毕业季丨微展厅 · 2019届研究生毕业作品展——造型学院油画系

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展览院系:造型学院油画系

展览地点:美术馆2层


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一辈子,如果能够瞄准一个事情做到底,是个太大的幸福。因为,你一辈子不变地认为:一件事是非常非常重要的,只能由你来做。因此,你成为一个不可替代的人,你的活着,也是重要的、有意义的,同时,也会很累、不被理解,但是,你活得有目标、有方向。很少有人能够“生而知之”。

幸运的是,大多数人对于重要的事情总是要不断地认识和再认识,与时俱进地随波逐流,迫不得已地被裹挟却不必负责任。但最终会自己辨明何事重要,何事不重要,只是时间早晚不同。重要的一定要做,不重要的可以不做。这样活得才有效率,让自己有时间变得重要。

问题的关键在于:事情的重要性是最重要的。你所认为的重要性,描述了你的思想和你这个人,决定着你存在的价值。

马璐  2019年5月






毕业生

曹阔

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籍贯:江苏

出生日期:1994年

教育经历:

2012-2016年本科就读于中央美术学院油画系第四工作室

2016-2019年硕士研究生就读于中央美术学院油画系第四工作室

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作品名称:无

作品尺寸:42×68cm

作品材料:布面油画

指导教师:王玉平


作品说明:无


毕业生

方贤晨

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籍贯:新疆

出生日期:1994年07月

教育经历:

2006-2012年高中就读于乌鲁木齐市实验学校

2012-2016年本科就读中央美术学院油画系第四工作室并获得学士学位

2016-2019年硕士研究生就读于中央美术学院油画系四工作室

获奖情况:

2012-2016连续获得中央美院社会优秀工作者

2013-2014获得中央美院油画系优秀创作奖

2014-2015获得中央美院油画系优秀创作奖

2015-2016获得中央美院优秀毕业创作;北京市优秀毕业生;ELand奖学金 

2016-2017获得中央美术学院研究生奖学金

2017-2018获得王式廓奖学金并赴欧洲游学;靳尚谊艺术基金会青年艺术家奖

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作品名称:永失我爱

作品尺寸:100×150cm×3

作品材料:布面油画

指导教师:王玉平 裴咏梅

作品说明:我不以性别区分人群,在我眼里,世间只有“爱者”与“被爱者”,爱在人类社会中的存在就像引力于空间。时间是相对的,爱也是相对的。


毕业生

巩天舒

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籍贯:辽宁省沈阳市

出生日期:1993年6月

教育经历:

2008-2011年高中就读于东北育才中学

2011-2015年本科就读于中央美术学院油画系第一工作室

2016-2019年硕士就读于中央美术学院油画系第一工作室

获奖情况:

2011-2012年二等奖学金

2013-2014年国家奖学金、周大福校园精英奖学金、一等奖学金、优秀班干部

2015年北京市优秀毕业生、中央美术学院优秀毕业生

2016-2017年优秀学生干部、社会工作优秀奖、研究生全额奖学金

2017-2018年研究生国家奖学金、研究生全额奖学金

2018年中央美术学院油画系开放日最佳色彩奖

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作品名称:老娘天下最美(1)

作品尺寸:60×65cm

作品材料:油画

指导教师:孙逊

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作品名称:老娘天下最美(2)

作品尺寸:80×120cm

作品材料:油画

指导教师:孙逊

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作品名称:懒得搭理你

作品尺寸:80×120cm

作品材料:油画

指导教师:孙逊

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作品名称:你听我说昂

作品尺寸:82×240cm

作品材料:油画

指导教师:孙逊

作品说明:形形色色的古代造型在过去的岁月中被赋予不同的情绪以及意义,在当下语境被观看的时候,原本被赋予的美好愿望与诸多功能性作用都在岁月隔阂中逐渐消退,而触及人心的形象被重新解读或误读。作品试采用当下语境中熟悉的弹幕的形式,使得这样的误读也能拥有当今时代的生动气息。


毕业生

顾伊妮

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籍贯:湖南凤凰

出生日期:1991年7月

教育经历:

