中国画学院 | “2021中央美院本科生毕业展”作品推介

“本科生毕业展”第一阶段今日闭幕,

第二阶段将于6月10日对外开放,

敬请期待。


所有观众(包括持邀请函及VIP卡的嘉宾),均需实名预约,佩戴口罩,经体温测量合格,验证健康码为绿码后,方可入场参观。预约方式详见文末预约参观二维码,建议先预约后购票。


开放时间:周二至周日9:30-17:30

(17:00停止入场),每周一闭馆。







 郑航


作品名称:《观者不语》

指导老师:王晓辉、廖勤

作品尺寸:145cm*190cm

作品材料:纸本水墨


作品阐述:此幅作品采用喷涂滴洒的方式绘制,不着笔痕,虽然创作方法与传统水墨画有所不同,但对意境的追求与传统水墨画是相通的。关于画面,不同观众会有不同的理解。中央巨大的主体人物俯看着前方对坐的两人,他的手看似遮住了自己的嘴,前方两人像在对坐博弈,地上的龟裂纹象征世间的纷乱。也有人感觉是一位天神看着干枯大地上的两个围着枯井求水的人。天上的云也让人产生联想,有人说是云,有说像鱼,还有说像糖果。这也算做到了简单而有意韵,让观众能从此画中获得新的想象空间。作者的意图就是表现一种观看的视角,一种第三人称的观察角度,而没有对于具体情景的描述,因为如果一看到作者的解说的话,关于这幅画所有的想象都会坍缩。作者更希望观者能从作品中找到更多属于自己的理解和思考,在这幅画前观众既是观察者,也是参与者。



 李艺琴


作品名称:《虚无之境》

指导老师:唐凝 刘庆和 王晓辉 林彬 廖勤 王宏州 

作品尺寸:190cm*200cm
作品材料:纸本水墨


作品阐述:虚无之境 似真似幻 如超自然与世俗之外 实为高境远离生死 超然痛苦 无七情六欲 高于人类之外的 他们似乎无情感 皆是漠然虚无之境 宇宙万象之源泉 万物之归宿



 栗建森


作品名称:《幕》

指导老师:唐凝 王晓辉

作品尺寸:9*68cm*68cm

作品材料:纸本水墨


作品阐述:在莎士比亚的《皆大欢喜》中说过:世界是一个舞台,所有的男男女女不过是一些演员,他们都有下场的时候,也都有上场的时候。一个人的一生中扮演着好几个角色。人生就像一出舞台剧,从开幕到谢幕,生活要去上演各种情节。我把瞩目,困惑,不安,拥簇等各种情节用序幕展开。幕布连接着人生,一幕幕情节,一幕幕人生。




 郭之霖


作品名称:《摇篮曲》《蜜语》《舞伴》

指导老师:唐凝、刘庆和、王晓辉、林彬、廖勤、王宏州

作品尺寸:123cm*95cm、(39cm*69cm)(39cm*35cm)(39cm×55cm)(65cm×5cm)、40cm*62cm

作品材料:纸本水墨


作品阐述:有时候,我们的成长通过梦而体现,有的时候,我们做梦比醒着的时候更加清醒。梦境编织出一个又一个虚幻的自我,快乐的体验往往如云似雾,痛感却要比清醒的时候更为真切。我们都有不为人知的另一面,单纯的、可爱的、邪恶的、幼稚的...都被封存在童年这个蜜罐中。而难以压抑的窥探欲、倾诉欲和分享欲,都源于个体通过互相比较来完成自我评价的需求。往好处想,互相耳语不过是小孩子获得“慰藉”的方式之一,无法阻止就释然好了。我的人生粗糙的像一支在线生成的舞蹈,没有排练、不会编舞,而辅助我完成下一个动作的舞伴,其实是我前一刻不知所措的影子。




