Exhibitions and Events-News

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CAFAM Exhibition Preview|“Do Brasil à terra -- Sebastião Salgado”Coming Soon

2024-11-11

值此中巴建交50周年之际,巴西摄影大师赛巴斯提奥·萨尔加多(Sebastião Salgado)的展览“巴西,重返大地”将于11月12日至12月1日在中央美术学院美术馆呈现,此次展览由成都当代影像馆、文泽时代和巴西联邦共和国驻华大使馆携手献礼,展出萨尔加多四十多年来在巴西和世界各地拍摄的摄影作品,体现这位现当代摄影大师对故土,以及人类与自然困境的深刻洞察。此次展览由米尔顿·顾然(Milton Guran)和让-吕克·蒙特罗索(Jean-Luc Monterosso)共同策划,通过萨尔加多最具代表性的三十余幅作品,带领观众回顾这位巴西最杰出摄影师的创作生涯,并透过他的镜头,看见人文与纪实摄影所蕴含的人道精神。Entregadores de madeira para as aldeias da Sierra Madre Oriental, perto de Hualtla de Jimenez, 1980 © Sebastião Salgado塞巴斯提奥·萨尔加多在1944年出生于巴西,如今他已成为现当代人文与纪实摄影的重要代表人物。四十多年来,他游历世界,将人类的困境置于创作的核心,关注当代社会的巨大变迁,聚焦因冲突与贫困而受苦的弱势群体。Os subúrbios da Cidade da Guatemala, 1978 © Sebastião Salgado凭借着巴西人的敏锐感知,萨尔加多深入观察环境与生态上的悲剧性滑坡,揭示了它们对这个世界的深刻影响。他得益于自身的经济学背景,对各种情境进行严谨的分析,更以诗意且充满造型美感的影像来表达。Estado do Ceará, Nordeste do Brasil © Sebastião Salgado期待“巴西,重返大地”能为观众呈现当代摄影的杰出之作。▲ ▲ ▲“巴西,重返大地”对谈活动故土的回响:萨尔加多的巴西与人文纪实时间:2024年11月13日(周三)18:30地点:中央美术学院学术报告厅                                                              0学术主持蔡萌(中央美术学院教授、研究员、策展人)对谈嘉宾米尔顿·顾然(策展人、摄影师、巴西里约热内卢国际摄影节创始人、总监)钟维兴(成都当代影像馆创始人、中国艺术摄影学会副主席、法兰西艺术与文学骑士勋章获得者)内容介绍在当代纪实摄影的舞台上,塞巴斯提奥·萨尔加多(Sebastião Salgado)以其深刻的人文关怀与独特的影像语言享誉全球。从20世纪70年代开始,这位出生于巴西的摄影家用镜头关注人类境况的复杂性,其作品聚焦社会剧变、环境危机及因冲突和贫困而受苦的群体。在本次对谈中,萨尔加多的作品将成为核心探讨对象,带领观众深入了解他在影像艺术中的思想与情感表达。对谈嘉宾将结合各自的学术背景与艺术实践,围绕萨尔加多作品中的人文视角、环境意识与纪实之美展开讨论,并将他的创作置于巴西摄影发展的历史全景中加以解析。此次活动将为观众呈现纪实摄影在当代文化语境中的深远意义与多重影响。活动预约二维码校内观众无需预约校外观众请扫码预约入校▲ ▲ ▲  关于艺术家  1944年2月8日出生于巴西米纳斯吉拉斯州的艾莫雷斯,现居法国巴黎。与妻子莱莉娅·瓦尼可·萨尔加多育有两子,膝下还有两孙。1973年,学经济出身的萨尔加多在巴黎开始了职业摄影师生涯,曾与西格玛、伽玛和玛格南等多家世界顶尖图片社合作。1994年,他与妻子莱莉娅·瓦尼可·萨尔加多成立了一家专供自己作品的独立图片社:亚马逊图片社。借由摄影外派工作和长期项目,他去过100多个国家。