蔚然生长 · 版画系 | 2023中央美院本科生毕业展

1685280058981534.gif

 序 言 

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280029374314.jpg

版画系主任

 孔 亮

 毕业寄语

春华秋实,岁物丰成。又到一年毕业季,同学们结束了中央美术学院数载学习生活,即将踏上新的征途,版画系全体教师给你们送上最诚挚的祝愿。

愿你们以梦为马,不负韶华,用更丰满的努力实现自我价值,回馈母校的培养与期待。

愿你们以创新为底色,坚持探索,用心从艺,用更多成果描画多彩人生,服务美好生活。

愿你们带上央美之光,乘风破浪,勇敢前行,期待归来时仍是少年。


 2023届版画系本科生毕业作品推介 

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280082589456.jpg

王子申

作品阐述:

纵观古今,“从废墟中站起来”是人类永恒的主题。《渡》为铜版蚀刻作品,展现灾变过后“离舟登岸”的场景,看似是舟渡人,其实是人渡己,眼前的舟也是心中的舟。干涸河床上高耸的树木和长卷式的构图暗示时光流转,无人的场景暗喻时间永恒。有趣的是,创作全程中未做任何主题、构成、手法的预设,画面完全从心中流淌而出,以求尽量抵近那无法言说的“真”。

《渡》 纸本-铜版蚀刻60×130 cm

指导老师:孔亮、李军


《树之一》 纸本-铜版蚀刻 10×15 cm

指导老师:孔亮、李军



《树之二》 纸本-铜版蚀刻 25×40cm

指导老师:孔亮、李军



https://static.cafamuseum.org/museum-image/image/202305/sy_1685280180361219.jpg

安景殷

作品阐述:

《无所不在》系列,以及《一棵弯曲的树》、《大雾》等一系列作品,让我在经历了一番过程后,学会了在健康的边界内纯粹地接受自己的情绪,找到了前进的指引。在这个过程中,我获得了重要的安慰,因为我知道我并不孤单,其他人也同样经历着这样的情感。毕竟,人们不可避免地会经历孤独和不安这样的情绪。

 It’s not just me, It’s everybody!

《无所不在: 有破窗户的房间》 减版水印  245×367cm

指导老师:黄洋、杨宏伟


《一棵弯曲的树》 减版水印 500×500cm

指导老师:黄洋、杨宏伟


《大雾》 减版水印500×900cm

指导老师:黄洋、杨宏伟

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280342472510.png

金艺荣

作品阐述:

这作品的主题都是关于在废墟中出现的痛苦和痛苦的治愈。

当我们看到草和树覆盖着变成废墟的空间时,有时我们会感受到丧失的情感,有时会感受到重生(恢复)的情感。通常废墟被认为是消失的象征。曾经繁荣的建筑或城市现在成为废墟的样子唤起了过去的时间和失落的记忆。但是,当这些废墟经过时间和自然过程被覆盖着草和树时,它们也提醒着我们新生命和复苏的可能性。

《再次,回到你》 木口木刻  20×30cm

指导老师:黄洋、杨宏伟


《废墟》 木口木刻 20×30cm

指导老师:黄洋、杨宏伟


《等待就是…》 木口木刻 15×20cm

指导老师:黄洋、杨宏伟


《心海》 木口木刻 直径15cm

指导老师:黄洋、杨宏伟

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280589157174.jpg

王文昌

作品阐述:

动物和人的关系其实是喜爱、利用与毁灭等等的无序混合,这种混合在一定程度上提供着某种自然的平衡力。对于动物的热爱、可怜、敬畏、恐惧等都是人类的自我投影。如何重塑万物统一、在生存的维度彼此敞开、审视未来我们与自然的关系…才是我们掩卷之后该深思的问题。

《密林》45×95cm、35×45cm、35×45cm  石版画

指导老师:孔亮、李军

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280624305634.jpg

刁安格

作品阐述:

我将自己对网络冗余信息进行蒙太奇剪辑的行为称为“数码次生艺术”,通过揭示潜意识与非逻辑心像的“心理自动化”,既是对网络景观的一种摄取也是网络精神生活的直接反映。我的铜版画创作会将这些图式作为参考的同时兼顾铜版的语言特性。

无题  铜版画  40×60cm

指导老师:孔亮、李军


《月光下的质子》 铜版画 38×58cm

指导老师:孔亮、李军

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280816617835.jpg

陈嘉童

作品阐述:

《猫头鹰王国》是一套经典动物奇幻小说,本人此次创作选择了其中的第一部《暗算》。由于本书的受众和描绘的都是儿童,本人以儿童插画切入本书的插画创作,以儿童的视角,探索常受成年人忽视的那部分情绪,并且以本书勇敢的精神去支撑鼓舞孩童可能会遇到的脆弱时刻。

《猫头鹰王国I系列插画》 纸本绘画  20x22cm 、10x10cm

指导老师:武将、康剑飞、谭坦

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280860242491.jpg

王心妍

作品阐释:

《突变》系列创造了一个去情绪化的复合型动物世界,画面中展现的形象由不同生物消解重组组成,形成了非常态化的动物形象。人类作为万物之灵,脱离丛林,走出蛮荒,却衍生出了无法掌控的杂乱意识与情感,《突变》试图消解人类多余的思绪,让观者得以进入被驯化前的世界,感受野蛮与荒芜。

《突变》 铜板  50x70cm

指导老师:周吉荣、祝彦春、张战地、唐承华

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280902122893.png

仟禧

作品阐述:

夏天教室蚊子肆虐,总在人的周围盘旋和叮咬,当我讨厌并一味要灭掉它的同时,突然会觉得它是老天爷给我的创作素材,为什么不利用这千万年都灭不掉的生物。我的作品在绘画大师名作的基础上进行再创作。通过拼贴、微缩临摹大师的作品的方式,使微小的生命在伟大的作品里产生了视觉的相似性,蚊子在画面上则呈现出较为戏谑的形象,具有一种荒诞感与幽默感。作品在展示人类对于蚊子这一微小存在的傲慢和漠视的同时,也使得微缩的画面与千万年不死的蚊子成正比,重新演绎万古流芳的经典。

《雅典蚊院》、《蚊子夜宴图》、《雪中猎蚊》、

《最后的晚餐-蚊》、《芭蕾舞蚊》、《蒙娜丽蚊》、

《末日四蚊》、《创世纪-蚊》、《金瓶梅-蚊》、

《蚊子九式》

综合材料  100cm×160cm

指导老师:李帆、武宏

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280949145386.jpg

林思婕

作品阐述:

以自己身体局部作为起点,在捏与塑的过程中,让自己真实的情绪依附在造物体中。通过拼接、打磨、种植的方式,让自己忐忑不安的内心与打磨中产生的声音形成共振,让自己平缓的行为配上平静的内心。试图通过材料及在造物过程中自然建立的联系,推演出游离于身体之外的生命状态。

《以己推演》 石塑粘土、滴胶等  2×2m

指导老师:李帆、武宏

https://static.cafamuseum.org/museum-image/image/202305/sy_1685280986556656.jpg

兰海珊

作品阐述:

顺天圣母、临水夫人陈靖姑被誉为“救产、护胎、佑民”的“妇女儿童保护神”,是福建最有影响力的陆上女神。相传她早年学法,能降妖伏魔,扶危济难,二十四岁时施法祁雨抗旱,为民除害而殒身于古田临水,是中国民间信仰中的一段佳话。作为一位闽北人,以拙技创作此连环画,旨在歌颂这位民间女神。

连环画《陈靖姑》 数码  24×27cm

指导老师:冯梦波、刘丽萍、郑琹语

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281059645904.jpg

马纪婷

作品阐述:

1956年,李政道、杨振宁提出了宇称不守恒的概念,并由吴健雄用钴60验证。“对称性构成了宇宙的基础,而宇宙又喜欢打破对称性。量子力学中的对称性导致了三种基本的自然力:电磁力、弱力和强力。尽管对称性很重要,但打破对称性也很重要。如果没有这些被打破的对称性,我们就不会拥有熟悉的宇宙,就不会有我们所知道的生命。”

                                    ——Eugene Wang

万物一体,我们只是变相,所变之相阻碍了我们发掘真实的意识,也阻碍了我们真正地连接彼此。

《无像之象·系列》 铜版凹印、综合材料

40×50cm、50×60cm、40×50cm、尺寸可变

指导老师:周吉荣、祝彦春、张战地、唐承华

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281130388246.jpg

刘懿萱

作品阐述:

《我的雪莲》是一部围绕我的母亲雪莲,来拍摄的独立纪录片。在反复的自我解析中,我发现自己深陷这段不寻常的母女关系,她带来的创伤、爱、与生机,在成就我的同时,也困扰着我。我通过拍纪录片的方式,重识雪莲,也重识自己;记录我的母亲,采访与她最亲密的人,了解雪莲的世界,了解别人眼中的雪莲,站在客观的角度,重看一个女人的,疯狂的一生;与过往的,雪莲和我,做一个告别。

