Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: "第三届全国大学生美术作品展览中国画展区研讨会"即将举办

2026-07-07

第三届全国大学生美术作品展览中国画展区研讨会会议时间2026年7月6日13:30—17:00会议地点中央美术学院电教报告厅主持人丘挺(中央美术学院中国画学院院长)本次研讨会将聚焦青年中国画创作与学科建设等问题，围绕三大核心议题展开深度学术研讨。一、青年学子的艺术责任。围绕文艺服务人民、呼应时代，探讨如何引导青年深入生活，书写时代精神，树立符合新时代的艺术理想。二、学科建设与青年创作评估。结合本届展览作品，分析高校教学范式、笔墨传承与创作导向，梳理青年创作的优势与不足。三、智能技术的机遇与挑战。探讨AI对审美范式、创作逻辑与教学模式的影响，明晰中国画转型路径及青年创作应坚守的边界与立场。希冀能以此次学术研讨凝聚行业共识，提炼核心研讨成果，为中国画的长远发展提供借鉴。主编 / 何一沙责编 / 杜隐珠
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: CAFAM展览预告 | 异质共振：潘镜如、何一沙、李文龙联展即将开展

2026-07-07

广角°青年实验项目空间主办中央美术学院美术馆中央美术学院党委教师工作部（人事处）中央美术学院教师发展中心“广角°青年实验项目空间”于2022年初启动首期，秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念，使美术馆三层C展厅的独立空间，成为青年教师创作研展、展览策划的一块实验田。异质共振——瓷·纹影·数塑展览时间：2026年7月7日—9月4日展览地点：中央美术学院美术馆3层C展厅“广角°青年实验项目空间”第四期第三个展览：“异质共振——瓷·纹影·数塑”将于2026年7月7日在中央美术学院美术馆3层C展厅开展。本次展览为中央美术学院潘镜如、何一沙、李文龙三位青年教师的联展。展览由中央美术学院副院长吕品晶担任学术主持，中央美术学院艺术设计研究院青年教师王睿莹担任策展人。异质拓扑，听见共振的回声。当瓷土在高温中淬炼出薄如蝉翼的蛋壳，当时狮从代码流中生长出骨骼，当传统纹样在数字浪潮里碎成流动的光斑——三种看似互斥的存在，正以“异质”为锚点，撞出震颤的共振。三者的异质并非孤立的存在，而是在观众的感知中形成了一张拓扑网络。拓扑学中，边界的连续变形不改变事物的本质关联。正如瓷土的厚重与树脂的冷硬，看似是材质的两极，却在虚实混淆中共享同一种感知震颤：陶瓷骨头让你怀疑“真实”的定义，时狮让你困惑“虚拟”的边界，二者在认知错位处共振。传统纹样的静态与数字万花筒的动态，看似是时间的两端，却在形态流动中完成同一种语言转译：破碎陶瓷蛋壳上的符号是欲言又止的对话，数媒屏幕里的纹变是永不停止的表达，二者在沟通的渴望处共振。在这100平方米的场域里，异质是共振的前提，感知是共振的介质。瓷土的温度、树脂的冷光、像素的流动，从未因异质而隔绝。入口处，时狮的屏幕映着数媒的纹影，脚下散落的瓷骨则托住这场跨界的对话，那些材质、技术、观念的差异，终将在你的感官里折叠成同一条共振的曲线——这不是对差异的消解，差异不是屏障，而是让碰撞更响亮的鼓面。异质共振的终极意义，或许就在这里：让不同的媒介在感知的拓扑中，找到彼此的“非对称共生”。当你靠近那组破碎的蛋壳，或许会听见瓷片与数字粒子的私语；当你触摸3D时狮的肌理，或许能想起蛋壳破碎时的脆响；当你在数媒的纹流中伸手，或许会触到陶瓷纹样未凉的体温。这场展览，无关谁吞噬谁，只关乎：异质拓扑，听见共振的回声。所有媒介都在说同一句话——艺术的生命力，从不在单一的轨道上，而在碰撞、渗透、共振的每一个瞬间。——策展人王睿莹参展作品潘镜如《中轴万花筒》LED模组屏视频 2025年何一沙《破壳系列》瓷 2023—2026年何一沙《骨头系列》瓷 2015—2016年李文龙《信号猫》计算机数控加工 ABS 2025年展览团队| 艺术家 |潘镜如中央美术学院设计学院副教授。其创作立足中国文化遗产的当代转译，持续关注传统视觉系统在数字媒介中的再生机制，尤其聚焦汉字、纹饰与民间图样等文化符号，探索其在影像、装置、交互界面与算法生成中的跨媒介延展。曾获德国iF设计奖，作品入围全国美术作品展、亚洲艺术双年展等，并于中国美术馆、798艺术中心等机构展出。代表作品包括《隐匿的汉字》（北京恭王府博物馆）、《见山》（北京时代美术馆）、《中轴万花筒》（前门广和楼）等。何一沙艺术家，现任中央美术学院美术馆媒体部主任，毕业于中国美术学院获学士学位，于英国威尔士大学卡迪夫艺术学院获硕士学位。部分参展经历：2024中国（峰峰）首届磁州窑国际陶瓷艺术双年展，中韩陶艺特别展:纪念中韩建交30周年（2022），湖北国际当代艺术邀请展（2018），中央美术学院陶瓷艺术研究院成立仪式暨推衍——中国当代陶艺学术邀请展（2016），艺术北京——当代陶艺展（2015），2015中英文化交流年英国文化季——小羊肖恩“艺术·羊”项目等。李文龙中央美术学院设计学院副教授，硕士生导师；湖北美术学院艺术与科技专业特聘教授；跨媒介设计师，研究领域为在交叉学科大设计背景下的机器人智能设计，以及文旅融合设计。长期致力于“艺术、科技、产业”交叉融合下的创新实践。策展人王睿莹中央美术学院艺术设计研究院项目管理负责人，毕业于伦敦艺术大学策展与收藏专业。曾参与及策划过多个国内外的展览及艺术项目。曾在伦敦策划海外艺术家个展“Ludicrum Playaria”，参与国际线上艺术展、深圳湾公共艺术季等，并发起推进快乐周末艺术计划。异质共振——瓷·纹影·数塑展览时间：2026年7月7日—9月4日展览地点：中央美术学院美术馆3层C展厅主办：中央美术学院美术馆中央美术学院教师工作部（人事处）中央美术学院教师发展中心学术主持：吕品晶策展人：王睿莹艺术家：潘镜如何一沙李文龙视觉设计：燕阳主编 / 何一沙责编 / 杜隐珠
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: 深化艺科融合共筑学术高地 | 中央美术学院美术馆与香港艺文创新研究院共同签署合作备忘录