 钟咏芙


作品名称:《燃烧》组画

指导老师:王晓辉 唐凝 廖勤 林彬   

作品尺寸 :单幅从30*20cm到50*30cm不等  

作品材料 :纸本水墨、颜彩


作品阐述:这是一组玩出来的小画,他们记录了我最近这几个月的心情。希望它们能愉悦观者的视觉。





 朴成蔡


作品名称:《内心》 

指导老师 :唐凝 刘庆和 林彬 王晓辉 廖勤 王宏州

作品尺寸 :45*65cm*9 

作品材料 :纸本水墨,颜彩


作品阐述:随着年龄的增长,受周围层层环境的影响,我逐渐变成了另一种面貌,另一种性格。别人可能只看到我的外表,我也可能只看到别人的外表。因为这些理由,只注重外表,根据变化的周边环境包装自己的外表,渐渐地不知道自己的内心是什么样的状态。《内心》共9张自画像,回首已27岁的我,表达积累起来的外表内心的伤痛、忧郁、混乱,以及其中绽放的青春等。





 逄楠


作品名称:《夜游记》

指导老师:焦洋、徐华翎、金瑞、张猛

作品尺寸:161cm*210cm

作品材料:绢本设色 综合材料


作品阐述:《夜游记》围绕一个“游”字展开,受西方大师波提切利的《春》和湿壁画的启发,结合了东方服饰文化和西方湿壁画、坦培拉人物形象的特点,并且穿插了机械玩具的一些现代元素,以及具有东方意味的竹子和欧式建筑等符号象征性的元素。用工笔重彩以及壁画沥粉贴金的方式表现。画面以深蓝色为主色调加以银箔、铜箔为点缀交错呼应为主,加深夜晚的静谧与神秘感。突出如梦如醒漫步闲庭的游走,在思绪交织中感受不同文化的相互交融与冲击。通过整体色调为牵引让观画者平心静气的思考我们当下多文化交织下人与人,物与物之间不同的距离感以及空间感。每一种文化元素都是相互而独立的,但是作为一种精神价值而言,它们又是平等的,相互交流、相互融合、相互影响,在不同的社会洪流里以不同形式出现在我们每一个人的生活里。如梦如醒观山河,入梦已去夜游行





 马宇歌


作品名称:《沉浮》

指导教师:焦洋、徐华翎、金瑞、张猛

作品尺寸:210x200cm

作品材料:绢本设色


作品阐释:散落的阳光透过了流水的粼,浸透全身睁开双眼,期许的湛蓝竟是混沌,可即使模糊用角膜也在最深切的体会着自己的内心,仿佛溶于水中仿佛消解无边,但都在向自然更深地游走,降噪世界发起呼唤。




 王鼎然


作品名称:《少年魔角》

指导老师:焦洋,金瑞,徐华翎,张猛

作品尺寸:183cm*155cm

作品材料:绢本设色 金箔 银箔 铜箔


作品阐述:2020年是伟大的作曲家古斯塔夫·马勒的诞辰160周年。我希望在毕业创作中能够与马勒作品中的精神力量进行碰撞的同时来纪念这位伟大的艺术家。我将自己对于马勒作品的感受和自己理解的马勒精神进行物象化,试图通过这次的创作与马勒进行跨时空的交流。马勒的艺术和精神是跨时代的。在疫情期间,全世界有数以万计,数以亿计的人失去了生命。我希望借马勒的精神力量对逝者发声:“死者终将复活!你所经历的灾祸,都将把你领向神之居所!”




 顾博伦


作品名称:《听姥爷说》

指导老师:焦洋、张猛、徐华翎、金瑞

作品尺寸:175cm*140cm

作品材料:绢本设色 综合材料


作品阐述:本作品表现了作者俯身聆听外婆和身为退役军人的外公讲述获得三等功奖章的光荣事迹的场面。画面中间印有:“祖国庆典,央美贡献”的奖杯代表作者在收到外公的教导后参加庆祝中华人民共和国成立70周年群众游行爱国活动的经历。本作品秉承现实主义创作方法,传达了祖孙两代人之间爱国精神的传承。





