在此次“写生新疆:20世纪以来新疆主题创作研究展”中,试图梳理近代中国艺术史上这一特殊现象,追溯到上世纪30年代末,具有边疆觉悟的艺术家开始了远赴西域边地的新疆考察写生的旅程,跨越近百年的时间,一直到今天。“写生”曾经是艺术家以现实为对象来锻炼表现技法、搜集创作素材的重要手段,进入到当代,写生从一种方法手段进化成为一种行动,在不同时代艺术思想和文化理念的影响下,赴新疆的写生和创作也表现出了时代艺术语言的变化,反映出不同时代艺术家对新疆这一地理、人文环境的捕捉与刻画。
1939年
鲁少飞前往新疆,担任《新疆日报》漫画作者。
鲁少飞《农技厂制造松土器》约20世纪40年代
1943年
“司徒乔画展”在迪化举办,展出在伊犁等地的写生100多幅。
沈逸千赴新疆写生,作品有《哈萨克牧羊女》。
1944年
司徒乔在新疆各地写生并组织天山画会,于《新疆日报》连载《新疆猎画记》。
秋,司徒乔在迪化举办第二次新疆写生画展。
1945年
司徒乔在重庆举办“新疆写生画展”,展出作品280件。
1946年
3月-7月,韩乐然沿甘肃河西走廊到新疆考察民情、旅行作画、临摹克孜尔石窟壁画、考古调查,并从事统一战线工作。作品有水彩画《晒粮食》《钉马掌》等.
1946年4月,《新疆日报》刊登“韩乐然先生西画
展览启事”
7月,“韩乐然库车克孜尔千佛洞临摹壁画展”在迪化展出。
1947年
2月底,韩乐然再赴新疆考古,清理发掘克孜尔石窟。7月30日,由迪化飞往兰州,途中飞机失事遇难。所携在克孜尔画的几十幅油画、水彩画和几百张照片遭毁。
黎雄才经敦煌赴新疆写生,作品有《哈密道中》等。
常书鸿画《韩乐然》像(1947年)和司徒乔肖像照
1948年
夏,赵望云应国民党将领张治中邀请,赴新疆写生。用近三个月时间完成50幅描绘当地少数民族民俗生活的作品,交“天山学会”出版。10月,由中苏文化协会主办的“赵望云画展”在迪化展出。
黄胄首次跟随老师赵望云初访新疆,自此与新疆结下了不解之缘。此后七赴新疆。
20世纪50年代初,司徒乔和黄胄合影
1949年
10月20日,新疆和平解放。
1950年
秋,叶浅予作为中央访问团成员访问新疆。行遍天山南北,历时几个月,画速写数百张,记录了新疆人的劳动、娱乐、风俗、形象。
叶浅予《中国人民大团结》年画 1952年
1952年
中央美术学院研究生列阳毕业后,从西安《西北画报》调到新疆美术工作室工作,是最早的内地美术院校毕业进疆的美术工作者。
1953年
黄胄随中央慰问团解放军代表团赴新疆、青海地区,创作大量速写。
黄胄在新疆写生
徐庶之辞去在《西北画报》社的工作,从西安来到新疆,从事新疆题材创作40年。
1954年
艾中信到甘肃乌鞘岭兰新铁路工地体验生活,创作长达4米的油画《通往乌鲁木齐》。
1955年
新疆更名为新疆维吾尔自治区。
1956年
秋,黄胄以记者身份参加中央和解放军组成的赴新疆慰问团,后继续在北疆、南疆等地区采访写生半年。
1957年
4月,黄胄应邀在中央美术学院举办“黄胄速写观摩展”,展出赴新疆的速写,引起美术界的关注。
靳尚谊创作完成“马克西莫夫油画训练班”毕业作品《登上慕士塔格峰》。
1957年靳尚谊与毕业创作《登上慕士塔格峰》
一画作模特合影
1960年
秋,罗工柳赴新疆,访问克拉玛依油田、吐鲁番、库车(千佛洞)、喀什、和田,搜集创作素材。
1961年
詹建俊第一次赴新疆喀什、和田等地写生,回京后在中央美术学院油画系举办“新疆作品观摩展”。
1961年詹建俊在新疆写生
1962年
2月-7月底,中国美术家协会组织4位北大荒版画青年作者赴新疆旅行写生,北至伊犁、昭苏,南至喀什。
1963年
