Museum White Box Art Museum
  • Chief Curator: Fan Di'an Walter Smerling
  • Curators: Zhang Zikang Yue Jieqiong Li Peng Zhou Xujun Yan Shijie Gao Peng Gu Yan Sun Yongzeng Peter Weber

Details

85 artworks including paintings, sculptures, photos, and devices from 17 artists: 1) Franz Ackermann, 12 paintings 2) Horst Antes, 4 groups of paintings and sculpture(s) 3) Stephan Balkenhol, 6 paintings, and sculpture(s) 4) Abraham David Christian, 11 groups of sculptures and painting(s) 5) Hanne Darboven, 1 group of 53 photographic installations 6) Thomas Demand, 1 photo 7) Katharina Fritsch, 1 installations 8) Isa Genzken, 3 installations 9) Jörg Immendorf, 7 oil paintings, and sculpture(s) 10) Hubert Kiecol, 4 groups of sculptures 11) Martin Kippenberger, 4 groups of paintings 12) Imi Knoebel, 3 groups of installations 13) Uwe Kowski, 3 paintings 14) Albert Oehlen, 3 paintings 15) Daniel Richter, 4 paintings 16) Andreas Slominski, 5 paintings 17) Rosemarie Trockel, 14 paintings

Preface

Globalization is a huge magnetic field, which has contributed to the formation of the mechanism of contemporary visual arts and opened up a new era of international cultural exchanges. In order to celebrate the 45th anniversary of the establishment of diplomatic relations between China and Germany, and carry forward the successful experience and model of China 8--Chinareise des Kuratoriums in October 2015, in Germany, Germany 8--German Art in China will be held in September 2017 in Beijing. The project is organized by the CAFA Art Museum and Stiftung für Kunst und Kultur e.V., planned by Fan Dian and Walter Smerling, and co-organized by the Imperial Temple Art Museum, Minsheng Art Museum, Red Brick Art Museum, Today Art Museum, Yuan Art Museum, as well as White Box Art Museum. These series of exhibitions, each with a different theme, fully supplement a forum entitled “German and Chinese Contemporary Art Development in the Context of Globalization”. On the one hand, they fully reflect the diversity and unique charm of German contemporary art, offering the Chinese public a perfect opportunity to know more about German art. On the other hand, this project also deepened the mutual understanding between our two peoples and countries. Through dialogue and cooperation, we can achieve a win-win. 

 

In the history of art, German art has always occupied an eye-catching position thanks to its powerful ethos and unique aesthetic features. Since the 1940s, Germany’s modern and contemporary art has achieved rapid and sustained development. A number of important artists have emerged in various fields of art,  which not only adds a new chapter to the history of German art but exerts a huge impact on the international contemporary culture and art. German 8: German Art in China will exhibit different kinds of artworks from several public museums and collection institutions in Germany. Altogether, there will be seven independent art exhibitions with interrelated themes. By showing the public the history and latest development of German art since the 1950s, Germany's profound cultural traditions and the zeitgeist spirit of innovation will be fully presented. During these exhibitions, paintings, sculptures, devices, photos, and new media artworks will be shown to the visitors. The creation time of these works spans from the middle of the 20th century to the present. Their authors include the most representative art masters in German post-war art history, and also forerunners (colleges or young artists) who are active in today’s art community. The parallel forum entitled “German and Chinese Contemporary Art Development in the Context of Globalization” will invite world-renowned Chinese and German scholars and artists in art and culture to give keynote speeches or engage in round-table discussions, which will further deepen our understanding of German contemporary art and facilitate the cultural and artistic exchanges between China and Germany.


Information About Other Exhibitions

 

The Imperial Temple Art Museum

Exhibition: Traces of Memory—Masterworks of Contemporary German Painting

Duration: September, 18, 2017-October 20, 2017

Opening: 3p.m. - 4 p.m., September, 17, 2017 

 

Minsheng Art Museum

Exhibition: The Language of Photography and the Duesseldorf School

Duration: September, 16, 2017-October 22, 2017

Opening: 3p.m. - 4 p.m., September, 15, 2017

 

Red Brick Art Museum

Exhibition: Prologue – German Informel Art

Duration: September, 16, 2017-October 22, 2017

Opening: 5 p.m. - 6 p.m., September, 16, 2017

 