除了大量新闻出版物上的作品,他的主要作品被收录在一系列图录中,例如:《另一个美洲》(1986)、《萨赫勒,困境中的人类》(1986)、《萨赫勒地带:道路尽头》(1988)、《劳动者》(1993)、《地球》(1997)、《移民》(2000)、《非洲》(2007)、《创世纪》(2013)、《梦的味道》(2015)、《科威特:战火中的荒漠》(2016)。这些书籍的编辑、构想与设计都由莱莉娅·瓦尼可·萨尔加多完成。此外,他的作品迄今已在全世界范围内超过300家博物馆或美术馆完成了巡回展览,并且将持续下去。其中大多数展览活动的组织者都是莱莉娅·瓦尼可·萨尔加多。萨尔加多也成了很多传记作品的主人公。2013年,法国记者兼作家伊莎贝尔·弗朗柯出版了《重回大地》,叙述了这位摄影师的生活与职业生涯。第二年,萨尔加多成了由维姆·文德斯和朱利亚诺·里贝罗·萨尔加多合拍的纪录电影《地球之盐》的主人公。这部送选至很多重量级电影节的纪录片斩获了2014年戛纳电影节“一种关注”特别大奖、2015年法国凯撒奖的最佳纪录片奖。同年,《地球之盐》入围第87届奥斯卡最佳纪录片。塞巴斯提奥·萨尔加多的成就受到了广泛认可。他不仅是联合国儿童基金会亲善大使,还曾在美国马萨诸塞州被授予艺术与科学学院名誉成员称号,并还在世界多所大学获得了荣誉博士学位。他的摄影作品为他赢得了更多知名荣誉,其中包括法国文化部颁发的国家摄影大奖、西班牙的阿斯图里亚斯王子艺术奖、意大利皮奥·曼祖研究中心颁发的意大利共和国总统勋章、巴西里奥布朗库绅士勋章和法国文化部授予的文学艺术勋章。2016年,萨尔加多接替吕西安·克莱格,被选为法兰西艺术学院的终身院士。同年,他被授予法国国家荣誉骑士勋章。2018年,他不仅被摩纳哥公国授予文化成就骑士勋章,还被美国纽约的艺术文学院授予外籍荣誉成员称号。自1990年代开始,莱莉娅和萨尔加多就共同致力于巴西米纳斯吉拉斯州大西洋沿岸部分森林的恢复工作。1998年,在这片土地正式成为自然保护区后,他们成立了泰拉研究所,致力于环境相关的恢复、保护和教育工作。  关于策展人  摄影师、策展人,巴西里约热内卢国际摄影节创始人、总监;社会传播学硕士,人类学博士。巴西里约热内卢联邦大学口述历史及图像实验室研究员,主要研究摄影和人类学领域,发表多篇论文,并出版著作。其作品被巴黎欧洲摄影博物馆、巴西圣保罗艺术博物馆、里约热内卢现代艺术博物馆、巴西里约艺术博物馆等多家公立和私人艺术机构收藏。法兰西艺术院通讯院士、成都当代影像馆馆长。1980年创办“巴黎摄影月”双年展(Mois de la Photo à Paris);1996年创办巴黎欧洲摄影博物馆(Maison Européenne de la Photographie,MEP),并于1996-2018年担任馆长。他曾策划多个展览,并出版多部著作,代表作有:《摄影,一场当代冒险》(1997年度《摄影之眼》最佳外文书),《极端附近》(2011),《法国摄影存在,我曾与之相遇》(2018, Xavier Barral 出版社)等。▲ ▲ ▲巴西,重返大地Do Brasil à terra艺术家塞巴斯提奥·萨尔加多Sebastião Salgado策展人米尔顿·顾然Milton Guran让-吕克·蒙特罗索Jean-Luc Monterosso地点中央美术学院美术馆四层展厅展期2024.11.12 - 2024.12.1主办成都当代影像馆文泽时代协办巴西联邦共和国驻华大使馆学术支持中央美术学院美术馆展览特别支持淡水河谷矿产品(中国)有限公司展览支持SPX书赞桉诺特别鸣谢莱莉娅·瓦尼克·萨尔加多Lélia Wanick Salgado钟维兴主编 / 何一沙 责编 / 杜隐珠
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Unlocking the Unique Creative Techniques of Copper and Silk Screen Prints | "Integration - Chinese Contemporary Artists' Printmaking Exhibition" is now on display

