为了庆祝中国共产党成立100周年，中央美术学院特别隆重举办“百年征程 精神图谱——庆祝中国共产党成立100周年专题展”。
展览不仅精选了中央美术学院美术馆藏品中，不同历史时期创作的，能够反映中国共产党的历史发展的美术史经典作品构成展览的基础，而且汇集了近年来学院各教学单位和教师表现时代精神的优秀作品。展览中，既有艺术大师的经典名作，也有美院人的最新创作，展出作品260余件，创作时间跨度近90年，充分反映中央美术学院在艺术创作中的历史积淀和责任担当，是近年来中央美术学院最大规模的艺术专题展。
艺术作品通过艺术语言的提炼与渲染，最能够表现历史的精神力量，而这种表现具有特殊艺术感染力，跨域时空，历久弥新。本次展览试图以艺术创作的视角来展现中国共产党成立一百周年的光辉历程和伟大精神，展览分为“革命·精神、建设·精神、改革·精神、新时代·精神”四大板块。
一方面，通过艺术作品，生动展现中国共产党的百年征程。另一方面，突出艺术作品对于中国共产党伟大精神的图像表达，呈现中国共产党精神谱系的感人力量。
板块二
建设 · 精神
“建设·精神”板块展示的是1949年之后，党领导和团结中国人民进行翻天覆地的社会主义建设的历史画卷，表现中国共产党改天换地、不怕困难、艰苦奋斗、无私奉献的伟大精神。
板块起始的重要位置呈现了现代美术史的经典之作董希文先生的《开国大典》（资料品）（图1），1949年，中华人民共和国的成立，开启了中华民族的历史新纪元，中央美术学院的董希文先生用创造性的艺术语言塑造了中华人民共和国成立的伟大时刻，塑造了大国形象，成为中国美术的经典。
图1 开国大典（复制品） 董希文 1952年（1971年版） 230×400cm 布面油彩 原作藏于中国国家博物馆
为了迎接这一刻的到来，无数人付出了生命与鲜血，为着共和国的建立许多中央美术学院的前辈都参与其中。1948年底，侯一民组织叶浅予、董希文、周令钊、李桦等进步教师进行创作，并在新民报社秘密印制了10万张迎接解放的“木刻传单”，艺专的师生员工们把传单贴满了古城的大街小巷。本次展览中特别展出了记录了这一事件的侯一民油画《地下工作者》（图2）和李桦当年刻制的传单原件《人民解放军是人民的军队》。（图3）
图2 地下工作者 侯一民 1957年 210×176cm 布面油彩 中央美术学院美术馆藏
图3 北平解放传单（人民解放军是人民的军队） 李桦 1949年 23.2×16.8cm木版单色 中央美术学院美术馆藏
“国民党军队刚刚从德胜门撤出,艺专的师生职工第一批敲锣打鼓走上大街,”迎接解放，孙宗慰的《北平艺专迎接北平解放》、宋步云的《欢庆解放》两幅作品，均创作于1949年，记录了北平人民欢庆解放的珍贵历史瞬间。（图4、图5-1）还有壁画系师生最新创作的《周令钊绘制天安门第一幅毛主席像》，纪念周令钊等美院教师为开国大典做出的贡献。（图5-2）
图4 孙宗慰 北平艺专迎接北平和平解放 1949 家属藏
图5-1 欢庆解放 宋步云 1949年 81×100cm 布面油彩 中央美术学院美术馆藏
图5-2《周令钊绘制天安门第一幅毛主席像》 蒋壁莹 150x115cm 2021年
同时中央美术学院与政协会徽、国徽、国歌都有着不解之缘，展场中展示了中央美术学院设计的政协会徽和参与的国徽，同时还有青年教师焦洋新创作的《徐悲鸿与田汉》（图6），纪念徐悲鸿与国歌作者田汉的多年友谊，纪念徐悲鸿在政协会议上建议义勇军进行曲作为国歌的美谈。
图6 徐悲鸿与田汉 焦洋 2021年 220×156cm 绢本重彩 艺术家自藏
1950年4月1日，中央美术学院正式成立，展厅中展示了重要的历史见证：书法《从群众中来 到群众中去》（图7），这是1950年，齐白石老先生代表中华全国美术工作者协会和人民美术社为中央美术学院成立题写的大幅贺词。
图7 楷书（从群众中来到群众中去） 齐白石 1950年 227×54cm 纸本墨笔 中央美术学院美术馆藏