1685281211171969.gif

1685281201734918.gif

《我的雪莲》 纪录片  120分钟

创作年份:2022-2023

指导老师:武宏、李帆

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281245484805.jpg

李佳霓

作品阐述:

每个人在人生当中也许都会有梦游的经历,有的梦境是梦幻的有的可能是恐怖的,难道我们在梦游的时候真的只是在梦游吗?动画风格采用8-bit游戏风格创作,极具阴森复古的氛围。

《Sleep Walk》 动画  256px*160px

指导老师:冯梦波、刘丽萍、郑琹语

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281279432106.jpg

金奭俊

作品阐述:

《我偶尔会静静地注视着你》是基于我自己陷入无力感的经历而开始的。在认为人类都是相似的前提下,希望通过床上翻过来的被子穿着幽灵般的形象的角色,使观众能够将自己投射进去。同时,通过雕刻在铝箔上,并通过光线的反射呈现出多种形象,意图让人们沉浸在冥想和思考之中。

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281296760072.jpg

《我偶尔会静静地注视着你》 锡纸  

140 x 190cm 、30 x 30cm

指导老师 : 周吉荣、祝彦春、张战地、唐承华

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281310757527.jpg

陈艺文

作品阐述:

女性们被各种各样的标签束缚着、压抑着,而美丽事物的意义,在于让女性更自信,从中获得愉悦的感受,来达到“悦己”。蕾丝作为一种网眼组织,具备极强的女性特质,不同的密度,网纹、颜色、触感都给我带来不同的视觉体验,作品所用的所有蕾丝均是从女性内衣上裁剪下来的蕾丝,我想这种材料用来叠加重组在“美甲”上,希望女性对美的诉求更加凸显。

《平行凝视的绽放》 90x120cm  油漆、蕾丝、锆石

指导老师:武宏、李帆

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281350915640.jpg

胡雯迪

作品阐述:

孩子们总是喜欢在家里建造自己的“小世界”,充分发挥他们蓬勃的想象力,打造独特而个性化的空间。无论是简单的毯子、靠垫,还是枕头,孩子们可以很快地构建自己的小天地,例如搭建帐篷或城堡。回想童年,我也会做这些事情,直到现在,我仍然渴望拥有一个属于自己的小帐篷。因此,我对这种现象的原因非常好奇。

这个小角落不仅提供了温馨舒适的休息区,还激发想象力和创造力。这个安全的角落为我创造了一个白板,可以自由发挥创意,建立自己的世界。在创造的过程中,我可以掌握自己空间的控制权,包括位置、设计和布局,而且可以用自己喜欢的玩具和物品进行装饰。在自己的舒适一角,可以扮演不同的角色、演绎场景并创造自己的故事。

《Cozy Corner》系列  木口木刻  40x56.5cm

指导老师:孔亮、李军

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281407652061.jpg

王怡宁

作品阐释:

声音发于万物,源于人心。《木谱合璧》是一本收录木刻版画制作过程中产生的声音并将其转化为演奏方式的乐谱书。本书通过再现生活中的“无声之声”来描述木刻版画的独特乐章,书中插图场景从室内居所延伸至自然环境,由秋季过渡到夏季,创造出连贯的叙事情节。体现了创作者声归自然的观念,意在给予观者聆听自然之音的全新体验。

《木谱合璧》节选  木板水印  21×26.5cm

指导老师:武将、康剑飞、谭坦

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281456917011.jpg

闫昕果

作品阐述:

以《博尔赫斯短篇小说集》中的五篇小说为文本所做的系列插图,作品用几何图形、通过特定的规则排布,在一一对应文本的同时,使插图之间也有呼应。以此来说明博尔赫斯小说中所隐含的永恒的哲理——追问时间的本质、探讨存在的意义、展示灵魂的结构。

作品采用手工刻板、拓印等复杂劳动的方式制作简单几何图形,将时间凝结在刻掉的木屑之间。如小说中所述:“如果空间是无限的,我们也许是在空间的任何一点上。如果时间是无限的,我们也许是在时间的任何一点上。”

《环形废墟》 木刻拓印  75×117cm

指导老师:武将、康剑飞、谭坦

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281496150125.jpg

刘梓轩

作品阐述:

《繁俗》系列组画由四幅丝网综合版画作品组成,珠宝和变形的人体是我创作中的重要符号,我将这些符号结合起来形成一种神秘的氛围,表达我个人对于生命的华丽繁茂与衰败的理解,观者通过自由地解读和理解这种符号和象征,以达到更加深入和个人化的理解。

《繁俗》系列  综合丝网版画  60×65cm

指导老师:孔亮、李军

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281533238295.jpg

潘虹池

作品阐述:

作品是基于欧·亨利的小说《警察与赞美诗》创作的一组黑白木刻插图。小说讲述了流浪汉苏比因难以过冬而故意犯罪,可都未能如愿,最后他被教堂中的赞美诗感动,却被送进监狱的故事。

插图选取小说中戏剧性的情节,通过夸张人物的神情姿态来表现冲突,以木刻语言赋予画面强烈的情感,从而展现故事的幽默与荒诞。

《警察与赞美诗》组图  黑白木刻  18.5×21.5cm 18张

指导老师:武将、康剑飞、谭坦

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281594696107.png

戴淑慧

作品阐述:

自第一次工业革命至今一百多年,由石油为原料的内燃发动机技术在汽车领域得到最广泛的应用。日新月异,新能源的应用与变革正在将人类带入一个全新的时代。在此之际,燃油车将逐步告别历史舞台。

作品以符号或图腾方式承载于内燃发动机的各个拆解部分,将对即将逝去之物的敬畏随着勾点描画表达敬畏,顺着重构视觉对故去之物进行现在及未来的承继仪式。

 “至敬不坛,扫地而祭”

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281620465760.png

《坛》 金属  0.7×1.2×2.4m

指导老师:李帆、武宏

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281644626198.jpg

连润璘

作品阐述:

我在规则里感到自由与安全,通过放大4忽米的像素,控制最小单位制作完成30幅作品,把对“确定性”的依赖转变为对“不确定”的容纳。这是一个时间性的作品,过程才是作品本身,用油画棒,羊毛,牙刷等不同材质创作。最初以弥散的各种情绪为起点,从制作中的摇摆到控制,最终到平复,做到了与负面情绪的和解。在摆脱一套规则后又进入下一套规则,创作过程就是不断蜕皮,剥去他者、形式、甚至知识的影响,将其内化,逐步到达每个阶段最真实的自己。

《腌臢之地》  纸、油画棒、羊毛、毛毡、牙刷等  30×47×50cm

指导老师:武宏、李帆

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281702894763.jpg

李宇琪

作品阐释 :

当下社会群体的身份越来越多趋于多元化,但主流群体的身份压迫依旧存在。作品旨在表达个人身份于当下社会的割裂感,水印木刻中虚实微妙的水痕很好的将那份小心和谨慎以及忧柔的诗意囊括在画面中,像是刚破壳而出的雏鸟。

《躺着拆解望与失》 水印木刻版画  

29x50cm、37x44cm、39x53cm

指导老师:黄洋、杨宏伟

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281738951221.jpg

沈秋杉

作品阐述:

混乱怪异的影子,就像是一个又一个的谜团。稳定缓慢的输入,得到一个确定或者不确定的结果,最后结果累积,形成一个新的导向,那也许就是生活前进的方向。 

《怪影》 石版  60×60cm、55×65cm

指导老师:孔亮、李军

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281770656736.jpg

孙文亮

作品阐述:

达芬奇在作品《维特鲁威人》中将一个男人体放置在一个方圆结合体中央,试图证明一个完美的标准人体比例是可以沟通世间万物。我将这一灵感与当下游戏中的“形象自定义系统”(即“捏脸系统”)相结合,将诸多拟人图像进行拆解,玩者可以通过拆解后的150个零部件图像重铸一个虚拟形象。

艺术家把每一部件中的自然含义整理并展示,并将玩者在构建过程中的图像与所理解的含义进行记录,这些信息与最终的形象一起构成一个完整的虚拟形象,从而强调对自我存在的分散和隐藏。玩者也可以制造一个崩坏的虚拟形象,如同游戏机乱码所呈现出的图像,从而带来更多的可能性。

《隐藏角色》 综合材料  尺寸可变

指导老师:周吉荣、唐承华、祝彦春、张战地

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281816277996.jpg

高小凡

作品阐述:

在我们的人生中,回忆塑造着我们的身份、价值和信仰。这些回忆是否真实?我们是否真的记得所有细节?记忆偏差是一种普遍存在的现象,可能会扭曲我们对过去的理解。作品通过动画和影像探索或许存在记忆偏差的童年时期,利用视觉效果来揭示记忆的不确定性。大脑存储着未必是真实的影像,如真似幻的回忆无论如何都在影响着当下的真实。

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281830448924.jpg

1685281851769975.gif

1685281866290037.gif

1685281879580942.gif

《曼德拉的葬礼》 动画、影像  尺寸可变

指导老师:冯梦波、刘丽萍、郑琹语

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281920247419.jpg

王艺凝

作品阐述:

小说插图创作往往把重点放在主⻆形象塑造、再现故事情节和画面气氛渲染上。我的《动物庄园》插图创作则将主要精力放在对地理环境和建筑场景的构建上,意在发掘插图的功能性和图解性所带有的独特视觉魅力。

《动物庄园》插图  亚克力  110×298×690mm

指导老师:武将、康剑飞、谭坦

https://static.cafamuseum.org/museum-image/image/202305/sy_1685281981534108.jpg

张梓宜

作品阐述:

       夹缝疯狂生长着的奇形怪状的鸡冠花,倒伏着,精疲力尽的,却拥有着热烈的颜色照拂着夏秋日里逐渐走向忧郁的人们,笨重的花头向下却又向上,作品是以鸡冠花为主体的,对一切事物纷繁旺盛之“生命力”循环往复的描绘,这股力量永远给人以心灵的震撼和柔和的爱惜。

《生生流转》 纸浆  170×195cm

指导老师:周吉荣、唐承华、祝彦春、张战地

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282019929980.jpg

韦森月

作品阐述:

故事讲述了主角阿青从山村来到了城市打工的经历。在这期间她喜欢上了城市。阿青认真工作攒到学费决定重拾学业,她希望凭借自身的努力在城市里过上自己想要的生活。

《进城》 纸本水墨  36×38cm

指导老师:冯梦波、刘丽萍、郑琹语

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282064641588.jpg

陈玮怡

作品阐述:

作品图像来源于海螺、蛇、跳舞的人、火山 、洞穴、脸、月、人鱼、植物、以及部分人体组织。色彩来源于内脏、血液、绿色植物与人的皮肤。通过制作出自然图形与流动的颜色,使其形与色之间自然构成,结果往往超出预设,接近心目中的生灵。他们之间互相干扰自成实态、繁衍、孕育。其并非是在表达一种世界观,而是生成对世界的一种新理解。

《从出口进入》 陶泥、硅胶

指导老师 : 李帆、武宏

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282093925709.jpg

宋玺梦

作品阐述:

当凝视发生时,被凝视的客体会成为一面镜子,凝视者将会被看见。蝴蝶的翅膀,不论大小,每一次扇动都会带来共振。

《Gaze》 115×230cm  纸本水彩、综合材料

指导老师:  冯梦波、刘丽萍、郑琹语

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282127303035.jpg

金郑晓

作品阐述:

在这个系统中,有许多位置不定、振动不定的量子。在被观看之前,它叠加各种状态的可能性。

直到视线落于此,它的这一瞬间可以被记录下来,但仍然无法计算它接下来的变化规律。当再一次被观看,它已然重构。

它是期望密度的可视化,是意识的自然结果。

《场,物质波,量子鸟》 70x70x180cm  

铜版蚀刻、金属网框、有色线 

指导老师:周吉荣、唐承华、祝彦春、张战地

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282166486302.jpg

王家辉

作品阐述:

生死只是一种状态的转化。在物质的不断更替中,生命也在消逝与诞生间不断轮回,世间存在过的一切终将消亡,化为云烟,但宇宙永远蕴含着我们存在的事实,宇宙本身便是一座永恒的纪念碑。

https://static.cafamuseum.org/museum-image/image/202305/sy_1685282181866058.jpg

《重生之河》 100x183cm  综合材料

指导老师:周吉荣、唐承华、祝彦春、张战地


温馨提示

观众可通过“央美美术馆”小程序、“中央美术学院美术馆”微信公众号或“中央美术学院美术馆”官网进行预约购票(购票说明详见官网)。每日观展名额限量,约满为止。预约时均需使用有效证件进行实名预约,每人当天只能预约一次,预约成功后,观众按预约时间到场,毕业季期间,在中央美术学院北门刷身份证验票进馆。周末为观展高峰期,为获得更好的观看体验,建议您错峰参观。

开放时间:9:30-17:30(17:00停止入场),毕业季期间周一不闭馆。


Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login