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A Celebration of the 100th Anniversary of Wei Qimei’s Brith

  • Dates：2023-11-27 - 2023-12-24
  • Location：2B Gallery, CAFA Art Museum
  • Opening：2023-11-27 10:00
  • Organizer(s)： Central Academy of Fine Arts
  • Organizer(s)： CPC Publicity Department of CAFA, CAFA Art Museum, the Department of Oil Painting, CAFA
  • Chief Curator： Gao Hong, Lin Mao
  • Academic Support： Qiu Zhijie
  • Project Planning： Qin Jianping, Yuan Yuan
  • Exhibition Coordinator： Liu Xiyan, Zhao Jing, Li Jie
  • Special Support： Wei Husheng, Wei Xingchen
  • Curator： Yu Ding
  • Executive Curator： Yi Yue
  • Curatorial Assistant： He Yifan
  • Design Director： Ji Yujie

Details

Mr. Wei Qimei was an important oil painter, cartoonist and art educator in the art history of modern China. In 1942, he was admitted to the Department of Art, Chongqing Central University, where he was supervised by teachers such as Xu Beihong and Lv Sibai. After his graduation in 1947, he was invited by Mr. Xu Beihong to teach sketching and oil painting at the National Art School in Beiping. After the founding of New China, he continued to work at the Central Academy of Fine Arts (CAFA), successively teaching in the Department of Painting and the Department of Oil Painting. He had been the leader of the Teaching and Research Group of the Department of Oil Painting, the Director of the Graduate Course of the Oil Painting Department, and a member of the Academic Committee of the academy. The year 2023 coincided with the centenary of Mr. Wei Qimei’s birth, and CAFA organized the exhibition, “Depicting the Times – A Celebration of the 100th Anniversary of Wei Qimei’s Birth”, to present his artistic life and achievements, and pay tribute to this old gentleman.

This exhibition shows Mr. Wei Qimei’s painting experience and different forms of painting creation in seven academic topics: “Prophet and Hindsight”, “Observation of Reality”, “Modern Diversion”, “Poetry of Life”, “Exploration of Ink”, “Philosophy of Drawing” and “Cartoon Encyclopedia”, comprehensively combing through his artistic achievements in the past century. This is the first exhibition focusing on Mr. Wei Qimei’s oil paintings and offers a collective presentation of his works as an important oil painter in the history of Chinese art in the 20th century. Starting from the research of art history, the exhibition collects his ideas and theoretical methods of creation and sorts out his oil painting creations according to more than a hundred notes, manuscripts and published articles. For the first time, the exhibition includes Mr. Wei Qimei’s ink works in the discussion of his painting language, which not only demonstrates his continuous study of ink paintings over the past decades, but also gives a glimpse of him learning and shifting between the two media of oil painting and ink painting.

This exhibition has received strong support from Mr. Wei Qimei’s family. On behalf of the family, Mr. Wei Qimei’s son, Wei Husheng, donated two oil paintings, a painting box and painting tools (a set) that were used by Mr. Wei Qimei to CAFA as the permanent exhibition collection.




Preface

Jin Shangyi, Honorary Chairman of the China Artists Association, and former Director of the Central Academy of Fine Arts:
Mr. Wei was my teacher, and later, we taught together in the First Studio of the Oil Painting Department. At the beginning of the founding of New China, just when I was a student, he was one of the most active teachers at CAFA. At that time, teachers were drawing in the classroom of the academy, and as students, we often went to the studio to see the creations of these older gentlemen. Model Culturist was one of the earliest large-scale works I saw at that time, in which multiple figures were created in the picture. His thinking was very sharp, and after the reform and opening up, he accepted many artistic techniques of modern art and produced many works that expressed the new atmosphere of Beijing, such as New Line, Telephone Booth, Corridor Attached to the Middle School and so on. Until his later years, his thoughts kept changing and his artistic exploration was constantly evolving.