共和国成立之初，中央美术学院师生投入到祖国的各项事业和建设中，展场中范迪安的《嘱托》（图8）、邓澍的《和平签名》（图9）、高虹的《孤儿》（图10）、古元的《祖国人民亲切的慰问》（图11）、伍必端的《感谢志愿军叔叔》（图12）、戴泽的《徐悲鸿大师》（图13）、黄永玉的《大伙的食堂》、詹建俊的《起家》（图14）、汪诚一的《远方来信》（图15）、艾中信的《十三陵雷雨》（图16）、翁乃强的《华侨农场女青年》（图17）、袁运生的《收获歌》（图18）、李秀实的《万里长江横渡》（图19）、宗其香的《锁住黄龙》（图20）、广军的《激流》（图21）、许幸之的《油站朝晖》（图22）、杨先让的《会师大庆》（图23）、王琦的《青年炼钢工人》（图24）、马刚的《东方红（色彩稿）》（图25）、王同仁的《青春曲》（图26）等作品，串起了从抗美援朝到农业、工业、国防、文艺等各方面社会主义建设的珍贵历史画面，也唤起了我们对于“抗美援朝精神”、“北大荒精神”“大庆精神”“劳动精神”等的敬仰之情。这些作品大多是几十年前的社会主义建设时期，中央美术学院的师生深入火热的生产生活，深入祖国建设一线，记录下的祖国建设新成就。
图8 嘱托 范迪安 225x173cm 布面油彩 2021年 艺术家自藏
图9 和平签名 邓澎 1950年 127×189cm 绢本设色 中央美术学院美术馆藏
图10 孤儿 高虹 1957年 139×160cm 布面油彩 中央美术学院美术馆藏
图11 祖国人民亲切的慰问 古元 1952年 38.5×27cm 纸本素描 中央美术学院美术馆藏
图12 感谢志愿军叔叔 伍必端 1954年 75.5×55cm 纸本印刷 中央美术学院美术馆藏
图13 画家徐悲鸿 戴泽 1978年 121×152cm 布面油彩 中央美术学院美术馆藏
图14 起家 詹健俊 1957年 140×348cm 布面油彩 中央美术学院美术馆藏
图15 远方来信 汪诚一 1957年 144×228cm 布面油彩 中央美术学院美术馆藏
图16 十三陵雷雨 艾中信 1958年 100×138cm 布面油彩 中央美术学院美术馆藏
图17 华侨农场女青年 翁乃强 1962年 146×146cm 布面油彩 中央美术学院美术馆藏
图18 收获歌 袁运生 1959年 110×209cm 布面油彩 中央美术学院美术馆藏
图19 万里长江横渡 李秀实 1958年 128.5×385cm 布面油彩 中央美术学院美术馆藏
图20 锁住黄龙 宗其香 1960年 137×70cm 纸本设色 中央美术学院美术馆藏
图21 激流 广军 1964年 45×54cm 木版单色 中央美术学院美术馆藏
图22 油站朝晖 许幸之 1962年 44x62cm 布面油彩 中央美术学院美术馆藏
图23 会师大庆 杨先让 1975年 110.5×178.5cm 水印套色 艺术家自藏
图24-1 青年炼钢工 王琦 1962年 36.3×45.4cm 木版套色 中央美术学院美术馆藏
图24-2 炼钢工人 俞云阶 1957年 144×72cm 布面油彩 中央美术学院美术馆藏
图25 东方红（色彩稿） 马刚 2021年 纸本设色 艺术家自藏
图26 青春曲 王同仁 1961年 203×171cm 纸本设色 中央美术学院美术馆藏
大半个世纪之后，从艺术家真切地表达中，从画面中洋溢着幸福的脸庞中，我们依然可以真切的感受到社会主义建设的朝气蓬勃，尤其是馆藏重要作品王文彬的《夯歌》（图27），可以说是这个时代精神的最经典图像象征。
图27 夯歌 王文彬 1962年 156×320cm 布面油彩 中央美术学院美术馆藏
展场中还专题展示了人民英雄纪念碑浮雕创作和表现纪念碑浮雕创作场面的《为中国雕塑》（图28-1、28-2、28-3、28-4），人民英雄纪念碑的浮雕创作是中央美术学院在为国家塑像的重要贡献，以刘开渠为组长，以滑田友、王临乙、曾竹韶、王丙召、傅天仇等中央美术学院教师为主体参与创作的人民英雄纪念碑浮雕，成为新中国美术史上最为重要的大型公共艺术工程，中国雕塑历史上的经典。
图28-1 为新中国雕塑 李震 2019年 200×120×120cm 树脂 艺术家自藏
图28-2 五卅运动局部，戴鸭舌帽男子侧面像 王临乙 1953年 15×29.5×42cm 汉白玉 中央美术学院美术馆藏