 赵紫萌


作品名称:《花月夜》

指导老师:焦洋、张猛、徐华翎、金瑞

作品尺寸:75cmx150cm

作品材料:绢本设色


作品阐述:将个人对于亲人的回忆与经历提取出来,整合成回忆的空间,用亲人生前所用物品去拼贴和填补空间中过往的记忆,而现实空间则代表了真实,主体人物徘徊于两个不同空间中,就像人总是在回忆与现实中游走。花月夜是存在于诗篇与现实中的美好的意象,可是美丽的意象得以自然的庇护永存,而共赏月亮的人却会消亡在时间的流逝当中。画面主要分为两个空间,蓝色区域是由老物堆砌而成的回忆沉淀,白色区域代表真正的现实,由大片白色菊花组成。





 谢晨璐


作品名称:《我们的岛》

指导老师:焦洋、张猛、徐华翎、金瑞

作品尺寸:138cm*250cm

作品材料:综合材料


作品阐述:作品选题以个人视角窥见当今时代女性社会身份的转化与需求的一角,另一方面表现本人在大学四年里不断对自身的探索。女性作为社会的重要组成部分,被赋予了太多的要求与束缚。物化、刻板印象、压迫、歧视…当今女性社会身份的转化致使我们在现在谋求更大的话语权,女性意识的觉醒与解放同时也要求社会摒弃固有对女性的定义。画中红色鲜艳的大手代表了社会与大众舆论无形的束缚,而中间的女性们用以颠覆大众所期待的形象奋力摆脱束缚。作品用传统中国画材料绘制而成,但却用不同于以往的中国工笔画的绘画质感所呈现,这表现了本人在大学四年中所学对于传统中国画与当代艺术碰撞的浅略思考与有限探索




 张雨琦


作品名称:《枕中记》

指导老师:焦洋 徐华翎 金瑞 张猛

作品尺寸:145cmx350cm

作品材料:纸本水墨


作品阐述:这组作品的呈现,是自然而然的,从大一开始,我就开始重视起来了自己的梦境,也开始了对于梦境的创作,逐渐的对梦境理解越来越深刻。“梦境”,“梦”是我故事情节物像的寄托,“境”是我梦中的感性情绪氛围。早在“梦魂论”“占梦术”“黄帝内经”“六梦说”中,“梦”就成为了一种意象,进而发展为梦文学,梦境画。而这组作品的名称就来自于唐代小说《枕中记》,我将自己青少年时期一些记住了许多年的梦,回忆起来,将其讲述出来,所以在组画中间是少年时期的我在舞台上讲述。因为梦境里情绪,氛围的浓厚,让我在醒来之后有了极大的失落感,梦中情节画面可能很模糊很荒唐,但是醒来时的那一刻,那份深刻的情绪,能在我的脑海中留下很多很多年,这份深刻的情绪,正是我真正想要去表达的,也是我延续自己梦境的创作的动力。






 王镜尧


作品名称:《鲜花盛开的季节》

指导老师:焦洋 徐华翎 金瑞 张猛

作品尺寸:165cm*165cm

作品材料:绢本设色


作品阐述:花盛开的季节是春季,春季象征着生命中最宝贵的年纪,正是青春年华、风华正茂的年纪。我们应该好好珍惜它,去做一些有意义的事,把握好生命的春天,人生才有收获的秋季。本作品主要表达的正是意气风发、风华正茂的青年时期的人物形象。




 黄天怡


作品名称:《我的黄金时代》《眼里一片海 我却不肯蓝》《重塑巴别塔》《在到处之间找我》

指导老师:焦洋、徐华翎、金瑞、张猛

作品尺寸:165*145cm 105*75cm  103*86cm  60*90cm

作品材料:综合材料


作品阐述:Live couriously. 好奇地活着「让我信自己的真理让我有个永远假期让我渴睡也可嬉戏让我有勇气去喊停  没有结局也可即兴」我的黄金时代描绘就是一个可以安心去爱,爱就是爱,不用理会其他任何的时代。所以这样的一个时代,并不是一个历史的概念,而是对于我们每一个人来说,都可以有的日子。强烈的色彩对比和欢快的氛围烘托出我们这个时代的特点。“如果我们没有好好的爱着,那么我们就没有好好的活着。”