2007-2010年高中就读于湖南省长沙市明德中学

2010-2015年本科就读于中央美术学院油画系第四工作室

2016-2019年硕士研究生就读于中央美术学院油画系第四工作室

获奖情况:

2017年油画系画室开放日最佳色彩奖 

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作品名称:树影

作品尺寸:尺寸不等

作品材料:纸本水彩

指导教师:申玲

作品说明:我觉得,树影参差的样子很美。


毕业生

郭楠

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籍贯:河北省

出生日期:1981年7月

教育经历:

1996-1999年高中就读于沈阳鲁艺美术学校

2002-2006年本科就读于中央民族大学美术学院油画系

2016-2019年硕士研究生中央美术学院造型学院油画系第一工作室

获奖情况:

2018年11月8日,油画《朝鲁一家》北京青年美术双年展  三等奖   中华世纪坛美术馆

2018年12月,油画《朝鲁一家》第八届青春足迹中央美术学院学生主体创作展  罗工柳青年创作二等奖  中央美术学院多功能厅  

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作品名称:等待

作品尺寸:100×200cm

作品材料:布面油彩

指导教师:胡建成

作品说明:“那达慕”大会有久远的历史,据铭刻在石崖上的《成吉思汗石文》记载,成吉思汗非常重视培养人的勇敢、机智、顽强,于是就把骑马、摔跤、射箭作为士兵和民众训练的内容,这三项也称为“男儿三艺”。本作品用写实的手法描绘了呼伦贝尔草原那达慕大会上,蒙古牧民身穿盛装等待赛马比赛开始的一个场景。


毕业生

郭师若

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籍贯:辽宁沈阳

出生日期:1993年5月

教育经历:

2008-2012年就读于中央美术学院附中

2012-2016年本科就读于中央美术学院油画系第一工作室

2016-2019年硕士研究生就读于中央美术学院油画系第二工作室

获奖情况:

曾获巴拿马“ASA”艺术奖学金、中央美术学院本科及硕士研究生奖学金、衣恋优秀毕业创作奖学金等,入选北京靳尚谊艺术基金会青年画家扶植计划并获奖。

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作品名称:纪·录 1

作品尺寸:160×110cm

作品材料:布面油彩

指导教师:王少伦

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作品名称:纪·录 2

作品尺寸:70×42cm

作品材料:布面油彩

指导教师:王少伦

作品说明:作品以写实的油画语言对作者身边日常生活的人事场景进行记录,一方面通过自我与他者的生活瞬间呈现当下青年的生存状态,另一方面试图通过对画面语言的建构来探讨写实油画语言的可能性。


毕业生

郭亚冠

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籍贯:吉林松原

出生日期:1990年7月

教育经历:

2008-2011年高中就读于前郭五中

2011-2015年本科就读于中央美术学院油画系第四工作室本科

2016-2019年硕士研究生就读于中央美术学院油画系第四工作室

获奖情况:

2012  风景写生《海尔庄园》留校收藏;

2014  获2014年度中央美术学院造型学院在校生优秀作业一等奖;

2015  毕业作品《黄泉路上》获中央美术学院造型学院2015届本科生毕业创作展二等奖;

2015  作品《黄泉路上之贺林》被中央美术学院美术馆收藏

2016  获中央美术学院“工作室传承奖”;

2016  获中央美术学院“研究生国家奖学金”全额奖;

2017  获中央美术学院“研究生国家奖学金”全额奖

2018  获中央美术学院“研究生国家奖学金”全额奖

2017  获“学院本色2017——中央美术学院校内作品展”学院造型奖;

2017  获“学院本色2017——美术学院学生作品展”最高奖“造型艺术奖”;

2017  中央美术学院油画系工作室开放日“画室传承奖”。

2019  获得第八届“昌新艺术奖学金”

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作品名称:黄泉路上之刘哥

作品尺寸:299×260cm

作品材料:布面丙烯 油画棒、红线、白18K金

指导教师:王玉平 

作品说明:作品的主要核心是“场域”及“仪式”的重构,以一种与现实产生强烈冲突的视觉效果来刺激观者的固有感官经验达到超越人的自我意识。作品中生成一些神圣而荒诞的符号来应和场域内每一个能量体的频率,在现实碎片和废墟里升华出一套具有仪式的逻辑体系,通过习以为常的现实世界进入一个潜在的存在,构成一个多维度的交叉口。


