More Than 500 Museum-Collected Masterpieces Demonstrating The "Characteristics Of The Academy of Fine Arts" Are Making A Large-scale Appearance! | The Academic Storm Of CAFAM Is Coming!

1743414189979267.jpg

1743414218211574.jpg

1743414247148733.jpg

1743414270279204.jpg

1743414315396088.jpg

1743414346933824.jpg

Guests visit the exhibition


Since March 30th, three major themed activities, namely the opening ceremony of the "Collection of CAFA Art Museum", the Cultural Engine —— CAFA International Art Museum Summit, and the Conference of the Alliance of Art Museums in National Colleges and Universities, have been successively launched. This marks the official start of CAFAM academic series.


On the morning, the "Collection of CAFA Art Museum" took the lead in opening. After more than a year of preparation and implementation, the exhibition has carefully selected more than 500 outstanding works from the more than 20,000 pieces of artworks collected in CAFA Art Museum. It has meticulously presented two distinctive thematic sections, namely "Ancient Chinese Art" and "Modern Chinese Fine Arts". This exhibition is not only a vivid portrayal of the long and magnificent art history but also an important resource for the teaching practice of the academy. It carries the academic accumulation of the century-old Academy of Fine Arts, where art serves the people, and witnesses the arduous development process of Chinese art education.


1743414394576200.jpg

1743414416617815.jpg

The opening ceremony site


When more than 500 pieces of collections with the "characteristics of the Academy of Fine Arts" are gathered on a large scale in the way of "time folding", the artistic soul of the Academy of Fine Arts has never been so vivid. There are "artifacts" and "calligraphy and paintings" spanning a time span of two thousand years; and the century-long development context of plastic arts such as oil paintings, Chinese paintings, woodblock prints, and sculptures from 1900 to 2000. Each piece of work is a dynamic "atlas of artistic methodology".


The exhibition of collections of CAFA Art Museum -- the sections of "Ancient Chinese Art" and "Modern Chinese Fine Arts" will be on long-term display. Viewers who are interested can go to the exhibition site to visit.


1743493244927794.png


1743493281880978.jpg

Honorary Chairman of the China Artists Association and Former President of the Central Academy of Fine Arts

Mr. Jin Shangyi


1743493562463636.png

In most large art museums around the world, there are fixed exhibitions open to the public. These fixed exhibitions have outstanding value and significance for cultural undertakings and cultural activities, and they represent the basic function of an art museum. After the founding of the People's Republic of China, art museums mainly focused on temporary exhibitions, and their functions were more similar to those of exhibition halls. Now, the Central Academy of Fine Arts has started to display its high-quality collected works as fixed exhibitions. This is an important measure for the transformation towards a modern art museum, and it is also an important cultural activity for the people. It is hoped that the Central Academy of Fine Arts will continue to adhere to this practice.

1743493639293399.jpg



1743493685120464.jpg

A member of the Party Leadership Group, Vice Chairman, and Secretary of the Secretariat of the China Federation of Literary and Art Circles

Zhu Di


1743493867360525.png

combining his work experience at the Central Academy of Fine Arts and the China Federation of Literary and Art Circles, stated that the preparation and exhibition of the collections of the Art Museum of the Central Academy of Fine Arts are important measures for the work of art museums in the new era. He also extended his congratulations on the opening of the exhibition.

1743493907854924.jpg



1743495181931989.jpg

Deputy Director General of the Department of Art of the Ministry of Culture and Tourism

He Yawen


1743495374699418.png

The collection exhibition is not only a systematic and concentrated display of the art collections of the Central Academy of Fine Arts. Moreover, with the unique positioning of a university art museum, it provides a typical case for new approaches to cultural inheritance, the popularization of aesthetic education, and international art dialogue. It continuously builds a bridge for the public to understand the development context of art, and also offers a long-term research platform for artists and scholars. The Ministry of Culture and Tourism has also included "strengthening the protection and utilization of art collections" in its key tasks. It is hoped that through support policies and organizational mobilization, it can assist art museums in improving their professional capabilities in the protection, restoration, and research of collections, and provide a solid guarantee for the sustainable development of art museums.

