Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

Volunteer Guided Tour Arrangement of CAFA Art Museum (July 30 - August 4)

2024-07-29

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入! 报名方式(1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编/ 杜隐珠
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“光生万物"——斯特凡·杰罗夫斯基的艺术追求

2024-07-28

“那是光照进来的地方:斯特凡·杰罗夫斯基的艺术”正在中央美术学院美术馆展出。斯特凡·杰罗夫斯基(Stefan Gierowski)是战后欧洲最杰出的抽象艺术家之一。此次展览共展出作品27件,通过对艺术史和当代议题的探讨,以及对中国哲学影响的挖掘,为杰罗夫斯基艺术在当代的观看提供了新的视角。展览将持续至9月1日。
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Volunteer Guided Tour Arrangement of CAFA Art Museum (July 23 - July 28)

2024-07-25

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。 CAFAM公益导览时间表 (7月23日—28日)美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入! 报名方式 (1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编/ 杜隐珠
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What does the art museum manage? | The third phase of the "Short-Term Training Course on Art Museum Operation and Exhibition Planning" has officially started!

2024-07-25

想深入了解美术馆的运作奥秘吗?想和美术馆资深专家面对面交流吗?想亲临美术馆展览背后的工作现场吗? 期盼已久的宝藏课程终于开班了!“美术馆运营与展览策划短期研修课程”依托于中央美术学院美术馆多年的机构管理与运营经验,及其丰富多样的展览学术资源。通过精心的课程设置,该项目践行个性化学习、终生学习的精神,致力于培养艺术机构运营领域学术与实践能力兼备的综合性人才,旨在通过展览背后故事的讲述、实际工作经验的分享,让学员全面、深入了解美术馆的实际运营以及展览的组织策划。该课程同时是中央美术学院继续教育学院"中华美育行"社会美育行动计划课程之一。
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Activity Review | The CAFAM aesthetic education research project was successfully concluded