2026-07-05

6月27日，香港城市大学代表团一行莅临中央美术学院美术馆参观考察，通过座谈交流与合作备忘录签约，搭建起两地高等艺术与创新教育深度合作的重要桥梁，为未来全方位、多层次战略合作奠定坚实根基。签约仪式现场，双方围绕艺术与科技跨界融合、馆藏资源活化利用、创新人才协同培养、文化IP创意转化等核心议题展开深入座谈研讨，明确以中央美术学院110周年校庆为重要时间节点，系统落地系列合作成果，推动学术共识转化为实践项目。中央美术学院党委常委、副院长于洋致辞中央美术学院党委常委、副院长于洋在致辞中系统梳理了中央美术学院的百年发展脉络。自建校伊始，徐悲鸿先生便倡导 “尽精微，致广大” 的治学思想，这一理念现已凝练为学校校训，成为引领中央美术学院百年办学、学术研究与艺术创作的核心精神内核。作为教育部直属的唯一一所高等美术学府，中央美术学院更是全国唯一拥有美术学、设计学两个学科连续两轮入选国家 “双一流” 建设名单的艺术院校，在高等美术教育领域具有引领性地位。他着重指出，学院即将迎来110周年校庆这一重要历史节点，期待以本次交流合作为契机，深化两校学术互动与资源共享，产出一批高质量、标志性的校际合作成果。香港城市大学副校长（内地策略）鲁春致辞香港城市大学副校长鲁春谈到，自2025年起，双方便开展对接洽谈，期待在中央美院110周年校庆这一重要节点，推出两校联合打造的优质合作项目。他介绍道，香港城市大学二级学院在理工科研究、AR 增强现实等前沿技术领域具备优势，未来将依托学科互补，推动央美优质师资赴港授课、馆藏精品巡展、学术收藏、动画联合创作等跨学科课题落地，实现教学共建、展览共办、资源共享的实质性合作。中央美术学院美术馆馆长靳军发言中央美术学院美术馆馆长靳军表示，双方将立足于前期共识，持续深化创新项目的协同推进与深度落地。中央美术学院在除传统艺术创作外的数字媒体艺术、创意设计创新实践、艺术展览策划传播等领域已形成研究体系与标志性成果，未来将围绕联合科研创新课题、实验基地建设、艺术创新传播等方向，与香港城市大学携手构建长期稳定的合作机制。香港城市大学协理副校长（环球战略）、香港艺文创新研究院院长林芬发言香港城市大学协理副校长（环球战略）、香港艺文创新研究院院长林芬谈到，双方在办学理念、学术方向与发展愿景上高度契合。香港艺文创新研究院始终以教育、艺术、科技与产业融合为核心纽带，拓展创新人才培养路径，服务社会文化创新发展，未来将全力助推两校合作。中央美术学院国际合作与交流处（港澳台办公室）处长王川、中央美术学院教务处处长林笑初等嘉宾共同参与交流，将搭建多元化协同桥梁，覆盖人才培养建设，推动校际合作实施。双方代表签署合作备忘录嘉宾合影签约仪式由中央美术学院美术馆副馆长海军主持。在我馆相关负责人的陪同下，香港城市大学一行重点参观了“中央美术学院美术馆藏陈列——古代中国艺术” 专题展。切身感受到百年央美在艺术传承、藏品研究与公共美育领域的深厚积淀。此次交流与合作，是内地高等艺术学府与香港创新型综合大学的强强联合，既推动了中国优秀传统文化的当代活化与跨地域传播，也为艺术与科技融合创新、粤港澳大湾区与内地艺术教育协同发展开辟了新路径，对构建新时代高等艺术教育合作新格局具有重要示范意义。主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
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: 中央美术学院美术馆一行赴新华社历史陈列馆开展主题党日活动