Gao Hong, Party Secretary of the Central Academy of Fine Arts:
“Depicting the Times” firstly reflects that Mr. Wei Qimei was an excellent artist with a strong sense of social responsibility and historical mission. He made great achievements in the fields of teaching practice, theoretical writing, oil painting and cartoon creation. He adhered to the spirit of realism and remained highly sensitive to new things. In his creation, he emphasized the synchronization of art and the times, and his works reveal a distinct atmosphere of the era. “Depicting the Times” also reflects that Mr. Wei Qimei was an outstanding art educator who was committed to laying down solid skills for his students. Mr. Wei Qimei had been teaching at CAFA all his life and made remarkable contributions to the education of basic courses. Not only did he work diligently on the front line of teaching, but he also designed the overall structure and syllabus for the basic courses of CAFA. The basic teaching system that he participated in the design has been an important part of the teaching system of CAFA. Mr. Wei Qimei spent nearly half a century in the Central Academy of Fine Arts, and in his creative and educational career, he conscientiously fulfilled his duties as a teacher while laying the foundation for his artistic career step by step

Lin Mao, Director of the Central Academy of Fine Arts:
Mr. Wei Qimei had always maintained a keen observation of life, a deep commitment to teaching and a relentless pursuit of art. With a firm artistic belief, he continuously exploited the painting language and different ways of artistic expression, carefully studied the methods of teaching basic courses, and responded to the issues of the times with a broad vision and various artistic creations.
This exhibition is centered on his practice of oil painting and his exploration in the fields of ink painting, sketching and cartoons. Combined with a wealth of literature and historical materials, the exhibition presents the transition and development of Mr. Wei Qimei’s different artistic creations at various life stages, showing his unique and brilliant art – famous for oil painting, cartoon, sketching and cultivated by ink painting. Mr. Wei Qimei’s style of oil painting was established early, transforming from realism to modernity, and he created a large number of works that unfold the openness and vitality of an artist. This exhibition also displays his exploration and practice of ink painting for the first time, providing a new perspective for us to understand Mr. Wei Qimei. His cartoons describe the hustle and bustle of life, are very popular with the masses, and play an important role in the history of Chinese comics. Mr. Wei Qimei’s sketches have left an indelible imprint on Chinese art education. He did a lot of teaching research and system construction for the Painting Department, and the First Studio of the Oil Painting Department. These precious results have constituted an important part of the teaching system of CAFA. It is believed that Mr. Wei Qimei’s artistic creation and educational practice will become the spiritual guidance and inspiration for the new century of CAFA!

Yu Ding, Exhibition Curator, Director of the School of Art Management and Education of CAFA, Sino-French School of Art and Design Management of CAFA:
“As an artist, we should first understand the world, what the world is like before we can present it in our creation.” This is the most important lesson Mr. Wei Qimei taught me. Ten years ago, I curated the “Wei Qimei and Basic Teaching” exhibition and sorted out all the historical materials about Mr. Wei’s sketch teaching. Seven years ago, I organized “Social Encyclopedia –An Exhibition of Wei Qimei’s Cartoons” and reviewed more than 800 cartoons he created. Today, I would like to commemorate Mr. Wei’s centenary year with the title “Depicting the Times”. Mr. Wei Qimei, as a painter, called himself “the man who holds a brush”, which is implicit and simple, but clearly and firmly indicates his belief in art. Mr. Wei Qimei had been humble and modest all his life, always in awe of art and had never stopped the pursuit of it. He looked into the future with knowledge, stuck to his belief with pride, and never stopped in his pursuit of truth. We would like to take this exhibition to pay tribute to the predecessors of CAFA, and hope that today we can inherit the spirit handed down by the older gentlemen, preserve the century-old tradition of the academy, forge ahead in an innovative and enterprising spirit, and become the person who depicts the new era.

