Discipline with Master’s Dignity: Exhibition of No.3 Studio of the Department of Oil Painting

  • Dates:2018-10-12 - 2018-11-04
  • Location:Gallery 3A, CAFA Art Museum
  • Opening:2018-10-12 16:00
  • Organizer(s): Central Academy of Fine Arts
  • Organizers : School of Fine Art of CAFA CAFA Art Museum
  • Academic Advisers: Zhan Jianjun Xie Dongming
  • Academic Support : Yu Hong
  • Art Director: Ma Lu|Liu Shangying
  • Curator: Tang Yu

Details

In the last one hundred years, a large number of great masters and prominent artists have gathered at the Department of Oil Painting of CAFA and left their great masterpieces with significant achievements. Among them, the No.3 Studio of the Department of Oil Painting founded by Dong Xiwen has made c... More
In the last one hundred years, a large number of great masters and prominent artists have gathered at the Department of Oil Painting of CAFA and left their great masterpieces with significant achievements. Among them, the No.3 Studio of the Department of Oil Painting founded by Dong Xiwen has made constantly accomplishments in the magnificent art history of modern Chinese art and become the core power to promote the development of Chinese oil painting and the formation of the “Chinese school of oil painting”, which can be viewed as a typical study case in the history of modern Chinese oil painting.

Looking back, since the No.3 Studio started as Dongxiwen Studio in the beginning, it has rooted in the excellent tradition of Chinese culture while paying attention to absorbing and digesting the essence of Western oil painting, showing its extensiveness and inclusiveness in learning from others. At the same time, centering around the education idea of “teach students according to their level and take advantage of a favorable trend”, the studio carried on Dong Xiwen’s ideal of creating “Chinese-style oil painting” and had played an indispensable role in shaping the national image and cultivating talents for oil painting. After the Cultural Revolution (1966-1976), under the lead of Zhan Jianjun, the No.3 Studio has always adhered to the rules and standards of basic training, suggesting to create an atmosphere of academic freedom and guiding the students to explore and develop their individuality. It insisted upon the principle of “being both strict and mild” in teaching, neither conservative nor indulgent, and fulfilled the academic proposal of “initiatively establishing the Chinese-style oil painting” with excellent teaching results. Thus, many outstanding graduates emerged and became the backbone force in today’s Chinese art circles of oil painting.

In the new context of global art transformation since coming into the new century, the education work of the No.3 Studio has been presided over by Xie Dongming and Yu Hong successively with the teaching tradition proposed by Dong Xiwen that “being open to new ideas and drawing on the strengths of others”. The studio held firmly to strict realistic foundation training and attached equal importance to rigorous practice and active mind as well as to explore deeply the independent value and potential spiritual space of oil painting’s self-language that formed during the historical evolution. In the background of a variety of landscape and media of global culture and arts, the No.3 Studio injected new energy into Chinese art world with generations of graduates, which also pointed out the special meaning and value possessed by the No.3 Studio in the future development of global advanced art education and visual arts. Therefore, on the centennial anniversary of CAFA, the School of Fine Arts organized “Discipline with Master’s Dignity – Teaching & Research Exhibition of No.3 Studio of the Department of Oil Painting, CAFA”, which presents the historical development of the No.3 Studio of the Department of Oil Painting and showcases the education ideas and creation characteristics during different periods, forming a narrative structure composed of three sections – “National style, Chinese style”, “Establishing the Chinese school of oil painting” and “Base on tradition, face the contemporary era ”. Through the organic rearrangement of No.3 Studio’s works, historical pictures and archives of different periods, the exhibition comprehensively describes its historical line of the teaching and the wide dimension of the creation, featuring a total of 60 pieces of works created by teachers and students during different stages since the founding of the Dongxiwen Studio in 1959. Reviewing the development process of the No.3 Studio and doing research on its experience of teaching can be regarded as both a case study on the history of oil painting in new China and a summary and promotion of the academic spirit and inheritance of CAFA.