2024-07-24

7月19日,“中央美术学院美术馆青少年美育研究项目”线下活动圆满落下帷幕。活动期间,在中央美术学院教育发展基金会的大力支持下,中央美术学院美术馆项目组精心策划,组织了为期四天的一系列丰富有趣的公共教育活动,有来自北京、天津、山西的师生共约180人参与了此次活动。这不仅延伸了美育课程实践的路径,为众多青少年带来生动的艺术实践体验,更展现出青少年美育研究实践活动在百年央美厚重文化底蕴的滋养下,所焕发出的崭新活力。2024CAFAM美育研究项目开幕01适逢大暑节前,虹销雨霁,绿意盎然,青少年美育研究实践活动在美术馆学术报告厅如约开幕。美术馆相关领导和嘉宾、参加实践活动的同学们以及志愿者们共同见证了这一时刻。美术馆副馆长高高发言开幕式由美术馆王军老师主持开幕式现场参加活动的同学及领导嘉宾合影艺术之美——作品导览02由我馆策划的“青少年美育研究实践活动——抽象之美艺术作品导览会”在美术馆3层B展厅中举行。展厅中来自韩国的四位艺术家和波兰的著名艺术家呈现的作品为同学们带来了一场艺术盛宴。在王军老师的带领下,同学们穿梭于艺术的海洋,他不仅传递了抽象艺术的多彩与奇妙,更是点燃了同学们对抽象艺术的好奇之心。跟随易玥老师的讲述,同学们也捕捉到“蓝图生产力”展览中艺术创作的闪光点,并对更为广阔和久远的时空充满遐想。美术馆馆长靳军、直属党支部书记韩文超书记与同学们亲切交谈公教部王军老师导览现场参观现场正逢“蓝图生产力——未来感在艺术中的表达”开幕式,策展人易玥老师导览现场参观现场“典藏主任面对面”分享交流活动03“典藏主任面对面”分享交流互动在美术馆会议室内举行。美术馆典藏部主任李垚辰老师为大家讲述《美术馆的典藏宝藏》。李老师着重介绍了美术馆的一些珍贵馆藏,详细介绍了这些艺术品的历史背景、创作风格以及它们在艺术史上的重要地位。本次交流会让同学们有机会近距离了解美术馆藏品背后的故事,并从中汲取艺术的灵感和智慧。希望未来能有更多的青少年参与进来,共同推动艺术和文化的传承与发展。美术馆典藏部主任李垚辰老师为大家讲述藏品活动现场形形色色——抽象绘画的语言表达04《形形色色——抽象绘画的语言表达》创作交流活动在美术馆会议室展开。本次活动由孙博老师带领同学们创作交流。同学们收获了很多抽象绘画的知识和技巧,随后同学们以“央美印象”为主题展开创作,并在创作过程中体验到了艺术的乐趣和魅力,提升了自己的艺术素养和创造力。孙博老师指导同学们进行创作同学们带着自己的“央美印象”作品与孙博老师合影留念木刻版画——历史悠长05同学们在卢标老师的带领下进行了一次别开生面的木刻版画木板油印的学习和体验。本次活动让同学们亲身感受到传统木刻版画的魅力,通过学习了解其创作过程,并激发他们对版画艺术的兴趣。卢标老师教授大家木板技法同学们拿着作品与卢标老师合影馆藏石膏雕塑——观摩学习06同学们在石膏陈列馆进行了一次与众不同的观摩学习活动。通过近距离接触石膏艺术品,可以提升同学们的艺术鉴赏能力和创作灵感,同时了解石膏雕塑这一艺术形式的历史和技法。同学们在专注地临摹石膏像观百年校史——与时代共进07在校史馆参观过程中,张子薇老师为大家进行了详细深入的导览。百年美院是中国美术事业百年历程的重要缩影,美院人为中国造型、与时代同行。同学们纷纷发言,在一代代名家大师和一幅幅经典名作前进行了充分探讨交流。王华老师带领同学们参观了美院校园,感受中央美术学院独特的艺术氛围和校园之美,激发他们对艺术的热爱和向往。张子薇老师为大家做校史讲解参观现场王华老师讲解校园历史收获满满——颁发证书08青少年美育研究实践活动证书颁发仪式在美术馆学术报告厅举行,李垚辰主任与杨柳主任为同学们颁发证书,此次学习和体验活动不仅是一次技艺的传授,更是一次艺术精神的传承。杨柳主任勉励大家,要继续保持对艺术的热爱和探索精神,在今后的学习中不断提升自己的艺术素养和创作能力。在热烈的掌声和欢声笑语中,本次青少年美育课程实践活动圆满结束。通过这次宝贵的实践经历,同学们不仅收获了知识和技能,更在心中埋下了对艺术的热爱和追求的种子。相信在未来的日子里,这些年轻的艺术爱好者们将继续在艺术的道路上探索前行。青少年美育研究实践活动证书颁发仪式合影主编 / 何一沙责编/ 杜隐珠
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CAFAM Collection Exhibition | “Modern Chinese Art”

2024-07-23

Collection of CAFA Art MuseumMordern Chinese ArtExhibition period: from July 23, 2024Venue: CAFA Art Museum, 2BThe "Collection of CAFA Art Museum" opened On July 23, 2024. CAFA Art Museum is one of the first national key art museums, and also one of the first key art museums to launch a long-term display of its collection. The "Modern Chinese Art" exhibition is the first part of the collection, and the "Ancient Chinese Art" exhibition will be opened in the fall of 2024.
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Sensing the future of the exhibition field |"Blueprint Productive Force - Future Sense in the Expression of Art" opened

