2023年12月15日，由中央美术学院主办，中央美术学院附中承办的“传荟·成蹊——中央美术学院附中70周年校庆在校生优秀作品展”在中央美术学院美术馆学术报告厅开幕。中央美术学院附中成立于1953年，从开创到持续前行的70年中，一直都是中等美术教育领域中最具传承定力和创新活力的承继者、先行者、探索者。附中的专业教学肇始于徐悲鸿先生的美育理念，成熟于代代附中教师的躬耕探索，不断积累充实、渐进拓展，在70年办学实践中逐步形成了具有中国特色和中华美育精神的现代美术基础教育体系。本次展览呈现出了当下附中在校学子的整体专业面貌，“传”是对附中70年传统的继承；“荟”既是人才的荟萃，也是附中历届校友学术精神和当下教学成果的汇集。“桃李不言，下自成蹊”，传绘大艺之境、汇集美术梦想，身怀美质，人才荟萃自然成蹊。
中央美术学院校领导班子成员，附中历届老先生、老校友，以及中央美院各党政职能部门负责人、附中师生代表等出席开幕式。开幕式由附中党总支书记刁婷婷主持。
中央美术学院党委书记高洪致辞
高洪在致辞中表示，在附中成立70周年里，学校举办了两个展览，一是“知行·传习”教师展；二是“传荟·成蹊”学生展。通过这两个展览，我们从中看到了经过70年的风雨历程，附中仍然薪火相传，附中仍然文脉赓续，附中仍然充满生机和活力。70年前，中央美术学院附中是老院长徐悲鸿先生倡导下成立的，他提出“中国的美术教育从这里才真正走向正轨”，这体现了徐悲鸿院长对正规的美术教育的规律性认识，对优秀美术人才的成长规律性的认识：第一，办好高等美术教育必须向基础教育延伸，在基础教育阶段的美术教育要为正规的高等美术教育奠定坚实的基础。第二，优秀的美术苗子应该从基础教育阶段就被发现，就开始着手培养。
高洪指出，今天，时代发生了巨变，时代为美术教育赋予了新的内涵。中央美院附中要立足时代发展要求，继续肩负起培养优秀人才，传承优良的文化传统，为优秀艺术人才奠定扎实、深厚的造型和人文的基础：第一，要坚定不移，锻造扎实的基本功。要让学生们深刻地理解“型”，深刻地感受“光”，深刻地体会“空间结构”。理解“型”就是打好造型的基础；感受“光”就是要体会色彩的丰富；“空间结构”就是要打好构图的思维，形成认识、表现、表达的基础。第二，要专文融合，积淀深厚的文化底蕴。要让学生们感受中华优秀文化的源远流长和博大精深，了解世界文明的重大成果。通过中国绘画和书法的学习，通过对中国和世界历史文化的了解，通过对当代艺术发展的体会，包括通过文化课的学习，使学生们奠定文化的重要底蕴。第三，要陶冶熏陶，形成高雅的艺术品位。要让同学们开阔眼界，在人类艺术巅峰之上的艺术成就来熏陶学生，用人类对真善美的追求来形成学生大的格局和高雅的品位。第四，要思想引导，培养真切的人文情怀。用对祖国和人民的大爱来培育学生，要培养学生对人类命运的关切的情感。
高洪希望，附中的老师们能继续继承光荣传统，像前辈和老先生学习，教好专业课、教好文化课，上好每一堂课、布置好每一次作业、组织好每一次教育实践活动。附中的同学们也要像我们的前辈校友一样，上好专业课、上好文化课、上好每一堂课、完成好每一次作业，认真地、投入地参加好每一次实践活动，树立远大志向，陶冶高尚情操，练就过硬本领，锻炼强健体魄，为成为新一代的优秀艺术家做好全面的准备。
徐悲鸿先生之子、徐悲鸿纪念馆馆长、附中1965届毕业生徐庆平致辞
徐庆平在致辞中表示，在1952年的校务会议上，我的父亲、中央美术学院老院长徐悲鸿先生就提出了一定要创办中央美术学院的附中，他说“新中国正规的美术教育要从现在开始”，1953年中央美院附中成立，这是他当年去世之前做的最后的、最重要的工作。70年来，从培养学生的规模，从教学的水平，从学生的成绩，甚至于教学的环境，中国的美术教育在世界也已处于引领地位，这其中有着无数央美人辛勤地付出，希望我们祖国的美术事业在一代一代优秀的美术人才的涌起之时，都能够继续赓续文脉，保持艺术的精神，坚持我们的传统，获得辉煌的发展。
中央美术学院教授、附中1957届首届毕业生曹春生致辞