在哈尔滨和北京举办的“晁楣、张祯麒、杜鸿年、张路旅行新疆版画展”。
哈孜·艾买提创作油画《罪恶的审判》,为新疆现实主义题材油画的奠基之作。
1964年
应新疆博物馆邀请,陆鸿年、王定理领队率领中央美术学院国画系人物画科学生齐·巴雅尔等赴新疆克孜尔、库木吐拉等千佛洞临摹、复制壁画两个多月。
1964年陆鸿年、王定理领队率领中央美术学院国
画系人物画科学生在新疆克孜尔千佛洞临摹壁画
1974年
关山月到新疆体验生活,为乌鲁木齐机场创作《天山牧歌》。
关山月《天山牧歌》中国画 1974年
1977年出版的《新疆人物写生选》和1982年出版的
《新疆油画写生》
1978年
夏季到1979年1月,刘秉江首次带学生深入南疆喀什、和田和塔什库尔干写生创作。
1978年刘秉江在新疆喀什写生
赵延年带领浙江美术学院研究生赴敦煌、新疆写生。
1979年
8月,中央美术学院与新疆自治区博物馆联合考察新疆石窟,临摹克孜尔石窟壁画,领队金维诺,韦江帆、官其格任指导教师。
全山石带领十余名研究生及年轻教师尚丁、徐芒耀等到敦煌、新疆一带考察、写生。10年之中,8赴新疆,历遍天山南北。“全山石新疆写生展”在上海、杭州、安徽、山东、湖南、福建等地展出。代表作有《塔吉克姑娘》(1980年)、《老艺人》(1980年)、《维族建设者》(1986年)等。
文国璋首次赴新疆旅行写生,作水彩70余件,在乌鲁木齐举办写生作品展。
1980年
8月,杨之光赴新疆写生。11月,“杨之光西北写生画展”在广州展出。
张华清自1980年至1988年应邀多次赴新疆创作和讲学,为边疆地区师范大学、教育学院讲学,举办教师进修班,为少数民族地区培养教师和美术专业人才。
何孔德《新疆小姑年》油画.1980年jpg
1981年
夏、秋,吴冠中到新疆讲学、写生,创作油画《新疆农家》《高原人家》《白桦林》,水墨画《交河故城》《大漠》《奔马》《高昌遗址》等作品。
12月,张仃赴新疆写生,创作《巨木赞》《墓地》等。
靳尚谊到新疆喀什、吐鲁番、塔什库尔干等地收集创作素材。创作《维族老人》《维族女医生》《帕米尔姑娘》《塔吉克小姑娘》及风景画《牧场》《河谷》《塔吉克新娘》(1983年)等。
詹建俊第二次赴新疆写生,创作油画《帕米尔的冰山》,其他新疆题材代表作有《清风》(1983年)、《飞雪》(1988年)、《绿野》(1987年)、《飘动的红霞》(1991年)、《山那边的风》(1992年)等。
浙江美术学院与新疆艺术学校联合举办为期一年的“新疆少数民族油画研修班”,由全山石主持。学生14名,有汉、维吾尔、哈萨克、回、蒙古、锡伯族,分别来自伊犁、喀什、和田、哈密、吐鲁番、巴州等地,结业创作8件作品参加全国首届少数民族作品展,4件作品获佳作奖。
1982年
8月,“古元画展”在新疆乌鲁木齐市和伊宁市举行,古元在新疆各地参观访问。创作《骆驼赞》《秋牧》《天山牧场》《静静的赛里木湖》《火焰山下》等木刻和水彩画。
浙江美术学院组织王流秋、胡善余、黎冰鸿、林达川、费以复5位油画系教授同赴西部写生,经敦煌、新疆牧场等地,为期两个月。
1982年出版的《全山石新疆写生》
1983年
中央美术学院林岗赴新疆喀什办美术学习班,授课老师有哈孜·艾买提、艾尼·吾甫尔、庞壔。
1983年出版《新疆好美术作品选》
1984年4月叶浅予在作画
1985年
阳太阳赴陕西、内蒙古、甘肃、宁夏、青海、新疆等省区访问、考察、写生。
1986年
夏,朱乃正赴甘肃、青海、新疆作画并讲学。作品有《维族少女》《穿红裙的新疆姑娘》等。
苏高礼赴新疆乌鲁木齐为中央美术学院油画系在新疆举办的美术培训班讲学。作品有《哈萨克人家》《丛树》等。
