Exhibitions and Events-News

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Lecture Info | Rethinking Video Art: The Materiality and Technicality of Video Installation / Sculpture ...

2019-10-11

Time: Oct. 13, 2019 13:00-18:00 Place: CAFAM Lecture Hall / Conference Room More

CAFAM Lecture Info |The Art of the Quantum Universe: Time, Consciousness and Chaos ...

2019-10-08

2019 Leonardo Art, Science and Technology Lecture SeriesThe Art of the Quantum Universe: Time, Consciousness and ChaosSpeaker: Paul ThomasDate: 10.10.2019 ThursdayTime: 18:30-20:00Language: English (with Chinese translation)Venue: CAFA Art MuseumCo-organized by CAFA Visual Art Innovation Institute,CAFA Center for Art and Technology, CAFA Art Museum, Chronus Art Center In collaboration with Leonardo / ISAST | About the Lecture | This talk will explore the synchronicity taking place between science and art in dealing with the speculative nature of the quantum universe. We are entering an age denoting a much broader paradigm shift away from the concrete and indivisible era towards an age defined by uncertainty. The talk is grounded in the contention that the quantum ‘turn’ in relatively recent developments of twentieth-century theoretical physics is denotative of a much broader paradigm shift in culture. The shift away from determinism and is reflected in experimental art of the modern era and into the present.The philosopher Henri Bergson, a major thinker on time at the beginning of the twentieth century, will be discussed in connection to current thinking on quantum time. Artists and scientists were attempting to visualise the invisible world in the early twentieth century. For example, Etienne Jules Marey influenced Cubism and Futurism with his chronophotographic indexical traces of movement, effectively making time visible. Since then, scientific imaging technology has advanced to where we are now: witnessing the mechanistic visualisation of the atomic world.My work as an artist contributes to this lineage. The artwork Quantum Consciousness (2016) is an audio-visualisation of atomic data that indexes the quantum "movement" of a phosphorus electron. Quantum Consciousness visualises the co-emergence of thought-data (viewer) and quantum-data (electron). The scientific research informing the work was conducted in collaboration with quantum physicist Professor Andrea Morello. Morello's research looks at controlling the spin of electrons and nuclei for the development of the processor in the quantum computer. The media artwork Quantum Chaos (2019) visualises quantum phenomena by exploring the liminal space between the classical and quantum world.The quantum world is hard to comprehend but science has revealed that it is fundamental to the core of our existence. The paradox of the quantum superposition (best articulated in the Schrodinger's Cat thought experiment) exists as an actual and empirical condition in which an electron occupies multiple positions in space simultaneously, but none specifically. This paper will ask questions relevant to artistic practice focused on quantum phenomena such as atomism, speed, time and the Epicurean swerve.  | About the Speake r | Dr Paul Thomas is a Professor at University of New South Wales, Art and Design and currently the Director of the Studio for Transdisciplinary Art Research (STAR) as well as the co-chair of the Transdisciplinary Imaging Conference series 2010-2018. In 2000 he instigated and was the founding Director of the Biennale of Electronic Arts Perth 2002, 2004 and 2007.His art practice takes not only inspiration from nanoscience and quantum theory, but actually operates there. Previous artworks exploring nanotechnologies and quantum phenomena have also been exhibited nationally and Internationally. ‘Quantum Consciousness’ was a visualisation of a quantum spin created from data of me reading sections of Feynman’s 1982 paper ‘Simulating Physics with Computers’, affecting the spin of a single electron. ‘Multiverse’ 2013 based on Richard Feynman’s diagrams on photons reflecting from a mirror, ‘Nanoessence’ 2009 which explored the space between life and death at a nano level and ‘Midas’ 2007 which researched what is transferred when skin touches gold. His current publication Quantum Art and Uncertainty (October 2018) and Nanoart: The Immateriality of Art (2013) are based on the concept that at the core of both art and science we find the twin forces of probability and uncertainty. He is currently editing the ‘Artist and Practice’ volume for the forthcoming ‘Encyclopedia of New Media Art’, Bloomsbury Press.《Quantum Art and Uncertainty》 (2018)The Immersive Vision TheatreTechnical support Luke ChristisonPhotography Mike PhillipsMultiverse(2012) More

CAFAM Lecture Info | Design Research Lecture Series: Sarah Teasley ...