毕业生

江上越

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籍贯:日本

出生日期:1994年

教育经历:

2012年日本千叶省立千叶高中毕业

2012-2016年本科就读于中央美术学院油画系第三工作室本科

2017年德国HFG大学国际交换

2016-2019年硕士研究生就读于中央美术学院油画系第三工作室,导师刘小东教授

获奖情况:

2019入围亚洲杰出艺术家奖2019  (Soverign ArtFoudation香港)

2018第16届千叶市艺术文化新人奖(日本千叶市政府)

2017最佳优秀奖(中国国家留学基金委员会)

2016第十二届"画室开放日"作品获奖证书(中央美术学院油画系)

依恋优秀毕业创作奖(中央美术学院)

第17届东方国际美术展(日本)外务大臣奖

2015优秀奖 (中央美术学院)

2013优秀创作奖,优秀二等奖(中央美术学院)

日本第14届东方国际美术展美术馆美术馆长奖(千葉市美術館)

2012日本第13届东方国际美术展朝日新闻奖(千葉市美術館)

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作品名称:擦肩而过的困惑

作品尺寸:尺寸不等

作品材料:油画

指导教师:刘小东 

作品说明:虚似数据已经成为自然生活的一部分,成立在当下的社会规则中,虚似世界也是一种自然,也是一种现实世界。人工智能的发展,网络应用的普及,过去不曾有的图像纷纷出现,我们的视野变得更加开阔,同时艺术家也感受到一种是否被取代的威胁感。

主动误取也是人性的一个侧面。语言也好,绘画也好,严格地说是不能准确翻译和传达的,很大意义上是取决于对方的接收机制的。这是一个永远不会消逝的缺陷,正因为有缺陷,就留下了新生命诞生的可能性。虽然只是一个间隙,但却是回到原点,窥视事物深层本质的机会。


毕业生

李金朋

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籍贯:山东

出生日期:1984年3月

教育经历:

1999-2002年高中就读于山东省艺术学校 

2012-2016年本科就读于齐鲁师范学院

2016-2019年硕士研究生就读于中央美术学油画系研究生第二工作室

获奖情况:

曾多次荣获奖学金 学生优秀干部省级优秀毕业生等荣誉 

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作品名称:谷股骨之一白的对话、谷股骨之二血色沉静、谷股骨之三黑的降临

作品尺寸:80×240cm×3 

作品材料:布面丙烯

指导教师:胡建成 康蕾

作品说明:时代迅速发展,用社会经济数据图像股市数据图反映时代变化,用具象手法表达抽象观念,抽取古代山水图示元素与股市数据图示元素相融合,表现心中的股市山水的跌宕。


毕业生

李垚

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籍贯:陕西省西安市

出生日期:1991年1月

教育经历:

2008-2012年高中就读于中央美术学院附中

2012-2016年本科就读于中央美术学院油画系第一工作室

2016-2019年硕士研究生就读于中央美术学院油画系第一工作室

获奖情况:

2012年在校生作品三等奖

2013年在校生作品一等奖

2014年在校生作品三等奖

2015年在校生作品二等奖

2016年本科毕业创作一等奖


作品名称:梁漱溟先生像

作品尺寸:172×106cm

作品材料:布面油画

指导教师:胡建成 


作品说明:无


毕业生



刘海龙




籍贯:山东省青岛市

出生日期:1989年8月


教育经历:

2005-2009年高中就读于山东省平度市第一中学

2009-2013年本科究生就读于中央美术学院油画系第三工作室

2016-2019年硕士研究生就读于中央美术学院油画系第三工作室


获奖情况:


2017年《毛泽东》获2017年全国高校思想政治理论课首届大学生艺术作品巡展一等奖;

2014年9月《丹心谱》入选“第三届全国壁画大展”,并获大展奖;

2012年3月《女双人体》荣获第一届“凤凰奖学金”三等奖;

2011年6月《毛泽东》荣获“足迹*青春”主题创作展一等奖;





作品名称 : BLUE

作品尺寸 :240×300 cm

作品材料 :布面油画 

指导教师:刘小东

 

