Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

30s拔草 |“传移模写:中央美术学院中国画临摹教学作品展”

2025-04-15

30s拔草 |“传移模写:中央美术学院中国画临摹教学作品展”即将于4月16日闭展~还有谁没有近距离观赏央美百年积淀的临摹作品、课徒稿及临创转化创作?300余件作品集中呈现在央美美术馆,信息量巨大!
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Princess Maha Chakri Sirindhorn of Thailand visits the Central Academy of Fine Arts

2025-04-14

From April 7th to 13th, 2025, at the invitation of the Chinese government, Her Royal Highness Princess Maha Chakri Sirindhorn of the Kingdom of Thailand paid a visit to China. On April 11th, Princess Sirindhorn and her entourage visited the Central Academy of Fine Arts. Xu Yang, Secretary of the Party Committee of the Central Academy of Fine Arts, and Lin Mao, Dean of the Central Academy of Fine Arts, met with the princess and her entourage. Han Chansai, the Thai Ambassador to China, and others accompanied the princess's delegation on the visit. Wu Jun, Counselor and Second-level Inspector of the Department of Asian Affairs of the Ministry of Foreign Affairs of China, Zhou Guangxu, First Secretary of the Department of Asian Affairs of the Ministry of Foreign Affairs of China, and others attended the relevant activities. Wang Xiaolin, Deputy Secretary of the Party Committee of the Central Academy of Fine Arts, and Lyu Pinjing, Vice Dean of the Central Academy of Fine Arts, accompanied and participated in the activities.Lin Mao extended a warm welcome to Princess Maha Chakri Sirindhorn for her visit. He briefly introduced the historical evolution, educational philosophy, discipline setup of the Central Academy of Fine Arts, as well as the achievements made in teaching and scientific research in recent years in cooperation with Thailand. He expressed his expectation of carrying out more cooperation with Thailand in the fields of art education and cultural exchanges. Lin Mao pointed out that Her Royal Highness the Princess's vision and insight in deepening the friendship and cooperation between the two countries were truly admirable. He hoped that this exchange would inject new vitality into the development of cultural and educational cooperation between the two countries.After listening to the introduction, Princess Sirindhorn spoke highly of the development achievements of the Central Academy of Fine Arts.Lin Mao and Princess Maha Chakri Sirindhorn exchanged giftsDuring the visit, Princess Sirindhorn and her entourage visited the School of Calligraphy of the Central Academy of Fine Arts. Accompanied by Xu Hai, Dean of the School of Calligraphy, Princess Sirindhorn carefully observed the students' class situation. She then personally took up the writing brush and wrote the Chinese characters "The Artistic Path Remains Evergreen", winning bursts of applause from the teachers and students present on the scene.After observing the class, Princess Maha Chakri Sirindhorn and her entourage went to the CAFA Art Museum. Jin Jun, the director of the CAFA Art Museum, accompanied the guests to visit the exhibition titled "Collection Of CAFA Art Museum — Modern Chinese Art" and introduced to Princess Sirindhorn the background and development of the art museum. Her Royal Highness carefully admired the artworks and frequently exchanged her feelings and opinions with the accompanying personnel.Princess Maha Chakri Sirindhorn has a deep love for Chinese culture and has visited China more than 50 times in the past 42 years. On September 17, 2019, President Xi Jinping signed a presidential decree to award her the "Order of Friendship" in recognition of her active contributions to promoting mutual understanding between the people of China and Thailand and to driving practical cooperation between China and Thailand in various fields such as education, culture, science and technology.The Central Academy of Fine Arts will continue to adhere to the school-running philosophy of openness and inclusiveness, further deepen exchanges and cooperation with various fields in Thailand, and strive to contribute to the everlasting and profound brotherly friendship between China and Thailand.Department of International Cooperation and Exchanges/TextPropaganda Department/PhotosChief Editor / He YishaEditor / Du Yinzhu 
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中央美术学院美术馆临时闭馆公告

2025-04-14

尊敬的观众朋友:根据北京市气象局发布的大风预警,为保障观众人身安全,中央美术学院美术馆将于4月13日(周日)临时闭馆一天,4月14日(周一)例行闭馆。由此给您带来的不便,敬请谅解。对于已经购买4月13日门票的观众,我们将为您自动办理退款,退款金额将按原支付路径退回,预计10个工作日内到账,请您注意查收。中央美术学院美术馆2025年4月13日
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央美花young游 | 这个周末,簪花佩羽,来美术馆一起“走花路”

