团体作为方法
中央美术学院艺术团体研究与抽样展
主办：中央美术学院美术馆
展览时间：2023年7月12日—9月3日
展览地点：中央美术学院美术馆3层展厅
“团体”，是艺术世界的一种常见工作方法。艺术团体，可能促成了某个观念的传播与接收，可能形成了有别于个人创作的另一条艺术史叙事脉络，也可能记录了一段共同成长的友谊。
此次展览即以“团体”作为切入以中央美术学院为坐标的中国美术史研究的一条线索，尝试梳理和展示中央美术学院百年发展史中各时期自组织艺术团体的文献，并抽取其中有历史代表性的若干团体作为样本进行剖析式的具体展示。
展览的第一部分以90个艺术团体的文献资料为内容，展览的第二部分以1920年代以来的3组艺术团体的文献与作品为内容，包含阿博洛学会(1920年代)、四方工作室(1990年代)和N12(2000年代)。
下面将为大家展开第一个参展艺术团体的样本——阿博洛学会(1920年代)。
阿博洛学会是20世纪中国美术史上的重要艺术团体，也是北京地区第一个西画艺术团体，是新文化运动的重要参与者，其成立与活动在当时具有非常重要的意义。此次展览是1924年之后阿博洛学会以专题的形式首次展出。
阿博洛学会
活动时间：1922-1924
发起人：李毅士、吴法鼎
核心会员：王悦之（即刘锦堂）、王子云、高叔达（即高春莱）、夏伯鸣、钱稻孙、钱铸九（即钱鼎）、陈启民、韩子极、郭志云等，会员最多时达到二十余人，
学会干事：王子云，负责日常事务，组织展览会、寄发新闻稿。
其他会员：郑锦（北京美术专门学校校长，见1922 年底公布的阿博洛学会公开教授会简章教员名单），严季冲（即严智开）（北京美术学校教员，见1923 年夏举办的暑期绘画学校教员），尚其煦（上海美专西画系学生，见1923 年夏举办的暑期绘画学校教员）。王之英（北京美术专门学校学生，见1923 年底呈报北洋政府内务部的学会简章的职员名单）。
1922年，北京阿博洛学会同仁合影。前排自左起：郭志云、李毅士、韩子极、钱铸九、夏伯鸣、吴法鼎；后排左起高叔达、王悦之、王子云、陈启民、钱稻孙
团体理念：阿博洛学会是一个兼具教育、研究、展示功能的艺术团体，以传播西洋美术为宗旨。阿博洛(Apollo）为希腊神话中的太阳神，司掌文艺，此团体以太阳神为名，表明其纯粹研究美术，进而为“美术界前途开光明之路”的宗旨，倡导自由研究并为更多爱好者提供学习机会。
北京唯一研究绘画机关
《小时报》（1923年第2334期）中“艺术界消息”板块将“阿博洛美术研究所”称为“北京唯一研究绘画机关”。
学术界新闻：阿博洛学会成立（ 《学生杂志》 1923 年 第10卷 第2期 ，122页）
阿博洛学会公开教授会简单，1922年12月31日
阿博洛学会的组织演变
夏季习画会
阿博洛学会研究会和阿博洛学会公开教授会
男女高师分别增设阿博洛习画会和习画分会
阿博洛暑期绘画学校，也称第二届暑期习画会
北京美术学院
1922年，北京阿博洛学会欢送陈师曾回江西故里合影。前排左起：陈起民、郭志云、王悦之、陈师曾、钱稻孙、李毅士、王子云
1924年2月29日，北京阿博洛美术研究所全体欢送李毅士赴沪留影（前排左起：陈启民、王实之、王悦之、李毅士、郭志云、尚其煦、王子云、陈宗向，后排右一：刘开渠）
1924年夏，北京美术院暑期学校师生合影（前排正中者为王悦之）
主要活动简表
1922年6月，李毅士、吴法鼎等组织阿博洛学会，共同提倡西洋美术。阿博洛学会在宣内察院胡同25号举办夏季习画会，设有自由研究及师范补习班。
1922年8月31日，阿博洛学会举办夏季习画会展览会，地点西单察院胡同女子美术学校。