曹春生在致辞中表示，非常有幸能作为新中国美术教育附中的第一批学生，我们常常被戏称是“黄埔一期”，这一称呼令我们倍感自豪。上附中以前，我只是喜欢画画，但是不知道怎么学画画，画画到底怎么回事，心里并不是很清楚；来到附中以后，不仅学习美术知识，学习文化理论，还树立了良好的艺术观。感谢附中的老师们、先生们，他们把全身心扑向了美院附中的教学，对我们像对待自己的孩子一样来关照。70年来的光阴历历在目，在附中学习的日子、在美院学习的日子都是我人生中最美好的回忆。
原中央美术学院附中副校长、附中1957届首届毕业生杨光河致辞
“小盆栽大树，葱郁待果红。丹青缘梦启，师恩泽后英。艺圃青春业，永葆常青春”，杨光河在致辞中为附中建校70周年献上贺词，他表示，“小盆栽大树”是丁井文校长所提，意指附中本来就是一个小盆，它的规模并不大，但却为中国的美术事业培养了众多的精英人才；“葱郁待果红”这是赵允安校长所提，指附中培养的是又大又青的苹果，虽没有完全成熟，却为将来的艺术成长提供了良好的基础；“丹青缘梦启，师恩泽后英”意指附中是我们艺术梦开始的地方，为我们从事美术事业、美术教育奠定了基础；“艺圃青春业，永葆常青春”意指附中的美术基础教育不仅是授业对象是青春的，在当时的时代背景下，美术基础教育也是一个刚起步的青春事业，青春的事业是永葆青春的，作为附中的首届毕业生，感谢母校、祝福母校。
原中央美术学院附中专业教研室主任、附中1961届毕业生王益鹏致辞
王益鹏以一本深情日记讲述了在附中任教和同学们相处的点滴故事，他谈到，我教过附中几百名学生，正因为有了和同学们在一起的经历，自己的一生才有了意义，感谢同学们给了我这样的机缘。作为一名艺术家，我深感自己是幸运的，可以在自己喜欢的艺术天地中遨游；而更为幸运的是，作为一名教师，能够拥有一批才气横溢的学生，几十年来始终保持着师生的情谊，正是因为有这样的师生情谊，我们的生命才更有价值。
中央美术学院教授、附中1957届首届毕业生金鸿钧视频致辞
金鸿钧在致辞中表示，作为首届附中毕业生，仅代表我们这些老一辈的同学们，对我们开校的元勋——以丁井文校长为首的这些老师们、教职员工们，表示无限的尊敬、敬意和怀念。同时，祝我们所有的老校友们在有生之年还贡献出我们的余热，把我们附中的光荣传统继承下去，希望我们小学弟、学妹们，继续继承和发扬附中的优良传统，好好地学习、不骄不躁，努力地争取在新时代闯出新的高峰。
中央美术学院教授、附中1964届毕业生孙景波视频致辞
“63年前8月22日的晚上，我从北京老火车站下车，走过天安门广场，走过长安街，走进王府井大街，走到隆福寺大街78号院。我赤着脚，挑着行李，敲开了中央美术学院附中的大门，成为了中央美术学院附中的一名学生”，孙景波在致辞中深情地回忆了初来附中时的情景，他表示，在曾经那段艰苦岁月中，中央美术学院附中始终燃烧着一种发愤图强的精神，“我们这一代人就是在那段时间里在附中得到了老师们的谆谆教导，获得了绘画最基本的常识和技术，每当我们坐在一起的时候，回味着我们共同的经历，我们都为曾经在中央美术学院附中学习而感到骄傲、难忘。向我们中央美术学院附中的老师们敬礼，你们是我永远的老师；向在座的中央美术学院附中的小校友们致敬，我永远是你们中间的一个小校友”。
中央美术学院院长、附中1996届毕业生林茂致辞
“听完几位前辈、校友的致辞，我思绪万千，时间的车轮仿佛一下子将我带回到30多年前，在附中求学的时光一直是我们最珍贵的记忆”，林茂在致辞中动情地讲述了来附中求学时的点点滴滴，“我出生在四川的一个偏远的小山村，1991年，怀着对美术的热爱和对附中的向往来到北京求学。从1991年到1992年，这是我人生中最艰苦的一年，在北京考附中，当北漂的一年，在老北京火车站的候车室和美院校尉小学的工地都住了好几个月，但功夫不负有心人，终于在1992年5月份通过严格的考试，考入了中央美术学院附中。这段记忆，至今依旧勉励着我。希望通过分享我的求学经历，能为在座的学弟学妹们传递一种为了自己心中的艺术梦想，不畏任何艰难困苦、勇往直前的精神”。
林茂表示，中央美院附中是在我们的老院长徐悲鸿先生、江丰先生亲自倡导和直接关怀下创办的，在70年的风雨历程中，始终与中央美术学院血脉相通、一脉相承。本次“传荟·成蹊”的展览，向社会集中展示了附中办学70年累积的专业教学优势和当下专业教学的整体面貌，这个展览从三个部分的脉络篇章，清晰地显示出了我们附中在基础课程部分，它的素描、色彩和速写并肩前行、相互依托、共同促进。这三部分内容充实饱满，相互独立，又相互支撑，是一次关于教与学相互成就的总结，也是师与生浓厚艺术情感的呈现。“传荟·成蹊”传承的既是绘画的本质，也是70年的专业教学脉络，一代代人才培养以及老校友精神的延续，70岁的附中可谓是人才荟萃、自然成蹊。
