革命 · 精神 | 中央美院庆祝建党100周年专题展正在展出

为了庆祝中国共产党成立100周年,中央美术学院特别隆重举办“百年征程 精神图谱——庆祝中国共产党成立100周年专题展”。

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作为中国最早的国立美术学府,中央美术学院的前身北京美术学校诞生于上世纪初叶民族救亡图存的历史关头。党成立之初即在当时的北京艺专发展党员,并成立党的组织,历代美院人在党的奋斗历程中一路风雨相伴,在民族振兴国家发展进程中,勇担使命与责任。师生们用艺术服务人民、服务社会主义现代化建设、服务中华民族伟大复兴,创作了大量优秀的艺术作品,其中的精品力作已成为历史上的经典,汇集成描绘中国共产党伟大成就的精神“图谱”。

本次展览受到中央美术学院校领导的高度重视,策划团队历时六个多月,精心策划,在展览展品的选择和策划思路上都进行了深入的讨论和思考,在中国共产党成立100周年的重要时刻,希望做出一个有历史、有故事、有思考、有内涵的展览。

展览不仅精选了中央美术学院美术馆藏品中,不同历史时期创作的,能够反映中国共产党的历史发展的美术史经典作品构成展览的基础,而且汇集了近年来学院各教学单位和教师表现时代精神的优秀作品。展览中,既有艺术大师的经典名作,也有美院人的最新创作,展出作品260余件,创作时间跨度90年,充分反映中央美术学院在艺术创作中的历史积淀和责任担当,是近年来中央美术学院最大规模的艺术专题展。

艺术作品通过艺术语言的提炼与渲染,最能够表现历史的精神力量,而这种表现具有特殊艺术感染力,跨域时空,历久弥新。本次展览试图以艺术创作的视角来展现中国共产党成立一百周年的光辉历程和伟大精神,展览分为“革命·精神、建设·精神、改革·精神、新时代·精神”四大板块。

一方面,通过艺术作品,生动展现中国共产党的百年征程。另一方面,突出艺术作品对于中国共产党伟大精神的图像表达,呈现中国共产党精神谱系的感人力量。


序言

信  仰

美术馆的一层大厅庄重而雄伟,巨型党徽高悬大厅之上,中央美术学院最新力作大型大理石群雕《信仰》的巨型平面展板矗立在展厅中央。

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这是展览的序厅,围绕中央美术学院雕塑系团队历时三年为中国共产党历史展览馆创作的大型大理石群雕《信仰》这一件作品展开。对马克思主义的信仰,对社会主义和共产主义的信念,是共产党人的政治灵魂。理想信念就是共产党人精神上的“钙”。71位不同时代、不同身份、不同年龄人物组成的宣誓群像,象征性地表现了一百年来中国共产党披荆斩棘,带领人民建设祖国,走向更美好的未来,气势恢宏、博大,给人一种精神震撼力和强烈的视觉冲击力。《信仰》雕塑点明了此次展览的主题。

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“伟大工程”雕塑作品《信仰》原作长14.6米,宽4.5米,高6.85米。作品运用写实主义、象征主义与英雄主义的艺术风格,突出表现中国共产党员在党旗下庄严“宣誓”的群像,以圆雕为主要表现手段,可四面观赏,都以时间顺序展开构图,分为四大板块,从历史到现在依次是“新民主主义革命时期”、“社会主义革命和建设时期”、“改革开放时期”和“新时代”。

《信仰》作品的巨型平面展板背后,展览通过创作视频和各时期二十余件创作手稿,展现了作品的三年多创作历程,让观众一同感受,经典巨作的诞生过程。


板块一

革命 · 精神



本板块主要展示了描绘革命年代中国共产党人团结带领人民进行浴血奋战的艺术作品。这一板块当中,艺术家通过一个个历史人物和历史事件的描绘,引导观众走进历史,回顾历史,体会中国共产党人追求真理、探索道路、英勇牺牲、浴血奋战的伟大精神。

“1917 年,俄国十月革命一声炮响,给中国送来了马克思列宁主义。中国先进分子从马克思列宁主义的科学真理中看到了解决中国问题的出路。”

展览的初始就设立了马克思列宁主义在中国的早期传播的小专题,引首是刘开渠、刘岘、文金扬、杨澧先生创作的马克思和列宁肖像,皆为历史名作,其中,著名的版画家刘岘先生创作于1932年的《马克思头像》,这是中国美术史上较早的马克思肖像之一。