2025-04-10

这个春日,在中央美术学院美术馆中,你会看到跨越千年的500余件馆藏作品:《桃柳聚禽图》花鸟画的生动传神,朱耷《松鹤芝石图》色彩沉稳而不失活泼;唐代仕女俑的婀娜风姿还能欣赏到央美百年来中国画学院的临摹作品、课徒稿等:《韩熙载夜宴图》听乐、观舞的情景再现;《瑞鹤图》中的仙禽振翅掠过穹顶;敦煌飞天的栩栩如生;法海寺壁画人物的姿态各异;王梦白、王雪涛的花鸟画稿在光影中次第绽放……央美美术馆由此化身为东方美学秘境,我们诚邀您簪花佩羽而来,或着雀纹锦袍,或系花枝步摇,在墨香氤氲间化身古画中人,来美术馆一起“走花路”,共谱一曲花鸟相和的当代风雅。* 专属福利 *即日起至4月13日,着花鸟元素装扮前来的观众,将美美的打卡照po到小红书,带话题#央美花young游,并@中央美术学院美术馆,截至4月14日(周一)17:30,笔记获赞最高的前20位观众,可获得“2025中央美术学院毕业季”门票一张!让我们共赴这场艺术之约!小Tips:如果为活动装扮发愁,别担心!现场有中央美术学院的学子为无装扮的观众绘制艺术脸绘,你将收获独一无二的创意妆容。宋代《文会图》中,东坡居士簪牡丹于冠,在曲水流觞间挥毫泼墨;唐代壁画里的宫娥云鬓斜簪芍药,随霓裳羽衣舞动满庭芬芳;明代江南园林里,仕女鬓插玉兰,手执绘有翠鸟的团扇扑流萤。在东方意境中,簪花不仅是装饰,更是文人墨客对自然之美的礼赞,是生活美学的诗意符号。霓裳羽衣这场千年前的时尚风潮,将自然之美化作流动的诗篇。而今在央美美术馆,你可以装扮成"十二花神",重现古人簪花雅集的盛景,置身《韩熙载夜宴图》般的古典意境;可化身敦煌壁画中的散花天女……你还可以效法唐代《簪花仕女图》,以绒花、点翠复原云鬓花颜,手持绘有《写生珍禽图》元素的团扇;或取意于非闇、颜云霖的《花鸟》,着青绿色长衫,腰间悬垂雀形香囊;亦可解构《御鹰图》图谱,将北宋赵佶笔下的白色雄鹰化作朋克风格的羽饰……今人不见古时月,今月曾经照古人。这场古今共写的丹青雅集,不在他处,正在您簪起海棠、系上雀翎,踏入中央美院美术馆的瞬间。主编 / 何一沙责编 / 杜隐珠友情出镜&脸绘 / 徐睿 杨晓璨 李嫚拍摄 / 贺伊飞
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锐角——策展培育计划 | 第八回方案联展 × “美术博物馆陈列与视觉传达专题训练”课程

2025-04-09

“锐角——策展培育计划”第八回方案联展与“美术博物馆陈列与视觉传达专题训练”课程合作,邀请该课程近年的两个优秀集体策展方案,已于3月27日在中央美术学院美术馆一层公共空间展出。美术馆语境下的策展实务所属院系:中央美术学院艺术管理与教育学院课程主持:冯雪授课教师:冯雪 高高、权文熙、梁爽授课对象:美术博物馆管理工作室本科三年级“美术博物馆陈列与视觉传达专题训练”课程建立在艺管学院本科三年级专业公选课《美术博物馆陈列与视觉传达》原典精读与案例辨析的基础上,带领学生以命题虚拟策展练习的方式,具身体会美术博物馆展览从策划到实施的“全过程”。从动脑到动手,从文本到呈现,课程旨在以“运用”促进与深化学生对艺术史、艺术批评、策展理论及实务知识的认识和理解。课程设置“故事”(story)、“策略”(strategy)和“空间”(space)三个版块的专题训练,并以在中央美术学院美术馆顶层展厅策划一场“中国艺术的古今对话”特展为课题。在多学科背景的专业教师的引导下,学生以策划小组的形式进入练习,伴随国内外有关策展案例研究、重点知识讲授、展览现场授课和课堂讨论,逐步完成对展览主题与主旨的构思和写作、内容版块厘定、国内外不同机构藏品遴选、细化工作流程、组织各类技术文本等环节的专业训练。
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CAFAM说 | 十余位国内外学者聚焦探讨“传移模写与中国画的演进”(内附直播通道)