2026-07-05

6月30日下午，在中国共产党成立105周年之际，中央美术学院美术馆直属党支部一行与中国新闻书店党支部共同走进新华社历史陈列馆，开展联学共建主题党日活动。中央美术学院美术馆直属党支部书记韩文超、副馆长海军、副馆长高高、美术馆直属党支部副书记李垚辰，新华出版社副总编辑李伟、中国新闻书店总经理张名及双方相关部门负责人参加活动。新华社历史陈列馆始建于1909年，前身为清末财政学堂大讲堂，2011年改建为新华社历史陈列馆，现为新华社传统教育基地、党性教育基地和党员活动站。在讲解员的引导下，大家通过历史照片、文献档案与实物陈列，深入了解新华社在烽火岁月中作为党的新闻舆论工作重镇的奋斗足迹。从革命战争年代冲在前线的战地记者，到和平时期重大报道中的新华社身影，丰富的展陈生动呈现了新华人的使命担当。在陈列有新华出版社图书的展柜前，大家驻足翻阅了《新时代治国理政纪实》第一卷和《中华人民共和国年鉴2025》等出版物。参观过程中，嘉宾们还仔细观看了《转战陕北传奇“四大队”》纪录片，感受新华社的红色根脉。参观结束后，双方在中国新闻书店举行座谈，围绕党建联学共建、社区美育、出版物合作、文创开发等方向进行了深入交流。双方一致认为，以“美润中华”为主题，开展务实合作，可以很好地实现资源共享、优势互补。下一步，双方将建立常态化沟通机制，逐一细化落实合作方案。此次联学共建主题党日活动，为中央美术学院美术馆与新华出版社搭建了良好的交流平台。中央美术学院美术馆将继续坚守学术品质，深化展览研究，切实履行美术馆在文化传承、美育传播与社会服务中的核心职能。主编 / 何一沙责编 / 杜隐珠
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: "绽放——第三届全国大学生美术作品展览"中国画展区即将开展！

2026-07-04

"绽放——第三届全国大学生美术作品展览"中国画展区开幕时间：2026年7月6日9:00开幕地点：中央美术学院美术馆学术报告厅展览时间：2026年7月7日-8月2日展览地点：中央美术学院美术馆一层展厅/二层B展厅/三层A展厅/四层展厅主办单位：中国美术家协会承办单位：中国文联美术艺术中心中央美术学院岁序更替，华章日新。在全面建成社会主义现代化强国的新征程上，青年一代不仅是时代的见证者，更是历史的创造者。习近平总书记殷切寄语广大青年：“要自觉听从党和人民召唤，坚定理想信念，厚植家国情怀，勇担历史使命，奋力书写挺膺担当的青春篇章”。在这一时代背景下，由中国美术家协会主办、中国文联美术艺术中心承办的“第三届全国大学生美术作品展览”如期举办。本届展览以“绽放”为总主题，旨在全面检阅新时代高校美术教育成果，发掘优秀青年美术人才，展现当代大学生笃志进取、开拓创新的精神风貌。对于青年而言，“绽放”是才华的显露，是思想的迸发，是生命最美好的姿态；对于艺术而言，“绽放”是传统的活化，是创新的尝试，是笔墨当随时代的生动实践；对于国家而言，“绽放”是文化自信的彰显，是青春力量的汇聚，是中华民族伟大复兴征程中不可或缺的精神底色。中央美术学院作为第三届全国大学生美术作品展览中国画展区的承办院校，始终在深耕美育实践、培养高等美术人才方面发挥着引领作用，近年来一直深入贯彻落实习近平总书记给中央美院八位老教授的重要回信精神，全面推进“美润中华”行动计划，坚持以美育人、以文化人的教育教学实践。本次承办中国画展区展览，正是学校联动全国高校践行美育使命的重要举措。中国画作为中华文化的瑰宝，历经千年沉淀，凝聚着中华民族的哲学思想、审美意趣与精神追求，是中华优秀传统文化标志性的艺术载体。本展区以全国青年优秀创作样本汇聚展现高校中国画教学成果，搭建跨区域学术交流平台，引导青年学子坚定文化自信，自觉承担起传承发展中华优秀传统文化的历史使命。为了系统呈现作品的丰富内涵与多元面貌，中国画展区以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建展览叙事，从宏阔的时代叙事到细微的个体关怀，从自然的风物造化到壮阔的山河岁月，共同勾勒出新时代青年中国画创作丰富而立体的艺术图景，寄托了青年学子们思想的跋涉、情感的流露与灵魂的独白。在这些作品中，我们看到了一颗颗炽热的、与时代同频共振的青春之心，感受到当代中国画坛最具潜力与活力的新生力量。丹青言志，翰墨绽放。让我们共同期待，这些年轻的艺术学子在未来的岁月里，能够继续不忘初心，焕彩共生，以笔墨与色彩抒写中华民族伟大复兴的宏伟画卷，绽放出更加绚丽夺目的光彩！开幕式预约扫描二维码预约共提供300个参加开幕式名额约满即止，先到先得"绽放——第三届全国大学生美术作品展览"中国画展区展览时间：2026年7月7日-8月2日展览地点：中央美术学院美术馆主办单位：中国美术家协会承办单位：中国文联美术艺术中心中央美术学院主编 / 何一沙责编 / 杜隐珠
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: List Released | 30 Graduation Works Permanently Collected by CAFA Art Museum