1743495908128081.jpg


1743495949140333.jpg

Dean of the Central Academy of Fine Arts

Lin Mao


The history of the collection of the Central Academy of Fine Arts is a condensed history of the development of modern Chinese art education, highlighting the fine tradition of "promoting teaching through collection and inheriting the cultural context through the preservation of collections". It is not only a reflection on history, but also a reinterpretation of the contemporary value of art collections. In the future, the school will always adhere to the dual mission of being "the pioneer of Chinese art education" and "the leader of academic research", and carry out contemporary practices of "digitally revitalizing the collections". The CAFA art museum will also establish a mechanism for revitalizing the collections with the integration of "technology empowerment + academic guidance" in the field of collection protection. At the level of public education, it will accelerate the construction of a digital art museum and promote the social sharing of high-quality resources. From the perspective of international communication, it will deepen the research on mutual learning among civilizations and systematically present the academic achievements of Chinese art education. The school will persist in making pioneering innovations while safeguarding the root of art, and serve society in the process of deepening aesthetic education practices, continuously painting a magnificent picture of art education in the new era.


1744617153475120.jpg

James Rondeau, President and Director of the Art Institute of Chicago

Wang Tao, Pritzker Chair of Asian Art and Senior Curator of Chinese Art at the Art Institute of Chicago




As one of the earliest art institutions in the United States, the Art Institute of Chicago adheres to the purpose of aesthetic education. It not only showcases collections with historical and artistic value from the perspective of an art museum but also provides a platform for artistic creation and academic exchanges from the perspective of an "academy". Relying on its rich collections and academic resources, the CAFA Art Museum is echoing the development of the world and exerting an influence on promoting the exchange and development of the global art cause. It is hoped that representatives from major art museums and art institutions at home and abroad can have in-depth exchanges during this academic season and work together to push the development of art museums to a new platform.


1744617903208903.png

Ji Shaofeng, Director of Hubei Art Museum


The permanent exhibition is the cornerstone of an art museum, and it also serves as a concentrated manifestation of the museum's characteristics and academic standards. The permanent exhibition of Hubei Art Museum, "A Century of Horizons and Depths: An Exhibition of Hubei Art Documents in the 20th Century", represents a crucial step in the museum's transformation from an art exhibition hall to an art museum. It is hoped that the Hubei Art Museum and the CAFA Art Museum will move forward hand in hand, jointly promoting high-quality collection, high-level utilization, and high-quality service in art museums. May art museums become intellectual arenas that inspire creativity and bridge the past and the future, and also become important places where people in the new era can appreciate outstanding artworks and enhance their cultural literacy.


1744618072555809.jpg

Zheng Yan, an expert advisor for the exhibition and a professor at the School of Arts, Peking University


his permanent exhibition demonstrates the "characteristics of the Academy of Fine Arts": The creative practices of artists facing the era and the future are always deeply rooted in the fertile soil of Chinese culture. And the new propositions and concepts of contemporary art constantly inspire art historians to rediscover and reconstruct our art traditions in a deeper and broader way. It is hoped that students of the Academy of Fine Arts will visit the art museum and draw inspiration from the flowing brushstrokes of landscape paintings and the thousand-year-old warmth of the glaze colors of porcelain, allowing the spark of traditional art to ignite the passion for innovation. One day in the future, they can donate their excellent graduation works to the art museum, enabling the "new paintings" to stand side by side with the ancient and contemporary classics, emitting new brilliance.


1744618789312362.jpg


Jin Jun, Chief Curator of the Exhibition and Director of the Art Museum of the Central Academy of Fine Arts


As one of the first batch of national key art museums, CAFA Art Museum comprehensively presents the development of Chinese art to the public for the first time. The museum always takes the research and exhibition of its collections as the core of its work. Using the display of its collections as a clue, it showcases the artistic development path from traditional classics to innovative media. At the same time, through digital interactive art, artificial intelligence, dynamic immersion, simulated restoration, etc., it "revitalizes" the collections, making the history of Chinese art visible and tangible. This is a tribute to history, an inheritance of traditional classics, and also an expectation for the future of art. It is hoped that it can become an artistic bridge connecting the past and the present, a space that stimulates the collision of ideas, and a model for the development of China's art museum undertakings in the future.


1744618933314282.jpg


Yu Yang, Director of the Scientific Research Office of the Central Academy of Fine Arts

Preside over the opening ceremony


1744619145951057.png


1744619203841980.jpg

1744619224823766.jpg

1744619252606531.jpg

1744619271457538.jpg

1744619295624615.jpg

1744619315702612.jpg

1744619334431261.jpg

1744619353974049.jpg

1744619371110490.jpg

1744619408766493.jpg

1744619393622087.jpg

Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login