金秋奏响生命的赞歌丨“纵浪大化:袁运生与壁画梦”开幕

北京渐入金秋时节,中央美术学院美术馆迎来一场艺术聚会,一曲美丽的生命赞歌在此奏响。

9月15日,由中央美术学院主办,中央美术学院美术馆、中央美术学院油画系承办的“纵浪大化——袁运生与壁画梦”在中央美院美术馆启幕。本次展览系统梳理了袁运生先生的艺术成就,呈现了袁运生先生多年专注的壁画创作,是袁运生先生首次在学校举办回顾性展览。



出席今天开幕式的有著名画家范曾,原云南省美术家协会主席姚钟华,原清华大学美术学院副院长刘巨德,著名电影导演肖桂云,张仃之子、著名艺术家张郎郎,中央美术学院老领导、老教授文国璋、广军、王少军、黄华英、高天雄、曹力、殷双喜、秦璞、曹吉冈、王璜生、胡建成、王华祥、金日龙、刘斌等,中国美术家协会主席、中央美术学院原院长范迪安,中国美术馆党委书记安远远,中国艺术研究院油画院院长朱春林,著名央视主持人董浩等美术界、文化界知名人士。中央美术学院党委书记高洪,院长林茂,中央美术学院学术委员会主任苏新平,中央美术学院副院长吕品晶以及师生代表一同出席了开幕式。中央美术学院美术馆馆长张子康主持开幕式。


中央美术学院院长林茂在致辞中表示,袁运生先生是中央美术学院的著名教授,也是中央美术学院培养出来的名家大师。1950年代他求学于中央美术学院油画系,师从董希文等先生,深受其研究和发扬中国传统文化艺术理念的熏陶,树立了研究中国艺术精神的“壁画梦”,他不畏坎坷,真诚地探索艺术。1980年,袁运生先生绘制的机场壁画“泼水节——生命的赞歌”开时代之先河,轰动全国,成为改革开放初期文艺复苏的标志性事件。袁运生先生早年便认识到中国传统在中国艺术发展道路上的重要作用,重视中国传统文化的学习和吸收。1996年,袁运生先生从美国回到美院,投身教学,提出“迫切需要传统艺术”,要从中国传统出发,尝试在教学中让学生更多地了解、学习中国传统。2002年又率先立项“中国古代雕刻的复制项目”,希望将中国优秀的古代雕刻作品带到学校的课堂当中,改革高等美术学院素描教材。2005年立项“中国传统雕塑的复制与当代中国美术教育体系的建立”。2017年,成立“中国传统造型中心”。二十余年间,袁先生带领学生走遍中国的石窟寺庙,调研中国传统艺术遗存,他深研并传承中国传统艺术的精神令人感动。袁先生以他执着的艺术追求和勤勉的艺术实践为中国美术和中国美术教育事业做出了杰出贡献。

习近平总书记在文化传承发展座谈会上的讲话中强调指出,“中华优秀传统文化是中华文明的智慧结晶和精华所在,是中华民族的根和魂,是我们在世界文化激荡中站稳脚跟的根基。”坚定文化自信,走自己的路也是中国文化与艺术未来发展的必然选择,袁运生先生多年的艺术实践正是在坚定地走在这条路上。我们中央美院的晚辈后学认真学习袁先生立足中国传统文化的艺术探索精神,为建设中华民族现代文明作出新的贡献。

中国美术家协会主席、中央美术学院原院长范迪安在致辞中表示,袁运生的艺术人生与中国社会从改革开放到跨越世纪的时代变迁有着密切的联系,他的艺术探索与当代中国美术面临的文化语境有着互文的关系,由此构成了他的艺术极为丰富的图景。袁运生的艺术历程是坚守理想、讴歌生命的历程。他笔下的大自然和古代神话故事、历史传奇中的人物,以及现实中的民族风情和众生之像,是对生命和人生的思考,他当年的机场壁画《泼水节——生命的赞歌》不仅是一幅作品的名称,而且恰好诠释了他的艺术人生。袁运生的艺术历程是文化寻根、精神守望的历程。他深刻体认中国传统文化的价值,看重中国传统艺术的美学价值,曾提出复兴中国艺术之魂的主张,在晚年提出并主持中国古代雕塑复制工程,形成中国艺术造型体系研究的成果。袁运生的艺术历程是倾注心血、教书育人的历程。他在油画系第四工作室的教学中提出“艺术教育要走中国之路”,主张基础教育要回到以本土文化为根基的审美上来,要将中国的优秀造型艺术融入教育体系中,为推动美术教育事业立足中国大地改革发展做出了积极贡献。

