"Jade · See Wide Angle - Qian Liang's Art Research Exhibition of Jade Media Materials" opened as scheduled.

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Wide Angle ° Youth Experimental Project Space

 

Organizer: 

CAFA Art Museum 



The "Wide Angle ° Youth Experimental Project Space" was launched in early 2022. Adhering to the concept of promoting multi-dimensional exploration in curating and creation by young teachers of the Central Academy of Fine Arts, our museum has turned the independent space on the second and a half floors of the art museum into an experimental field for the creation, research and exhibition planning of young teachers. At present, the collection and selection of the three-phase plans have been completed (eighteen exhibition plans have been selected).


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On September 14th, the opening ceremony of the sixth exhibition of the second phase of the Wide Angle ° Youth Experimental Project Space: "Jade · See Wide Angle - Qian Liang's Art Research Exhibition of Jade Media Materials" was held as scheduled in Exhibition Hall C on the second floor of the art museum. Through the artist's polishing and construction of jade materials, the exhibition uses works to connect the spatial logical relationship of encountering jade, respecting jade, carving jade and even finally emptying and healing. And through this, it launches exploration and thinking in different dimensions such as history, culture, social life, science and technology.


Guests attending the opening ceremony included: Wang Shaojun, former deputy secretary of the Party Committee of the Central Academy of Fine Arts; Qin Pu and Sun Wei, old professors of the Sculpture Department; Yu Yang, director of the Scientific Research Department; Ge Yujun, secretary of the Party Branch directly under the Graduate School; Yu Runsheng, secretary of the Party General Branch of the School of Humanities; Lu Zhengyuan, deputy director of the Basic Department of Plastic Arts Disciplines; Zheng Taokai, director of the Creative City Department of the School of Urban Design; Zhang Yibo, professor of the Oil Painting Department; Zhang Junming, professor of the School of Urban Design; Chen Mingqiang, deputy secretary of the Party Branch directly under the School of Experimental Art and Technological Art; Li Feng, deputy director of the Scientific Research Department. There were also teachers such as Zhang Fan, Zhao Yan, Zhang Chen, Xiao Jin, Ji Yujie, Liu Xiyan, Wang Hongzhou, Zhang Xiaoxue, Huang Shan, Yi Yue, Li Jie, Wu Jingying, Du Yingqi, Liu Shiying, Liu Lu, and He Pengqi from the Oil Painting Department, Sculpture Department, Mural Painting Department, School of Chinese Painting, School of Design, School of Humanities, High School Affiliated to CAFA, Art Museum, Scientific Research Department and the National Thematic Art Creation and Research Center; Qian Buhui, professor of Hebei Academy of Fine Arts; Cao Zhiyong, a national first-class artist; and doctoral students in reading such as Zhao Qin, Song Furi, and Shi Ziyuan. Representatives of the organizing committee members of the Wide Angle ° Youth Project Space: Jin Jun, director of the art museum, and Han Wenchao, secretary of the Party branch directly under it; Song Weiguang, academic chair of the exhibition, artist Qian Liang and curator Zeng Xiaofeng. Gao Gao, deputy director of the art museum, served as the host.


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Han Wenchao, secretary of the Party branch directly under the art museum, delivered a speech.


Han Wenchao, secretary of the Party branch directly under the art museum, briefly introduced the main purpose and original intention of setting up the "Wide Angle ° Youth Experimental Project Space", and said that the opening of Qian Liang's exhibition drew a perfect full stop to the second phase of the wide-angle project space. Teacher Qian Liang himself is gentle and simple in character, and has a deep understanding of the exploration of sculpture theory and art. Using jade as a medium language to make sculptures, his exhibition is the first thematic exhibition on jade in the art museum, adding a new dimension to the exhibition structure of the art museum.


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Speech by Wang Shaojun, former deputy secretary of the Party Committee and professor of the Central Academy of Fine Arts.


Wang Shaojun, former deputy secretary of the Party Committee and professor of the Central Academy of Fine Arts, said that Qian Liang, as a young person, is wholeheartedly engaged in the study of jade carving art. Whether at the theoretical level or in creative practice, it has aroused his great interest. Jade is different from ordinary sculpture materials and media. It is permeated with thousands of years of Chinese jade culture. In contemporary sculpture, taking jade as the medium and injecting contemporary people's new aesthetic cognition, emotional imagination and value concepts into it promotes the establishment of new symbols and cultures at the spiritual level of jade carving art. Through the exhibition, we can see Qian Liang's promotion of this. His deconstruction and reuse of contemporary art concepts, including the ontological language of materials, have set a good example for jade media creation.


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Speech by Yu Yang, director and professor of the Scientific Research Department of the Central Academy of Fine Arts.


Yu Yang, director and professor of the Scientific Research Department of the Central Academy of Fine Arts, mentioned that this exhibition enters the research of jade media art from the perspective of the "wide angle" of the project space of the art museum. The works continuously transform between "hard" and "soft", "virtual" and "real", and "whole" and "broken", forming an internal tension. On the one hand, it enlarges the category of contemporary jade culture. On the other hand, jade is used as a sculpture medium and applied to a broader concept, forming a new medium branch of contemporary art and academic art.


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Speech by Zheng Taokai, director and associate professor of the Creative City Department of the School of Urban Design of the Central Academy of Fine Arts.


Zheng Taokai, director and associate professor of the Creative City Department of the School of Urban Design of the Central Academy of Fine Arts, on behalf of the School of Urban Design, congratulated the opening of Qian Liang's exhibition and introduced that Teacher Qian Liang's works actually made a very good demonstration and presentation of the spiritual outlook of the Department of Arts and Crafts starting from materials, focusing on aesthetics, craftsmanship and the present, and then realizing the combination of art with contemporary technology and new-quality productive forces.


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Speech by Professor Song Weiguang, academic chair of the exhibition and executive editor-in-chief of "Chinese Sculpture".


Professor Song Weiguang, the academic chair of the exhibition and executive editor-in-chief of "Chinese Sculpture", introduced his perception of Qian Liang's new works from the relationship between the exhibition works and the space. Although the project space is small, seeing the "wide angle" through "jade" shows us the rich changing dimensions of jade from material to culture and concept. It is not only a re-recognition of contemporary culture, but also a regeneration, application and promotion of Chinese traditional culture.


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Speech by curator Zeng Xiaofeng.


Curator Zeng Xiaofeng first thanked the art museum for providing a platform for planning and exhibitions. She said that Teacher Qian Liang's creations gave her great inspiration for writing. The exhibition discusses Qian Liang's creative method of exploring contemporary sculpture concepts and languages using jade as a medium. The three sets of keywords "reduction and creation", "jade realm and self-object", and "jade encounter and superposition" constitute the academic context and theoretical dimension of Qian Liang's jade sculpture creation in nearly ten years.


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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

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The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

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(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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