Compulsory Course for Entering the Industry | Countdown to the Recruitment of the "Art Museum Operation and Exhibition Planning" Training Course

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Enter the Behind-the-Scenes World of the Art Museum

Uncover the Secrets of Its Operation

Explore the Art Museum

Experience the Unique Perspective of the Curator

Draw Back the Curatorial Curtain

Discover the Stories Behind the Art Museum


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In contemporary society, exhibitions have become an indispensable and important part of people's cultural lives. The curation of art galleries is not only a reflection on classical art but also an exploration and response to contemporary creativity. Countless people who are passionate about art gather here, jointly witnessing how art transcends time and space, conveys beauty, inspires thinking, and demonstrates the resonance of culture and the depth of spirit.


This spring, the "Social Aesthetic Education Program of Chinese Aesthetic Education Campaign" of the School of Continuing Education of CAFA, in collaboration with the CAFA Art Museum, has grandly launched the "Short-term Training Courses on Art Museum Operation and Exhibition Planning (the 4th/5th Sessions)". This course has especially invited a group of experts and scholars who have delved deeply into the fields of art museum operation and curation. They will conduct an in-depth analysis of industry trends and share how to, while adhering to the aesthetic education mission of art museums, expand the boundaries of art dissemination with innovative thinking, enabling the power of beauty to reach a broader social group and promoting the continuous development and diverse expression of art.


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  Hai Jun  

Deputy Director of the CAFA Art Museum

Professor and Doctoral Supervisor of CAFA

Courses: "Operation and Sustainability of Art Museums"


"At present, the driving force of technology and the profound changes in social structure are reshaping the operational logic of cultural institutions. As an institutional form that undertakes public cultural functions, art museums inevitably face the pressure of transformation. Against the backdrop of the increasing limitations of the traditional model that relies on government funding and ticket revenues, how to achieve the sustainable development of art museums has become a fundamental issue that cannot be avoided... At its core is the establishment of a mechanism that can maintain self-regulation and continuously produce public value in a complex environment. This mechanism not only depends on a diversified economic support structure, but also requires that the institutional design reflects a balanced consideration of academic autonomy, public nature, and social effectiveness.


The sustainable development of art museums must go beyond the technical discussions at the management level and enter into a re-cognition of their institutional essence and cultural responsibilities. This includes: how to deal with the tension between academic research and communication, how to respond to the growing demands for social participation, how to expand a reasonable relationship with the market while maintaining the independence of art, and how to enhance its long-term vitality as a cultural infrastructure through structural organizational reforms."


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 Gao Gao 

Deputy Director of CAFA Art Museum

Courses: "Operation and Management of Art Museums"


If, in the past... visitors were led into a state of passivity by the paintings, then our current design aims to make people take the initiative and become more active. This should be the purpose of my design for this exhibition room.


Modern museums are institutions with educational functions. In addition to providing the public with an aesthetic experience, art museums also need to convey knowledge to people. For a modern art museum, since the art categories it involves are very extensive and the art forms displayed are significantly different from traditional art forms, many artworks make the audience feel confused and unable to understand. Therefore, art education becomes even more necessary and important.


——Selected from "Alfred H. Barr and the Early Establishment of the Museum of Modern Art in New York"


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  Li Yaochen  

Director of the Collection Department of CAFA Art Museum

Associate Researcher of the CAFA Art Museum
Courses: "Overview of the Collection Management Work in Art Museums"


"The characteristics of an art museum lie in its non-profit nature, public accessibility, and the establishment of a systematic academic framework based on the research of its collections. Systematic collection is an important feature that distinguishes an art museum from other art institutions such as art galleries. The research, exhibitions, and dissemination carried out based on these collections have formed the unique characteristics and cultures of art museums or art galleries.

......

At the current stage of China's development, the development of permanent exhibitions in art museums is definitely an important trend for the future. The academic depth and the quality of the collections required for permanent exhibitions are higher than those for temporary exhibitions. Planning permanent exhibitions will inevitably mobilize research forces on a wider scale. During the process of studying the collections, identifying their advantages, and sorting out the context, all the deficiencies in one's own work will be exposed, which is a test of one's own research ability and the architecture of all aspects of the art museum. This is a function that temporary exhibitions do not possess. This is also a great promotion for the construction of art museums in China.