“改革开放以后,袁先生到美院任教时的第一波学生就有我,当时我20多岁,袁先生40岁出头,我们相遇了,感觉这是我一生的幸运。上课的时候,他会把我们带到历史博物馆,看中国古代的陶器,看青铜纹样,寻找可以吸取的东方艺术精髓,再发挥自己的主观感受”。中央美术学院老教授曹力深情回忆了在袁先生的课堂上感受颇深的情景。他谈到,袁先生在壁画系任教时说,白描是壁画非常重要的一个基础,他循循善诱,启发学生去临摹,去研究东方白描线条与西方速写线条的不同之处。他在教学过程中采用了一种新的教学理念和以意象为主导的教学思路,他一生的艺术理念,正是用意象造型,即兴挖掘自己的审美修养和视觉积累。


“袁先生曾说‘1958 年,我进入董希文老师的工作室,就开始做壁画之梦。’这个梦今天实现了。”油画系副主任刘商英谈到,袁先生的艺术之路漫漫,他的卓越成就来自于他求索路上的顽强生命力。先生不同时期的作品风格多样,始终焕发着一种强烈的生命感召力,这是袁先生的天性,也是他骨子里的东西。他敏锐地洞察到了中国传统造型艺术独特的自由和博大,痴迷其中,更重要的是他找到了作为个体与群体,地域和历史之间的精神纽带,即本源和当下世界之间的联系。正如袁先生所讲,“中国传统文化,它在各个历史时期的重要文化遗存,对我来说,是无尽的宝藏,是艺术精神和语言的源头活水。它也许是来自中国人的生命理想和思维方式。我们失去与它的连接,便失去自信,因为它是根。”

“他以强大的艺术生命证明了一点,艺术的终极标准不是新和旧,而是好和坏。”袁先生70余年的老友、著名画家范曾感言,有中华民族的优秀传统,才会有袁运生的艺术。他认同袁先生的艺术观点,我们的心灵和自然相通,我们要回归自然,一切装腔作势、玩弄技巧的都不是真正的艺术,艺术的创作归根到底是要回归到自然。


袁运生先生之子、中央美术学院壁画系教师袁野代表家属向中央美院及支持本次展览的各方表示感谢

袁运生先生将标志自己壁画梦开始的《水乡的记忆》第一稿,以及他生平最大的壁画作品《纵浪大化》(6米x18米)两幅作品一同捐赠中央美术学院美术馆永久收藏。


中央美术学院党委书记高洪向袁运生先生颁发捐赠收藏证书


中央美术学院美术馆馆长张子康主持开幕式

开幕式现场嘉宾合影


展览现场





展出作品(部分)


收获歌 110×209cm 布面油彩 1959年 中央美术学院美术馆藏


水乡的记忆 243×245cm 1962 布面油彩 2021年 艺术家捐赠中央美术学院美术馆

自画像 28×35cm 布面油彩 1975年 艺术家自藏

自画像 168×92cm 布面油彩 1980年代 艺术家自藏

泼水节——生命的赞歌 色彩稿第一稿 33.9×198cm

戏 199×188cm 布面油彩 1980年 艺术家自藏

哈佛大学壁画 《人类寓言》草图系列之咚咚锵 51×76cm 纸本硬笔 1985年 艺术家自藏


延安写生白描长卷 81×450cm 纸本墨笔 1974年 艺术家自藏

内观 174×187cm 纸本水墨 1980年代 艺术家自藏

殉道者 198×188cm 布面水墨 1981 艺术家自藏

面壁者 189×181cm 布面油画 1987 艺术家自藏

行路 174×192cm 纸本水墨 1990-2016 艺术家自藏

眼睛(纪念林琳) 240x360cm 板面油彩 1991年 中央美术学院美术馆藏

纸醉金迷 182×640cm 布面油彩 1995年 艺术家自藏

始祖像 200×180cm 布面油彩 2009年 艺术家自藏

纵浪大化  600x1800cm 布面水墨 2011年 2023年艺术家捐赠中央美术学院美术馆


艺术家简介


袁运生,1937年生于江苏南通,1962年毕业于中央美术学院油画系董希文工作室。1979年参加首都机场壁画创作,先后在中央工艺美术学院、中央美术学院壁画系任教,以云南西双版纳线的线描人物画和首都机场《泼水节——生命的赞歌》大型壁画引起美术界与思想界的关注。1982年应邀访美至1988年并任教于塔夫茨大学、麻省大学、斯密斯学院、哈佛大学,期间创作了大量纸本水墨综合材料作品。1996年9月应邀回国,任教于中央美术学院油画系第四画室,并承担“中国传统雕塑的复刻与当代中国美术教育体系的建立”课题的研究工作,并尝试在中国传统雕塑、壁画、画像石、画像砖等“非书画系统”的视觉空间中寻求灵感和新启发。

1963年,26岁的袁运生

1976年在长春南湖白桦林写生

1976年在长春家里作画

1979年在北京首都机场


1980年袁运生在作画


纵浪大化——袁运生与壁画梦

主办:中央美术学院

承办:中央美术学院美术馆 中央美术学院油画系

展览时间:2023年9月15日–10月15日

展览地点:中央美术学院美术馆3层B展厅


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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

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According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
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ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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