2024-11-10

集成——中国当代艺术名家版画展 展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅根据版面材料,版画可以分为木版画、铜版画、石版画和丝网版画等多个类型,每种版画类型都有其独特的制作工艺和艺术表现形式。本次展览集聚徐冰、隋建国、张晓刚、苏新平、王华祥、孟禄丁、洪浩、陈琦、冯梦波、邱志杰10位艺术家的50件版画作品,展现了传统艺术门类与当代创作技法的对话。在诸多版画类型中,数码微电压印刷版画代表了现代科技与艺术的巧妙结合,木版画以其悠久的历史和质朴的美感备受推崇,而石版画则因其独特的质感和深邃的色彩表现引人注目。此次展览呈现了徐冰的数码微电压印刷版画,隋建国、王华祥、陈琦的木版画,冯梦波、邱志杰的石版画,张晓刚、苏新平、王华祥、孟禄丁的铜版画,以及洪浩的丝网版画。在传统技法与当代创意的碰撞中,这些作品揭示了多个维度的视觉形象与艺术家的独特感触,从而再现艺术家的个人图示。在上期内容中,我们已经探索了木版画与石版画的精湛制作工艺,这一期,我们将继续深入介绍铜版画与丝网版画的独特制作技巧。铜版画张晓刚“我不把自己当成油画家看待,觉得自己首先是一个艺术家,所以希望通过版画这种媒介,去尝试着传递一些东西。”苏新平“学习版画的过程中很多东西写入了我的基因里,并深入骨髓。而我此后的创作都是在无意识地将版画的基因特性释放在作品里。”王华祥“木刻版画,一刀下去非黑即白,我们要用这两种颜色去表达这万千世界。因为不愿受到黑的束缚,我们就要用白去破坏它。每挑出一个白点,就是获得一份解脱。当把整个画面都挑满的时候,就获得了一种前所未有的自由。”孟禄丁“在我看来,当代艺术中,媒介已经变得不重要了。我既可以画油画,也可以使用水墨、雕塑等其他语言进行创作。版画就是一个很好的尝试,也是一种语言实验。”铜版画技法展示制版,将准备好的菲林图像曝光在感光铜版上,再将曝光的铜版置于显影池中显影,清洗残留显影液,风干定影。贴背胶,清理铜版表面的氧化层,再将铜版置于腐蚀池中。腐蚀完毕后,清理残留酸液。用脱膜液将感光膜从铜版表面脱离,再调墨,将铜版表面均匀刮墨,用纱布将多余油墨擦拭干净,将印版放置于铜版机上准备印刷。在版面上先后覆盖画纸、毛毡,启动机器,印制。印制完成。丝网版画洪浩“当代艺术走到现在,变得越来越程式化、套路化了,我们被理性桎梏了。观念、策略的盘算太多之后,反而缺少了艺术的纯度和大无畏的东西。因此,我们有必要重新看待艺术。”丝网版画技法展示绘制底片,使用不透明颜料,在透明涤纶薄膜上绘制分版的图案,并将绘制好的底片晾干,转移至曝光室,准备曝光。打开曝光机(照明灯),放置底片,再拿出挂好胶膜的丝网框,放置于底片之上。开动气泵,压实丝网框与底片之间的空隙,设定时间,开始曝光(碘镓灯)。曝光结束,将曝光过的丝网框送至水槽冲洗显影,再送入烘干箱烘干后,固定在印刷机头上。调和印刷所需颜料,同时准备好印制工具,如丝网刮板等,抬起丝网框,放入印刷所用纸张,对准套印位置,将颜料均匀倒入网框边缘,用丝网刮板均匀将颜料布满网面,再将网面上的颜料匀速刮到下方纸面上,抬起丝网框,将印好的画纸放置在晾画架上晾干。印制完成。在这一系列丰富而神秘的技法演绎中,我们共同探索了版画艺术的广阔天地。从木版画创作中的油印木刻、水印木刻法,到石版画、铜版画和丝网版画的独特创作技法,见证了版画艺术从构思到成品的每一个细腻环节。期待您来到展厅,让我们在艺术的旅途中相遇。集成——中国当代艺术名家版画展展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅主办:中央美术学院美术馆主编 / 何一沙责编  / 杜隐珠编辑  / 贺伊飞
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Today is the Beginning of Winter