海在冲刷我,海在注视我。我未拥有海的气势磅礴,我也未拥有海的颜色。就像在快节奏的生活里,我没有与大众“海天一色”,而是慢慢沉淀,与世界“叛逆”。




 李佳豪


作品名称:《桃李年华》

指导老师:焦洋 徐华翎 金瑞 张猛

作品尺寸:210cm*170cm

作品材料:绢本设色


作品阐述:作品以一种纪实性的方式记录了一位正处桃李年华的女子的日常生活,尝试改变明制作品中相对封闭的室内空间,将真实的立体空间改成平面化的空间,给观者更多的想象。画幅右上角是一个画轴,中题字:“粉壁图仙鹤,昂藏真气多,鶱飞竟不去,当是恋恩波。”出自唐代宋之问的《咏省壁画鹤》。题诗与落款欲以此感谢朋友同学对我的支持与鼓励,画轴中的仙鹤没有腿,借此希望这份感情能一直传下去。


画中的女子青春美丽,眼神中既有希望又有迷茫,表达处在这样一个年龄下,怀念过去岁月的美好,但随着年龄增长又对往后的生活感到压力和迷茫,想鼓励自己继续向前,不断努力。四年的本科学习让我成长了很多,在创作这幅作品我收集参考了许多明代室内女性题材作品,在开放、想象空间上借鉴吸收了浮世绘、陈洪绶、波提切利、达利等中西方艺术家的作品,我希望尽我的能力去表现好这幅画。





 徐从文


作品名称:《雨》

指导教师:焦洋 徐华翎 金瑞 张猛

作品尺寸:160cm×80cm*2

作品材料:纸本设色


作品阐述:我画的两幅组画名为“雨”,都是以都市生活为背景的创作,作品力图呈现都市中年轻人,他们在都市中工作、学习的生活方式,“快节奏状态”的生活状态,通过对上班族、都市建设者、学生等各类不同的年轻群体的刻画,表达出对当今生活在都市里的青年一代的关注。而“雨”天的选择,试图表达出 “人在路途”的艰辛与不易。我在观察人、建筑与空间关系时,发现人与建筑的 “相遇”会产生意想不到的美感。比如,摩天大楼的反光折射出的东西,它就像“魔镜”一样,把对应的景物通过折射反映出来,既扭曲变形,拓宽视野。又浪漫别致。它既是一种物理的美感的图像,疏密节奏浑然天成,让环境更显现出多变的美感。甚至蕴含着一种哲学思想,这也是都市景色中的一个美的标志。





 何骏天


作品名称:《虚无,还是意义》

作品尺寸:248cm*129cm

指导老师:徐华翎

作品材料:纸本设色


作品阐述:《虚无,还是意义》,不仅关于字面意思上对虚无还是意义的选择,更是关于一个事实。画中岩壁、人物、树木、星空、玩具等等。它们的集合代表“意义”,在绘画中被实现从而被存在。我作为创作者赋予其一些意义和一点属于我自己的世界。每个人都需要拥有思索意义,寻觅艺术的权利,我选择不以自身思想上的影响加入本作品,希望给予您更多的可能与意义上的延展,主动权与选择权。中间部分有一块地方,它看似应该有所绘画以添加意义,从而与其他绘画部分所组合,但是我选择放空成就一个虚无,无意义的地带,从而表达“虚无,还是意义”的主题。这片空白是醒目的,在其他绘画部分的衬托下甚至可能会成为观者最开始的关注点。这是一件可能让人难过的事情,因为虚无与空洞是具有诱惑的,甚至会将周遭的意义吞噬。但它也是一件幸运的事情,虚无本就存在,是我们所在世界中无法割舍的部分,但是意义与价值也因此相对成就。周围代表意义的画面在某种程度上因为中间的空白而被赋予力量。这是一个事实:世界是丰富的,但也一定存在无奈与虚无。是选择虚无,安稳没有生气,自生自灭如从没有存在过。还是选择意义,去创造,去创作,去探索,痛苦,苦难,阴暗,悲悯,快乐,喜悦,壮美,闪耀。危机与希望并存,燃烧生命,展现和追求自身的意义与存在。以上仅仅是展示本作品的意识框架,也就是主题:虚无,还是意义。除此之外,我更想传达一个思考和信息:抛却既定的画面和作品,虚无,还是意义,一直都是生活中的主题。