2024-07-20

On July 19th, the exhibition "Blueprint Productive Force - Future Sense in the Expression of Art" opened at CAFA Art Museum. Inspired by the National Art Museum Young Curators Support Program of the Ministry of Culture and Tourism, the exhibition aims to encourage young curators to research and sort out the museum's collections from different perspectives and present them with different outlooks and academic ideas.Blueprint Productive Force - Future Sense in the Expression of Art,The 13 groups of works involve cross-period dimensions of expression and cross-media visual characteristics, and present the working methods and creation logic of artistic production through multiple sets of procedural materials, through four parts: "Preface", "Space Wandering", "Serial Machine" and "Echoes".together constituting an exhibition field that connects the past, the present and the future. 参加开幕式的嘉宾有:中央美术学院美术馆馆长靳军、直属党支部书记韩文超,中央美术学院教授、油画系第五工作室负责人孟禄丁,人文学院教授曹庆晖,学生工作部副部长刘媛媛,设计学院与科技方向召集人、参展艺术家张文超,北京画院理论部副研究员张楠,参展艺术家甘浩宇、李宇辰,美术馆策划研究部副主任、本次策展人易玥等。美术馆副馆长高高担任主持人。中央美术学院美术馆馆长靳军致辞中央美院美术馆馆长靳军在致辞中表示, 本次展览既是基于对馆藏当代作品的研究,同时也深入探讨艺术创作和美术教育所关注的当代议题。"蓝图生产力"指代的是艺术所承载的预见之力和想象之感,这正是对这个时代"新质生产力"的回应。在十余年里,央美美术馆已经策划了数十场基于馆藏研究的展览,同时也举办了诸多引发讨论的双年展和当代艺术展览。本次展览为美术馆从这两类展览中积累的学术成果建立了可以相互关联的通道。他希望以此推动对馆藏作品多样化的研究和呈现。中央美术学院人文学院教授、本次展览学术顾问曹庆晖致辞中央美术学院人文学院教授、本次展览学术顾问曹庆晖在致辞中谈到本次展览在策划中遇到的问题以及展出的重要性。他非常认同策展人基于美术馆的馆藏,将展览主题落实到“生产力”的角度去讨论,并且使用一种创新性的词汇——“蓝图生产力”去表达。在展陈的搭建设计方面,由于跨媒介形态,主题鲜明,可以给人一种立体的呈现,使展出内容丰富。在今后的美术馆青年策展人扶持计划中,青年策展人怎样如何通过藏品进行叙事是值得探讨和突破的一个难题。中央美术学院美术馆策划研究部副主任、本次展览的策展人易玥致辞本次展览策展人易玥在致辞中感谢馆领导的充分信任和全力支持,感谢多位老师的指导、参展艺术家的贡献、美术馆同事的辛勤工作,感谢给予这个展览极大关注的各位朋友。希望大家走进展厅,能够从展览中捕捉到艺术创作的永恒闪光、看到更为广阔和久远的时空。中央美术学院设计学院与科技方向召集人、参展艺术家代表张文超致辞中央美术学院设计学院与科技方向召集人、参展艺术家代表张文超在致辞中表示非常荣幸能够受邀参加此次展览。他认为,从策展的方案到理念,都伴随着艺术家和策展人对自然的改造、对科技的探索,这些促使了新的艺术实践的产生。这个展览从新中国建设的历史线索中发掘了一个独特的学术视角,希望大家可以参与其中去感受。中央美术学院美术馆副馆长高高担任主持人嘉宾合影本次展览的主题“蓝图生产力”,即是艺术家畅想未来的创新实践。艺术不仅在于关注加速更迭的科技与媒介,更是指向人本身对未知领域和未来世界的感知反馈,并先锋性地推动我们看向更广阔的未来。期待各位观众前来探索和交流,展览将持续至9月1日。
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CAFAM展览预告 | “蓝图生产力——未来感在艺术中的表达”即将开展

2024-07-17

7月19日,由中央美术学院美术馆主办的“蓝图生产力——未来感在艺术中的表达”展览即将开幕。本次展览是以艺术创作的“未来感”实践为主要关心,由此进入对科技介入、媒介利用和艺术感知的讨论,并将艺术对生产力的想象置于历史语境中,从而反观艺术作为一种生产力质态的先进性。所谓“蓝图生产力”,即是艺术家畅想未来的创新实践,不仅在于关注加速更迭的科技与媒介,更是指向人本身对未知领域和未来世界的感知反馈,并先锋性地推动我们看向更广阔的未来。展览“引序”把望向未来的视线嵌入美术史研究的坐标之中,关注20世纪中国美术和文艺创作对生产力的表述和畅想。王式廓,十三陵水库工地 3,1958年,60cm×120cm,布面油彩 ,中央美术学院美术馆藏许彦博,生命奏鸣曲,1980年,77cm×80cm,木版单色,中央美术学院美术馆藏“漫游深空”和“机器串联”,从当代艺术创作的多重维度回应“引序”抛出的生产力畅想,展开艺术家对人类痕迹介入广袤宇宙的表述,和对人工产物与自然力量之间的关系的思辨。周吉荣,中国天眼——贵州平塘射电望眼,2019年,80cm×100cm,丝网套色,中央美术学院美术馆藏张文超,90分钟的宇宙观,2023年至今,90分钟循环,数据集、交互影像装置、控制器、卫星拍摄影像,艺术家提供孟禄丁,元速,2012年,145cmx145cm,布面丙烯,中央美术学院美术馆藏甘浩宇,数沙者,2024年,340cm×300cm×240cm,蚯蚓排泄物、太阳聚光烧成陶瓷、金属、镜面、软管、电路板、电机、泥浆,艺术家提供展览尾章“余音”,则重新审视艺术何以承载人类的预见之力和想象之感。唐晖,时空一击,1991年,244cm×360cm,布面油彩,中央美术学院美术馆藏展览基于对馆藏当代作品的研究,同时深入艺术创作所关注的当代议题。十三组作品涉及了跨时期的表达维度和跨媒介的视觉特性,并借由多组过程材料呈现艺术生产的工作方法与创作逻辑,共同构成一个连接历史、现在与未来的展览场域。艺术不仅具备对生产力迭代的洞察,而且得以穿透表象、跳脱时空,以不断超越界限的姿态感知人类文明的未来演进。蓝图生产力——未来感在艺术中的表达主办:中央美术学院美术馆展览时间:2024年7月19日至9月1日展览地点:中央美术学院美术馆3层A展厅展览总监:靳军 韩文超学术顾问:曹庆晖展览统筹:王春辰 高高策 展 人:易玥展览协调:刘希言 徐欣晨设计统筹:纪玉洁展览与视觉设计:孙彤支持机构:北京百展文化科技有限公司  上海特锐艺术展览服务股份有限公司主编 / 何一沙责编 /杜隐珠
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巡展动态 | “耕耘在大地上——馆藏版画专题展”在芜湖市博物馆盛大开幕

