Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: CAFAM Exhibition Preview | Wide Angle° Youth Experimental Project Space "Echoes of A Voyage — Lyu Zhi-qiang" Coming Soon

2026-03-11

"Echoes of a Voyage—— Lyu Zhi-qiang"Exhibition Time: March 13, 2026 — April 20, 2026Exhibition Venue: Hall C, 2nd Floor, CAFA Art Museum"Returning is the movement of the Dao." What the Tao Te Ching states forms a time‑transcending resonance with the operational logic of the Loop in electronic music: the movement of the Dao is reversal, an eternal tendency to return to itself. For the artist Lü Zhiqiang, the echo of this ancient image manifests most explicitly in the repeated practice of linear perspective using the rope‑and‑ink method, and also emerges in a more circuitous way through years of excavation and re‑composition of the soundscapes along his journey.In modern electronic music, the Loop is not merely a technical device but rather an ontological declaration. It breaks with the linear structure of Western classical music—beginning–development–climax–ending—and its repetitive beats and melodies outline a non‑linear, circular model of time. Nietzsche’s idea of the eternal recurrence finds an auditory re‑presentation here:“The eternal hourglass of existence will keep turning, and you are but a grain of dust within it.”Trapped in a circular orbit, should the individual feel agony or ecstasy? This is the Hamlet‑question of modern life.An old Volkswagen Jetta is the materialization of this question: every engine start, every journey marked by its tire tracks, constitutes a subjective response to eternal recurrence. During a trip to revisit the First Automobile Works in Changchun, the artist learned that the production line that assembled this car had a history of circulation—from Germany to the United States and then to China. To achieve localized production, Chinese workers had creatively modified this weathered line in countless ways. All this has silently provided a contemporary footnote to Nietzsche’s thesis: as Deleuze argued, the Same inevitably generates Difference in circulation, much like lines drawn strictly according to the rules of perspective still show subtle shifts with every snap of the inked line. The Loop of life plays on endlessly. The industrial glory of yesterday, once celebrated in early automobile advertisements, has faded, yet beneath the worn paint emerges an eternal structure. No matter how many cycles it undergoes, the soul of this “German car” is undeniably infused with the spirit of northern China.The car’s hybrid lineage also mirrors the metaphor of identity in contemporary culture: the artist’s identity is no longer a singular, ontological definition. In the prismatic world of life, he is a car owner, driver, traveler; a sound collector, DJ, and stage designer; a student of perspective and a spatial surveyor; and at the same time, a teacher within the academic system, whose duty often involves negotiating a spiral Loop between inheritance and creation, discipline and enlightenment. These parallel fragments of experience are like scattered stars, yet when consciously integrated into the subject‑identity of “artist,” an orderly constellation‑like map emerges from chaos. In fact, this map points precisely to what Benjamin called “the possibility of reshaping experience”—that is, “the liberation of historical energy confined within the social form of art as an independent entity.” Here, art as aesthetic experience has long become an abrupt method of action: it flows into the path toward the everyday with the flexible posture of perception, reflection, and intervention, introducing liberating energy into a new dimension of historical life.Wang WentingMarch 2026 Selected Previous Works 《Mohemann's Living Room》个人项目，2020A Long Road, Sound Installation, Stereo, 1 hour 11 minutes, 2019Admonition sound installation, 3-channel, 29'39", 2017"Gaze/Inhibition", watercolor paper, Chinese ink, aluminum-plastic panel, steel, alkyd paint, 180120cm, 70*70*100cm (installation part), 2015Scavenger, Installation, Performance, Urban Waste, 2012Modern Tate Museum, Waste from the Art District, 350cm × 410cm × 360cm, 2011Cabin, Tree Branches, 350cm × 200cm × 260cm, 2010Crawler, Installation & Research Documentation, Found Objects, Steel, 900cm×1200cm×350cm, 2009 Exhibition team | Curator |Wang WentingShe teaches at the School of Art Administration and Education, Central Academy of Fine Arts. The exhibitions and cultural activities she has participated in curating include "Return: Sino-German Young Artists' Group Exhibition", "The Myth of Documenta — Arnold Bode and His Successors", "Searching for Utopia — Sino-German Curators' Workshop", "Transformation Wandlung — Kathrin von Rechenberg and He Jian Dual Exhibition", etc.| Artist |Lv ZhiqiangBorn in Mohe County, Heilongjiang Province, he graduated from the School of Experimental Art, Central Academy of Fine Arts, and currently teaches there. He has extensively used materialized materials for socially engaged creations, preferring to carry out his work through field investigations and practice. He has also conducted research and painting with a focus on the study of Western perspective, and his recent works have paid attention to sound as a material.He has had solo projects such as "Mohemann’s Living Room" (C5CNM, Beijing, 2020) and "The Long Road Ahead" (Telescope Art Studio, Beijing, 2019). Some of his group exhibitions include "Sense of Touch – Group Exhibition of Young Artists from the School of Experimental Art, Central Academy of Fine Arts" (Taoxichuan Art Museum, Jingdezhen, 2021); "A Patchwork Leviathan" (Bridge Projects, Los Angeles, 2020); "There is a Form" (Song Art Museum, Beijing); "Anren Biennale" (Sichuan, 2017); "'Relay' Series Exhibition – Art Re-Long March" (National Art Museum of China, Beijing, 2016); and "The 12th National Art Exhibition" (Today Art Museum, Beijing, 2014), among others. Exhibition Information “声回路转（Echoes of a Voyage）——吕智强个人项目”展览时间：2026年3月13日—4月20日展览地点：中央美术学院美术馆2层C展厅主办：中央美术学院美术馆中央美术学院党委教师工作部（人事处）中央美术学院教师发展中心学术主持：冯梦波策展人：王文婷艺术家：吕智强视觉设计：赵序主编 / 何一沙责编 / 杜隐珠
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: CAFAM Live Preview | Treasures of Ancient and Modern Art, Visions of Childlike Innocence