 骆昊辉


作品名称:《莫是梦否》

指导老师:丘挺,刘荣,边凯,王子锟

作品尺寸:132cm*282cm

作品材料:绢本水墨


作品阐述:作品以文学家张岱的《湖心亭看雪》为基础结合对张岱人生境遇的理解,创作此幅作品以致敬我最喜爱的文学家张岱。作品名称《莫是梦否》亦摘自张岱的散文之中,在我看来这四个字真实而浪漫的总结了张岱的人生大梦。






 王浩铭


作品名称:《风兮渡》

指导老师:丘挺,刘荣,边凯,王子锟

作品尺寸:288cm*282cm

作品材料:绢本设色


作品阐述:我试图以时间为线索构建一个场域,以三联的形式描述过去、当下和未来的人与天地宇宙相处的不同状态。未来未可知,过去也难以感同身受,制作过去和幻想未来会有类似的陌生的时空感,古人直面日月山川,协同自然达到目的,是直接与天地宇宙沟通的过程,未来亦有无限幻想的可能性,过去和未来一样崭新和陌生。“过去”和“未来”两联是抽象的,“当下”是具象的,当下可感知,然而如果时间倒流,我们认知的局限是否会变化,流动的光影是真实的还是流动的光影背后的空间是真实的,日月交替,万物生长,生命有限而无边。




 杜沁锟


作品名称:《琉璃世界·白雪红梅》

指导教师:丘挺、刘荣、边凯、王子锟

作品尺寸:120cm*240cm

作品材料:绢本重彩


作品阐述:我的毕业创作取材自《红楼梦》第四十九回《琉璃世界白雪红梅,脂粉香娃割腥啖膻》,呈现了“烤鹿肉”和“乞红梅”的经典桥段。我学习了许多早期山水画中对空间分割,吸收了《千里江山图》的大框架空间布局,运用了入潢、水墨、重彩、贴箔等传统技法,将青绿山水中的部分技法运用其中,将红楼与山水的融合做了尝试。总体来说,在不偏离“悲金悼玉”这一红楼主旨的情况下,我能做的,就是着重描写青春群像,尽可能贴近原著中的形象。这是一首青春之歌,它是个体生命中最好的记忆,愿所有人都不要辜负自己的生命。





 李艺璇


作品名称:《幽游》

指导老师:丘挺 刘荣 边凯 王子锟

作品尺寸:230cm x 230cm

作品材料:绢本设色


作品阐述:我沉迷于绘画给我带来的不确定性,每一个笔触每一幅画对我来说都是一种探索,就如万物瞬息万变,着迷于他的未知性。我将山水与蝴蝶相融合,用梦幻的颜色表达具有诗意的空间,所有的山石都脱离现实的物像,多是幻想与梦境交织的情景,亦或是我的视觉经验逐渐融合的意象。画中的蝶是自我的化身,也象征着重生,但重生又意味着伤痛和毁灭。纠葛、美好、毁灭这些状态围绕在我的创作中,画面统一却又是对立的,枯树与桃树、灼烧的蝶与白色的蝶,流动的瀑布与深邃的溶洞,都在刹那与永恒间另我留恋和感动,它更像是我幻想的桃花园,看似美妙却荒诞。“幽游”取自昆曲中梦境的意象,在我的画面表达中,我将他们赋予不同的含义,幽是沉浸于内心深处的净土,游则是自我状态的延续。






 周德峰


作品名称:《冥寂之境》

指导老师:丘挺 刘荣 边凯 王子锟

作品尺寸:200cm*170cm

作品材料:绢本水墨


作品阐述:“桃花流水窅然去,别有天地非人间。”仙山在哪里?古往今来人们都在追寻它的踪影,但常无果。我心中也向往这个神秘幻境,在这个幻境中,没有亭台楼阁,没有奇花异果,只有单纯的云,山,海,建构出一片冥寂之境。