2024-07-14

7月10日上午,“耕耘在大地上——中央美术学院美术馆藏版画专题展”在芜湖市博物馆专题展厅开幕。开幕式现场开幕式现场当日,上百名来自全国各地的版画艺术家、版画艺术教育人士和版画爱好者,以及中央美术学院相关部门的代表和美术馆工作团队,齐聚芜湖市博物馆,拉开“中央美术学院美术馆藏版画专题”巡展第三站的序幕。本次展览由芜湖市文化和旅游局、中央美术学院美术馆、安徽美术馆联盟主办,中央美术学院版画系支持,芜湖市美术馆、芜湖市博物馆、芜湖市美术家协会承办,芜湖市经济文化交流协会协办,展览时间为7月10日-7月26日。展览从中央美术学院美术馆藏中精选出90件版画作品。以“土地、耕耘、建设、沉思”四个角度切入几代艺术家对土地的思考、情感与创作。以“土地”作新线索,串联美术馆跨越数十年的版画藏品,谱写一篇讴歌大地、赞颂人民的时代新章。展出的作品中,既有祖国大地的壮美图景,也有耕耘建设的时代缩影以及现代城市的发展足迹;既有现代版画史上的名家名作,也有青年版画家的卓越探索。值此建国75周年之际,借本次展览对绿水青山的家园和耕耘在大地上的人民致以诚挚的敬意。芜湖市文化和旅游局党组成员 副局长 汪晓娟致欢迎辞芜湖市文化和旅游局党组成员、副局长汪晓娟在致辞中首先对中央美术学院美术馆精品馆藏和中央美术学院领导的到来表示欢迎,随后她逐一列述了芜湖悠久的人文历史与文化发展特色,并预祝本次展览成功。中国美协第八届理事中国美协第五届版画艺委会副主任 班苓致辞中国美协第八届理事、中国美协第五届版画艺委会副主任班苓在致辞中讲述了安徽与芜湖在中国版画历史进程中的位置和意义,她特别介绍了重要的安徽版画艺术家、展览以及版画交流活动,忆古追今娓娓道来,为现场嘉宾带来了生动的地区版画历史回忆。中央美术学院美术馆直属党支部书记、本次展览总监韩文超致辞中央美术学院美术馆直属党支部书记、本次展览总监韩文超在发言中对芜湖市文化和旅游局及相关工作单位的重视与配合表示感谢,也对中央美术学院版画系和系领导孔亮对本次巡展的支持表达感谢。他还希望通过这次展览的圆满落地,能够推动之后中央美术学院美术馆与芜湖文旅展开深层、多元的交流合作。中央美术学院院长助理潘承辉 宣布展览开幕开幕式的最后,由中央美术学院院长助理潘承辉宣布展览开幕。开幕嘉宾合影开幕式结束后,到场领导及嘉宾进行合影。随后与会嘉宾及现场观众步入展厅,观赏艺术作品。中央美术学院版画系主任孔亮(参展艺术家之一)在参观展览参观现场展览工作人员展览总监:靳军 韩文超 孔亮 吴晓明展览统筹:王春辰 高高策 展 人:刘希言 李垚辰展览协调:王静 徐欣晨展览助理:陈冠石 张蕾 倪捷 吴杨设计统筹:纪玉洁展览设计:加大设计 筑馨设计公共教育:袁雨菲展览管理:吴鹏典藏管理:徐研 王春玲 马亮 崔然然 窦天炜 李伟主编 / 何一沙责编/ 杜隐珠
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That's How the Light Gets in | Discover "The Art of Stefan Gierowski (1925-2022)" together!