2026-03-10

In this vibrant March,CAFA Art Museum extends an invitation to you.Through a series of consecutive exhibitions,we will take you into the diverse world of art.March 10th (Tuesday) 14:00Follow the official account @CAFA Art MuseumWe'll be waiting for you.Commentary | Guest—————————Gao GaoDeputy Director of CAFA Art MuseumLiu XiyanDirector of the Research and Planning Department, CAFA Art MuseumLi YaochenDirector of the Collection Department, CAFA Art MuseumEditor-in-Chief / He Yisha Editor / Du Yinzhu
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: "Shape Of Myself -- 2026 Nomination Exhibition Of Contemporary Chinese Famale Artists" Debuts Today

2026-03-09

Shape Of Myself2026 Nomination Exhibition Of Contemporary Chinese Famale ArtistsExhibition Dates: March 6 – 15, 2026Venue: 4th Floor, CAFA Art MuseumHosted by: Chinese Women Painters AssociationOrganized by: CAFA Art MuseumAcademic Chair: Xu LianCurator: Wang XiaolinExecutive Curators: Kang Lei, Wei YanParticipating Artists：(Ordered by the number of strokes in their surnames)Oil Painting – Invited: Yan Ping, Liu Hong, Chen Shuxia, Chen Xi, Kang Lei, Guan PuxueOil Painting – Nominated: Wang Haiyan, Zhou Yinchen, Jie FangSculpture – Invited: Deng Ke, Zhu Zhiwei, Chi Hao, Zhou Simin, Jiang Jie, Geng XueSculpture – Nominated: Liu Rui, Yang Guang, Shi Ziyuan, Chi Di, Luo Jin, Cao Yun, Cai YalingOn the occasion of the "March 8th" International Women's Day, the "Shape Of Myself - 2026 Nomination Exhibition of Chinese Contemporary Female Artists", sponsored by the Chinese Women Artists Association and undertaken by the CAFA Art Museums, will be held on the 4th floor of the Art Museum of the Central Academy of Fine Arts from March 6th to 15th. Through academic nominations, the exhibition will focus on presenting the diverse styles and profound thoughts in contemporary female artistic creations, offering the beauty of art to Beijing in March.The exhibition, themed "Shape Of Myself " is both a poetic interpretation of female artists' efforts to shape themselves and express their inner worlds, and an accurate summary of their continuous exploration and innovation in artistic language. Currently, the creations of female artists have become an indispensable and important force in China's art world. With their unique perspectives, keen perceptions, and tenacious spirit of exploration, they have made remarkable contributions to the refinement of artistic language, the deepening of ideological concepts, and social and humanistic care. This academic nomination exhibition aims to highlight these outstanding achievements, promote academic research and public dialogue on female artistic creation, and build an exhibition and exchange platform with both academic height and social influence.This exhibition covers two major categories: oil painting and sculpture, bringing together representative works by two generations of outstanding female artists in China. It specially invites renowned artists and nominated young emerging artists to present their works side by side. Here, one can see the profound attainments of mature artists as well as the exploratory vitality of the younger generation, jointly constructing a vibrant landscape of contemporary Chinese female art.As a special gift for International Women's Day on March 8th, this exhibition is both a concentrated review of the creative achievements of contemporary Chinese female artists and a heartfelt tribute to the power of women's art. It is hoped that through this exhibition, the audience will be able to experience the charm of contemporary women's art up close and inspire academic reflection and dialogue.—— | About The Chinese Women Painters Association | The Chinese Women Painters Association was founded in December 2012. It is a national, industry-based social group approved by the Ministry of Culture and Tourism and the Ministry of Civil Affairs. Its leading organ for Party work is the Central Social Work Department. It is a group member of the All-China Women's Federation and the only national social organization of female artists established since the founding of the People's Republic of China.Guided by Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, the Chinese Women Painters Association adheres to a people-centered creative orientation. It brings together outstanding female painters of the older, middle-aged, and younger generations across various painting genres, regions, professions, and schools. By uniting theorists, curators, and other experts and scholars, the Association has built a service-oriented platform integrating creation, research, exhibition, exchange, training, and collaboration. It pools the strength of women to paint colorful chapters, continuously produces outstanding works and nurtures talented artists, and builds industry influence, exhibition brands, and social benefits. Through fine art as a medium, it promotes the artistic power of Chinese women to a broader global stage.—— Editor-in-Chief / He Yisha Responsible Editor / Du Yinzhu
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: Today Is Awakening Of Insects

