CAFAM讲座预告 | G.E. 基德-史密斯和宏伟的建筑

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| 央美建筑系列讲堂|

CAFAa Lecture Series

2023年10月17日,威尼斯建筑大学国际关系副校长、建筑史和建筑摄影史教授安杰罗. 马吉先生将受邀来到中央美术学院,带来"央美建筑系列讲堂"的第十三次讲座——《G.E. 基德-史密斯和宏伟的建筑》(G.E. Kidder Smith and the Magnificence of Architecture)。

“央美建筑系列讲堂”(CAFAa Lecture Series)由中央美术学院建筑学院于2018年发起,旨在立足建筑学术前沿,邀请当今世界最杰出的学者、教育家、建筑师、艺术家展开研讨、讲座、会议等多种活动,共同建构批评、包容、开放的国际建筑学术平台。该系列已成功邀请雷姆·库哈斯、莫森·莫斯塔法维、曹汛、矶崎新、斯蒂文·霍尔、彼得·塔居里、崔愷、威尼·马斯、伊东丰雄、卡洛斯·爱德华多·科玛斯等多位学术巨匠进行讲座及会谈。


| 活动信息 |

乔治-埃弗拉德-基德-史密斯(George Everard Kidder Smith,1913-1997 年)是二十世纪下半叶北美建筑专业领域的一位多面手。虽然他接受的是建筑师培训,但他并没有选择在传统的建筑事务所内工作。相反,基德-史密斯 "设计"、研究、写作并拍摄了大量关于建筑和建筑环境的书籍。他的工作和生活深深地交织在一起,在研究、写作和推广书籍的过程中,他经常出差,试图揭示他所欣赏并希望与更多读者分享的国家的建筑环境。从 20 世纪 40 年代初到 50 年代末,他对建筑的兴趣促使他以直观的方式描述了许多欧洲国家的建筑和历史特征。几十年来,基德-史密斯与妻子多萝西娅四处旅行,之后,他将目光投向了自己的祖国,并出版了一系列以欧洲和美国为主题的雄心勃勃的书籍。基德-史密斯的视野和叙述透露出旅行者、学者和建筑师的目光。此次活动为学生们提供了一个难得的机会,让他们从该领域的知名专家那里获得真知灼见。

George Everard Kidder Smith (1913–1997) was a multidimensional figure within the wide-ranging field of North American architectural professionals in the second half of the twentieth century. Although he trained as an architect, he chose not to practice within the conventional strictures of an architecture office. Instead, Kidder Smith “designed,” researched, wrote, and photographed a remarkably diverse collection of books about architecture and the built environment. His work and life were deeply interwoven and punctuated by travel related to the research, writing, and promotion of books that sought to reveal the genius loci of the countries whose built environments he admired and wished to share with a broader audience. From the early 1940s to the late 1950s his interest in architecture led him to describe visually the architectural and historical identity of many European countries. After his far-flung travels over the decades, with his wife Dorothea, Kidder Smith focused on his own country and produced a series of ambitious books focused on Europe and the United States. Kidder Smith’s vision and narrative betray the gaze of the traveller, the scholar, and the architect.The event offers an unparalleled opportunity for students to gain insights from a renowned expert in the field.


演讲题目

 G.E. 基德-史密斯和宏伟的建筑 

 G.E. Kidder Smith and the Magnificence of Architecture 


演讲嘉宾

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安杰罗. 马吉

威尼斯建筑大学国际关系副校长建筑史和建筑摄影史教授   

学术主持

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朱 锫中央美术学院建筑学院院长、教授     

讲座时间

2023年10月17日18:30 - 20:30 
讲座形式

线下讲座地址

中央美术学院美术馆学术报告厅


| 讲者简介 |

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安杰罗. 马吉

威尼斯建筑大学建筑史和建筑摄影史副教授。他曾在威尼斯建筑大学和爱丁堡大学艺术学院接受建筑师培训,并在爱丁堡大学艺术学院获得建筑和视觉研究博士学位。他在意大利和国外的教学及其近期的工作都围绕着建筑摄影研究,分析与代表性相关的主题,作为建筑史调查和建筑遗产的工具。他的著作包括意大利语版本的罗伯特-拜伦(Robert Byron)的《建筑鉴赏》(2006)和赫尔穆特-格恩希姆(Helmut Gernshiem)的《聚焦建筑与雕塑》(2011)。除了他独著的《罗斯林教堂--历代的标志》(2008),马吉还与迈克尔-格雷合著了《伊夫林-乔治-凯里·福斯桥》(2009)一书,以及与尼古拉-纳沃内(Nicola Navone)合编了《约翰-索恩与瑞士木桥·从帕拉迪奥到格鲁本曼家族的建筑与技术文化》(2003)。他的著作《乔治·卡萨里摄影师/住所 1951-1983意大利的建筑、设计和艺术》(2013)通过对意大利最具影响力的摄影师的分析,研究了意大利建筑设计文化的历史。他还著有《图片图文百科》(2014)和《重观1893-2013年的威尼斯翁格尼亚/罗马诺西》(2014)。《美国之旅》(2020)一书专门介绍了布鲁诺-莫拉苏蒂 20 世纪 50 年代在弗兰克-劳埃德-赖特的塔利森研究中心的旅程。