2026-06-26

As the 2026 CAFA Graduation Season draws to a successful close, the CAFA Art Museum makes an official announcement: a total of 30 outstanding graduate artworks from this year’s graduation season have been added to its permanent collection, including 14 postgraduate works and 16 undergraduate works. The body of work covers a wide range of mediums, such as Chinese painting, oil painting, printmaking, mural painting, calligraphy, sculpture, design, video and moving image, and picture books. This acquisition not only highlights the academic value of graduation creative works, but also embodies the sharpest artistic perceptions of our era. For every graduate, having their work collected by the alma mater’s art museum marks a transformative leap from student creation to formal artistic canon. These thirty young artists will have their names stand alongside distinguished predecessors of the Academy, jointly shaping the contemporary chapter of CAFA’s century-old artistic legacy.Collected Postgraduate Works╲Dong Zhiguo Dwelling in Quiet Nook 200×130cm Oil on Canvas 2026 Oil Painting DepartmentHu Shilei Scenery in the Studio 150×200cm Oil on Canvas 2026 Oil Painting DepartmentChen Yage Have you ever seen animals holding a meeting in the forest varying sizes coated art paper 2026 Printmaking DepartmentPan Hongchi Urban Dweller 40×60cm ×5 Watermark Woodcut 2026 Printmaking Department Zhao Kangqiao The Fifth Season (14/19) 70×50cm Copperplate Print 2026 Printmaking DepartmentWang Bixuan Does My Ship Exist in the New World 50×60×175cm Wood Photosensitive Resin 2026 Department of SculptureZeng Qiumao Lone Walker 30×35×36cm Painted Plaster 2026 Sculpture DepartmentTan Yufei The Shape of Possibilities 4 minutes and 46 seconds Video 2026 Sculpture DepartmentTeng Xiuyi Youth Volunteer Teacher: Old Teng 54×56×56cm Fiberglass，Acrylic 2026 Sculpture DepartmentYan Ming Ice Skating 100×150cm Oil on Canvas 2026 Basic Department of Plastic ArtsRen Zhiying Whispering Tiny Details 220×250×150cm Video 2026 School of DesignChen Xinxue Discrete Points on the Skyline Varied Sizes White Copper & Aluminum 2026 School of Urban Design Lu Yunzheng Incredible Varying Sizes Watercolor, Colored Pencils, Digital Painting 2026 School of Urban DesignXu Keke Travel Around the World Chirp 4′28″ Animated Video 2026 School of Urban DesignUndergraduate Students' Collected Works╲Yang Tian'ai Kuazi Shop 140×195cm Oil on canvas 2026 Oil Painting DepartmentGui Yuanlong Bright Sunny Day 150×120cm Oil on Canvas 2026 Oil Painting Department邢梦书涌动着 170×250cm 综合材料 2026 壁画系闫心语栖息单元尺寸可变视频 2026 城市设计学院肖敏君衍育童年——情绪精灵尺寸不一树脂 2026 城市设计学院王玉楷没有为什么尺寸不一数字绘画 2026 城市设计学院孙一淼芥子明 8分40秒数字媒体 2026 城市设计学院袁睿骞什么都没有的期望-火情 39.5x60.5 综合材料 2026 版画系马胤朔火商 240×150cm 绵纸、铜粉 2026 中国画学院袁璋钰境 205×200cm 纸本设色 2026 中国画学院崔梓慧隶书《使至塞上》 240×45cm 纸本墨笔 2026 书法学院 Li Zhilin Summer Shrubs 5′52″ Animated Video 2026 School of DesignHou Mingcan Deviating from Objects: Unconventional Creation Variable Sizes Mixed Media 2026 School of DesignXu Yue, Mountain Moving, 5′38″, Video, 2026, School of DesignLu Ziman Second World 14 Points Video 2026 School of DesignLi Junxiao Yourself 60×60cm × 9 Photography 2026 Sculpture DepartmentEditor-in-Chief / He YishaEditor / Du Yinzhu
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: The Training Program on Cultural and Creative IP Design, Operation and Management of the Central Academy of Fine Arts officially commences