Wei Hushing, the representative of Mr. Wei Qimei’s family:
My father, Mr. Wei Qimei, graduated from the National Central University in 1947 and was invited by Mr. Xu Beihong to come to the National Art School in Beiping, later he taught at the Central Academy of Fine Arts, fulfilling his lifelong dream of art. In his teaching, he constantly explored new teaching methods and approaches to improve the quality of education. He also continuously enhanced his own artistic cultivation and dedicated his life to the cause of art that he loved. I would like to express my heartfelt thanks to the Central Academy of Fine Arts, the staff who have contributed to this exhibition, and all those who have helped and loved Mr. Wei Qimei.
Jin Shangyi, Honorary Chairman of the China Artists Association, and former Director of the Central Academy of Fine Arts:
Mr. Wei was my teacher, and later, we taught together in the First Studio of the Oil Painting Department. At the beginning of the founding of New China, just when I was a student, he was one of the most active teachers at CAFA. At that time, teachers were drawing in the classroom of the academy, and as students, we often went to the studio to see the creations of these older gentlemen. Model Culturist was one of the earliest large-scale works I saw at that time, in which multiple figures were created in the picture. His thinking was very sharp, and after the reform and opening up, he accepted many artistic techniques of modern art and produced many works that expressed the new atmosphere of Beijing, such as New Line, Telephone Booth, Corridor Attached to the Middle School and so on. Until his later years, his thoughts kept changing and his artistic exploration was constantly evolving.

Gao Hong, Party Secretary of the Central Academy of Fine Arts:
“Depicting the Times” firstly reflects that Mr. Wei Qimei was an excellent artist with a strong sense of social responsibility and historical mission. He made great achievements in the fields of teaching practice, theoretical writing, oil painting and cartoon creation. He adhered to the spirit of realism and remained highly sensitive to new things. In his creation, he emphasized the synchronization of art and the times, and his works reveal a distinct atmosphere of the era. “Depicting the Times” also reflects that Mr. Wei Qimei was an outstanding art educator who was committed to laying down solid skills for his students. Mr. Wei Qimei had been teaching at CAFA all his life and made remarkable contributions to the education of basic courses. Not only did he work diligently on the front line of teaching, but he also designed the overall structure and syllabus for the basic courses of CAFA. The basic teaching system that he participated in the design has been an important part of the teaching system of CAFA. Mr. Wei Qimei spent nearly half a century in the Central Academy of Fine Arts, and in his creative and educational career, he conscientiously fulfilled his duties as a teacher while laying the foundation for his artistic career step by step

Lin Mao, Director of the Central Academy of Fine Arts:
Mr. Wei Qimei had always maintained a keen observation of life, a deep commitment to teaching and a relentless pursuit of art. With a firm artistic belief, he continuously exploited the painting language and different ways of artistic expression, carefully studied the methods of teaching basic courses, and responded to the issues of the times with a broad vision and various artistic creations.
This exhibition is centered on his practice of oil painting and his exploration in the fields of ink painting, sketching and cartoons. Combined with a wealth of literature and historical materials, the exhibition presents the transition and development of Mr. Wei Qimei’s different artistic creations at various life stages, showing his unique and brilliant art – famous for oil painting, cartoon, sketching and cultivated by ink painting. Mr. Wei Qimei’s style of oil painting was established early, transforming from realism to modernity, and he created a large number of works that unfold the openness and vitality of an artist. This exhibition also displays his exploration and practice of ink painting for the first time, providing a new perspective for us to understand Mr. Wei Qimei. His cartoons describe the hustle and bustle of life, are very popular with the masses, and play an important role in the history of Chinese comics. Mr. Wei Qimei’s sketches have left an indelible imprint on Chinese art education. He did a lot of teaching research and system construction for the Painting Department, and the First Studio of the Oil Painting Department. These precious results have constituted an important part of the teaching system of CAFA. It is believed that Mr. Wei Qimei’s artistic creation and educational practice will become the spiritual guidance and inspiration for the new century of CAFA!