作品说明:探讨个体生命对生存境遇的反思与回应。


毕业生



刘佳





籍贯:山东青岛

出生年月:1992年2月


教育经历:


2007-2010年高中就读于青岛市第十七中学

2010-2014年本科就读于鲁迅美术学院环境艺术设计系

2016-2019年硕士研究生就读于中央美术学院油画系第五工作室


获奖情况:

2017年获得中央美术学院油画系第十四届“画室开放日”最佳造型奖






作品名称:FALL

作品尺寸:80×260cm×30cm

作品材料:综合材料

指导教师:刘刚


作品说明:据牛津英汉词典收录,单词“FALL”可做如下释义:其作动词时具有消减、垂落、崩毁、发生之意,作名词时可用来表示下落之物,也可指代瀑布。



毕业生



刘颜赫



籍贯:辽宁

出生年月:1992年8月

 

教育经历:

2008-2012年高中就读于辽宁省营口市第一高中

2012-2016年本科就读于中央美术学院油画系第三工作室

2016-2019年硕士研究生就读于中央美术学院油画系第三工作室  

            

获奖情况:

2016作品《渊》获中央美术学院油画系第十三届“画室开放日”“最佳创意奖”

2015获中央美术学院“社会实践与艺术考察,外出写生课程”优秀个人奖

2014作品油画《女双人体》获中央美术学院在校生优秀作业三等奖




作品名称:#6,No.8+#6.No.11

作品尺寸:150×300cm

作品材料:布面油画

指导教师:刘商英

 

作品说明:系列六的作品的灵感来源于植物,通过植物中柱状形态的花瓣,通过颜色渐变的方式的绘制,使其具有金属的质感,赋予画面力量感,通过剔除画面的空间感,达到一种平面性,使其画面具有整体的形式美感和纯粹性。


毕业生



刘在文




籍贯:山东潍坊

出生日期:1987年9月


教育经历:

2012-2016年本科就读于中央美术学院油画系第四工作室

2016-2019年硕士研究生就读于中央美术学院油画系第四工作室 

获奖情况:

在校期间曾多次获得校级、国家级奖学金以及研究生学业奖学金。

研究生期间多次获得优秀学生干部、社会工作优秀奖。








作品名称:啵弱儿系列

作品尺寸:150×150cm

作品材料:综合材料

指导教师:王玉平 裴咏梅


作品说明:作品说明:一生二,二生三,三生万物


毕业生



秦尧




籍贯:山东

出生日期:1987年5月


教育经历:

2011-2015年本科就读于中央美术学院油画系第二工作室

2016-2019年硕士研究生就读于中央美术学院油画系第二工作室





作品名称:恰同学少年

作品尺寸:210×300cm

作品材料:布面油画

指导教师:王少伦 


作品说明:通过写实的方法用画笔表现时代,书写情绪,它是一种诉说,同样的故事,不同的人就会讲出不一样的效果,过往的是历史,更是情怀。


毕业生



王一好




籍贯:浙江温州

出生日期:1993年10月


教育经历:

2008-2012年高中就读于中央美术学院附中

2012-2016年本科就读于中央美术学院第四工作室

2016-2019年硕士研究生就读于中央美术学院第四工作室


获奖情况:

2013 油画系透视课作业获中央美术学院造型学院油画系第十届“画室开放日”鼓励奖

2014 油画系基础课程(组)获中央美术学院造型学院油画系三等奖

2015 《别碰我》获中央美术学院造型学院油画系第十二届“画室开放日”鼓励奖

2016 本科毕业作品《五点半rainbow》获中央美术学院优秀毕业作品三等奖 并被央美美术馆收藏

本科期间曾获两次三等奖学金,研究生期间获一次半额奖学金,荣获一次优秀社会工作者称号







作品名称:一种皮相系列

作品尺寸:120×120cm、50×50cm、120×120cm

作品材料:丙烯 树脂

指导教师:王玉平


作品说明:我着迷于女性肢体的美感,有着一种说不出来的暧昧关系与内在联系,那每一个动态背后的暗示性语言我都想通过自己的方式来表现。用透明度高的纯色表现通透的人体,去除掉一切琐碎的细节,只剩下我想留住的最纯粹的一部分。这个世界太满太紧了,需要这片刻的纯净来让人心安静下来,安静地暗潮汹涌着。