2026-03-05

Today is Awakening of Insects.
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: Lantern Festival at CAFA: We admire lanterns, and We Cherish Dreams | Welcome to The Magical World Of Picture Books

2026-03-04

Welcome to the colorful and splendid paradise of imaginationOn the Lantern Festival，at CAFA,we admire lanterns, and we cherish dreams.On the 3rd floor of CAFA Art Museum, an art wonderland about "light" and "dreams" is being lit up for you. Nearly 50 young artists have presented nearly 300 original picture book artworks and 10 animated works with their brushes and stories. They are quietly displayed, yet filled with endless vitality.We will also be repeatedly drawn to the richness, diversity, and boundless creativity in the narrative conceptions and visual expressions of the works."Spring Fortune"Zhang YueSpring Blessing2020Book, printed draft, manuscript (watercolor on paper)Collection of CAFA Art MuseumA little blessing who missed the divine enlightenment meets a little fox at a small noodle shop. With the aroma of its delicious soup, the noodle shop becomes popular. In turn, the little blessing enlightens itself in its own way. Through the growth of the little blessing, the work intends to convey the longing for precious reunion and harmony behind the "Spring Festival atmosphere"."Time and Light Theater"Zhan XinyuanTime and Light Theater2023 Book, printed draftCollection of CAFA Art MuseumTaking the Changxin Palace Lantern as the main thread, the work looks back on history. Cultural relics connect the past and the present, allowing us to feel the accumulation of history and the weight of time.This book delves deeply into cultural relics and history, conveying the culture and beauty of time in a unique way, and endowing them with new contemporary significance. It integrates the once difficult-to-understand history into daily life, inheriting the past while enriching the present."Will, Goodbye Again"Yao Jiaqi, "Will, Goodbye Again" 2018 Book, printed manuscript, manuscript (gouache on paper) Collection of CAFA Art MuseumWhen the little boy faced his traveling companions getting off the bus, he gradually understood the weight of parting from initially not knowing what parting was, and cherished every farewell more. When he himself got off the bus, he was able to face it bravely. Finally, he found that we will eventually achieve "goodbye again"."Awake"Pang Rong,Awake2019Book and printed manuscriptcollected by CAFA Art MuseumA star meets a girl, and they embark on a romantic journey. Along the way, there is sweetness, thrill, fantasy, and beauty. They develop a passionate and sincere affection for each other. However, the star’s life is limited. The boundless joy shared with the girl uses up all its radiance, and it vanishes back to the Star Garden. With the help of a whale, the girl finally finds the star again. At the moment of parting, the star gives its heart to the girl, and the two cherish and understand each other deeply."Bang Bang Bang"Chen SicongBang Bang Bang2019Book and printed manuscriptCollection of CAFA Art MuseumThe night holds both curiosity and fear, and faint sounds become especially distinct in the dark. Using onomatopoeia to create atmosphere, with "Bang Bang Bang" as the thread, this book follows the young protagonist on a search to explore a unique world of the night."Pop! Darkness"Zhu Ruoge"Pop! Darkness"2024Book and printed manuscriptCollection of CAFA Art MuseumA girl who is afraid of the dark plucks up her courage to go downstairs alone in search of her toy bear.In the pitch-black house, besides the cautious girl, there seems to be something else hiding in the darkness…She searches around with a flashlight. As one lamp after another is turned on, the dark house gradually brightens,and something is scurrying away in all directions…"Sunflower"Li LuyaoSunflower2023, Book and printed manuscriptCollection of CAFA Art MuseumThis is a warm and childlike picture book featuring sunflowers with their heads bowed, showcasing the shining points around us from a child's unique perspective. It tells readers to bravely be themselves and discover the light in their hearts. Who says sunshine only comes from the sun? Whether you look up or bow your head, there is sunshine everywhere."Paper Universe"Li Ke"Paper Universe"2022, Book, ManuscriptCollection of CAFA Art MuseumIn the paper universe, on one side lives the Creator, who brings life and color to the blank pages. On the other side lives the Eraser, who likes to wipe away anything he deems unnecessary. These two worlds are isolated from each other, unaware of each other's existence. Through a chance event, the two worlds gradually begin to merge."Sea Moon"Zhu Zhongyuan"Sea Moon"2019, Book, ManuscriptCollection of CAFA Art Museum The author attempts to construct an ideal world of equality, fraternity, no disputes or selfish interests, where everyone dedicates themselves. The story begins with a child who drowns at sea being rescued by the mysterious "Sela" people. The Sela people live near the pale yellow luminous "Sea Moon" on the seabed and have built "Moon City". For generations, the people of this clan have been committed to healing injured marine creatures, silently persisting, and never being known to humans.These works all tell us that magic is never far away.May you find your own surprise and touch among them,and have a fulfilling day illuminated by imagination.Editor-in-Chief / He YishaEditor / Du Yinzhu
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: Exhibition Extension Announcement | "Painted in the Depths of Time — Exhibition of Works Donated by Mr. Zhou Lingzhao" Extended to March 15th