2026-06-25

On the morning of June 22, 2026, the opening ceremony of the first session of the Training Program on Cultural and Creative IP Design, Operation and Management, hosted by the CAFA Art Museum, was held in the conference room of the Art Museum.Jin Jun, Director of CAFA Art Museum; Han Wenchao, Secretary of the Directly Affiliated Party Branch; Hai Jun and Gao Gao, Deputy Directors of CAFA Art Museum; Li Yaochen, Deputy Secretary of the Directly Affiliated Party Branch, attended the ceremony.╪Part .01Opening CeremonySpeech by LeadersParticipants of this training program come from all over the country, covering practitioners from cultural and museum institutions, cultural tourism enterprises, cultural and creative brands, university teachers and professionals in other diverse fields. Most of them are senior practitioners and institutional leaders with years of in-depth experience in the industry, who look forward to exchanging experience and inspiring one another during the six days of joint study.Speech by Jin Jun, Director of the CAFA Art MuseumIn his speech, Jin Jun, Director of the CAFA Art Museum, stated that as one of China’s key national art museums, the CAFA Art Museum is actively responding to the overall arrangements of the Ministry of Culture and Tourism concerning the design, research and development, operation and communication of cultural and creative products. Cultural and creative merchandise serves not only as a vital carrier for disseminating artistic content featured in exhibitions, but also as a core channel linking the museum with the public and expanding the breadth and depth of art communication. At present, new cultural and creative products and museum gift shops of CAFA Art Museum are being launched one after another, fostering sound connections with visitors and the wider community. He expressed the hope to jointly explore future development trends in this field together with all participants of the training program.Han Wenchao, Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum, delivered a speechHan Wenchao, Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum, extended a warm welcome to participants traveling from afar. He noted that the art museum acts as a window linking the academy to society. The annual Graduation Season event launched by the museum in recent years has grown into a highly popular cultural phenomenon in Beijing. This training program constitutes a key component of CAFA’s resumed non-degree education. Upon completing the courses, participants will forge a bond with the Central Academy of Fine Arts and be recognized as "alumni" of the Art Museum. He expressed his wish that this program will serve as a starting point for long-term exchanges and collaboration among all parties.Speech by Haijun, Deputy Director of the CAFA Art MuseumHaijun, Deputy Curator of CAFA Art Museum, elaborated on the curriculum design philosophy. Given that almost all participants are senior professionals in the cultural and creative industry with experience leading or taking part in cultural and creative projects, the training program centers on cultural design and prioritizes sharing and exchange. It aims to inspire participants to build systematic frameworks by examining the development of the entire industry ecosystem, rather than focusing on training for specific research topics. In terms of instructors, apart from multiple professors from the Academy of Fine Arts, representatives from benchmark cultural and creative institutions including the National Museum of China and the Palace Museum, as well as frontline creators of AIGC cultural innovation, have been specially invited to deliver lectures. The program strives to integrate perspectives from three sectors: cultural institutions, industry players and universities, enabling participants to learn from one another and make progress together within the professional framework of cultural and creative IP design, operation and management. The CAFA Art Museum also hopes to continuously advance aesthetic education and social services through this training program, expand its collaborative network, and pursue coordinated development alongside all partners.╪Part .02Visit the School History MuseumExplore the Graduation ExhibitionFollowing the opening ceremony, led by Teacher Wang Jun from the Public Education Department of the Art Museum, all participants visited the School History Museum of the Central Academy of Fine Arts and the ongoing Graduation Season Exhibition, getting an up-close look at the creations and vibrant vitality of young CAFA students.╪Part .03From Collections to Daily LifeSharing Practices of Cultural & Creative DevelopmentTeacher Liao Fei delivered a lecture themed From Collections to Daily Life: Blockbuster Creation and Exhibition-Integrated Creative Practices of the National Museum of China. He systematically introduced the development system and development model of cultural and creative products at the National Museum of China. Combining case studies including the phoenix crown fridge magnet, the special exhibition of Li Jingxun’s relics, the Year of the Horse zodiac exhibition, and the overseas exhibition of ancient Greek artifacts, the course thoroughly analyzed the innovative approach of "integrating exhibitions and cultural creation" as well as the market-oriented operation logic adopted by the National Museum of China. He also shared successful experience in revitalizing cultural relics, spreading culture, and deeply integrating cultural heritage into people’s daily lives.Scene of the Lecture Delivered by Liao Fei, General Manager of National Museum of China (Beijing) Cultural Industry Development Co., LtdTeacher Tie Zheng illustrated cases of cultural and creative development from the Winter Olympics and the Palace Museum, elaborating on the selection of cultural and creative IPs, development routes and models, as well as diversified cultural communication approaches. He analyzed how to integrate historical and cultural elements into modern life so as to inherit and promote China’s fine traditional culture.Scene of the Lecture by Tie Zheng, Associate Research Librarian, Cultural and Creative Industry Department, the Palace Museum╪Part .04Short-term ImmersionLong-term EmpowermentCultural and creative IP links artworks with everyday life, and more importantly, acts as a bridge facilitating communication between art museums and society. The launch of the inaugural training program represents a new undertaking by CAFA Art Museum in the fields of non-degree education and public services, as well as a proactive response to the national cultural innovation strategy. Going forward, drawing on the Academy’s century-old academic legacy and the museum’s experience and platform strengths in exhibitions, collection management, academic research and cultural and creative development, the museum will keep focusing on the full industrial chain of cultural and creative development, namely "cultural origin research — creative design — IP development — technical application — cross-border operation — commercial implementation". It is dedicated to cultivating interdisciplinary cultural and creative talents with Chinese characteristics who integrate superior artistic aesthetics, sophisticated IP planning capabilities and profound commercial operation competence.Century-long Cultural Lineage，Cultivate Minds via ArtConvey Truth via Civilization，Disseminate Vision via CreationEditor-in-Chief: He YishaEditor: Du Yinzhu
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: 2026暑期实习生招募公告 | 中央美术学院美术馆期待你的加入！