作为一位学长和附中培育出来一名学子，林茂在致辞中为附中的同学们提出了几点希望和要求：一、同学们要懂珍惜。附中阶段是美术观念萌芽并初步成形的关键时期，要珍惜严格包容的教学理念，珍惜各有专长的老师，珍惜良好的学习环境。因为共同的理想而相聚在一起的同学们，要珍惜独属于自己的青春光阴，“积跬步以致千里”，希望同学们不忘最初的艺术追求，珍视难能可贵的艺术直觉。珍惜时光，把握当下，“及时当勉励，岁月不待人”，多年以后相信附中的生活会成为你们最宝贵的成长记忆。二、同学们要知足知不足。今天的展览是同学们用心创作的成果荟萃，形象足够生动，内容足够丰富，形式足够多样，充分体现出在校同学们的精神状态及学术面貌，能在美术馆和众多的前辈、大家们的展览同时展出，这是学院对附中的肯定，这也是一个宝贵的接受来自各方声音，并更好地提升自己的一种机会，要使成为一次互相学习、取长补短、奇花争艳的青少年学术活动，要认真梳理取得的优秀成果，也要思考新时代青少年美术学习及创作的新问题、新要求。三、同学们要有为有不为。这不仅仅是“宁方勿圆”的学习过程当中的经验之谈，更是一种通过不断努力学习和实践树立有为之志的过程，也是一个学会思考和建立有不为的勇气，学艺之路是对自我的深度发掘和锤炼，引导同学不拘一格地实现个人价值与社会贡献。“桃李不言，下自成蹊”是美育成果的水到渠成，附中代有人才出，作为具备潜力的美术人才荟萃之地，希望附中“度物象而取其真”，保持住一贯的谦逊纯正的文化艺术气质，继续传承大艺治学、慧育艺术英才。
中央美术学院附中党总支书记刁婷婷主持开幕式
本次展览共分三个版块。一是基础教学版块。呈现的静物素描、石膏素描、静物色彩、外光人物、生活速写、国画书法、泥塑写生、思维训练等优秀课程作业，展示了附中日常教学中重传承、能创新的教学理念和据此延伸出的形式多样的教学实践成果。二是下乡写生、创作实践版块。重视社会实践是附中的优良传统，借由第一课堂的经验，进入鲜活、生动、直观的第二课堂。学生们通过感受瑰丽乡间、壮美河山、人文景观，把鲜活的创造力和顽强的生命力表现在画面中，表达青年一辈对新时代的热爱与思考。三是美育中心留学课程版块。历经近20年的探索累积，留学课程此次不仅展出了纯艺、珠宝、建筑、创意影像、产品设计等符合全球性艺术语境的作品，还展现了他们深耕中国传统文脉精髓，以非遗课程为载体扩大中华文化影响力的教学成果。
展览将展至2024年1月1日。
开幕式嘉宾合影
开幕式现场
展览现场展览现场
宣传部 何逸凡/文
宣传部 李标、附中/图
CAFA Art Museum Publication Authorization Agreement
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CAFA Art Museum Portraiture Rights Licensing Agreement
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(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
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The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
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Use in perpetuity.
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I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
