The Sixth Season of The Art Museum Night and “Boyce Dances with Warhol”

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[Activity Time] 16:00-19:15, Saturday, October 19th, 2013 (Special event). [Activity Location] the CAFA Art Museum. [Activity Organizer] the CAFA. [[Activity Undertaker] the CAFA Art Museum. [Activity Co-organizer] Youth League committee of the CAFA, student union, Beijing TV, documentary channel and Epailive. [Activity Support] China Youth Leaders Foundation. [Activity Organization] Activity consultant: Xu Bing. Chief planner: Wang Huangsheng. Project coordinator: Tang Bin. Planner: Li Gang. Planning team: Ren Rui, Fang Miner, Song Liang, Tian Xiaoyun. Executive team: Hu Xiaoxu, Zhang Qian, Li Yingtian, Li Siyi, Liang Wen. [Media Support] He Yisha, Du Yinzhu. [Administrative Coordinator] Yuan Rui, Jiang Guijie, Sun Wei, Yang Liu. [Camera Support] Ding Yi, Dong Huiping, Quan Jing. [Technical Support] Wu Peng, Zhu Yongkang, Chen Xiaohua, Liu Yanwen, Guo Xu. [Design Support] Song Liang, Liang Wen. [Activity Acknowledgements] Media support: Yachang Art Network, Beijing TV, art literature, Artinfo Network of the CAFA, 99 Art Network and Beijing News. Participating organizations: Capital Police Band, National Academy of Chinese Theatre Arts, the CAFA, Peking University, Renmin University of China, Beijing Foreign Studies University, Beijing University of Technology, Beijing Sport University, China Agricultural University, University of International Business and Economics, Beijing Institute of Technology, Beijing University of Chemical Technology, Capital Medical University, Beijing Institute of Clothing Technology, China Youth University for Political Sciences, China University of Geosciences, Beijing University of Posts and Telecommunications, Beijing International Studies University, China University of Political Science and Law, Minzu University of China,Beijing Wuzi University. [Persionnumber] 400. [Activity Background] 


The art festival “Art Museum Night” was designed to promote the communication and friendship between arts, college students, art lovers, and related art practitioners. It was held to encourage the establishment of “China is the most IN, the most lively art festival”. Boyce, one of the most important western artists in the second half of the 20th century, was a figure that cannot be avoided in the discussion of postwar contemporary art history. Boyce had a profound influence on art. Andy Warhol was the important artist in the 70s and 80s America, his influence was pervasive. He had applied and exploited a variety of media and performance without any taboo and had been involved in many different fields. Through the screen printing technique and repeated images, he turned the characters into visual merchandises. When Boyce and Warhol met at the art museum, we looked forward to their different artistic sparks. “Art Museum Night” will present a live performance, masquerade party and other art forms. The event will be based on the theme of the last “Art Museum Night”, which is the theme of “Boyce meets Warhol”. The art youths and art lovers of the country are invited to meet at the art museum of the CAFA Art Museum. Let the college students and friends from all walks of life who love arts gather in the art museum, to understand art, participate in art, enjoy art, create art, established the bond between art and art, art and non-artistic. [Activity Content and Process of Art Museum Night] 


1. Exhibition tour of the “Master Guide Plan” exhibition: the museum is free to visit at 16:00 -- 18:00, and the public can visit the online exhibition for free.

Online exhibition: A: Social sculpture: Boyce is in China.

B: Retrospective exhibition of “Andy Warhol: fifteen minutes of eternity”. “Master Guide Plan” exhibition will be divided into three groups and guided by the curator of Boyce and Andy Warhol, academic presenter, and Doctors team.

On the day of “Art Museum Night”, we will have CAFAM volunteer lecturers and the humanities school’s Doctors team in the exhibition area to provide a professional explanation for the audience. II. Makeup -- guests and audience. The museum will provide all the guests with the make-up props as far as possible. Meanwhile, we also expect guests to make up for themselves. The keywords of this makeup:

“Boyce”, “Andy Warhol”, “A clap for the breastplate”, “A clap for the T-shirt”. A. Costume of security personnel: hat and mask, the half mask (white and metal texture half mask). B. Costume of the librarians and the staff: hat, breeches, cloak, wigs, dress, tiara. C. Dress up for the event personnel. Scheme 1: hats and cloaks. (the museum prepares popular versions of Boyce’s character for audiences). Scheme two: masks and wigs. (the museum prepares popular versions of Andy Warhol’s character for audiences). PS: The exhibition information shall be added to each scheme, and the Night logo and co-organizer logo of the museum shall be clarified.III. The opening ceremony and live performance were gathered in the Art Museum Night (18:00-19:15).1. Band performance: Dirty little secret. The band’s music had no sense of heaviness. Members: Xiao Wei, Chen Yue, Li Lei, Xiao Jin and Jiao Yan. They used the most casual way to capture our hearing. Their music was free and easy, and the appearance of the surface was like without any decorations, but in essence, I thought they were giving people a relaxed attitude to listen to music. In a time when everything is complicated and everyone is alone and grandstanding, their simplicity brought the truest happiness. 