2026-06-24

中央美术学院美术馆2026暑期实习生招募中央美术学院美术馆致力于为有志投身美术馆领域学习、研究与实践的学生提供实习平台。通过参与具体项目的策划执行，实习生能够深入了解美术馆运营机制，为专业学习和职业发展积累实践经验，同时也为培养新一代高素质美术馆从业者创造条件。我馆现开放五大类十二个岗位的暑期实习机会：01展览研究与执行类策展执行助理① 美术史、艺术类相关专业本科及以上学历在读；② 有艺术类展览落地执行相关实习经历，沟通应变能力强；③ 具备优秀的文字编辑处理能力；④ 熟练掌握日常办公软件。布撤展助理① 美术史、设计、造型学科相关相关专业本科及以上学历在读；② 具备较好的公文写作能力；③ 熟练使用常见办公软件及简单绘图软件,熟悉媒体播放软件操作；④ 有展览搭建、布展撤展相关实习经历者优先。展览统筹管理助理① 艺术设计、艺术管理、行政管理、汉语言文学等专业本科及以上学历在读；② 熟练掌握日常办公软件，能够高效完成日常行政办公事务；③ 具备展览项目思维，熟悉展览策划与落地流程，可协助完成资料研究、项目进度跟进、会议统筹等相关工作；④ 细致负责，执行力强，具备良好的沟通协调能力。02藏品管理类藏品管理助理① 艺术史、博物馆学、考古学、档案学、信息管理、文化遗产保护等相关专业本科及以上学历在读；② 工作严谨细致,能够适应重复性、流程化工作；③ 熟练使用Office办公软件，精通Excel；④ 有数据库或藏品管理软件使用经验，掌握基础艺术史知识、能够识别常见艺术门类及专业术语者优先。03媒体制作与推广拓展类媒体编辑助理① 艺术管理、新闻学、中文等专业本科及以上学历或在读；② 具备扎实的文字功底以及撰写与编辑能力，可独立完成艺术类报道；③ 有微信公众号、小红书平台编辑经验者优先。拍摄及视频制作助理① 新闻学、数字媒体等专业本科及以上学历在读；② 具备良好的团队沟通能力；③ 熟练使用拍摄及视频制作基础工具；④ 有抖音、视频号平台编辑经验者优先。商务合作与文创开发助理① 艺术管理、产品设计等专业大学本科及以上学历在读；② 审美基础良好，沟通及执行能力强；③ 熟练使用AI平面设计软件、3D建模软件、office办公软件等；④ 具备摄影摄像和编辑能力、有产品设计基础或活动及艺术合作经验者优先。捐赠与赞助活动助理① 大学本科及以上学历在读，数字媒体专业优先；② 具备良好审美基础与扎实的文字功底，可独立写稿；③ 熟练使用Keynote、Office等办公软件，掌握平面设计基础技能者优先；④ 具备摄影摄像及视频剪辑能力，熟悉Adobe Photoshop、In Design、AI等软件，可独立完成视频制作，有微信公众号、小红书平台编辑经验者优先。04公共教育与服务类前台公众服务助理① 美术史、艺术管理、艺术教育、造型、传媒相关专业本科及以上学历在读；② 服务意识强，有亲和力，具备良好沟通技巧及处理突发状况的应变能力；③ 英文能力突出者优先；④ 可确保周二至周日期间，有五天于9:30-17:30在岗（具体以实际排班安排为准）。艺术工作坊助理① 美术史、艺术管理、艺术教育、造型等专业本科及以上学历在读；② 具备扎实的文字功底，能够独立撰写文案；③ 具备活动组织能力与现场协调能力，执行力强，能够应对多线程工作；④ 有活动摄影摄像、剪辑、美术教学经验者优先。05设计类空间设计助理① 设计类相关专业硕士及以上学历在读；② 理解空间尺度与人体工程学，能协助完成展陈、室内空间的设计与结构优化，具备基础材料与工艺认知；③ 熟练使用AutoCAD，掌握SketchUp或其他制图、三维软件者优先。视觉设计助理① 设计类相关专业硕士及以上学历在读；② 具备扎实的中英文字体、版式设计及色彩搭配能力，可独立完成简单海报、物料排版等基础设计；③ 熟练使用Adobe Photoshop、Illustrator、In Design。① 暑期实习期为2026年7月初至8月底，需完整参与实习周期不少于一个月；② 每周参与工作不少于五天，能够接受周末临时工作安排；③ 实行导师制度，由美术馆安排实习导师，制订实习计划，指导参与项目实践，给予实习评价；④ 实习期间无薪资，不提供食宿；⑤ 根据实习期间表现及时长记录进行综合评估，开具实习证明。需扫描下方二维码下载《中央美术学院美术馆实习生申请表》，填写后发送至 cafamcafam@163.com，可另附个人简历、推荐信等；申请设计类岗位，需提供个人原创作品集（PDF 或在线链接），严禁抄袭或拼贴他人作品；② 邮件主题需注明“姓名+所申请岗位名称”，我们将择优联系参加面试；③ 报名截止时间为2026年6月23日（周二）中午12:00。扫描二维码下载《中央美术学院美术馆实习生申请表》CAFAM期待您的加入！主编 / 何一沙责编 / 杜隐珠
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: The Generation Of Uncertainty – Zhang Xiaoxue Solo Exhibition Unveiled at Waldorf Astoria Art Space