Today Art Museum

Exhibition: Arrested Time -- New MediaArt from Germany

Duration: September, 17, 2017-October 31, 2017

Opening: 11 a.m. - 12 p.m., September, 17, 2017

Curator: Peter Weibel

 

Yuan Art Museum

Exhibition: Dialogue: The Spatial Dimension of Color

Duration: September, 15, 2017-October 31, 2017

Opening: 3p.m. - 4 p.m., September, 15, 2017

 

White Box Art Museum

Exhibition: Next Generation-Young Generation Art

Duration: September, 15, 2017-October 29, 2017

Opening: 11 a.m. - 12 p.m., September, 15, 2017


Globalization is a huge magnetic field, which has contributed to the formation of the mechanism of contemporary visual arts and opened up a new era of international cultural exchanges. In order to celebrate the 45th anniversary of the establishment of diplomatic relations between China and Germany, and carry forward the successful experience and model of China 8--Chinareise des Kuratoriums in October 2015, in Germany, Germany 8--German Art in China will be held in September 2017 in Beijing. The project is organized by the CAFA Art Museum and Stiftung für Kunst und Kultur e.V., planned by Fan Dian and Walter Smerling, and co-organized by the Imperial Temple Art Museum, Minsheng Art Museum, Red Brick Art Museum, Today Art Museum, Yuan Art Museum, as well as White Box Art Museum. These series of exhibitions, each with a different theme, fully supplement a forum entitled “German and Chinese Contemporary Art Development in the Context of Globalization”. On the one hand, they fully reflect the diversity and unique charm of German contemporary art, offering the Chinese public a perfect opportunity to know more about German art. On the other hand, this project also deepened the mutual understanding between our two peoples and countries. Through dialogue and cooperation, we can achieve a win-win. 

 

In the history of art, German art has always occupied an eye-catching position thanks to its powerful ethos and unique aesthetic features. Since the 1940s, Germany’s modern and contemporary art has achieved rapid and sustained development. A number of important artists have emerged in various fields of art,  which not only adds a new chapter to the history of German art but exerts a huge impact on the international contemporary culture and art. German 8: German Art in China will exhibit different kinds of artworks from several public museums and collection institutions in Germany. Altogether, there will be seven independent art exhibitions with interrelated themes. By showing the public the history and latest development of German art since the 1950s, Germany's profound cultural traditions and the zeitgeist spirit of innovation will be fully presented. During these exhibitions, paintings, sculptures, devices, photos, and new media artworks will be shown to the visitors. The creation time of these works spans from the middle of the 20th century to the present. Their authors include the most representative art masters in German post-war art history, and also forerunners (colleges or young artists) who are active in today’s art community. The parallel forum entitled “German and Chinese Contemporary Art Development in the Context of Globalization” will invite world-renowned Chinese and German scholars and artists in art and culture to give keynote speeches or engage in round-table discussions, which will further deepen our understanding of German contemporary art and facilitate the cultural and artistic exchanges between China and Germany.


Information About Other Exhibitions

 

The Imperial Temple Art Museum

Exhibition: Traces of Memory—Masterworks of Contemporary German Painting

Duration: September, 18, 2017-October 20, 2017

Opening: 3p.m. - 4 p.m., September, 17, 2017 

 

Minsheng Art Museum

Exhibition: The Language of Photography and the Duesseldorf School

Duration: September, 16, 2017-October 22, 2017

Opening: 3p.m. - 4 p.m., September, 15, 2017

 

Red Brick Art Museum

Exhibition: Prologue – German Informel Art

Duration: September, 16, 2017-October 22, 2017

Opening: 5 p.m. - 6 p.m., September, 16, 2017

 

Today Art Museum

Exhibition: Arrested Time -- New MediaArt from Germany

Duration: September, 17, 2017-October 31, 2017

Opening: 11 a.m. - 12 p.m., September, 17, 2017

Curator: Peter Weibel

 

Yuan Art Museum

Exhibition: Dialogue: The Spatial Dimension of Color

Duration: September, 15, 2017-October 31, 2017

Opening: 3p.m. - 4 p.m., September, 15, 2017

 

White Box Art Museum

Exhibition: Next Generation-Young Generation Art

Duration: September, 15, 2017-October 29, 2017

Opening: 11 a.m. - 12 p.m., September, 15, 2017


Artworks

Artworks

Photographs

Photographs

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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