他曾与他人共同策划了2022年在世界各地举办的威尼斯-苏州展览,并与王林(四川美术学院)共同策划了第17届国际建筑展(2021年6月至11月)的威尼斯双年展“变化中的客家土屋——中国的合作生活、艺术和迁移建筑”。

自2010年起,他是威尼斯大学艺术史博士学院的正式成员,现任威尼斯建筑大学国际关系副校长。他负责所有教职员工和学生的交流(学习和培训),并协调所有国际机构的联系,合作项目和谅解备忘录(MoUs)。

他的新书《G.E. 基德-史密斯建筑·建筑摄影之旅》(2022)是第一本全面概述20世纪才华横溢的作家、摄影师和书籍“建造者”的书,他极大地影响了欧洲、美国和其他地区的建筑欣赏。

Angelo Maggi is associate professor of Architectural History and History of Architectural photography at Università IUAV di Venezia. He was trained as architect at IUAV and Edinburgh College of Art, where he obtained his Ph.D. in Architecture and Visual Studies. His teaching in Italy and abroad and its recent work has revolved around the study of architectural photography, analysing themes relative to representation understood as a tool of architectural history investigations and architectural heritage. His books include the Italian editions of Robert Byron’s The Appreciation of Architecture (2006) and Helmut Gernshiem’s Focus on Architecture and Sculpture (2011). Along with his soleauthored book Rosslyn Chapel an Icon through the ages (2008), Maggi co-authored (with Michael Gray) Evelyn George Carey. Forth bridge (2009) and co-edited (with Nicola Navone) John Soane and the Wooden Bridges of Switzerland. Architecture and the culture of technology from Palladio to the Grubenmanns (2003). His book Giorgio Casali Photographer / Domus 1951-1983. Architecture, Design and Art in Italy (2013) examines the history of the architectural design culture of Italy through an analysis of its most influential photographer. He is also author of Photo Graphic Pedia (2014) and Re-visioning Venice 1893-2013 Ongania/Romagnosi (2014). The book The American Journey (2020) is dedicated to Bruno Morassuti's journey in the 1950s at Frank Lloyd Wright's Taliesin fellowship.

He has been the curator with others of the Venice-Suzhou exhibition held worldwide in 2022, and he was also co-curator with Wang Lin (Sichuan Academy of Fine Arts) of the Venice Biennale show Hakka Earthen houses on variation – Cooperative living, art and migration architecture in China held at the 17th International Architecture Exhibition (June – November 2021).

He is currently full member of the Ph.D School in History of the Arts (Ca’Foscari University Venice) from 2010 and he is presently acting as University Iuav Vice-Rector for International Relations. He is responsible for all faculty staff and students’ exchanges (study and training) and he coordinates all the International institutional connections, collaborative projects, and MoUs.

His latest book G.E. Kidder Smith Builds. The Travel of Architectural Photography (2022), is the first comprehensive overview about a talented 20th-century writer, photographer, and “builder” of books who greatly impacted architecture appreciation in Europe, America and beyond.


主办

中央美术学院建筑学院 中央美术学院建筑学院学术部

央美建筑系列讲堂往期讲座回顾:   

·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):近期创作与思考聚焦·莫森·莫斯塔法维(哈佛大学设计研究生院前院长;中央美术学院荣誉教授):建筑与情境·曹汛(著名园林学家;北京建筑大学教授;北京大学考古文博学院特聘教授):中国的造园艺术;中国的叠山名家;造园大师张南垣·矶崎新(国际著名建筑师;2019普里兹克奖获得者):“矶崎新之谜/‘息’+‘岛’篇”与“六十年代以来的建筑运动”·斯蒂文·霍尔(世界著名建筑家):“建筑创作”讲座与“锚固、知觉与建筑现象学”·崔愷(中国工程院院士;中国建筑设计研究院有限公司名誉院长、总建筑师;中央美术学院客座教授):“以土为本——探索绿色建筑新美学”·威尼·马斯(国际著名建筑师、城市规划师;MVRDV创始合伙人):建筑为众——MVRDV文化建筑实践·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (上)·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (下)·伊东丰雄(伊东丰雄建筑设计事务所创始人;2013普利兹克获得者):我的建筑论


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I. General Provisions

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(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

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(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

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Use in perpetuity.

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

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(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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