1922年12月，开设阿博洛学会研究会，面向校毕业生及本会会员，以研究高深艺术、养成艺术专家为宗旨。开设阿博洛学会公开教授会，面向有志于艺术者以传授西洋画为宗旨。学会决定自1923年1月起每月刊印美术杂志一期，每年春秋两季各开展览会一次，为讨论会务起见，每星期举行聚餐会一次。
1923年1月2日，阿博洛学会在西四翊教寺胡同平民中学举行临时展览会开幕，展出作品一百余件。
1923年3月底，阿博洛学会召开第八次常会，公决阿博洛正式展览会展期，下发会员座右日历表，激励会员赶制参展作品。
1923年5月15日，阿博洛美术展览会开幕，地点在西四牌楼历代帝王庙中华改进社，为时15天，展出作品132件，日参观人数一千余。
1923年5月28日，午后，鲁迅往帝王庙观阿博洛展览会绘画。
1923年6月，阿博洛习画会及习画分会在男女高师成立，拟在海王村公园建阿博洛美术陈列馆。
1923年7月5日，阿博洛暑期学校开课，地点在国立北京师范大学，分西洋画和绘画师范两科，西洋画科分为铅笔、木炭、水彩、油画四组，绘画师范科分为高等师范和普通师范两组。学员共70余人。
1923年7月14日，李毅士、钱稻孙分别演讲《透视学概要》、《何谓造型艺术》。
1923年8月4日，阿博洛暑期绘画学校教职员学生全体合影，拟制校友录，方便各地同学联络情谊。
1923年8月15日，师范科结业。西洋画科水彩、油画两组野外实习九天，赴天安门、中央公园、先农坛等地写生风景、建筑、花卉。
1923年8月20日，西洋画科组织西山旅行写生团，赴西山写生一周。
1923年9月，因招生问题与校方分歧，李毅士、王悦之、高叔达、吴法鼎相继从北京美专辞职。
1923年10月，阿博洛学会章程报呈北洋政府内务部。
1923年10月22日，阿博洛学会研究所开课，会址在西城砖塔胡同口袋底4号。该所作为创办美术专门学校之准备，分为普通科和专修两级，普通级包括铅笔画、木炭画、水彩画、油画各科，专修级分为西洋绘画科、应用美术科、美术图案科。特设特别研究员和减费生。
1923年11月，筹划阿博洛学会秋季展览，拟定12月1日举行筹备阿博洛美术函授学校，面向外地在职美术教员招生。
1923年12月21日，吴法鼎应刘海粟之邀，赴上海充任上海美专教务长。
1924年2月1日，吴法鼎在回京火车上病逝。
1924年2月26日，阿博洛学会成员欢送李毅士赴沪接替吴法鼎充任上海美专教务长，王子云、郭志云、王悦之等相继发言，会后合影留念，晚7时在虎坊桥锦江楼聚餐。
1924年4月6日，举行吴法鼎追悼会并遗作展览会，地点在北京大学第三院，上海美专校长刘海粟、教授汪亚尘与会。
1924年4月8日，应阿博洛学会之邀，汪亚尘、刘海粟分别演讲《艺术家的修养》《何谓艺术》。
1924年4月16日，阿博洛美术研究所展览会开幕，地点在西四口袋底四号，为时五天，展出作品四百余件。
1924年6月，阿博洛学会解散，改设北京美术学院，地点在西四太平仓平安里新建楼房，推王悦之为院长。先办暑期学校，暑假后正式招生，拟设西洋画科及研究科，性质为美术专门学校。
钱稻孙 《看了阿博洛展览会的感想》 （《晨报副刊》 1923年1月7日 ，4页 ）
“最后我还有几句话：阿博洛学会很希望大家兴起来，做美术上的发展，决不怀着一些他意。此次是公开教授会和研究会成立的纪念展览；这研究会是会员互相磋磨为主义的，公开教授会是为那不能受学校教育的人而设的，我们对于已有的美术团体或机构，方欢忻敬重之不暇，毫无别种居心，希望社会上不要误会了我们的真意。”
——钱稻孙 《看了阿博洛展览会的感想》
成员作品选登
吴法鼎作品：
吴法鼎 《旗装女人像》 94×63cm 布面油彩 20世纪20年代 中央美术学院美术馆藏