马克思侧影 刘岘 1932年 13×10cm 黑白木刻 中央美术学院美术馆藏

马克思恩格斯浮雕像(《马克思恩格斯选集》封面)刘开渠 1956年 21x21x1.5cm 铸铜  刘开渠家属藏

列宁像 文金扬 1949年 27×19.5cm 纸本炭笔 中央美术学院美术馆藏

正对观众的墙面上展示的是梁玉龙先生的代表作油画《李大钊》,纪念中国举起十月革命旗帜的第一人,是中国最早的马克思主义传播者。之后,张俊明的作品《陈望道翻译共产党宣言(稿)》则反映了“真理的味道是甜的”这一经典瞬间。

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李大钊 梁玉龙 1978年 170×130cm 布面油彩 家属藏

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陈望道翻译共产党宣言(稿) 张俊明 2018年 60×50cm 布面油彩

顺着历史的脉络,钱松喦先生1960年创作的《南湖曙色》,俯瞰的湖面微微泛起朝霞的红色,象征了1921年中国共产党成立的伟大历史时刻,也反映伟大的建党精神。

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南湖曙色 钱松喦 1960年代 52×38.5cm 纸本水墨 中央美术学院美术馆藏

《毛泽东在橘子洲头》《我认的主义一定是不变了》《李大钊与北平艺专青年就义》《广州起义》反映了中国共产党成立初期的艰难探索。作品中,青年毛泽东的朝气,周恩来、邓小平等旅法进步青年的坚定,李大钊、谭祖尧、方伯务烈士的视死如归,广州起义的工人队伍如潮水般的气势,都让我们深深领略革命者追求真理,勇于牺牲的精神。

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我们的主义一定不变了 文国璋 1980年  54×75cm 石版套色   中央美术学院藏

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李大钊与艺专青年就义  卢征远 刘霞飞 180×200cm  布面油彩 2021年

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广州起义 李斛 1957年 139×302cm 纸本设色 中央美术学院美术馆藏

从井冈山的星星之火到瑞金的中华苏维埃,再到被喻为“地球上的红飘带”的两万五千里长征,中国共产党在困苦中顽强奋斗,诞生了“井冈山精神”“苏区精神”“遵义会议精神”“长征精神”等许多伟大精神,展览中《毛泽东在井冈山上》《瑞金·土地》《谢家祠堂》《雄关》《遵义会议会址》《更喜岷山千里雪》《红军不怕远征难》《过草地》《红军路过哈达铺》《会师门》等作品,用一个个经典画面串起了这一段历史的重要时刻。

毛主席在井冈山上 靳尚谊 1970年代 100×129.5cm 布面油彩 中央美术学院美术馆藏

谢家祠堂 石煜 2016年 160×200cm 布面油彩 中央美术学院美术馆藏

遵义会议会址 李荣林 2016年 220cm×325cm 布面丙烯 中央美术学院美术馆藏

更喜岷山千里雪 贾又福 1965年 142×350cm  纸本设色 中央美术学院美术馆藏

红军路过哈达铺 邸超 2016年 180×388cm 纸本水墨设色 中央美术学院美术馆藏

长征路上的毛泽东同志 伍必端 1967年 106×114cm  木版套色 中央美术学院美术馆藏

李桦的《怒吼吧·中国》、刘岘的《巩固团结·抗战到底》、胡一川的《攻城》三幅版画名作,为我们吹响了抗战时期的号角。从抗日战争到解放全中国,中国共产党带领中国人民,浴血奋战,一步步取得了民族解放的伟大胜利。

怒吼吧,中国 李桦 1938年 27.5×18.7cm 黑白木刻 中央美术学院美术馆藏

巩固团结抗战到底 刘岘 1938年 11×9cm 木口木刻 中央美术学院美术馆藏

攻城 胡一川 1946年 13×17.8cm 套色木刻 中央美术学院美术馆藏


这一时期,形成了“太行精神”、“抗联精神”、“黄河精神”、“延安精神”、“抗战精神”、“红岩精神”、“西柏坡精神”等伟大精神。展览中通过李洋的《太行岁月-写左权将军》、李宝林的《献给东北抗联》、杨力舟、王迎春的《黄河组画》、滑田友的《轰炸》、王沂东的《给娘捎个信》、袁元的《丰碑的记忆》、闻立鹏的《国际歌》、孙景波的《七届二中全会会址》等经典作品展现这些历史的画面和精神的特质,好像一座座丰碑,屹立于展场之中。这些作品不论是写实描写还是象征性表现,都能够让我们感受到画面所要表现的强烈精神力量。