2019-09-24

Two lectures of the Design Research Lecture Series - Global Design History and Urgent Issues Facing Design History - will take place at CAFA Art Museum on Sep 25 and 26. More

CAFAM Workshop | "Liu Xian: Wood-Engraving Master" Exhibition Workshop Series ...

2019-09-21

Building New China, 9x10cm, Wood-engraving, 1949I would like to express my love and hatred with painting.I love art more than my life.- Liu Xian"Liu Xian: Wood-engraving Master" exhibition opens at CAFAM on September 18, 2019. Mr. Liu devoted his life to wood-engravng art, and is an artist that has made great contribution to Chinese printmaking and art in general. He not only challenged the wood-engraving art, but also created a great deal of wood-engraving works in his life. The Department of Public Education of CAFA Art Museum has planned a series of public events to interpret Mr. Liu's academic ideas.All The Other Flowers of the Hundred Flowers Blossom series, Liu Xian, Wood-engraving, 19581"Liu Xian's History with Wood-engraving" sharing sessionTime: 2019.09.20 18:30-20:00Venue: Multi-functional Conference Room, CAFAMSpeaker: Wang Renyin| About the Speaker |Ms. Wang Renyin is Mr. Liu Xian's only child. She is a researcher and promotor of Mr. Liu's work and life.| About the Session |Mr. Liu Xian is an important figure of modern Chinese art history. He persisted in wood-engraving art creation, built the root of wood-engraving in China for further development, and created many popular artworks. This session will show us Mr. Liu's art creation, and his affection for wood-engraving, from the perspective of a family member and a researcher.Note: The session is free of charge.Consolidate Unity, Fight to the End, Liu Xian, Wood-engraving, 9cm x 11cm, 19382"Flowers: From Literati's Refined Taste to Daily Life" LectureTime: 2019.09.21 10:00-12:00Venue: Multi-functional Conference Room, CAFAMSpeaker: Rao Xiang| About the Speaker |Rao Xiang, Doctor of Letters of Peking University, deputy chief editor of Wenhui Supplement of Guangming Daily, specially invited researcher at the National Muesum of Modem ChineseLiterature. His published works include the books Back to Literature Itself and On the Public Affairs and Private Emotions. He has received awards including the China News Award. He is interested in tending flowers and plants in his leisure time.| About the Lecture |In 1958, renowned poet Guo Moruo published his poem series "Hundred Flowers Blossom", chanting about one hundred flowers with one hundred poems, which echoed with the social and political situation of the time, and futher attracted painters to compete to create illustrations for the series. The People's Daily Publishing House later published the anthology of Hundred Flowers Blossom, including engraving works by Liu Xian and other artists. Why did Guo Moruo create the series? How do we examine the poems and the engravings today? Flowers seem to have a natural, close relationship with poems, paintings, literati and artists, so that art is usually connected with the flower appreciation activities. From appreciating flowers to planting them, flowers as an object of appreciation could reflect the typical desire for beauty of the people.Note: The lecture is free of charge.Mimosa of the Hundred Flowers Blossom series, Liu Xian, Wood-engraving, 1959Cockscomb of the Hundred Flowers Blossom series, Liu Xian, Wood-engraving, 19593The History of the "International Wood-Engraving"Time: 2019.09.21 14:00-16:00Venue: Multi-functional Conference Room, CAFAMSpeaker: Yang Hongwei| About the Speaker |Deputy Director of the Department of Printmaking, CAFA, professor and artist.| About the Event |Professor Yang Hongwei is a top-notch wood-engraving scholar and artist in China. The lecture will play the documentary film "International Wood-engraving" for the first time, introduce the history and development of wood-engravng, and the latest progress of the wood-engraving on the international stage, to give the audience an idea of the classic but less known art form of wood-engraving.Note: The event is free of charge.Crime and Punishment I: Moscow, Liu Xian, 9×10cm, Wood-engravingWhite Night (Work of Dostoevsky) Illustration No.6 (10 in total), 10×9cm, Wood-engraving, 1935 More

CAFAM Lecture | The Break-in of Illusion into the Heart of Reality: Leandro Erlich's Spatial Installations ...