2026-06-24

When art breaks through boundaries, perspectives expand alongside it. From June 16 to October 31, 2026, avant-garde artworks from "Wide Angle° – Youth Experimental Project Space" are on view at the art space on the first floor of Waldorf Astoria Beijing. The inaugural exhibition is The Generation Of Uncertainty – Zhang Xiaoxue Solo Exhibition, curated by Professor Zhao Yan from the Central Academy of Fine Arts, launching an artistic dialogue revolving around perception, the body and technology.Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, Delivers AddressIn his opening address, Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, stated that the "Wide Angle°" initiative serves as a vital platform of the Academy to support young artistic practitioners. Centered on experimentation, the project encourages young faculty to break disciplinary barriers and engage head-on with contemporary thematic issues of our times. More than an incubator nurturing young creators, it acts as a bridge linking the academic art education of the Academy with public aesthetic education for the general public, consistently showcasing the dynamic artistic ecosystem and creative vitality of CAFA to society at large. Zhang Xiaoxue is an outstanding young faculty member of our Academy and a contemporary artist with profound critical thinking. Her creations transcend singular viewpoints. Her works carry monumental visual presence, while conveying delicate perceptions of life through diverse materials, crafting a distinctive tension between light, fluid mediums and profound inner substance. Art knows no inherent boundaries. This cross-domain collaboration, which integrates art into everyday hospitality spaces, marks a wonderful experimental endeavor.Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum, Delivers a SpeechHan Wenchao, Secretary of the Directly Affiliated Party Branch of the Art Museum of the Central Academy of Fine Arts, remarked that this exhibition marks the first time the "Wide Angle°" project has stepped out of the museum galleries and settled in a public social venue. First and foremost, the project was established to build a platform where young artists and curators can express themselves freely. Secondly, centered on cutting-edge exploration and interdisciplinary practice, this venue serves as an experimental field for curation and creation free from rigid, fixed aesthetic criteria. Thirdly, the project title not only echoes the irregular spatial layout of its original gallery space, but also symbolizes broadening horizons within a compact area. It showcases the latest artistic achievements of the Academy to the outside world and reflects the ever-expanding intellectual boundaries of young faculty members. He stated that academic art should never be confined within campus walls. Introducing the "Wide Angle" project to public spaces not only connects young creators with a broader audience base, but also uses art as a bond to break down the divide between institutional aesthetic education and ordinary people’s daily lives.中央美术学院教师工作部部长兼人事处处长杨杰致辞中央美术学院教师工作部部长兼人事处处长杨杰谈到，作为联合发起方之一，人事处始终携手美术馆、教师发展中心，持续助力 “广角°青年实验项目空间” 稳步发展。该项目已正式运行至第四期，同时也纳入了我校青年教师种子计划，是我们服务青年教师成长、夯实学院人才梯队建设的重要抓手。项目以策展实践为载体，兼顾学科研究与社会美育，一系列优质展览，既展现了美院的学术积淀，也释放出青年创作者的无限潜能。本次展览，不只是对“广角”展览的再现，更是艺术家基于这一不同于学院和美术馆的社会空间进行的再创作和再实践。参展艺术家、中央美术学院教师张晓雪张晓雪，青年艺术家，中央美术学院副教授，中国美协会员，北京美术家协会版画艺委会委员，作品曾多次被中国美术馆，浙江美术馆，中央美术学院美术馆等重要艺术机构收藏。张晓雪的创作擅长以女性特有的施力方式及身体介入式的观看方式渗透到每件作品中，力图以身体的在场和触动来探讨身体的诸多属性，并形成新感知和思考。作品探讨在数智时代下持续被重塑的 “人” ，不断聚焦在人这个 “反应体” 上，来探讨周遭语境与时代的变化及反思。嘉宾合影本次展览以张晓雪近年来集中创作的系列作品为样本，试图探讨的是艺术创作中艺术家身体的经验和感觉如何被有效地调动和组织起来，以及在这种经验与感觉的视觉化过程中所涉及到的复杂性。《不确定的生成》正是对这种知觉、意识与技术的混杂语境碰撞的一种转译：位于酒店标志性旋转楼梯处的装置艺术作品《低烧NO.9》以有机异形纪念碑式的方式在空间中展开，作品由繁密的织片和机械装置构成，局部却呈现出一种非常低幅度的蠕动状态，在其营造出的沉浸式空间中，将对身体的表达和陈述切入全面的感知体验中；展厅内的《存在NO.1》则是艺术家运用传统雁皮纸、水色等中国传统材料形成当代化表达。这件由无数片极具可塑性的雁皮纸堆叠塑造而成的作品，亦像是将无数神经纤维触角与时间切片叠加出无限的生命瞬间；作品《0》则以0.02mm手撕钢纤维构建的混沌漩涡形态，呈现截然不同的视觉表达——这既是“0”作为起点与虚空的符号化呈现，也是通过钢纤维的无序延展与神经末梢般的通感，将物理熵、数学“0”与精神震颤凝练成一个静止的、循环往复的混沌系统。本次展览中不同作品所处位置空间的关联性提示，既是对知觉意象在主客体和技术手段的影响之下最终生成图像的一种模拟，同时也是一次在艺术史意义上对于艺术创作历史进程的回溯式的追忆和象征——从装置到架上、从当下到过去、从客体世界到内在心境。不确定的生成——张晓雪个展展览时间：2026年6月19日-10月31日展览地点：北京华尔道夫酒店一层艺术空间主编 / 何一沙责编 / 杜隐珠
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: The 2026 CAFA Graduation Season Comes to a Successful Close Today | Looking Forward to 2027!