毕业生



谢娜




籍贯:北京

出生日期:


教育经历:


2000-2004年高中就读于中央美术学院附中

2004-2008年本科就读于中央美术学院油画系第一工作室

2016-2019年 硕士研究生就读于中央美术学院油画系第一工作室





作品名称:看上去很美

作品尺寸:95×125cm

作品材料:布面油画

指导教师:孙逊 


作品说明:无需阐释


毕业生



肖乔




籍贯:广东珠海

出生年月:1990年11月


教育经历:


2006-2010年高中就读于中央美术学院附属中学

2010-2014年本科就读于中央美术学院油画系第三工作室

2016-2019年硕士研究生就读于中央美术学院油画系第三工作室



获奖情况:

2011年作品《看》参展“跳动的脉搏”获三等奖

2010—2011学年获中央美术学院社会工作优秀奖

2013年获中央美术学院校优秀学生三等奖学金

2013年油画系第十届“画室开放日”作品《油画女双人体》获“优秀写生奖”

2016-2017学年 获中央美术学院硕士研究生学业奖学金半奖





作品名称:草地上的午餐·奶油蛋糕

作品尺寸:100×80cm

作品材料:布面丙烯

指导教师:刘商英 



作品名称:草地上的午餐·红白格子布

作品尺寸:100×80cm

作品材料:布面丙烯

指导教师:刘商英 


作品名称:草地上的午餐·那朵云

作品尺寸:100×80cm

作品材料:布面丙烯

指导教师:刘商英 



作品名称:草地上的午餐·青草地

作品尺寸:100×80cm

作品材料:布面油画

指导教师:刘商英 


作品说明:人生是一场旅途,当我难过时我会仰望天空,漂浮的云朵和浩瀚的蓝天会让难过变得渺小;当我在沮丧时味蕾被甜蜜刺激后,大量分泌的多巴胺会让人产生幸福快感,心情也会有所缓解。草地上的午餐系列解构了一个现实中的场景,因为在这个情境中的每个事物都有其重要的意义及我对它的感受,哪怕只是陪衬之物也有其独特的生命意义。



毕业生



燕玺宇




籍贯:山东省枣庄市

出生年月:1991年6月



教育经历:



2007- 2011年高中就读于中央美术学院附中

2011-2015年本科就读于中央美术学院油画系第二工作室

2016-2019年硕士研究生就读于中央美术学院油画系第二工作室



获奖情况:

2011-2012 本科生二等奖学金

2016-2017 研究生全额奖学金

2017-2018 研究生半额奖学金

2015 本科生毕业创作三等奖

2017 第三届宝甄艺术生活创新奖

2018 中央美术学院油画系第十四届“画室开放日” 最佳创意奖





作品名称:在废墟上

作品尺寸:226×200cm

作品材料:布面油画

指导教师:马晓腾 


作品说明:废墟强调的是关于个体对于整个生存境遇的消逝与缅怀。主体人物试图丈量某个内部空间,与空旷破败的室内环境形成孤立弱化的存在关系,凸显出个体的渺小感与未知性。床的意象是温暖与归属,与整个灰色调的空间、人物身上的冬装形成鲜明的对比。梯子和手中的尺子意味着探索和试图去把握自己命运咽喉的渴望。


毕业生



叶江




籍贯:陕西

出生日期:1990年


教育经历:


2014年本科毕业于中央美术学院油画系第三工作室,

2015年获得国家留学基金委公派资格,赴纽约普瑞特艺术学院留学,

2017年7月获硕士学位归国继续国内学业,

2019年6月即将毕业于中央美术学院油画系,获硕士学位,导师刘小东教授。


获奖情况:

叶江在北京蜂巢当代艺术中心、中央美术学院、纽约Steuben 画廊曾举办个展,作品曾展览于中国美术馆、中央美术学院美术馆、今日美术馆、时代美术馆、天津美术馆、大都美术馆等艺术机构。