2019-07-18

"Leandro Erlich: The Confines of the Great Void" Academic Activities: The Break-in of Illusion into the Heart of Reality: Leandro Erlich's Spatial Installations Speaker: Heinz-Norbert Jocks Time: 2019/7/20 14:00 Venue: Auditorium Room, CAFA Art Museum More

Youth Workshop | Engraving art: Engraving the Print, Snapping the Moment ...

2019-06-21

Time: Jun 23 (Sun) 14:00 - 16:00 More

Kids Workshop | Dream a Dunhuang Dream ...

2019-06-21

Time: Jun 23 (Sun), 10:00 - 12:00 More

Adult Workshop | Zanke and the Beauty of Metals ...

2019-06-20

Time: Jun 22 (Sat) 10:00 - 12:00 More

Adult Workshop | The Beauty of Light and Mirror: Study of Installation Art and Materials ...

2019-06-20

Time: Jun 22 (Sat) 14:00 - 16:00 More

Adult Workshop | Tracing Han Portrait - Study of Subtractions in Hard Materials ...

2019-06-14

 About the Workshop The 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition is underway in the CAFA Art Museum. The museum's Public Education Department has designed a series of activities based on this exhibition. This weekend, we will present an adult workshop about Han Portrait Stone, inviting a graduating student to guide us through his work, the Han Portrait Stone, and art and culture of Han Dynasty. Han Portrait Stone is color-painted, carved or imprinted bricks used in architectural works. With a variety of forms, patterns and themes, they deeply reflect the social customs and aesthetics of Han Dynasty, and are a milestone of Chinese art history. The Han Portrait Stones are one of the most important image archives of Han Dynasty. There is a huge number of them left till today, all of great artistic value, ancient but fresh elements, and a great potential in visual art development and application. Han Dynasty was a time when feudalism was progressing in China, thus Han paintings contain an inherent youthful, free, innovative and magnificent spirit.Let's travel back through time to the Han Dynasty this Saturday, to study together the ancient Chinese social life and art development, and complete a great work of art of our own. (Photo from Internet)(Figures carved in relief, photo from Internet)(Han Portrait Stone, Photo from Internet) Join the Workshop Time: Jun 15 (Sat) 14:00 - 16:00Venue: CAFAM VIP LoungeParticipants: Adults (above 18)How to Join: Please click on the “Reserve Now” button on top of this page, and fill in the Adult Public Education Reservation Form to complete your reservation. You will receive an SMS text message once your reservation is successful. Please do not re-submit your reservation.Note:1) The workshop is free of charge.2) Please gather and sign in at the first floor of CAFA Art Museum on time. We will take the participants to the venue together.3) CAFAM reserves the right for final explanation. About the Work When the artist was rendering Mongols in his work, the vitality of these figures and their posture and facial features are the key in his presentation with wood carving. Wood contains the temporature of life and the record of time. Time leaves traces on wood, and so do life's traces. Using wood as the carving material, the weight of life can be well expressed. In addition, the austerity and straightforwardness of wood carvings could match the quality of my work. Its flexibility also allowed me to create the statues more freely, to do substractions, to keep the inflated quality of sculpture while remaining the space to split and join freely, increasing possibilities in forms and presenting the interesting character unique to wood carvings.The link between relief and wood carvings is that they are both doing substractions. While the former compresses round carvings in equal proportion, or increases the painterly nature of it by composing points, lines and planes, the latter, despite of being round carvings, applies techniques of relief carving. Both embrace the core of induction and reorganization of plastic art.  About the Tutors  Ning BoBorn in Ulanqab, Inner Mongolia. Studied at Department of Sculpture, CAFA from 2014 to 2019.Tutors: Sun Jiabo, Wang Wei, Mu Boyan, Li Zhan Wang WanqiIntern at Department of Public Education, CAFA Art MuseumShe has planned news conferences for Tencent Games, Garden Expo's theme song, and fashion show for famous apparel brand. Luo JiaxinIntern at Department of Public Education, CAFA Art MuseumSenior student of Art History, BA at Syracuse University More

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Adult Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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