2026-03-02

Dear Visitors,Since the opening of the exhibition "Paintings in the Depth of Time – Donated Works by Mr. Zhou Lingzhao", it has received an enthusiastic response from all sectors of society. As an important figure in the history of Chinese art, Mr. Zhou Lingzhao’s works, imbued with the memories of the times and his original artistic aspirations, have deeply touched every visitor. To allow more people the opportunity to explore the 70-year creative journey of this artistic master, the exhibition is now extended to March 15, 2026.This exhibition features 221 works donated by Mr. Zhou Lingzhao to the CAFA Art Museum, covering a wide range of categories including watercolor, gouache, sketches, comic strips, murals, posters, and designs. Spanning from 1938 to 2008, the works represent his seven decades of artistic practice.We warmly welcome teachers, students, fellow artists, and friends from all walks of life to visit the exhibition.CAFA Art MuseumMarch 1, 2026主编 / 何一沙责编 / 杜隐珠
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: 展览导读 | 走进“无‘野’不成城”章节三 “生长的绿野”

2026-02-28

展览现场< CAFAM赛道特等奖方案展览 >无“野”不成城章节三 “生长的绿野”人类社会的异化是非人类物质遭遇的先兆，一如植物在人类栽培的过程中逐渐失去自身的特性与差异，人类长期以来的控制与剥夺在极大程度上忽视了非人类物质的能动性。人类如何理解世界？这一章节以地理学的“MTHG”(More- than- human Geographies, MTHG)的理论切入，以非人类的视角，深度思考我们所处的“附近”——城市远非一个纯粹的人类空间。我们存在的世界是一个多元的集合体，生物哲学提供了一种特殊的时空想象, 它是“块茎的”(去中心化的、不稳定的、多维的)和拓扑的，由此提供了一个不断被重塑的具有多元空间的世界。“再野化”（rewilding）或许能成为当代构筑起这一拓扑网落的粘合剂，“再野化”关注那些非人类物质的发展，使其重新和谐地归复我们所在的空间，“rewild”并非是人类与自然生态的对立，而是在行动者网络中找回那些不受人类规训的“野性”，世界不是先验性的存在，而是每时每刻在复杂的交织中不断生成的。“再野化”想构筑的，是一种以物本身的关系为导向的，强调非人类和人类互动共生，更生动而丰富的世界。本章节参展作品《惊蛰》作者：孙贻武创作媒介：纸本水墨创作年代：2023作品尺寸：100cm×573cm春雷动，万物生，是为惊蛰。人类如何理解世界？自然万物的苏醒与蛰伏，在某种程度上也映射着人类精神的内在生息。在条幅《惊蛰》中，艺术家孙贻武以宏观视野静观万物，将流转的自然节律融入笔墨。这一视觉图景暗合了中国古代“天地并生、万物为一”的哲思，将观众引入一方心与物游的澄明天地。
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: "Art" is Coming Soon | CAFA Art Museum 2026 Art New Year Exhibition Season, Waiting for You to Check In!