Yu Ding, Exhibition Curator, Director of the School of Art Management and Education of CAFA, Sino-French School of Art and Design Management of CAFA:
“As an artist, we should first understand the world, what the world is like before we can present it in our creation.” This is the most important lesson Mr. Wei Qimei taught me. Ten years ago, I curated the “Wei Qimei and Basic Teaching” exhibition and sorted out all the historical materials about Mr. Wei’s sketch teaching. Seven years ago, I organized “Social Encyclopedia –An Exhibition of Wei Qimei’s Cartoons” and reviewed more than 800 cartoons he created. Today, I would like to commemorate Mr. Wei’s centenary year with the title “Depicting the Times”. Mr. Wei Qimei, as a painter, called himself “the man who holds a brush”, which is implicit and simple, but clearly and firmly indicates his belief in art. Mr. Wei Qimei had been humble and modest all his life, always in awe of art and had never stopped the pursuit of it. He looked into the future with knowledge, stuck to his belief with pride, and never stopped in his pursuit of truth. We would like to take this exhibition to pay tribute to the predecessors of CAFA, and hope that today we can inherit the spirit handed down by the older gentlemen, preserve the century-old tradition of the academy, forge ahead in an innovative and enterprising spirit, and become the person who depicts the new era.

Wei Hushing, the representative of Mr. Wei Qimei’s family:
My father, Mr. Wei Qimei, graduated from the National Central University in 1947 and was invited by Mr. Xu Beihong to come to the National Art School in Beiping, later he taught at the Central Academy of Fine Arts, fulfilling his lifelong dream of art. In his teaching, he constantly explored new teaching methods and approaches to improve the quality of education. He also continuously enhanced his own artistic cultivation and dedicated his life to the cause of art that he loved. I would like to express my heartfelt thanks to the Central Academy of Fine Arts, the staff who have contributed to this exhibition, and all those who have helped and loved Mr. Wei Qimei.