 刘琳


作品名称《梦游》

指导教师:丘挺、刘荣、边凯、王子锟

作品尺寸:44.5cmX243.5cm

作品材料:纸本水墨


作品阐述:“千幻并作,皆人心所自动耳。”聊斋志异中有一篇故事讲述了两个男人在山野中游玩,偶然进入了一个小寺,其中一人心神被壁画中的散花天女所吸引,恍惚间进入了壁画里的仙境佛国。虽然身边有众僧听道,但是正如原文中“人有淫心,是生亵境;人有亵心,是生怖境”,他沉迷于香艳的美梦,又在惊慌恐惧中回归现实。乐极生悲,物极必反,人心浮动,世事无常,但是道理却是万古常在,万千幻想都是人欲妄动,像浮光泡影一般,不会留存。所以用空山无人,有雕像和摩崖的残存废墟的画面来表达。






 喻雅睿


作品名称:《问月》

指导老师:丘挺 刘荣 边凯 王子锟

作品尺寸:120cm*200cm

作品材料:综合材料 纸本矿物色


作品阐述:李白《把酒问月》诗云:青天有月来几时,我今停杯一问之。人攀明月不可得,月行却与人相随。皎如飞镜临丹阙,绿烟灭尽清辉发。但见宵从海上来,宁知晓向云间没。白兔捣药秋复春,嫦娥孤栖与谁邻。今人不见古时月,今月曾经照古人。古人今人若流水,共看明月皆如此。唯愿当歌对酒时,月光长照金樽里。山河流转,世事变迁,唯有明月是我和每一个你彼此共享着的永恒。




 李咸通


作品名称:《霓虹集》

指导老师:刘荣 陈平

作品尺寸:110cm*250cm

作品材料:纸本设色


作品阐述:能看见亮光,收进眼前和眼角。没人的地方给人以极大的安全感和满足感。不吵人的飞贼点缀林间和低低的天。画面着重凸显符号,将写生景象进行提炼,归纳成图像,再用于构建没有人类踪迹的环境。





 旦增达美


作品名称:《春生,夏糜,秋去,冬烬,春又来》

指导老师:边凯

作品尺寸:190*180

作品材料:布面重彩


作品阐述:假如恶魔在某一天或某个夜晚闯入你最难耐的孤寂中,并对你说:“你现在和过去的生活,就是你今后的生活。它将周而复始,不断重复,绝无新意,你生活中的每种痛苦、欢乐、思想、叹息,以及一切大大小小、无可言说的事情皆会在你身上重现,会以同样的顺序降临,同样会出现此刻树丛中的蜘蛛和月光,同样会出现现在这样的时刻和我这样的恶魔。存在的永恒沙漏将不停地转动,你在沙漏中,只不过是一粒尘土罢了!”

 ——《快乐的科学》尼采


在西藏,民间认为人有前世和今生,身体就像一间间旅馆,心性只是在其间短暂停留,死亡不是结束,而是出生的前奏。通常,在藏族的世俗观念里,在前世、今生和来世之间有12种阶段:无明、行、识、名色、六入、触、受、取、有、生、老死。我执着于摆脱痛苦,追寻欲望,但慢慢发现没有了痛苦也就没有了那短暂的快乐,断轮回的方式在西藏就是放下欲望,但是最后发现放不下欲望(矛盾体),自愿堕入了轮回。我将藏族人对生命的看法和尼采对生命的热爱(哪怕无限轮回没有差别也愿意生命再来一次的想法,自愿的进入轮回)结合起来,创作了《春生,夏糜,秋去,冬烬,春又来》里的世界。





 郑可欣


作品名称:《刹那》

指导教师:谢青 岳黔山 陈相锋 张弓

作品尺寸:180*180cm

作品材料:绢本


作品阐释:我们身处在一个过去与未来交错的时空,在这个空间中,潮汐涨退,鸟群往返,太阳升起并落下,每一个浪花惊起的瞬间都是现在;在这里,我不用承诺任何一种永远,因为我可以活在每一个刹那里,每一个如同水滴,来不及看清就已经过去的刹那。