1986年出版《叶浅予两访新疆》
1986年全山石和研究生在新疆
1987年
陈孟昕去新疆写生,创作工笔画《帕米尔风情》(1989年)。
1988年出版《中国美术家丝绸之路作品选集》
1989年
9月,赵振川赴新疆写生。10月创作《山水》。
秋,赵以雄、耿玉琨自筹经费,自驾北京吉普车,由北京出发,完成了以长安为中心东至日本京都奈良,西经新疆达土耳其伊斯坦布尔的全线考察。
1990年
中央美术学院油画系和乌鲁木齐市工人文化宫联合举办油画学习班。来自全疆各地的学生共40余人。中央美术学院教授文国璋长期负责此班,朱乃正、苏高礼、陈文骥、吴小昌、罗尔纯等轮流讲学。
詹建俊第三次赴新疆,创作“胡杨”系列作品。
陈光健带领西安美术学院研究生去新疆塔吉克族写生,创作《绿色边疆》获“第八届全国美展”优秀奖。
9月,吴长江首次赴新疆吐鲁番、喀什等地写生。
1992年叶浅予和龚建新合影
1997年
画家陈雅丹启动翻越天山,纵穿罗布泊的旅行写生计划。
1998年
袁武赴新疆写生。
2000年
8月,中央美术学院油画、壁画研究生西北文化考察写生计划启动。杜键、孙景波率队,研究生17人,深入宁夏、甘肃、陕西、青海、新疆等省区,行程两万多公里,完成速写6000多张、油画写生900件、摄影1万件、录像十几个小时以及50多篇文字稿。孙景波创作油画《通往乌鲁木齐的高速路》,杜键创作油画《沙漠公路》等。
2000年中央美术学院“走进大西北”写生团合影
展览艺术家
(按出生时间排列)
韩乐然、司徒乔、叶浅予、王合内、罗工柳、戴泽、梁玉龙、黄胄、伍必端、李山、列阳、钟涵、全山石、闻立鹏、杨鸣山、靳尚谊、庞均、谭权书、阿曼·穆罕诺夫、谢家道、苏高礼、龙清廉、龚建新、文国璋、范迪安、李晓林、张群、于小冬、刘小东、杨茂源、胡西丹·克里木、赵培智、刘商英、刘雨佳、康春慧
部分参展作品
司徒乔 套马 中央美院美术馆藏
韩乐然 天山脚下歌舞 油画 1946年 48×63cm
叶浅予 新疆乐舞(轴)中央美术学院美术馆藏
梁玉龙 新疆背袋老人 87×68cm 布面油彩 1961 中央美术学院美术馆藏
阿曼·穆罕诺夫 葡萄架下 中央美术学院美术馆藏
王合内 对话(女孩和小鹿) (木雕) 中央美术学院美术馆藏
靳尚谊 塔吉克新娘
全山石 维吾尔老人——教长 中央美术学院美术馆藏
刘小东 土孩儿 150×140cm 布面油画 2013 中央美术学院美术馆藏
张群 高高的塔什干 中央美术学院美术馆藏
| 展览信息 |
国家艺术基金资助项目
中国福利彩票和中国体育彩票彩票公益金资助
写生新疆:20世纪以来新疆主题创作研究展
展览时间:2023.7.12-8.20
展览地点:中央美术学院美术馆2层B展厅
资助单位:国家艺术基金
主办单位:中央美术学院
承办单位:中央美术学院美术馆
支持单位:中国美术馆 新疆美术馆 黑龙江省美术馆 浙江华茂艺术教育博物馆 懋源泓斋
鸣谢:罗安 闻丹青 韩健立 蒋雯丽
学术主持:邱志杰
总策划: 张子康
学术顾问:曹庆晖
展览总监:韩文超
展览统筹:王春辰 高高
策展人: 郭小晖 王静
设计协调:纪玉洁
视觉设计:孙彤
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CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
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Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.