2024-11-07

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CAFAM Collection Exhibitions | Conveying Power: Entering "Zhao Guilan at the Conference of Heroes" by Lin Gang

2024-11-05

《群英会上的赵桂兰》作品原名《党的好女儿——赵桂兰》,是新中国新年画的代表之作。1950年9月25日,“全国工农兵劳动模范代表会议”和“全国战斗英雄代表会议”在京召开,劳动模范赵桂兰出席会议并得到毛主席的接见。赵桂兰因用身躯保卫国家财产不受损害而导致残疾,其事迹得到了人民的传颂,此时林岗响应学院号召创作了这幅劳模题材的作品。>>>>《群英会上的赵桂兰》 林岗 1951年 绢本设色 138 x 176cm 中央美术学院美术馆藏《群英会上的赵桂兰》是第一次表现国家领导人和人民群众在一起的主题性绘画作品,作品的构图受到达·芬奇《最后的晚餐》等古典主义艺术的影响。无论是横向展开的桌子还是桌子背后的人物组合都表现出这一点。作品上方一排排宫灯的描绘更加深了透视效果。此后类似的“向心式结构”对毛泽东题材的主题创作产生过很大影响。画面中的人物错落有致地排列着,形成了一条弧线,作品以橙红色调为主,营造出温暖的古典氛围。毛主席身着深棕色的中山装,赵桂兰则着画面中最鲜亮的蓝色女式工服,这种搭配增强的画面的视觉效果。林岗在细节处理上非常用心,如画面中的宫灯、地毯、花盆等均有参考资料可查,通过细腻的笔触和色彩表现,使得这些物品富有美感。特别值得一提的是,赵桂兰带着白手套的左手,林岗用白手套艺术性地处理了这一细节,既交代了赵桂兰的英勇事迹,又表达了她对生活的积极乐观态度。整幅作品采用了勾线平涂方式,使得画面更加清晰、明快,易于被观众接受和理解。该作品在第二届全国年画评奖中荣获一等奖,其出版发行在百万份以上,将新年画创作推向了一个时代高峰。>>>>中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅展览专业照明赞助:AKZU(深圳市埃克苏照明系统有限公司)展览空间建筑设计顾问:中国建筑科学研究院主编 / 何一沙 责编 / 杜隐珠
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The Station of Central Academy of Fine Arts Has Arrived~~

2024-11-04

The station of Central Academy of Fine Arts has arrived~~
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Explore the rich and mysterious technique interpretation of 'printmaking|Printmaking Techniques for "Accumulation - Chinese Contemporary Artists' Printmaking Exhibition" (I)“集成——中国当代艺术名家版画展”的版画创作技法(一)

2024-11-04

According to the plate materials, prints can be divided into multiple types such as woodblock prints, copperplate prints, lithographs, and silk screen prints. Each type of print has its unique production process and artistic expression form. This exhibition gathers 50 print works by 10 artists including Xu Bing, Sui Jianguo, Zhang Xiaogang, Su Xinping, Wang Huaxiang, Meng Luding, Hong Hao, Chen Qi, Feng Mengbo, and Qiu Zhijie, showing the dialogue between traditional art categories and contemporary creative techniques.Among many types of prints, digital micro-voltage printing prints represent the ingenious combination of modern technology and art. Woodblock prints are highly regarded for their long history and simple beauty. Lithographs attract attention because of their unique texture and profound color expression. This exhibition presents digital micro-voltage printing prints by Xu Bing, woodblock prints by Sui Jianguo, Wang Huaxiang and Chen Qi, lithographs by Feng Mengbo and Qiu Zhijie, copperplate prints by Zhang Xiaogang, Su Xinping, Wang Huaxiang and Meng Luding, and silk screen prints by Hong Hao. In the collision between traditional techniques and contemporary creativity, these works reveal visual images in multiple dimensions and the unique feelings of artists, thus reproducing the personal schemas of artists.During the exhibition, we will follow in the footsteps of the participating artists to explore the creative processes behind different types of prints and further understand printmaking techniques.Digital micro-voltage printing print═══════════════════════Xu Bing“Today, the power of what we call the media and the spreadability of prints are essentially the same. When we open ourmobile phones, your interface and mine are all the same. It's the same all over the world. Isn't this just like prints? This kind of consensus becomes extremely strong.”Xu Bing, "Phoenix Picture No.1", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.2", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.3", micro-voltage printing process, 76×56cm, 2008.Xu Bing, "Phoenix Picture No.2", micro-voltage printing process, 76×56cm, 2008.Woodblock Print═══════════Sui Jianguo“The more you want to preserve the sensibility, the more you need a rational program to validate it; it's by putting these two extremes together that the work becomes interesting.”Sui Jianguo, "Time and Wormhole 1", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 2", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 3", black and white woodcut, 56×76cm, 2019.Sui Jianguo, "Time and Wormhole 4", black and white woodcut, 56×76cm, 2019.Wang Huaxiang “Woodcut print, one cut down is either black or white. We use these two colors to express this myriad world. Because wedon't want to be bound by black, we use white to destroy it. Every time a white dot is picked out, one gains a kind of liberation. When the entire picture is filled with picked-out dots, one gains an unprecedented freedom.”●●● ●Wang Huaxiang, Virus Wearing a Mask No.1", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.2", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.3", black and white woodcut, 76×56cm, 2020.Wang Huaxiang, Virus Wearing a Mask No.4", black and white woodcut, 76×56cm, 2020.
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中央美院曹庆晖教授领衔编著《新中国美术家·滑田友》出版发行