——Selected from: "Li Yaochen: A Tentative Discussion on the Systematic Collection and Permanent Exhibition in Art Museums”


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  Liu Xiyan  

 Director of the Planning and Research Department of CAFA Art Museum

Associate Researcher of CAFA Art Museum
Courses: "Modern Curatorial Practice of Classic Exhibitions"


"The collection displays in China's early art museums demonstrate a process of learning from overseas while constantly adapting overseas experiences to China's actual situation. Overseas experiences played the role of a skeletal structure, assisting the art museums at that time in grasping several major directions that needed attention in planning the display of collections. However, when the early practitioners were adding flesh and blood to this skeleton, they did not completely copy the "Western methods." Instead, after taking into account China's art forms, the special relationship between collection and exhibition, the current situation of aesthetic education, and other factors, they depicted a local appearance for it, demonstrating an outstanding exploration of handling the relationship between Chinese art and Western art through the display of collections and using this as a representation of ideology. Although, as mentioned earlier, these early explorations were stifled in their potential for further development by the flames of war, these practices still had a significant impact on the subsequent thoughts regarding the display of collections in Chinese art museums."


——Selected from: "Liu Xiyan: Applying Western Methods in China — A Review of the Collection Exhibitions in China's Early Art Museums in the Early 20th Century"


There are also more wonderful courses

Intensive Class

(Enrollment in Progress)

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Weekend Class

(Enrollment has been closed)

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*The art museum has the right to make adjustments to the courses under the same conditions.


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We sincerely invite you to embark on a journey of artistic enhancement together, delving deep into the operation of art galleries and the planning and execution behind exhibitions. This training workshop places great emphasis on "face-to-face interaction with mentors" and "personalized guidance." Under the guidance of experienced mentors, all you need is a bit of curiosity about art and a touch of interest in art galleries. Let conversations unfold under the mentors' guidance, and together, we can appreciate the beauty of all-encompassing art and culture.


| Friendly Reminder |


The registration for the "Short-term Training Course on Art Museum Operation and Exhibition Planning (Weekend Class)" has been closed as of April 5th. The registration for the "Short-term Training Course on Art Museum Operation and Exhibition Planning (Intensive Class)" will close on May 15th. For more information, you can call Teacher Jin at 15957702868 for consultation, or click "Read More" to jump to view the course prospectus.


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The Social Aesthetic Education Action Plan of "Chinese Aesthetic Education Campaign"


The Continuing Education College of the Central Academy of Fine Arts actively practices the spirit of serving the public through aesthetic education. Guided by the core spirit of General Secretary Xi Jinping's speech at the Symposium on Cultural Inheritance and Development, it gives full play to the professional and talent advantages of affiliated institutions to provide a sustainable high - quality development plan for the implementation of the "Chinese Aesthetic Education Campaign" of the Central Academy of Fine Arts. The "Chinese Aesthetic Education Campaign" Social Aesthetic Education Action Plan of the Continuing Education College of the Central Academy of Fine Arts is jointly participated by the experts and scholars of the Central Academy of Fine Arts, contributing wisdom and strength to the dissemination and promotion of the aesthetic education spirit of the Central Academy of Fine Arts.


CAFA Art Museum


The CAFA Art Museum is a professional and international modern art museum integrating functions such as academic research, exhibition display, collection, restoration, and public education. Its history can be traced back to the early 1950s. It is the first professional art exhibition hall built after the founding of the People's Republic of China and is also one of the first batch of key art museums in the country. Adhering to the academic concept of "inclusiveness, inheriting the past and creating the future", CAFA Art Museum serves society with "knowledge", is committed to the construction of contemporary public cultural spaces, presents the artistic civilization of mankind to the general public from a new perspective, and shares the culture of the times with all sectors of society.


Chief Editor / He Yisha 

Editor / Du Yinzhu



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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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