2026-02-28

The Western Han Dynasty pottery horse head from the collection, transcending a time span of over two thousand years, has been transformed into a modern art installation over four meters tall, standing quietly in the center of the hall on the first floor of the art museum. It not only greets every visitor who steps into this palace of art but also serves as an artistic symbol connecting the four exhibitions and bridging the ancient and the modern. While admiring the contemporary art installation, visitors can also stroll through the artistic corridor of two thousand years, experiencing the visual evolution from Warring States bronze mirrors to modern oil paintings, and appreciating Mr. Zhou Lingzhao's seventy years of artistic perseverance.When visitors walk out of the art museum, they hold the "fortune" character from the collection in their hands, while their hearts are filled with artistic memories from ancient times to the present. The life scenes on the Han Dynasty portrait bricks, the vivid expressions of the Tang Dynasty pottery figurines, the imprints of the times depicted by Zhou Lingzhao, and the boundless imagination of the graduates will together form the unique cultural memories of this Spring Festival. part-01 "Art" Starts the New Year Right AwayWelcoming the Spring Festival in the Art MuseumThe installation work "Art Starts the New Year Right Away" in the first-floor exhibition hall was created by artist Lu Zhengyuan, with a height of nearly 5 meters. The "horse head" image is derived from the "Western Han Dynasty Pottery Horse Head", an ancient Chinese art collection on the second floor of the Central Academy of Fine Arts Art Museum. On the basis of maintaining the spirit and vitality of the original "horse head" image, the artist refined the shape and carried out artistic creation, with the core concept of "having art right away" to "start the new year with art" together with the audience.Special reminder: For your own safety and that of others, please do not climb or jump on the work, or use sharp objects to pierce it, so as to avoid unnecessary harm. part-02 Painted in the Depths of TimeExhibition of Works Donated by Mr. Zhou LingzhaoThe exhibition "Painted in the Depths of Time: Exhibition of Works Donated by Mr. Zhou Lingzhao" in Gallery 3A is an artistic dialogue spanning time and space. The exhibition focuses on presenting 221 works donated by Mr. Zhou Lingzhao to the Art Museum of the Central Academy of Fine Arts, covering various categories such as watercolor, gouache, sketch, comic strip, mural, poster, and design. The time span ranges from 1938 to 2008, spanning his 70-year artistic practice. part-03 Colorful ImaginationExhibition of Graduation Picture Books and Animation Works by Central Academy of Fine Arts GraduatesHall B on the 3rd floor has been transformed into a wonderful wonderland of imagination, where "Colorful Imagination – Exhibition of Graduation Picture Books and Animation Works by Central Academy of Fine Arts Graduates" is being held. The exhibition brings together outstanding graduation works from the Picture Book and Animation majors of the Central Academy of Fine Arts over the past decade. It features 37 sets of picture book works by nearly 50 artists, more than 300 pieces, and 10 animation works. These works not only present wonderful stories but also pay special attention to cultivating the ability to observe the world, inspiring various possibilities of thinking through colors and shapes. This is a paradise for children and a wonderland for adults to rediscover their childlike innocence.part-04A 2000-Year Microcosm of ArtExhibitions from the Collection of the CAFA Art MuseumThe "Exhibitions from the Collection of the Central Academy of Fine Arts Art Museum" in the second-floor exhibition hall, featuring nearly 500 works, presents a microcosm of Chinese art spanning over 2,000 years. The exhibition is divided into two major parts: "Ancient Chinese Art" and "Modern Chinese Fine Arts". The ancient section includes not only the conventional sequence of calligraphy and painting, but also a sequence of ancient cultural relics such as bronze mirrors, pictorial bricks, figurines, ceramics, and religious statues. The modern fine arts section, arranged in chronological order, sorts out and presents the 100-year development context of plastic arts such as oil painting, traditional Chinese painting, printmaking, and sculpture. It is worth mentioning that the exhibition uses digital technology to digitally restore and display some cultural relics, allowing visitors to intuitively understand their original appearance.Chief Editor / He YishaEditor / Du Yinzhu
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: CAFAM青少年设计工作坊招募｜当方寸邮票，遇见马年的想象力