2024-11-01

《新中国美术家·滑田友》编  著:曹庆晖 易玥 李展出版发行:中国青年出版社出版日期:2024年10月第1版 第1次近日,由曹庆晖教授领衔编著的《新中国美术家·滑田友》一书出版。该书作为CAFAM学术丛书“新中国美术家”系列的子目,入选“十四五”国家重点出版物出版规划项目。CAFAM学术丛书“新中国美术家”系列以中央美术学院美术馆的学术研究和馆藏作品为依托,呈现新中国成立后,几代美术名家的艺术人生之路。通过个案研究,梳理这段发生在近现代传统美术转型后的风云激荡的美术史。中央美术学院美术馆自上世纪五十年代起便以展览的形式参与到新中国美术史的书写之中。随着迈入新时期后迎来的美术馆学术建设的系统化发展,中央美术学院美术馆持续地推动丛书的编写和出版,使其立足于中央美术学院美术馆扎实的学术研究工作,这些工作既包括对馆内藏品、展览的基础性梳理,也包括对艺术史、艺术理论和美术馆学的深入思考。滑田友简介滑田友(1901—1986),现代雕塑家、教育家,江苏淮阴人。1933年至1948年留学法国15年,作品曾获巴黎春季沙龙金奖等诸多荣誉。回国后历任国立北平艺术专科学校雕塑科教授,中央美术学院雕塑系教授、主任。存世代表作有《沉思》《轰炸》《五四运动》等。《新中国美术家·滑田友》由中央美术学院人文学院曹庆晖教授领衔编著的《新中国美术家·滑田友》,基于2021年策划实施的“勿失毋忘—— 雕塑家滑田友诞辰120周年纪念展”的研究积累。该展以曹庆晖教授提出的“艺术物料学”为指导,深入挖掘有助于认识滑田友艺术实践发生的多方面过程性物料,特别注意对滑田友留学时期的绘画、雕塑作品以及照片、通信、证件等物料的展示,特别注意对滑田友雕塑创作原作、滑田友拍摄作品照片以及日后作品铸铜之间的梳理和区分,特别注意将滑田友在创作与教学方面的思考文本和他的创作实践成果有逻辑地编辑在展示空间中,特别注意以富有现实根据的思路去组织此前外界并不了解的滑田友的考察和读书活动,公开了他踏察中国传统雕塑拍摄的资料照片以及从海外带回的外版藏书。在中央美术学院美术馆展出时,通过多途径传播,收到来自专业和社会领域的积极评价。此次图录编辑,一方面是以平面的方式重新编辑展览空间的剧情结构和物料内容,细化文件资料,突出编辑重点,强调阅读节奏,另一方面又将展览落地后发生的教学与研究编辑其中,加强展览延伸,深入专题研究,以构成一个策划展览、教学推广与美术史研究相结合的中国现代美术研究的展览文本。本书编著曹庆晖中央美术学院人文学院美术史系教授致力于中国近现代美术史、美术教育史、艺术物料学及美术馆典藏研究与展览策划,著有《美育一叶》《走进学院的中国画》《中国现代美术之路图鉴》等。易玥中央美术学院美术馆策划研究部馆员曾参与策划“蓝图生产力——未来感在艺术中的表达”“为时代持笔——韦启美百年诞辰纪念展”“太虚之境:雷安德罗·埃利希”等多个国内外现当代艺术展览,侧重于展览史、展览策划与视觉传播的研究。李展中央美术学院雕塑系第一工作室副教授2017年毕业于中央美术学院造型艺术研究所,获博士学位。雕塑作品被中央美术学院美术馆、浙江美术馆、海澜美术馆、白兔美术馆(澳)等多家机构与个人收藏。
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What a Wonderful "Sculpture Drama" 丨The opening of ”The Great of Sculpture -- 90 Years Seminar of Sculpture Discipline of the Central Academy of Fine Arts“