2024-07-11

On July 10, the exhibition "That's Where the Light Comes In: The Art of Stefan Gierowski (1925-2022)" opened at the Art Museum of the Central Academy of Fine Arts. Stefan Gierowski was one of the most prominent abstract artists in post-war Europe. This exhibition is the first retrospective of the artist's work in China since his death in 2022. 27 works are on display, offering new perspectives on the contemporary viewing of Gierowski's art through the exploration of art history and contemporary issues, as well as the influence of Chinese philosophy.The title of the exhibition, "That's Where the Light Comes In," is taken from the song "Anthem" by singer Leonard Cohen. The exhibition explores the multiple meanings of "light" in Gerofsky's art-from light in a scientific sense, to light in a spiritual sense, to light as a necessary component of painting-in response to Gerofsky's statement that "light creates all things". Light gives birth to all things".At the opening ceremony, Chinese and foreign guests gathered together. Guest representatives from the Polish Embassy side were: Yao Weitao, Director of the Political Office of the Polish Embassy in China, Cai Mengling, Director of the Polish Cultural Center, and Wu Daiya, Deputy Director of the Polish Cultural Center; guest representatives from the Stefan Jerowski Foundation were: Hubert Jerowski, Jerowski's son, Natalia Jerowska, Jerowski's granddaughter, and Victoria Krukowkska, a friend of the Jerowski family. Card; Chinese guest representatives include: Tan Ping, former vice president of the China Academy of Art, former vice president of the Central Academy of Fine Arts and professor of the Central Academy of Fine Arts; Jin Rilong, professor of the Oil Painting Department of the Central Academy of Fine Arts and dean of the Nanhai Academy of Fine Arts of the Haikou School of Economics; Jin Jun, curator of the Museum of Art of the Central Academy of Fine Arts and Wang Chunchen, deputy director of the Museum of Art of the Central Academy of Fine Arts; Teng Fei, head of the Jewelry Program of the Central Academy of Fine Arts and instructor of the jewelry studio; Wang Chunjie, former curator of the Himalayan Museum of Art; and Wang Chunjie, Li Feng, director of Minsheng Art Museum, Zhang Hongmei, director of Jilin Art Institute Art Museum, Wang Xinyou, director of Bias Gallery, as well as Philip Dodd, curator of the exhibition, and Erika Kostamanay, associate curator. Gao Gao, Deputy Director of the Art Museum of the Central Academy of Fine Arts, acted as moderator.波兰驻华大使馆政治处主任姚伟涛致辞   Yao Weitao, Director of the Political Office of the Polish Embassy in China, said in his speech that it is of great significance for the cultural exchanges and relations between Poland and China to be able to display the works of Mr. Stefan Jerowski, the Polish master of abstraction, in the Museum of Art of the Central Academy of Fine Arts. At the same time, it is very helpful and influential to the artistic dialog between two countries and two peoples.波兰文化中心主任蔡梦灵致辞 Cai Mengling, Director of the Polish Cultural Center, said that Stefan Jerowski was one of the most important Polish abstract artists in the 20th century, and that the retrospective exhibition at the Museum of Fine Arts of the Central Academy of Fine Arts is intended to introduce to the Chinese audience a comprehensive overview of Stefan Jerowski's works during his creative period, as well as his contributions to the world's culture of abstractionism. It is believed that this exhibition will enhance the cultural exchange and understanding between the Chinese and Polish peoples.斯特凡·杰罗夫斯基基金会代表娜塔莉亚·杰罗夫斯卡致辞   In her speech, the representative of the Stefan Jerovski Foundation, Natalia Jerovska, thanked the various organizations that have provided great support for the exhibition. She hoped that the audience would be able to further understand how much her grandfather really loved Chinese history and philosophy, which even profoundly influenced Stefan Jerovski's personal thinking and artistic creation. It is as if the paths of the past have finally crossed, as China has always been a place that has always been close to Stefan Jarowski's heart.Speech by Philip Dodd, curator of the exhibition   Philip Dodd, the curator of the exhibition, talked about the origins of the exhibition. He said that Jarowsky has benefited a lot from Chinese culture and philosophy, just like Picasso, who for many years lamented the paintings of