2026-02-28

如果历史可以被折叠，那么最精致的那道折痕，就是一枚邮票。《壬戌年》特种邮票周令钊设计 26mmx31mm 1982年发行周令钊先生，被誉为“新中国设计第一人”。他绘制了1949年开国大典天安门城楼毛泽东主席像，参与中国人民政治协商会议会徽、中华人民共和国国徽等国家标识的创作，主笔中国共产主义青年团团旗，完成“八一勋章”“独立自由勋章”“解放勋章”等三大勋章设计，并担任第二、第三、第四套人民币票面整体美术设计，参与《中华人民共和国成立十周年》纪念邮票及壬戌年狗年邮票等重要国家视觉工程。从天安门城楼的国家仪式现场到邮票与货币的日常流通载体，他的设计与艺术创作持续进入公共生活，沉淀为几代中国人共同的视觉记忆。周令钊新兴力量大团结（10分票）1951年 22.5×31.5cm 纸本中央美术学院美术馆藏1963年，为纪念第一届新兴力量运动会，周令钊先生设计了“新兴力量大团结”邮票——在仅52×31毫米的画幅中，以棕榈树与红旗为背景，将亚非拉多国运动员挽手并肩的集体动势凝于方寸之间。清晰的构图、鲜明的符号、整齐而有力的节奏，让一枚小小的邮票承载起团结与希望的宏大叙事。这正是周令钊先生贯穿一生的设计智慧：在限制中建立秩序，在秩序中注入温度。2026年丙午马年新春，我们邀请9至15岁的青少年走进“画在时光深处——周令钊先生捐赠作品展”，以新时代学子的身份，步入先生的“艺术课堂”。孩子们将跟随导览教师穿行于展线之间，细细品读那深藏巧思的笔触与构图，聆听作品背后的创作故事；而后，在中央美术学院美术馆的画桌上，将新春的祝福、关于马的想象力、传统纹样的意蕴——化为自己笔下的新春邮票。课程第一部分走进周令钊先生的艺术课堂 · 展览导览时间： 3月1日（周日）下午 13:30—14:10地点：中央美术学院美术馆 3层A展厅展览以“溯光·初心”“凝光·铸心”“映光·传心”三个板块，勾勒出艺术家与时代同行的轨迹。导览教师将带领孩子们沿展线缓缓行进：在“溯光·初心”板块，一同研讨周先生如何在战火辗转中，以寥寥数笔捕捉人物神情；在“凝光·铸心”板块，近距离观看《新兴力量大团结》邮票手稿、《古都集萃》壁画线稿、毛主席纪念堂建筑装饰图案等珍贵原作，观察他如何将传统纹样提炼、简化为服务于国家公共空间的视觉语言；在“映光·传心”板块，读懂先生晚年捐赠作品、照亮后学的深意。这些在展馆场域中的观察，都将成为小设计师们接下来艺术创作的源泉。课程第二部分马年新春邮票设计创作 · 工作坊时间：3月1日（周日）下午 14:20—16:30地点：美术馆一层西门公共教育区当方寸邮票，遇见马年的想象力，会在孩子们的指尖，漾开怎样的意趣？将对马年的美好期许，绘成一枚枚独一无二的邮票。工作坊将以周先生的经典邮票为参照，引导孩子们从传统纹样中汲取灵感，在限定画幅内布局构图、经营位置——如何安排主图与边框？如何处理面值与铭记的关系？如何让色彩既喜庆又雅致？一步步地将孩子们天马行空的想法，“规整”为一枚符合邮票美学、兼具秩序感与生命力的完整设计。
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: 30-second Anti-recommendation

2026-02-27

The exhibition "Paintings in the Depths of Time – Exhibition of Works Donated by Mr. Zhou Lingzhao" currently on display at Hall A, 3rd Floor of CAFA Art Museum is an artistic dialogue spanning time and space. The exhibition showcases 221 works donated by Mr. Zhou Lingzhao to the Central Academy of Fine Arts Art Museum, covering various categories such as watercolor, gouache, sketches, comic strips, murals, posters, and designs. The time span ranges from 1938 to 2008, spanning his 70-year artistic practice. The exhibition will close on March 1st, so friends who are interested should not miss it.
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I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

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Group Public Education Event Reservation Form

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Group type
University

Institution

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Participating group type
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I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.