荒诞的套层结构:关于罗杰·拜伦的展览想象与策展语境

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荒诞既不寓于人,也不寓于世界,而在于两者一起出场。荒诞一时间,就成为连结人与世界的唯一纽带。

——《西绪福斯的神话:论荒诞》

(法,加缪著,李玉民译,漓江出版社,2015年出版,第27页)

我第一次见罗杰·拜伦是2013年9月,好友王江带着刚在平遥摄影节成功举办个展的他取道北京,并安排与我见面,探讨在中央美术学院美术馆为其举办个展事宜。罗杰给我的第一印象是一个表情严肃,谦逊、憨厚,即将步入老年的长者形象。说起话来,声音低沉且充满磁性。短暂寒暄,坐定,上咖啡,他打开带来的几本画册和一些照片,我瞬间被其吸引。那些几乎全部是正方形画幅的黑白照片,不苟言笑地散发着荒诞、虚无与沉默气息,可谓神完气足(energy),张张精彩。时过三载,仍记忆犹新。在我看来,罗杰的照片仿佛是激活了其骨子里的率真,非常稳定地释放出某种蕴藏在体内的独特的艺术直觉和本能,以及感受力和创造力。我开始被这个人及其作品吸引。一边翻看他带来的照片,一边听他介绍,我脑子里不停闪现出一系列疑问:他到底凭什么本事总能将照片呈现出一种神秘、野性和荒诞感?这是一种荒诞的创作方式,还是创造荒诞的创作方式?是荒诞在他的作品里,还是他的作品在荒诞里?这种荒诞图像究竟意味着什么?作为策展人,我为他策划展览的语境在哪里?我顿时有点儿发蒙。

从图像的空间上看。罗杰·拜伦的照片图像不仅仅是某种荒诞现场的瞬间定格,也不仅仅是一种对悲惨现实的再现与描述,更不仅仅是画面上充满戏剧性的杂乱场景与涂鸦,而更多的是展现出强烈的私密性、封闭性和压缩感。这种空间的封闭、私密和压缩,不仅来自某一特殊现实的私密观看、再现和隐喻,更直指艺术家的内心—心灵空间。更重要的是,我们看到了空间被挤压。由于罗杰刻意拉近了被摄主体和背景的距离,从而导致一种图像内在空间的压缩。于是,在这个艺术家建构的空间中,“墙”成为了被摄主体寻求慰藉的重要依靠,也成为了阻断人与人之间交流和沟通并制造隔离的障碍;在它的表面,我们看到电线、绳索、破布、灯泡、开关、报纸、涂鸦、小玩偶……它们与墙面混合为一个整体。它们既是道具,也是舞台,更是被观看的另一主体。因此,在各种灰度和物的复杂材料质感与肌理变化中,呈现出另一种空间—肌理空间。还是这个背景,它让被摄主体直逼观者眼前,而它的想象空间却在其可延伸的外部,在它的反面,或是在那些你看不到的地方。这种空间被压缩后的视觉结构导致了一种强烈的图像张力,一个自给自足的视觉景观,并给观者定制了一个持续展开参照和发散思维的场域—想象空间。

从图像的形式上看。罗杰的照片不仅仅沉迷于影调上的复杂、压抑与灰暗,也不仅仅充满着对边缘人群生存状况的同情,更不仅仅是展现被摄主体的冷漠、疏离与癫狂,而是借助着他对摄影作为艺术创作的鲜明个人风格,为我们呈现了一个失语的边缘群体在特定空间的物理存在状态。他们时而自在自得,时而充满迷茫;他们时而等待救赎,时而等待死亡。他在为他们造像并为他们发言。动物的出场似乎让混乱的画面出现了一丝生机,它们用单纯的目光、优美的形体曲线和肢体语言,去对抗混乱,去抵抗死亡。但它们也同样处在边缘、任人宰割、等待救赎。罗杰·拜伦将这种生活的无意义,引申到一种形而上的焦虑之中—荒诞。而这“荒诞”之于罗杰的作品,更多的是一种无实体的、无形的要素,它恰好打破了图像形式中的丰富、饱满与庞杂,甚至是混乱。荒诞更像禅宗里的“空”和“无”,从而暗喻着另一种丰饶(其实,“荒诞[absurde]”一词的词源属于音乐领域,在拉丁语中,absurdus就有“聋的和听不到的”意思)。罗杰是用这种精神上的丰饶和富足去对抗视觉上的“满”。因此,我们有理由相信,艺术家是在用荒诞去打破由他所建构的复杂图像!而他用照相机去制造、捕捉和正视荒诞的目的,也许恰恰是为了转移、摆脱与逃离荒诞。于是,在这个过程中,荒诞成了一个借口,一个不断翻转的介质;而一种创造性的工作—艺术创作,对于罗杰·拜伦而言,恰恰又成为他摆脱荒诞的手段与途径。恰恰是这个不断周而往复的过程,引发了荒诞图像的大量增殖,并由此导致了另一重意义上的荒诞。

 

只有在不赞同荒诞的情况下,荒诞才有意义。

——《西绪福斯的神话:论荒诞》

(法,加缪著,李玉民译,漓江出版社,2015年出版,第28页)

 

现在回想起来,三年前的那个下午,罗杰·拜伦的照片之所以把我迷住,首当其冲的便是“荒诞”这个主题。如果说,罗杰的照片呈现更多的是一种内心荒诞的话,那么,今天中国的现实可以说是在被一种超大规模的景观性“巨大荒诞”所笼罩。无论是近二十年的城市化运动所带来的天翻地覆般的城市空间变革,还是近年来通过反贪腐、打“老虎”打出来的各种荒诞事例在国人内心产生的冲击,在我看来,这种“巨大的荒诞”已经可以被看成当代中国的一个重要文化命题。面对眼前这个可能是人类历史上从未有过的史诗般荒诞,它完全可被看成是这个时代给予内心尚存一丝文化理想的人们的最佳馈赠!当“罗杰·拜伦:荒诞剧场”这个展览在美术馆这个社会和知识生产容器内呈现的时候,当“容器”内部环境与外在环境中的这两种不同荒诞相遇,它们之间所形成的某种套层结构和话语张力如何发生奇妙的关系?于是,我开始想象,观众进入美术馆,进入罗杰·拜伦的展厅时,能否带来一些新的体验,一种从未有过的体验?通过展览,人们如何看待和把握荒诞?如何去思考和想象荒诞?如何去观看一种他者的荒诞?如何去反思自身的现实?谁在策展?为谁策展?我们在怎样的语境中策展?如此等一系列问题,也就构成了我们不断想象、构思、策划“罗杰·拜伦:荒诞剧场”这个展览的起点。 

蔡 萌  博士、中央美术学院美术馆学术部副研究员、策展人

  2016年8月6日于北京朝阳


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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

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Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

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Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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