


Opening Remarks

Lü Pinjing
Vice President of the Central Academy of Fine Arts
Session 1: Ancient Chinese Art
Hostess

Associate Senior Editor, Department of Curatorial Research, CAFA Art Museum
Speaker

Lan Meng
Ph.D. Candidate, Central Academy of Fine Arts
"A Study on Shen Zhou’s Yunshui Xingwo Tu — With a Discussion on the Relationship Between
'Image Guide' and Poetry Scrolls on the Same Theme"

Hu Zhengyuan
Master’s Student, Central Academy of Fine Arts
"Jin Nong’s Paintings of Calamus"

Tang Yanzhi
Undergraduate Student, Central Academy of Fine Arts
"Imitating the Ancients and Reconstructing: A Preliminary Study on Zhan Gong’s Yaomin Jirang Tu (Album) "

Chen Han
Ph.D. Candidate, Central Academy of Fine Arts
"From Painting to Printing: A Re-exploration of the Interaction Between Qian Huian’s Style
and Yangliuqing Paintings Centered on the Album of Figure Stories"

Ph.D. Candidate, Central Academy of Fine Arts
"Inner Mist and Clouds Inherent in the Brush Tip: A Glimpse into the Accumulation of Knowledge and Spatial Construction in Qi Zhijia’s 'White Clouds and Red Trees' Paintings Through the Qi Zhijia Paintings Collected by the Central Academy of Fine Arts"

Chen Guanshi
Ph.D. Candidate, Central Academy of Fine Arts
"On Ren Bonian in the History of Exhibitions"

Ma Xingmeng
Ph.D. Candidate, Tongji University
"Narrative Structure and Cultural Coding of the Eastern Han Dynasty 'Grain-Husking'
Pictorial Bricks from the Perspective of Visual Narrative"

Wang Ying
Master’s Student, Central Academy of Fine Arts
"A Study of Two 'Hu People Holding Lamp Figurines' in the Collection of
the Art Museum of the Central Academy of Fine Arts"

Master’s Student, Central Academy of Fine Arts
"A Study on the Tricolor Glazed Tomb Guardians in the Collection of CAFA Art Museum — With a Discussion
on the 'Hu-Stylization' Phenomenon of Human-Faced Tomb Guardians in the Tang Dynasty"
Session 2: Modern Chinese Art
Hostess

Wang Jing
Deputy Director, Department of Curatorial Research, CAFA Art Museum
Speaker

Master’s Student, Central Academy of Fine Arts
"The Gravity of Symbols and the Light of Ideals: Zhang Anzhi’s Group Strength and His Creative Philosophy
During the War of Resistance Against Japanese Aggression"

Wang Chen
Ph.D., Tsinghua University
"A Study on Pang Xunqin’s Service at the Preparatory Office of the Central Museum
and the Resolution of Doubts in Painting History"

Master’s Student, Guangzhou Academy of Fine Arts
"The Other Shore and the Edge: The Alienation Between Collection and Research in
Wang Shaoling’s Works and Cross-Cultural Experiments"

Ph.D. Candidate, Central Academy of Fine Arts
"A Detailed Exploration of the Development Vein of Populist Art —
Taking the New Year Painting Zhao Guilan at the Gathering of Heroes
in the Collection of CAFA Art Museum as an Example"

Ph.D. Candidate, Academy of Arts & Design, Tsinghua University
"From New Year Paintings to New Gongbi: Zhao Guilan at the Gathering of Heroes
and the Linguistic Transformation of Gongbi Figure Painting"

Sun Wen
Ph.D. Candidate, Central Academy of Fine Arts
"Diving Deep into a New Life: Li Hua’s Creation and Daily Life in the Early Years of the People’s
Republic of China, Viewed Through Collected Diaries and Manuscripts"

Zhou Weimeng
Ph.D. Candidate, Central Academy of Fine Arts
"Mural as a 'Mediator': Ye Qianyu’s The Liberation of Beiping and the Discourse
on National Art Heritage in the 1950s"

Li Jiawei
Master’s Student, Central Academy of Fine Arts
"National Experience and Artistic Expression
in 'Painting' and 'Dance': On Ye Qianyu’s Figure Painting Lotus Dance"