2. Experimental drama: silent drama “12 Minutes of Circulation”. Performer: Handstand drama club. Artistic planning: Mistiming Club, Xiong Liang. The mistiming was mainly a collaboration of the creative people from 24 different time zones. They carried out the activities of publishing, exhibition and cross-cultural artistic creation and exchange in Beijing. Xiong Liang is a famous picture writer, the comprehensive artistic language “narrative” explorer. Based on Xiong Liang's picture book “the 24 Solar Terms”, the show used the body to feel the soil, and we want to show -- simple joy. “Simple” is not the concept of refinement, not limited to art, just to restore nature. 


3. Dance performances: Performers of “Attention” are transboundary art team. They are Rosey Feltham from New Zealand and Georgie Cockburn from British, Ph.D. students from Beijing Dance Academy, treatment education experts and special education teachers and a former actor of National Ballet of China and a dozen disabled. They communicated with each other in a cross-field way and showed different people’s reactions and inspirations to the exhibition and translated them into dance body movements. They found a creative voice inside each person, witnessing the personal healing and social changes of Boyce’s art of thought. 


4. Instrumental performance.Support unit: Capital Police Band. Chinese and western music interactive performance: Capital Police Band. Chief performance: Li Bo (saxophone)/Liu Yang (clarinet)/Gao Ruiyun (pipa).Track names: Fly Me to the Moon(saxophone and clarinet)/Myth (saxophone and pipa). East meets west. The show, which originated in Boyce and Warhol, also came from two western art masters who arrived in China with different artistic feeling and artistic influences. The performers were inspired by art to translated inspiration into music. Combining the traditional Chinese musical instrument pipa and western musical instrument, it presented a new audio-visual feast for the audience. 


5. Contemporary drama: the performers are the graduates from the student union of Chinese Drama Academy. Xu Baiang, Liu Dian, Meng Lingshen, Wang Hao, Yang Ruiyu, Liao Jiani, Li Qinghong.The idea of the acting work, “the explanation,”was when Boyce met Warhol. In this century, through their works, we can look at it, feel its rich expressiveness, and care for the land and mankind. It used sound, form, costume try to disassemble the opera symbols, elements, then copy again and sort combination, for Warhol’s style of copy and color changing, to break the concept of color in our national culture of cognition. Color also contains timbre in addition to color. Consider the popular art of our last century with the western pop style. The performing area expanded to the whole museum’s atrium area and broke the relationship between audiences and actors. As the audience gathered to watch, they also became a part of the artworks, a picture, and apart. In the humble corner, there was an action to explain the love of the land, the confusion of the environment, and the struggle against life. Friendship transfer (Gift delivery): There are elaborate mystery gifts from Beijing TV. We will play music and send a gift from the CAFA and the Beijing TV by passing objects (mysterious balloons). IV. Special projects: “Andy Warhol” in the museum is very mysterious! There’s a hidden “Andy Warhol” in the museum, a camera “hands-off” photographer, who walks around and shoots you, and you will show up on the big screen. There will be “cruel punishments or surprise?”


V. Public projects. 1. I’m at the scene! - Upload pictures of you dressed up in weibo, as long as you are at the scene, you will have the chance to share your special dress up. Just upload your photos at Sina weibo “@Public education of the CAFA”. Show a close interaction and group photo with the audience. 2. A shot to famous (bring home your own art derivatives): Art Museum Night is on display at “Andy Warhol: Fifteen Minutes of Eternity”. The Public Education Department of the art museum has launched a special public education activity, it is “A shot to famous”activity of the CAFAM opposites the art shop. Friends come together to our workshop, make an “Andy Warhol classic screen format” T-shirt and badge! Come on! VI. Art & Records (BTV &CAFAM Films).1. Film appreciation: Art exists in the form of beauty, which is watched, appreciated and admired. The impact of great art on our hearts and the baptism of life is self-evident. Masterpieces Reveal will introduce a number of world famous paintings. Let’s take a look at the story behind the artists who bring beauty and spiritual sublimation to people. 2. Questionnaire survey: In order to better serve the audience, we hereby set up a questionnaire to conduct an offline survey. This questionnaire is only used by internal staff. All information will be kept confidential. We hope you can cooperate with us and we are very grateful. VII. “The Cool Workshop”-- When Boyce meets Andy Warhol. In CAFAM, the “art wind” will prepare clothing, makeup materials of Boyce and Warhol style for the visiting hipsters, such as Boyce mime type. You can freely choose the style that you like to decorate with creative makeup, make personalized clothes and alternative decoration. Come in, it’s me –come out, it's him! We will show Boyce and Andy Warhol's famous modeling reality show. Let’s take photos together! Let’s dance together!


Tags: Museum Night

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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