图28-3 人民英雄纪念碑——五卅运动 王临乙 1958年 200×348cm 汉白玉 原作于天安门广场
图28-4 人民英雄纪念碑——胜利渡长江 刘开渠 1958年 200×640cm 汉白玉 原作于天安门广场
在精品陈列厅中，陈列着领导人、党员英模题材的作品。表现党的伟大领袖毛泽东的经典作品：靳尚谊的《毛主席全身像》（图29）以及李琦的《主席走遍全国》。
图29 毛主席全身像 靳尚谊 1966年 262×137cm 布面油彩 中央美术学院美术馆藏
还有表现英模的吴作人的《特等劳动英雄李永像》（图30-1）、李桦的《吴运铎像》（图30-2）、田克盛的《人民代表时传祥》（图31）、陆允铨的《雷锋》（图32）、王临乙的《焦裕禄》、曹春生的《王式廓像》（图33）、叶浅予的《海防前哨》（图32-2），有表现党的干部工作的《公社书记来到牧营地》《冬暖》《书记》（图34）等作品。
图30-1 特等劳动英雄李永像 吴作人 1950年 128×160cm 布面油彩 中央美术学院美术馆藏
图30-2 吴运铎肖像 李桦 1955年 28×21.8cm 木版套色 中央美术学院美术馆藏
图31 人民代表时传祥 田克盛 1965年 118×94cm 布面油彩 中央美术学院美术馆藏
图32 雷锋 陆允铨 1965年120×140cm 布面油彩 中央美术学院美术馆藏
图32-2 海防前哨 叶浅予 1950年代 130×60cm 纸本设色 中央美术学院美术馆藏
图33 王式廓 曹春生 2003年 高60cm 铸铜 中央美术学院美术馆藏
图34 书记 吴休 1961年 128×72cm 纸本设色 中央美术学院美术馆藏
在社会主义建设中，无数先进典型和英雄模范的巨大精神力量证明，一个民族只有在精神上达到一定的高度，才能在历史的洪流中屹立、前进。
中华人民共和国的成立，实现了中国高度统一和各民族空前团结，在板块的尾声展出的赵友萍的《百万农奴站起来》（图35）、马常利的《高原青春》（图36）、潘世勋的《洒满阳光的土地》（图37）、曹春生、张德华的《农奴愤》（图38-1、38-2）、克里木的《欢乐的晚会（麦西来甫）》（图39）等作品都是美术史上表现民族事业发展的经典作品作品。
图35 百万农奴站起来 赵友萍 1964年 194×284cm 布面油彩 中央美术学院美术馆藏
图36 高原青春 马常利 1963年 138×370cm 布面油彩 中央美术学院美术馆藏
图37 洒满阳光的土地 潘世勋 1964年 60.1×73.9cm 布面油彩 中央美术学院美术馆藏
图38-1 农奴愤 曹春生 1975年创作2013年重做 18×35×64cm 铸铜 中央美术学院美术馆藏
图38-2 农奴愤·西藏女奴 张德华 1973年 25×25×67cm 铸铜 家属收藏
图39 欢乐的晚会（麦西来甫） 阿布都·克里木·纳斯尔丁 1980年 180×251cm 布面油彩 中央美术学院美术馆藏
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CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
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Article III
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Article IV
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Article V
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Additional Terms
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CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