2026-06-22

The 2026 Graduation Season of the Central Academy of Fine Arts concluded successfully on June 22. Due to exhibition installation and dismantling arrangements, our museum will be temporarily closed starting June 23, 2026. Please follow our subsequent announcements for the reopening date.The participating schools and departments during this period include: the School of Architecture, Department of Sculpture, School of Design, School of Chinese Painting, School of Calligraphy, Department of Printmaking, School of Humanities, and School of Continuing Education. The graduation works presented by the above institutions cover diverse artistic forms, including urban landscapes, the revitalization of industrial and agricultural wastelands, ink painting and calligraphy, art design empowered by AI, as well as visual communication enhanced by cutting-edge technologies such as digital media and interactive design.School of Architecture╲Whether viewed as a public space or an artistic discipline, architecture has always stood apart from science and technology, which are widely regarded as free of ideological shackles. Every building is an intricate aggregation interwoven with physical conditions, power dynamics, cultural connotations, aesthetic values and numerous other elements. We no longer accept the supposed historical inevitability of any architectural style or cultural evolution; such notions are merely historical narratives constructed through specific perspectives and logical frameworks. Likewise, beneath architecture’s functional and aesthetic appearances lies a solid underpinning of power.Against the context of contemporary society, translating the tensions among various architectural elements into artistic expression has become the core creative focus of this year’s undergraduate architecture students.The graduation works of this cohort predominantly revolve around regeneration solutions for spaces left behind during China’s decades-long urbanization drive since the reform and opening-up era. These include dilapidated traditional agricultural villages, decaying agricultural infrastructure such as granaries, abandoned light and heavy industrial zones — including coal mines and steel mills that have completed their historical missions, renovation proposals for unfinished urban buildings near Baiziwan, and renewal plans for ageing residential communities such as Wangjing Xiyuan and Wangjing Community. A representative example is the graduation project Regeneration Scheme for Xuzhou Longdong Coal Mine developed by the Architectural Renovation and Regeneration Studio. This project serves as a model case of integrated education, research and on-site practical implementation at the Central Academy of Fine Arts.Department of Printmaking╲At the heart of printmaking creation is the use of print-specific language with distinctive "print quality" to convey artists’ perceptions and authentic experiences of contemporary society. The so-called "print quality" largely refers to a unique charm inherent to print art, forged by merging the intrinsic aesthetic properties of various physical printing media with artists’ personalized expressive styles. Prime examples include the "cutting texture" and "wood grain" found in woodcuts. A reverence for and relentless pursuit of pure artistic language has long been a tradition across all fine arts departments at the Central Academy of Fine Arts, a trait vividly reflected in the works of this year’s undergraduate printmaking graduates. What makes these pieces even more exceptional is their portrayal of the pure, fresh beauty of life, paired with a calm, tender and sincere outlook toward the world and the self. Free from grand idealistic narrative myths, they also steer clear of the extreme inward self-expression typical of modern art. This poised, peaceful and gentle temperament glimmers like crystal-clear gemstones amid today’s rapidly shifting society.School of Chinese PaintingSchool of Calligraphy╲Graduation works from the School of Chinese Painting and the School of Calligraphy lay particular emphasis on inheriting and relentlessly refining traditional artistic language, which can be regarded as the fundamental ethos shared by all fine arts departments at the Central Academy of Fine Arts. Art serves as a medium for perceiving and representing the world. Rooted in the time-honored cultural lineage of the Chinese nation, traditional Chinese painting and calligraphy embody a uniquely Chinese way of sensing the world and translating such perceptions into visual forms. Therefore, the rigorous, lifelong cultivation of painting and calligraphic language transcends mere formal techniques, evolving into an essential vehicle for artistic expression that embodies contemporary Chinese identity.Department of Sculpture╲Most graduation works of the Department of Sculpture are dedicated to carrying forward the lineage of traditional sculptural language in the dimensions of representation, expression, metaphor and symbolism. Nevertheless, this year’s creations have made remarkable breakthroughs particularly in conceptual exploration and material expansion at the intersection of sculpture and installation art. Take Vanity by Li Kejia as an example: skyscrapers carved and shaped from found object computer keyboards stand as the Babel Tower of humanity in the new century and a mirage of mankind in a new era. Surrounded and enclosed by four-sided glass mirrors, the skyscraper forms simultaneously reconstruct a vectorized landscape of towering buildings.School of Design╲Contemporary design art increasingly leans toward expressing creators’ real-time social experiences and inner emotions, which stands in stark contrast to the focus of traditional art and design. Traditional design places greater emphasis on technical limitations of material media, practical utility and functionality, cost comparability, traditional elements, prevailing aesthetic trends, and formal beauty. This shift is clearly evident in the graduation works of undergraduate students from the School of Design, Central Academy of Fine Arts. As technology, function and structure increasingly give way to form, light and shadow, color, space, and even interactivity and virtuality, design art has embraced the concept of expansive design. Meanwhile, the dividing lines between design and installation, performance, digital and other art forms have grown increasingly blurred. The undergraduate works of this year reflect the multifaceted complexity of design as a contemporary discipline, as well as the tremendous efforts these young artists have poured into sincerely articulating their personal perceptions and lived experiences. To a certain extent, such sincerity and purity constitute the most precious essence of art.We look forward to the arrival of the 2027 CAFA Graduation SeasonEditor-in-Chief: He YishaResponsible Editor: Du YinzhuContributor: Hong MeiOn-site Photographs: Sun Xiaomeng
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CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

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(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

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The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

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Use in perpetuity.

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

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I have carefully read and agree to the above provisions.

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CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

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Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.