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艺术的道路应像信鸽的飞行，它穿过云层，穿过雷雨，穿过旋风，穿过晴空，不论升降回旋，不论滑翔或鼓翼，永远向着既定的方向奋飞。——韦启美“持画笔的人”是韦启美先生对他作为画家的自称，这一称呼内敛朴素，但却明确而坚定地表明了他对艺术的信念。11月27日上午，“为时代持笔——韦启美百年诞辰纪念展”在中央美术学院美术馆开幕。中央美术学院老领导、老教授靳尚谊、杨先让、彭鸿远、翁乃强、袁运生、王同仁、广军、文国璋、孙景波、吴长江、黄华英等，中国美术馆党委书记安远远以及中国国家博物馆、故宫博物院、中国军事博物馆、北京鲁迅博物馆、徐悲鸿纪念馆、吴作人国际美术基金会、北京画院、炎黄艺术馆等单位相关部门的负责人，韦启美先生的家属代表，中央美术学院领导班子成员和师生代表一同出席了开幕式。开幕式由中央美术学院党委书记高洪主持。开幕式现场中国美术家协会名誉主席、中央美术学院原院长 靳尚谊：韦先生曾是我的老师，后来我们在油画系第一画室共同任教。在新中国成立初期，也正是我上学的那个时候，他是中央美院教师中创作最活跃的一个。那时候老师都是在美院的教室里画画，作为学生，我们经常到画室看这些老先生的创作，《模范饲养员》就是我最早看到的在当时算大尺幅创作，并在画面中创作了多人物的作品。他的思想很敏锐，在改革开放以后，他接受了很多现代艺术的艺术处理手法，画了很多表现北京新气象的作品，如《新线》《电话亭》《附中的走廊》等。一直到他的晚年，他的思想一直在变化，艺术的探索也在不断地发展。中央美术学院党委书记 高洪：“为时代持笔”首先体现着韦启美先生是一位有强烈社会责任感和历史使命感的优秀艺术家。他在教学实践、理论著述、油画创作与漫画创作等领域都卓有建树。他坚持现实主义精神，对新事物保持高度敏感。他在创作上强调艺术与时代同步，作品具有鲜明的时代气息。“为时代持笔”还体现着韦启美先生是一位执着为学生奠定扎实基本功力的优秀艺术教育家。韦启美先生一辈子在中央美术学院教书，在基础课教学领域卓有建树，他不仅在辛勤工作在教学第一线，而且还为中央美术学院基础教学作整体结构和大纲的设计，他参与设计的基础教学系统，是中央美术学院教学体系的重要组成部分。韦启美先生在中央美术学院美院度过了近半个世纪的光阴，在他的创作和教育生涯中，不仅兢兢业业地履行了作为一名教师的职责，也一步步奠定了自己的艺术基业。中央美术学院院长 林茂：韦启美先生始终保持着对生活敏锐的观察、对教学笃定的深耕和对艺术不懈的追求。他以坚定的艺术信念持续探索绘画语言和不同的艺术表达方式，认真研究美术基础教学的方法，以广阔的视野和多样的艺术创作回应时代命题。本次展览围绕他艺术创作中的油画实践，以及在水墨画、素描和漫画等领域的探索，结合丰富的文献史料，呈现了韦启美先生的艺术人生在各阶段不同类型艺术创作的转向与拓展，展现了他既独特又精彩的艺术道路——以油画著称、以漫画闻名、以素描立身、以水墨养性。韦启美先生的油画之路早成，从写实主义到现代转向，创作了大量作品，展现了一位艺术家的开放和活力。本次展览也第一次呈现他的水墨画探索与实践，为我们开启了认识韦启美先生的新维度。他的漫画之路车水马龙，人民群众喜闻乐见，在中国漫画史上有着重要地位。韦启美先生的素描之路则留下了中国美术教育的深深车辙，他为绘画系和油画系第一工作室做了大量教研和体系建构的工作，这些珍贵的成果成为了中央美术学院教学体系的重要组成部分。相信韦启美先生的艺术创作与教育实践将成为中央美术学院新百年的精神引领和时代启迪！展览策展人、中央美术学院艺术管理与教育学院院长、（中法）艺术与设计管理学院院长 余丁：“作为一个艺术家，应该首先去了解这个世界，这个世界是什么样子，我们才能够在创作当中去呈现它”，这是韦启美先生给我上的最重要的一课。十年前，我策划了“韦启美先生的素描课”这个展览，整理了韦先生所有关于素描教学的史料；七年前，我又策划了“韦启美先生社会百科全书”，翻阅了他所创作的800多幅漫画；今天，我以“为时代持笔”这个题目来纪念韦先生的百年。“持画笔的人”是韦启美先生对他作为画家的自称，这一称呼内敛朴素，但却明确而坚定地表明了他对艺术的信念。韦启美先生一生谦逊低调，但对艺术始终怀揣敬畏，始终求索不止。他以知识眺见未来、以傲骨坚守信念，在追求真理的道路上从未止步。谨以此展向中央美术学院的前辈先生们致敬，愿今天的我们，还能继承先生们传下来的精神，还能守得住央美百年的传统，开拓创新，成为为新时代持笔的人！韦启美先生家属代表 韦浒生：我的父亲韦启美先生1947年从国立中央大学毕业，应徐悲鸿先生邀请来到国立北平艺专，后来在中央美术学院教书育人，圆了他一生的美术梦想。在教学中，他不断探索新的教学方式和方法，提高教学质量；在教学工作中，也不断提高自己的艺术修养，他把自己的一生献给了他所热爱的美术事业。衷心感谢中央美术学院，感谢为本次展览付出的工作人员，以及感谢所有帮助和爱护过韦启美先生的人。