作品名称:4个匹斯

作品尺寸:195×295cm×15cm

作品材料:布面油画

指导教师:刘小东


作品说明:最习以为常的衣服,与油画截然不同,材料上却有相通之处。在这幅作品中,我用画布原有的质感来描绘衣服,画布是真实的布,而画面中是用绘画的手法营造出来的布的幻像,在这里它们融为了一体,就像油画颜料一样,我们把它从自然之中提取出来,又用它去描绘创造种种自然的幻像。


毕业生



赵广祎




籍贯:河北巨鹿

出生日期:1988年7月


教育经历:


2004-2010年高中就读于石家庄35中 石家庄45中 保定美中

2010-2014年本科就读于中央美术学院油画系第二工作室   

2016-2019年硕士研究生就读于中央美术学院油画系第二工作室


获奖情况:

2017获中央美术学院研究生全额奖学金

2018 获中央美术学院研究生奖学金

2018 荣获2018年“ASA–XYZ·青年艺术家奖”

奖作品《我有一条鱼》北京798 · 行云座(ZYX)画廊





作品名称:绿纱图

作品尺寸:200×100cm×4

作品材料:布面油画

指导教师:康蕾 


作品说明:人类的文明,独善其身。具备令其它所有生物恐惧的属性。我们撕开原本大地的绿色,重新覆盖上那产自机器轰鸣下的绿网,一种类似于变色龙的伪装,以期达到美观及防沙尘的目的。属于自然的土地、植物与人类之间的争夺显然是后者获胜了,但因此也带来了每年春天昏黄的尘沙以及冬日沉郁的阴霾。人类自食了贪婪的恶果而仍不自醒。


毕业生



周艺蕾




籍贯:山东淄博

出生日期:1992年9月


教育经历:

2008-2012年就读于中央美术学院附中

2012-2016年保送至中央美术学院油画系

2016-2019年硕士研究生就读于中央美术学院油画系第三工作室


获奖情况:

中央美院优秀研究生学业奖学金

中央美术学院优秀毕业生

中央美术学院优秀毕业创作二等奖

中央美术学院优秀学生三等奖学金

“周大福”奖学金并获得“周大福校园精英”荣誉称号

第十二届“画室开放日”最佳写生奖

第十届“画室开放日”最佳技法奖





作品名称:水落石出Ⅴ

作品尺寸:240×200cm

作品材料:布面丙烯

指导教师:刘商英 


作品说明:水是万物之源,它以各种色彩和形式包裹着生活。水落石出指的是水落下去,水底的石头就露出来。比喻事情的真相完全显露出来。 我借用自然中的水来探讨身体与文化、社会、身体本身的关系,试图运用延展身体空间接近真实。


毕业生



张豪辰




籍贯:江苏省徐州市

出生日期:1991年9月


教育经历:

2006-2009年就读于徐州高级中学

2010-2015年本科就读于中央美术学院油画系第一工作室

2016-2019年硕士研究生就读于中央美术学院油画系第一工作室


获奖情况:

2010 《素描女肖像》被造型学院基础部资料室收藏

2015 本科毕业,毕业作品《自画像》获中央美术学院“E.LAND优秀毕业创作奖学金”

2016以优异的成绩获得中央美术学院研究生2016~2017年度学业半额奖学金

2018 以优异的成绩获中央美术学院研究生2018~2019年度学业全额奖学金





作品名称:自画像

作品尺寸:232×81cm

作品材料:布面油画

指导教师:胡建成 


作品说明:作者企图表现一个平和的自我,以及一个即将毕业进入社会的美院学生,眼神中透露出对前途未知的迷茫,但又不失自信的一个形象。


毕业生



张田宇




籍贯:安徽亳州

出生日期:1989年3月


教育经历:


2005-2007年高中就读于新疆农业大学附属中学

2007-2011年本科就读于新疆师范大学 油画系

2016-2019年硕士研究生就读于中央美术学院油画系第四工作室





作品名称:一卷森林

作品尺寸:2000×200cm

作品材料:布面丙烯

指导教师:马璐 


作品说明:我找到一种简单的方式来约束自己,那就是尽可能的只用一种颜色来绘画。我们所追求的美好,从来就不是天生自然的状态,它是一种焦灼的状态,是两种力量不相上下的斗法,犹如拔河,绳正中的缎标,越是势均力敌,它的地位就越巩固,韧度就越强。我想我们应该赋予一切新的秩序与意义。



