CAFAM Academic Series|Art Museum Youngs Forum “ Unearthing And Reinterpretation” is About to Begin

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Opening Remarks


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Lü Pinjing

Vice President of the Central Academy of Fine Arts


Session 1: Ancient Chinese Art 


Hostess

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Li Jie

Associate Senior Editor, Department of Curatorial Research, CAFA Art Museum


Speaker

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Lan Meng

Ph.D. Candidate, Central Academy of Fine Arts

"A Study on Shen Zhou’s Yunshui Xingwo Tu — With a Discussion on the Relationship Between 

'Image Guide'  and Poetry Scrolls on the Same Theme"


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Hu Zhengyuan

Master’s Student, Central Academy of Fine Arts

"Jin Nong’s Paintings of Calamus"



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Tang Yanzhi

Undergraduate Student, Central Academy of Fine Arts

"Imitating the Ancients and Reconstructing: A Preliminary Study on Zhan Gong’s Yaomin Jirang Tu (Album) "


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Chen Han

Ph.D. Candidate, Central Academy of Fine Arts

"From Painting to Printing: A Re-exploration of the Interaction Between Qian Huian’s Style 

and Yangliuqing Paintings Centered on the Album of Figure Stories"


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Zhang Peng

Ph.D. Candidate, Central Academy of Fine Arts

"Inner Mist and Clouds Inherent in the Brush Tip: A Glimpse into the Accumulation of Knowledge and Spatial Construction in Qi Zhijia’s 'White Clouds and Red Trees' Paintings Through the Qi Zhijia Paintings Collected by the Central Academy of Fine Arts"


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Chen Guanshi

Ph.D. Candidate, Central Academy of Fine Arts

"On Ren Bonian in the History of Exhibitions"


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Ma Xingmeng

Ph.D. Candidate, Tongji University

"Narrative Structure and Cultural Coding of the Eastern Han Dynasty 'Grain-Husking' 

Pictorial Bricks from the Perspective of Visual Narrative"


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Wang Ying

Master’s Student, Central Academy of Fine Arts

"A Study of Two 'Hu People Holding Lamp Figurines' in the Collection of 

the Art Museum of the Central Academy of Fine Arts"


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Tang Yirui

Master’s Student, Central Academy of Fine Arts

"A Study on the Tricolor Glazed Tomb Guardians in the Collection of CAFA Art Museum — With a Discussion

 on the 'Hu-Stylization' Phenomenon of Human-Faced Tomb Guardians in the Tang Dynasty"


Session 2: Modern Chinese Art


Hostess

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Wang Jing

Deputy Director, Department of Curatorial Research, CAFA Art Museum


Speaker

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Yang Qingxuan

Master’s Student, Central Academy of Fine Arts

"The Gravity of Symbols and the Light of Ideals: Zhang Anzhi’s Group Strength and His Creative Philosophy

 During the War of Resistance Against Japanese Aggression"


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Wang Chen

Ph.D., Tsinghua University

"A Study on Pang Xunqin’s Service at the Preparatory Office of the Central Museum

and the Resolution of Doubts in Painting History"


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Lu Dingyuan

Master’s Student, Guangzhou Academy of Fine Arts

"The Other Shore and the Edge: The Alienation Between Collection and Research in 

Wang Shaoling’s Works and Cross-Cultural Experiments"


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Ji Xu

Ph.D. Candidate, Central Academy of Fine Arts

"A Detailed Exploration of the Development Vein of Populist Art — 

Taking the New Year Painting Zhao Guilan at the Gathering of Heroes 

in the Collection of CAFA Art Museum as an Example"


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Li Zeqing

Ph.D. Candidate, Academy of Arts & Design, Tsinghua University

"From New Year Paintings to New Gongbi: Zhao Guilan at the Gathering of Heroes 

and the Linguistic Transformation of Gongbi Figure Painting"


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Sun Wen

Ph.D. Candidate, Central Academy of Fine Arts

"Diving Deep into a New Life: Li Hua’s Creation and Daily Life in the Early Years of the People’s 

Republic of China,  Viewed Through Collected Diaries and Manuscripts"


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Zhou Weimeng

Ph.D. Candidate, Central Academy of Fine Arts

"Mural as a 'Mediator': Ye Qianyu’s The Liberation of Beiping and the Discourse 

on National Art Heritage in the 1950s"