Artworks

Photographs

Related essays

Zhang Zikang:Find New Meaning in Painting Written before the exhibitions of “The Return of Significance” and “Discipline with Master’s Dignity” ...

2018-10-12

From the early 20th century, the first group of predecessors having studied in Europe and Japan returned to China to introduce Western oil painting. They planted upon the land of China with seeds of oil painting for participating in the course of modern art history. In 1956, CAFA officially established the Department of Oil Painting and took the lead to implement the mentor studio-based system. The established three studios led by Wu Zuoren, Luo Gongliu and Dong Xiwen and the graduate school led by Wang Shikuo became the earliest bases for teaching oil painting. Under the background of the New Tide Art Movement in 1985, the fourth studio was established by the dean of the Department of Oil Painting, Wen Lipeng, based on the ideal of the modernization of Chinese art, centered on modern art education ideas and safeguarded by the new teaching system. In 2016, in order to meet the needs of the disciplinary development again, the Department of Oil Painting set up the fifth studio, as a supplement for constructing the department with abstract art views.  From the previous four studios to the setting up of the fifth studio in recent years, the Department of Oil Painting was deeply involved in and explored issues from classic style to expressionism, color, and material, then to the modern and contemporary art. In order to adapt to changes in painting creation, teaching and aesthetics, the department constantly strives to unleash the power of oil painting and produce rich visual contents to reveal the creation value of arts through studies on painting language and concept from different perspectives.The Department of Oil Painting has cultivated a large number of outstanding students excelled at both morality and artistic skills, many of which became well-known artists or turned into the backbone force in the field of oil painting and art business across the country. It went through a glorious history as many famous oil painters of the department have created representative works during different historical periods that have the distinctive characteristic of the times and reflect the development course of social transformation as well as its cultural features. The Department of Oil Painting in CAFA represents the highest level of the studies and creation practices of Chinese oil painting, and continually renews the creation concept of oil painting in Chinese art circles, becoming a participant and creator in the process of contemporary art.With the continuous development of new media and various kinds of media arts, oil painting is facing the challenge of how to continue to develop, as the technique of photography, internet and new media keep creating new visual experience and changes the way of using painting to show the objective world and getting images. Just for this reason, the new generations of oil painters are also given opportunities to exploit the changes of oil painting in a new context.CAFA Art Museum is honored to present the works of 22 artists who are regarded as the most prominent oil painters in China and engaged in the studies and education of oil painting in the Department of Oil Painting, along with the research & teaching exhibition held for the time-honored No.3 studio of the department as well. These paintings cast light on the teaching practice of the Department of Oil Painting of CAFA on the way to pursue oil painting diligently for half of the century. They also demonstrated that oil painting – a medium with its own development history and logics – increasingly seek a dialogue with the times and promotes the self-updating of its painting language under the efforts of generations of creative practitioners.Today, painting is not exactly the painting in the traditional sense with its complex and pluralistic appearances. We can see that so many mature and creative artists from the Department of Oil Painting of CAFA undertake their own missions, learn from their predecessors, and draw on the classics and tradition to step into the future.    More

Be Open to New Ideas and Draw on the Strengths of Others | Analyze “Discipline with Master’s Dignity – Teaching & Research Exhibition of No.3 Studio of the Department of Oil Painting, CAFA” ...

2018-11-06

The series of teaching exhibitions of the studio of different departments are actually combing through the teaching history of CAFA. From art thought to teaching method and to work image, the exhibition “Discipline with Master’s Dignity” presses as close to the historical facts as possible and use historical materials to pursue its reasons and find the contradictions and conflicts behind. It clearly presents the carrying out of the No.3 Studio’s teaching over the time and the wide dimension of its creation from three units as its narrative structure: “national style, Chinese manner”, “construct Chinese school of oil painting” and “base on tradition and face the contemporary”. More
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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

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(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

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(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

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This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

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According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

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(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

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(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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