毕业生



张文




籍贯:辽宁大连

出生日期:1993年12月


教育经历:


2009-2012年高中就读于大连市第十五中学

2012-2016年本科就读于中央美术学院油画系第一工作室

2016-2019年硕士研究生就读于中央美术学院油画系第一工作室


获奖情况:

荣获2012-2013学年中央美术学院优秀学生奖学金二等奖

荣获2013-2014学年中央美术学院综合奖学金二等奖

荣获2014-2015学年中央美术学院综合奖学金三等奖

作品《男老人像写生》荣获中央美术学院2012年度本科生优秀作品展三等奖并被学院收藏

作品油画《双人体》荣获中央美术学院油画系开放日“最佳造型奖”

作品《镜》荣获中央美术学院优秀毕业创作三等奖

荣获2016-2017学年中央美术学院优秀学业奖学金

荣获2017-2018学年中央美术学院优秀学业奖学金

作品《塞罕坝的故事》荣获2018年中央美术学院造型学院油画系第十五届“画室开放日画室艺术传承奖”





作品名称:状态

作品尺寸:183×65cm

作品材料:布面油画

指导教师:胡建成 


作品说明:通过自画像的方式对自己和当下的生活状态进行审视,用绘画语言表达内心对未来的彷徨和期许。


毕业生



张亦新




籍贯:北京

出生日期:1994年2月


教育经历:


2006-2011年就读于新西兰St Peter's school, Cambridge

2012-2016年本科就读于中央美术学院造型学院油画系第一工作室

2016-2019年硕士研究生就读于中央美术学院油画系第一工作室


获奖情况:


2013年获二等奖学金

2014年获一等奖学金

2015年获一等奖学金、优秀班干部、优秀社会工作者

2016年获一等奖学金、获画室开放日鼓励奖




作品名称:男性肖像

作品尺寸:200×200cm

作品材料:木板油画

指导教师:胡建成 


作品说明:青金石的本质就是群青?

毕业生



赵良伟




籍贯:福建

出生日期:1991年11月


教育经历:


2007-2010年高中就读于福州第四中学

2010-2014年本科就读于中央美术学院油画系第一工作室

2015-2019年硕士研究生中央美术学院油画系第一工作室


获奖情况:

《色彩静物写生》被造型学院基础部资料室收藏,

《色彩静物写生》获中央美术学院2011年度本科生优秀作业展二等奖,并入选“十年——造型学院基础部教学研究展”

2011-2012学年中央美术学院优秀学生奖学金 二等奖

2014年 毕业创作《都市生活片段》入选十二届全国美展

2016-2017学年 研究生半额学业奖学金






作品名称:一天

作品尺寸:160×80cm×2

作品材料:布面油画

指导教师:胡建成 


作品说明:通过描绘一些行人来展现都市生活的日常。



毕业生



郑洪强




籍贯:山东省济南市

出生年月:1988年5月


教育经历:


2004-2007年高中就读于北京吴作人美术学校

2009-2013年本科就读于中央美术学院油画系第四工作室

2016-2019年硕士研究生中央美术学院油画系第四工作室


获奖情况:

2012年eland优秀学生奖.油画系二工最佳写生奖

2013年毕业创作《游园不值》及风景《黄河边》被美国artcontemporary画廊收藏

2017年《蛟龙出海》获北京大学生十九大主题创作一等奖,北京市团委主办的主题创作优秀奖,青春足迹二等奖

2017-2018年三次获国家奖学金








作品名称:万物有灵且美-十二生肖

作品尺寸:66×66cm×12

作品材料:油画 丙烯

指导教师:王玉平 


作品说明:作为中国传统文化的一部分,十二生肖既用于天干纪年,又表达了自古以来人与动物的关系,从原始崇拜到吉祥祈福。这个主题一直存在于各种形式的艺术中,包括绘画、雕塑、民俗手工艺等。“万物有灵且美-十二生肖”系列创作,从神话与民俗的角度,尝试用油画创作来表现十二生肖的神性,以及在民俗文化中的图腾、祈福、守护等世俗意义。




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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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