吴法鼎 《海滨》 60x92cm 布面油彩 1914年 中央美术学院美术馆藏
吴法鼎 《北京中央公园风景》 油画 《绘学杂志》（ 1921年第2期 ，第1页 ）
吴法鼎 《北京十刹海风景》 油画 《绘学杂志》（1921年第2期，第1页）
吴法鼎 《苏州河》 油画 （《晨报副刊》 1924年75号 ）
吴法鼎 《女肖像》 油画 （《晨报副刊》1924年75号 ）
吴法鼎 《女人体》 油画 （《晨报副刊》1924年75号 ）
李毅士作品：
李毅士 《陈师曾像》 130x70cm 布面油彩 1920年 中央美术学院美术馆藏
李毅士 《王梦白像》 117 ×76cm 布面油彩 1920年 中央美术学院美术馆藏
艺术界消息，《小时报》（1923年第2334期），内容为：李毅士先生曾在英国美术专门学校毕业故对于西洋画法造诣甚深近称北京唯一研究绘画机关之“阿博洛美术研究所”即係毅士所创办近制有白居易“长恨歌全图”共三十馀幅描写精到擅中西新旧绘事之能至堪宝贵闻将精印出售以广流传云。
李毅士 《长恨歌画意》之二 1932年出版
李毅士 《长恨歌画意》之四 1932年出版
李毅士 《长恨歌画意》之五 1932年出版
李毅士 《长恨歌画意》之六 1932年出版
李毅士 《长恨歌画意》之七 1932年出版
郭志云作品：
郭志云 《静物》 油画 《造形美术》（1924年第1期，15页）
郭志云 《京西风景》 油画 《造形美术》（1924年第1期，15页）
王悦之作品：
王悦之 《北海公园一隅》 1930 37×58cm 中国美术馆藏
王悦之 《北京德胜门》 1921-1923年 33×25cm 中国美术馆藏
王悦之 《裸体》 1921-1923年 61×45cm 中国美术馆藏
王悦之 《西山风景》 1921-1923年 46×32cm 中国美术馆藏
王悦之 《摇椅》 1921-1923年 105×76cm 中国美术馆藏
展览现场
（注：本次整理资料综合了大量以往的研究成果，感谢刘曦林、黄碧赫、杜志东等学者的研究。）
团体作为方法
中央美术学院艺术团体研究与抽样展
主办：中央美术学院美术馆
展览时间：2023年7月12日—9月3日
展览地点：中央美术学院美术馆3层展厅
学术主持：邱志杰
展览总监：张子康、韩文超
展览统筹：王春辰
策展团队：高高、刘希言、李垚辰、易玥、胡晓岚、金简如、陈冠石
策展助理：王若冰、李樱妮、王新言、张潭、夏冉
设计团队：纪玉洁、闵志伊、刘宇晗、赵鑫鑫
展览管理：吴鹏、马亮、宿世存、荆鹏
藏品管理：王春玲、崔然然、徐研、窦天炜、梅琦
媒体宣传：何一沙、吴靖、贺伊飞、马方可
官网文宣：王静
智识中心：肖宝珍
公共教育：任蕊、姚轶群、梁雯、王军
财经事务：杨柳、门婧、寇蕾
行政支持：蒋思妤、岳君瑶、张倩
后勤安保：孙炜、陈小华、吕智发
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CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
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Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
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Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