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Li Jiawei

Master’s Student, Central Academy of Fine Arts

"National Experience and Artistic Expression 

in 'Painting' and 'Dance': On Ye Qianyu’s Figure Painting Lotus Dance"


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Ma Benyu

Master’s Student, Central Academy of Fine Arts

"Past Stories of Oil Fields and New Trends in Printmaking: Sorting and Reflections 

on Two Daqing Oil Field-Themed Prints in the Collection of CAFA Art Museum"


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Zhang Xinyi

Master’s Student, Central Academy of Fine Arts

"The Formation of Wei Qimei’s 'Concise and Poetic' Style Under the Influence of Edward Hopper"


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Hao Ruichang

Ph.D. Candidate, Central Academy of Fine Arts

"Printmaking Practice of 'Construction and Transformation': 

Xu Bing's 'Where There Are Mountains' as an Early Practice of 'Process as Concept'"


Closing Speech 

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Jin Jun

Director of the CAFA Art Museum


The Experts for the Youth Forum Call for Papers

He Xilin, Qiushi Distinguished Professor, Doctoral Supervisor, School of Art and Archaeology, Zhejiang UniversityAcademic Advisor for Collection and Exhibition


Zhang Peng, Professor, Central Academy of Fine Arts; President of Art Research Magazine, Central Academy of Fine Arts; Director of the Editorial Department of the Journal of Central Academy of Fine Arts; Deputy Director of the Collaborative Innovation Center for Silk Road Art Research; Academic Advisor for Collection and Exhibition of CAFA Art Museum


Yu Yang, Professor, Central Academy of Fine Arts; Director of the Scientific Research Office; Director of the Advanced Innovation Center for Visual Arts; Academic Advisor for Collection and Exhibition of CAFA Art Museum


Huang Xiaofeng, Professor, Dean of the School of Humanities,Central Academy of Fine Arts; Academic Advisor for Collection and Exhibition of CAFA Art Museum


Cao Qinghui, Professor, Doctoral Supervisor, Department of Art History, School of Humanities, Central Academy of Fine Arts;  

Academic Advisor for Collection and Exhibition of CAFA Art Museum


Zheng Yi, Professor, Doctoral Supervisor, Department of Art History, School of Humanities, Central Academy of Fine Arts; 

Academic Advisor for Collection and Exhibition of CAFA Art Museum


Guo Huaiyu, Associate Research Librarian, The Palace Museum; Former Collection Grading Expert (Calligraphy, Painting, Epigraphy and Rubbing Group), National Museum of China; Academic Advisor for Collection and Exhibition of CAFA Art Museum


Geng Shuo, Deputy Director of the Department of Cultural Heritage, School of Humanities, Central Academy of Fine ArtsDeputy Director of the Research Center for Art ArchaeologyAcademic Advisor for Collection and Exhibition


Li Yaochen, Director of the Collection Department, Art Museum of the Central Academy of Fine Arts; Associate Researcher; Executive Curator for Collection and Exhibition


Liu Xiyan, Director of the Planning and Research Department of CAFA Art Museum; Associate Researcher; Executive Curator for Collection and Exhibition


CAFAM Academic Series

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The CAFAM Academic Series launches concurrently with the "Exhibition of Artworks from the CAFA Art Museum Collection." A series of activities focusing on industry development, art museum management, and collection research are planned to be held throughout 2025. With a global perspective and cross-cultural dialogue, the CAFA Art Museum aims to expand public awareness of its rich collection, explore the roles and missions of contemporary art museums in the context of globalization and digitalization, provide the public with a platform for in-depth participation in artistic dialogue, and realize the organic integration of academic research, public education, and social engagement. Specific activity arrangements include:in March, the "Cultural Engine – CAFA  Art Museum Summit Forum" and the "National Alliance of University Art Museums Conference" ; in June, the Lecture Forum "Cultivation and Exploration – Research and Current Status of the CAFA Art Museum Collection" ; in September, the Industry Forum "Curation and Dissemination – Art Museum Collections and Exhibitions in a Public Context" ; in October, the Youth Forum "Rediscovery and New Interpretation – Case Studies on the CAFA Art Museum Collection Research" .


Editor-in-Chief / He Yisha

Editor / Du Yinzhu



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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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