小八路 孙滋溪 1977年 59×47cm 石版单色 中央美术学院美术馆藏

丰碑的记忆 袁元 2015年 210×360cm 布面油彩 中央美术学院美术馆藏

黄河组画:之一黄河怨、之二黄河在咆哮、之三黄河愤 杨力舟、王迎春 1980年 220×120cm×2、180×230cm×1 纸本设色 中央美术学院美术馆藏

献给东北抗联 李宝林 1963年 183×137cm 纸本墨笔 中央美术学院美术馆藏

太行岁月 李洋 1985年 174×132cm 纸本墨笔 中央美术学院美术馆藏

我的老家沂蒙山之一给娘捎个信 王沂东  1982年 184×170cm 布面油彩   中央美术学院美术馆藏

轰炸 滑田友 1946年 116×90cm  铸铜 中央美术学院美术馆藏

英特那雄耐尔一定要实现 闻立鹏 1963年 243×199cm 布面油彩 中央美术学院美术馆藏

人桥 古元 1948年 20.5×36cm 套色木刻 中央美术学院美术馆藏


“革命·精神”板块特别设有两个小的专题,一个是革命烈士专题,一个是延安鲁艺专题。

革命烈士专题中,展览策划团队将表现革命时期烈士的肖像作品汇集在一起。他们牺牲时大都是二、三十岁,都是青年人,却勇于为革命献出宝贵的生命。其中,张太雷、恽代英、邓中夏、方志敏、赵一曼、向警予、杨开慧、澎湃、左权等留下的话语让我们振奋:方志敏说“敌人只能砍下我们的头颅,决不能动摇我们的信仰!”邓中夏说“一个人能为了最多数中国民众的利益,为了勤劳大众的利益而死,这是虽死有生,比泰山还重。”张太雷说“必须忍得暂时的痛苦,才会得到永久的幸福。”左权将军说“我牺牲了我的一切幸福,为我的事业来奋斗,”向警予说“人都应该珍惜自己的生命,然而到了不能珍惜的时候,只有勇敢的牺牲自己。”

革命烈士方志敏 古元 1961年 21.5×16cm 木版单色 中央美术学院美术馆藏

张太雷烈士 戴士和 2020年 50×40cm 布面油彩 私人收藏

左权像 罗工柳 1942年 16.5×13.5cm  黑白木刻 中央美术学院美术馆藏

向警予半身像 王合内 1979年 39×69×78cm 石膏 中央美术学院美术馆藏

他们清醒的认识到革命事业的危险,认识到对于家人的愧疚,赵一曼在给襁褓中儿子的信中说“母亲对于你没有能尽到教育的责任,实在是遗憾的事情”,但他们依然坚决的牺牲了小我而追求民族的幸福,正是他们这种“革命加拼命的强大精神。”使中国共产党“历经百年而风华正茂、饱经磨难而生生不息”。

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赵一曼 李宏仁 1981年 52x34cm  石版套色 中央美术学院美术馆藏

延安鲁艺专题中,展览通过代表性的艺术作品呈现了中央美术学院前身延安鲁艺的艺术与革命。其中有张德华、孙家钵、沙飞、马晓腾等创作的鲁迅题材的经典雕塑、绘画、摄影作品,以及鲁迅先生倡导的十余件新兴木刻的经典作品。也有反映延安鲁艺生活和创作的作品陈树东的《延安鲁艺的一天》、高洪的《毛主席来鲁艺看我画宝塔山》、版画系师生新近创作的《鲁艺木刻工作团》、盛扬的《徐特立先生》、王式廓的《改造二流子》等。在延安,师生们一手拿刻刀一手拿枪,投身民族解放运动,在中国美术史上留下许多经典,延安鲁艺精神是中央美术学院的宝贵财富。

鲁迅像 张德华 1978年 高50cm 铸铜 家属收藏

鲁迅与青年木刻家,左起:鲁迅、黄新波、曹白、白危(吴渤),陈烟桥,1936年10月8 日 沙飞 1937年 42×61cm 收藏级艺术微喷 中央美术学院美术馆藏

艺的一天 陈树东 2017年 90×230cm  布面油彩 中央美术学院美术馆藏

毛主席来鲁艺看我画宝塔山 高洪 2021年110×140cm 布面油彩

鲁艺木刻工作团 孔亮、武将、李军、卢标、徐艺苗、李劲弈、黄思颖、侯煜、吴阿民布和 2021年 120.3×154.2cm 木版单色

教育家徐特立 盛杨 1988年 75×70×100cm 铸铜 中央美术学院美术馆藏

改造二流子 王式廓 1947年 17×26cm  套色木刻 中央美术学院美术馆藏




百年征程 精神图谱

——庆祝中国共产党成立100周年专题展


主办单位:中央美术学院

展览地点:中央美术学院美术馆一层、二层B展厅、三层B展厅

展览时间:2021年6月28日—9月5日

设备支持:BOE画屏


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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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