 李城


作品名称:《岁月静好》

指导老师:谢青 岳黔山 张弓 陈相锋

作品尺寸:100*157cm

作品材料:纸本设色


作品阐述:画面整体的青绿色是我对宁静祥和氛围的表达,植物的叶片和枝干茂密丛生,三只彩蝶翩翩起舞,仿佛岁月在此停留,青春在此长久。本科四年,美院百年,我热爱这一方宁静的乐土,珍惜这一段美好的时光。






 富珺仪


作品名称:《自渡》

指导老师:谢青 岳黔山 陈相锋 张弓

作品尺寸:160cm*220cm

作品材料:纸本设色


作品阐述:翅膀的每一下扇动,一点点把你推向前方。或近或远,或早或晚,总有属于你的一座山,那里有独一无二的风景。你是否有一颗渴望自由,不愿被束缚的内心,善渡者,自渡之。本幅作品选用了虬枝和白天鹅作为画面的主要意象,用中国画传统色卵色(蛋清色)为背景,希望借此表达挣脱内心束缚,滤去浮躁,归于平静之意。






 李子凡


作品名称:《若有人知春去处 唤取归来同住》

指导老师 :谢青 岳黔山 张弓 陈相锋

作品尺寸:240cm*170cm

作品材料:生宣 天然植物色 天然矿物色


作品阐述:昔日黄庭坚有言“若有人知春去处,唤取归来同住”。在当下全球都在共同经历着困难,国内形势在逐渐缓和,自己的心态也从颓废转为轻松,创作期间校园之中各色花卉随之盛开,这一片春色的气息极富力量感,内心中有股冲动希望将之表现到画面上。最初想将本科期间临习吴昌硕、徐渭、八大山人等手上和心里积累的经验付之于创作,结果却不得畅然,于是尝试自己在过程中忘掉这些限制,尽量让内心的感受引导着自己去动笔,创作首先要让自己感动才有可能感染别人。真诚的去对待,对于美好事物的态度就是此幅作品的态度:若有人知春去处,唤取归来同住。






 范芙荣

作品名称:《天河丰灯》 

指导老师:谢青 岳黔山 陈相锋 张弓  

作品尺寸:156cm*236cm  

作品材料:绢本设色


作品阐述:作品以孔明灯,琉璃顶和二十八星宿为主要物象,表现沉淀了古老情怀的宫殿建筑,记忆着中华儿女顽强奋斗的历程,一条巨龙从东方崛起,一盏盏孔明灯冉冉上升,寄托了我们对祝福祖国繁荣昌盛的美好愿望。





 唐孝燚


作品名称:《鹿野乡》

指导老师:谢青 岳黔山 陈相锋 张弓

作品尺寸:150cm*200cm

作品材料:绢本设色


作品阐述:这是一个水草丰茂,花团锦簇,野鹿成群之地,若有人寻来,定是仙人。




 王坚志


作品名:《槐燕·怀念》    

指导老师 :谢青 岳黔山 张弓 陈相锋

作品尺寸:43cm*67cm*15

作品材料:纸本水墨


作品阐述:“槐”、“燕”取自父母名字中各一个字,家庭所带给我的温暖,至亲的给予和支持让我一直触动于心。几经波折与失去,过往的美好与今后的险阻终将一直激励着我去前行与创作。   聊借此画以表情感,记以怀念……






 施廷琦


作品名称:《临川梦》 

指导老师:岳黔山、丘挺、刘荣、边凯  

作品尺寸:160cm*180cm   

作品材料:绢本设色


作品阐述:作品是以汤显祖一生所作的四部最有代表性的昆曲剧本‘临川四梦“作为题材,汤翁有言:“性无善无恶,情有之。因情成梦,因梦成戏。”因此戏梦则又化出我的《临川梦》。《邯郸记》和《南柯记》是男子美梦成空,画面中用云的意象引出梦境。《牡丹亭》和《紫钗记》则是女子痴梦成真,然而终是水中月,镜中花,因此她们的梦境是在水中呈现。作品取四梦中的意象融于一个空间之中,而观者则作为梦外之人来观看这场幻境。观戏中人、画中人,又如看到生活在各自梦境中的我们自己,如梦、如幻、如水中月、如镜中花。



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Adult Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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