Ma Benyu
Master’s Student, Central Academy of Fine Arts
"Past Stories of Oil Fields and New Trends in Printmaking: Sorting and Reflections
on Two Daqing Oil Field-Themed Prints in the Collection of CAFA Art Museum"

Zhang Xinyi
Master’s Student, Central Academy of Fine Arts
"The Formation of Wei Qimei’s 'Concise and Poetic' Style Under the Influence of Edward Hopper"

Hao Ruichang
Ph.D. Candidate, Central Academy of Fine Arts
"Printmaking Practice of 'Construction and Transformation':
Xu Bing's 'Where There Are Mountains' as an Early Practice of 'Process as Concept'"
Closing Speech

Jin Jun
Director of the CAFA Art Museum
The Experts for the Youth Forum Call for Papers
He Xilin, Qiushi Distinguished Professor, Doctoral Supervisor, School of Art and Archaeology, Zhejiang UniversityAcademic Advisor for Collection and Exhibition
Zhang Peng, Professor, Central Academy of Fine Arts; President of Art Research Magazine, Central Academy of Fine Arts; Director of the Editorial Department of the Journal of Central Academy of Fine Arts; Deputy Director of the Collaborative Innovation Center for Silk Road Art Research; Academic Advisor for Collection and Exhibition of CAFA Art Museum
Yu Yang, Professor, Central Academy of Fine Arts; Director of the Scientific Research Office; Director of the Advanced Innovation Center for Visual Arts; Academic Advisor for Collection and Exhibition of CAFA Art Museum
Huang Xiaofeng, Professor, Dean of the School of Humanities,Central Academy of Fine Arts; Academic Advisor for Collection and Exhibition of CAFA Art Museum
Cao Qinghui, Professor, Doctoral Supervisor, Department of Art History, School of Humanities, Central Academy of Fine Arts;
Academic Advisor for Collection and Exhibition of CAFA Art Museum
Zheng Yi, Professor, Doctoral Supervisor, Department of Art History, School of Humanities, Central Academy of Fine Arts;
Academic Advisor for Collection and Exhibition of CAFA Art Museum
Guo Huaiyu, Associate Research Librarian, The Palace Museum; Former Collection Grading Expert (Calligraphy, Painting, Epigraphy and Rubbing Group), National Museum of China; Academic Advisor for Collection and Exhibition of CAFA Art Museum
Geng Shuo, Deputy Director of the Department of Cultural Heritage, School of Humanities, Central Academy of Fine ArtsDeputy Director of the Research Center for Art ArchaeologyAcademic Advisor for Collection and Exhibition
Li Yaochen, Director of the Collection Department, Art Museum of the Central Academy of Fine Arts; Associate Researcher; Executive Curator for Collection and Exhibition
Liu Xiyan, Director of the Planning and Research Department of CAFA Art Museum; Associate Researcher; Executive Curator for Collection and Exhibition
CAFAM Academic Series

The CAFAM Academic Series launches concurrently with the "Exhibition of Artworks from the CAFA Art Museum Collection." A series of activities focusing on industry development, art museum management, and collection research are planned to be held throughout 2025. With a global perspective and cross-cultural dialogue, the CAFA Art Museum aims to expand public awareness of its rich collection, explore the roles and missions of contemporary art museums in the context of globalization and digitalization, provide the public with a platform for in-depth participation in artistic dialogue, and realize the organic integration of academic research, public education, and social engagement. Specific activity arrangements include:in March, the "Cultural Engine – CAFA Art Museum Summit Forum" and the "National Alliance of University Art Museums Conference" ; in June, the Lecture Forum "Cultivation and Exploration – Research and Current Status of the CAFA Art Museum Collection" ; in September, the Industry Forum "Curation and Dissemination – Art Museum Collections and Exhibitions in a Public Context" ; in October, the Youth Forum "Rediscovery and New Interpretation – Case Studies on the CAFA Art Museum Collection Research" .
Editor-in-Chief / He Yisha
Editor / Du Yinzhu
2010-10-23
2010-11-06
2011-05-20