2024-10-28

On October 26, 2024, the exhibition "The Sculpture Series - 90 Years of the Sculpture Discipline of the Central Academy of Fine Arts" opened. It is sponsored by the Central Academy of Fine Arts and organized by the Sculpture Department and the Art Museum of the Central Academy of Fine Arts. This exhibition systematically reviews and looks back on the artistic journey of the sculpture major of the Central Academy of Fine Arts from 1934 to the present, a journey of 90 years of continuous development and improvement, from a solid foundation to diversification, from self - awakening to disciplinary consciousness. A large number of classic masterpieces with "epochal character", "people - centeredness", and "national identity" are exhibited, carrying the core of the national spirit, highlighting China's style of the times, and showing the beautiful life of the people. Generation after generation of people from the Academy of Fine Arts use sculpture as a historical pen to outline the trajectory of national development, remember the course of the nation's struggle, reflect the spirit of the changes of the times, shoulder historical missions, uphold cultural consciousness, and jointly create the glorious chapter of the 90 - year history of the Sculpture Department.
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The sculpture major of CAFA. Ah~ Is it urban or not~

2024-10-26

▓  ▍ ▓  ▍ ▓  ▍The Great Series of Sculpture —— 90 Years of the Sculpture Discipline of the Central Academy of Fine ArtsSponsor | Central Academy of Fine Arts.Organizer | The Sculpture Department of the Central Academy of Fine Arts, the Art Museum of the Central Academy of Fine Arts.Exhibition Time: From October 22nd to November 24th, 2024Exhibition Location: The third floor of the Art Museum of the Central Academy of Fine Arts chief editor / He Yisha editor / Du YinzhuOn - site pictures / He Yifeifriendly appearance / Zhang Jingyi, Liu Yuwei, Yu Xiangting
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Are You Ready? On October 26th,Let's Look Back On the Ninety - Year History of Sculpture At CAFA and Jointly "Sculpt" The Future!

2024-10-25

15:00 on Saturday, October 26th.Follow the official account of CAFA Art Museum @ CAFA Art Museum on Douyin, WeChat Video Account, Xiaohongshu, and Bilibili.展览策展人曹庆晖教授将会带领观众从学术和展览策划的角度对雕塑学科进行阐释讲述中央美术学院雕塑系九十年的历史Professor Cao Qinghui, the curator of the exhibition, will lead the audience to interpret the sculpture discipline from the perspectives of academics and exhibition planning, and narrate the ninety - year history of the Sculpture Department of the Central Academy of Fine Arts.---------------------------------------------C A F A M直播介绍-------------------------------------------------------------------------------------------| 直播嘉宾 |曹庆晖中央美术学院人文学院教授委员会主任,美术史系教授,博士生导师,九三学社社员,专业致力于近现代中国美术史与美术教育史的教学、科研及展览策划。| 直播主持 |孙婷婷中央美术学院雕塑系直属党支部副书记直播通道抖音平台@中央美术学院美术馆小红书平台@中央美术学院美术馆哔哩哔哩平台@中央美术学院美术馆雕塑大系——中央美术学院雕塑学科90年主办单位丨中央美术学院 承办单位丨中央美术学院雕塑系 中央美术学院美术馆展览时间丨2024年10月22日—11月24日展览地点丨中央美术学院美术馆三层主编 / 何一沙 责编 / 杜隐珠视频制作 / 贺伊飞
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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