此次展览筹备过程得到了韦启美先生家属的大力支持，韦启美先生之子韦浒生代表家属向中央美术学院捐赠油画作品两幅，并捐赠韦启美先生画箱、画具（一套），作为中央美术学院校史馆永久陈列收藏。韦启美先生是中国现代美术史上重要的油画家、漫画家和美术教育家。1942年他考入重庆中央大学艺术系，受教于徐悲鸿、吕斯百等先生。1947年毕业后，应徐悲鸿先生聘请，到国立北平艺术专科学校任教，教授素描和油画。新中国成立后，继续在中央美术学院从事教学工作，曾先后在绘画系、油画系任教。历任油画系教研组组长、油画系研究生班主任、院学术委员会委员等职。2023年恰逢韦启美先生诞辰百年，中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”，集中呈现他的艺术人生和艺术成就，致敬美院先生。本次展览以“先知后觉”“现实观照”“现代转向”“生活诗意”“水墨探索”“素描哲理”“漫画百科”七个学术专题展现了韦启美先生的绘画历程和不同画种的创作形式，全面梳理了他的百年艺术成就。展览第一次集中展出了韦启美先生的油画作品，是韦启美先生作为20世纪美术史中重要油画家的作品全面呈现。展览从美术史研究出发，收集并整理了他在创作时的心得体会和理论方法，以百余份笔记手稿和刊发著述，对他的油画创作进行了文献梳理。展览首次把韦启美先生的水墨作品纳入对其绘画语言的讨论中，不仅展现他数十年来对水墨的持续研习，更是窥见了他在油画和水墨这两种媒介间的借鉴与转换。展览将展至12月22日。开幕式嘉宾合影展览现场我走着，因为我总是擎起我手中的灯。我走着，向着传来时代声响的方向。生活啊，我歌唱你，因为你通向未来。——韦启美《模范饲养员》，布面油彩，114×146cm，1956年，中国美术馆藏《青纱帐里游击队员逞英豪》，布面油彩，244×444cm，1977年，中国人民革命军事博物馆藏《实验室》，布面油彩，127×180cm，1979年《飞往北京的班机上》，布面油彩，104×92cm，1982年《新线》，布面油彩，82×110cm，1983年，中国美术馆藏《大坝的构思》，布面油彩，113×134cm，1984年，北京市美术家协会藏《讲座》，布面油彩，90×90cm，1985年《附中的走廊》，韦启美，布面油彩，118×140cm，1990年，中央美术学院美术馆藏《在108电车的起点站》，布面油彩，118×140cm，1998年《提琴的故事》，布面油彩，160×149cm，2007年《老饲养员》，纸本彩墨，56×63cm，年代不详《早春》，纸本彩墨，45.5×49cm，年代不详《山顶上》，纸本水墨，46×49cm，年代不详《骤雨》，纸本水墨，88.5×72.5cm，2003年《少年浒生像》，纸本炭笔，39.5cm×29.5cm，1965-1966年《肖像》，纸本炭笔，44cm×31cm，20世纪80年代初《写字图》，纸本、墨水、毛笔，30.6×44.1cm，1998年，发表于《人民日报》增刊《讽刺与幽默》，1998年4月20日第8期《1968年-自然博物馆内 解说员：“这种动物现在已经没有了……” 小孩：“我知道，这一定是老鼠！”》，纸本、墨水、毛笔，28.9×37.9cm，1958年《李白改诗》（2），纸本、墨水、毛笔，14×16cm，1981年，发表于《人民日报》增刊《讽刺与幽默》第13期，1981年7月5日，第1版百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展展览时间：2023年11月28日—12月22日展览地点：中央美术学院美术馆二层B展厅主  办：中央美术学院承  办：中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系总策划：高洪 林茂学术主持：邱志杰项目策划：秦建平 袁元展览总监：张子康 韩文超展览统筹：王春辰 高高特别支持：韦浒生 韦星辰策展人：余丁执行策展：易玥策展助理：何逸凡展览协调：刘希言 赵晶 李捷设计总监：纪玉洁宣传部/文图 
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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

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This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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      Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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