Qi Baishi. Regardless of where they come from in the world and what cultural background they come from, people's roots are deeply connected to each other. Through this exhibition, he wanted to reveal in a profound way that all people will inevitably move towards each other. This is the ultimate meaning of this exhibition.Speech by Jin Jun, Curator of CAFA Art Museum Jin Jun, director of the Art Museum of the Central Academy of Fine Arts, said that the title of the exhibition is "That's where light comes in". Light has multiple meanings for Jerowski's art. His works form a kind of light shaping that penetrates time and reality, and also brings the audience a world full of color, form and thinking. Light is the theme element in Jerowski's works. Through the subtle contrast between light and dark and the change of transparency, the light and shadow effects of nature are simulated in his paintings. This effect also makes the picture have a certain rhythm of life.  Jerowski is one of the most outstanding abstract artists in Europe after World War II. This retrospective exhibition is a tribute to his artistic achievements and an important event of cultural exchange between China and Poland. In this era of globalization, art plays an irreplaceable role as a way of communication across languages. From the light of reality to the light of art, I believe that Jerowski's works and unique spiritual appeal can make audiences from different backgrounds find resonance in them.The Deputy Curator Gao Gao serves as the hostGroup Photo of the guestsThe influence of Chinese culture, particularly the philosophy of Lao Tzu, on Gerofsky's work, which extends to the exploration of spirituality and emptiness and suggests that Chinese culture has been largely involved in the shaping of modern Western thought; and the artist's great explorations of the relationship between light and color through abstract art, which demonstrates the depth and creativity with which art can provide a response to scientific thought and development. response to scientific thought and development.The exhibition runs until September 1st.                                                                        《CCCLXXXIX》,1977年 Oil on canvas 109 × 109 cm Photo courtesy of the Stefan Jarowski Foundation 《CCCXCVIII》 1977 Oil on canvas 119 × 100cm Photo courtesy of the Stefan Jarowski Foundation《CLXVII》 1962 Oil on canvas 60 × 50cm Photo courtesy of the Stefan Jarowski Foundation《CDLIX》 1981 Oil on canvas 100 × 100cm Photo courtesy of the Stefan Jarowski Foundation                                                                      关于艺术家1990 年,Stefan Gierowski 在华沙的工作室,照片由 Erazm Ciołek拍摄Born in Poland, Stefan Gierowski (1925-2022) is regarded as one of the most prominent abstract artists in post-World War II Europe, and his work has been exhibited widely around the world.In 1959, he participated in the Biennale des Jeunes Artistes de Paris, followed by exhibitions at the Museum of Modern Art in New York in 1961, the Venice Biennale in 1968, and the Museo de Arte Moderna in Mexico in 1975. In addition, Jerowski's work has been exhibited in Belgium, Venezuela, Denmark, Germany, Japan (Tokyo) and Brazil (São Paulo). In his native Poland, Jerowski is an influential teacher and has had a retrospective exhibition at the National Gallery in Warsaw. His work is in the collections of several museums in Poland and around the world, including the Pompidou Center.关于策展人A former director of the Institute of Contemporary Arts (ICA) in London, Philip Dodd has traveled extensively throughout China and Europe over the past two decades. More recently, he has co-curated the Guangzhou Triennial and the Chengdu Biennale. Dodd has curated major solo exhibitions for artists such as Yoko Ono, Sean Scully and Xiao Qin in cities such as London, Beijing, Singapore and Moscow. In addition, he has worked as an executive producer on films with Steve McQueen, Damien Hirst and Edward Said, and has authored several monographs and art books. At the Art Museum of the Central Academy of Fine Arts, Dodd has curated several exhibitions, the most recent of which featured British artist Maggi Hambling.That's How the Light Gets In: The Art of Stefan Gierowski (1925-2022)Exhibition Period: July 10 - September 1, 2024Exhibition Venue: CAFA Art MuseumEditor-in-Chief / He YishaEditor / Du YinzhuPhoto / He Yifei
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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