2025-04-09

“传移模写:中央美术学院中国画临摹教学作品展”国际学术研讨会主办:中央美术学院承办:中央美术学院中国画学院          中央美术学院人文学院          中央美术学院美术馆会议召集人:丘挺  黄小峰时间:2025年4月9日9:00开幕地点:中央美术学院美术馆学术报告厅由中央美术学院主办的“传移模写:中央美术学院中国画临摹教学作品展”正在中央美术学院美术馆展出。本次展览对中央美术学院中国画百年教学创作进行历时性的多维度梳理与研究,回溯中央美术学院中国画教学的文脉精神与学脉传承。为进一步挖掘“三位一体”教学方式的学理特征与思想内涵,展览以“临摹”为切入点,展示央美百年来中国画临摹教学的临摹作品、课徒稿及临创转化创作,通过研究“传移模写”在当代高等美术院校中国画教学中的学理价值与时代新意,从中国画的本体根源上讨论传统视觉图像、程式语言与笔墨理法在当下的纯正性、启示性与开放性。与“传移模写:中央美术学院中国画临摹教学作品展”同期,围绕“中国画的演进模式与文明特质”“临摹在中国画演进中的意义”等主题举办国际学术研讨会,特邀请专家学者莅临中央美术学院,展开研讨与交流。直播通道抖音平台@中央美术学院美术馆小红书平台@中央美术学院美术馆哔哩哔哩平台@中央美术学院美术馆线下报名预约4月9日门票即可参与学术活动会议流程9:00 开幕致辞主持人:丘挺致辞:吕品晶9:20 第一场主持与评议:黄小峰毕斐:“传模移写”辨 [意] 毕罗(Pietro De Laurentis):《集王圣教序》集字过程中的摹写与润饰丘挺:“纸抄纸”——王蒙青卞山水与沈周、董其昌、王翬三家之程式转换与笔墨承变10:20 Q&A 10:45 茶歇11:05 第二场主持与评议:朱万章陈韵如:画稿与摹本:探索画院运作机制的迴路张震:试析董邦达、金廷标的摹写——以三希堂张贴的两幅绘画为中心11:45 Q&A 14:00 第三场 主持与评议:陈韵如朱万章:苏轼画像的摹写与传播——以赵孟頫画本为中心吴雪杉:鹊华秋色:明清“仿赵孟頫”山水与文人画的“主体间性”王中旭:仿古如参禅:禅对董其昌绘画之影响15:00 Q&A 15:25 茶歇15:45 第四场主持与评议:尹吉男陈婧莎:《清明上河图》后期版本与宋本关系的猜想黄小峰:婴戏图的摹仿与创新陈相锋:从观物方式、形理关系到创作转化——宋元绘画临摹与三位一体教学反思16:45 Q&A17:10 会议总结/闭幕致辞会议总结:黄小峰 闭幕致辞:尹吉男嘉宾介绍毕斐,山东荣成人。曾就读于山东大学、中国美术学院。现为中国美术学院美术史教授、博士生导师、浙江省古籍保中心专家委员会委员。出版专著《历代名画记论稿》,译著《书法与古籍》等,点校本《王曰申摹刻砚史手牍》《明嘉靖刻本历代名画记》,发表论文《张彦远家世的历史——以士族家学为中心的考察》《张彦远笔下的长安画家与画迹》等。朱万章,香港故宫文化博物馆研究员,从事书画鉴藏与美术史研究、书画策展等,著有《从吾所好:书画鉴藏与美术史研究》、《书画鉴真与辨伪》、《过眼与印记:宋元以来书画鉴藏考》、《画外乾坤:明清以来书画鉴藏琐记》、《画里相逢:百年艺事新见录》、《图以载道:传统绘画的图像叙事》、《应物而祥:明清花鸟画的另类视野》和《尺素清芬:百年画坛书札丛考(正续编)》等,兼擅书画。毕罗(Pietro  De Laurentis),意大利汉学家,中国国家级人才项目入选者、广州美术学院教授、博导、中外书写文化与美术交流研究中心负责人、清华大学伟伦特聘访问教授。多年来主要从事书法学研究。使用意大利语、英语、汉语三种语言出版了多部著作和论文。代表作有《一觞一咏:〈兰亭诗集〉研究》(Bevendo e poetando tra monti e ruscelli nell’antica Cina)、《以书护法:〈集王圣教序〉研究》(Protecting the Dharma through Calligraphy in Tang China: A Study of the Ji Wang shengjiao xu)和中文专著《尊右军以翼圣教》,译著有张天弓《中国书法主要术语的释读与研究》(Understanding Chinese Calligraphy: 35 Key Concepts)。丘挺,中央美术学院中国画学院院长,教授。中国艺术研究院博士生导师、上海大学博士生导师、浙江大学艺术与考古委员会委员。曾参与多项国家级重要创作,多次参加国际重要学术展并获奖。长期致力于中国画语言的探索与理论研究,作品被故宫博物院、中国美术馆、波士顿美术馆、加拿大安大略省博物馆、浙江美术馆、广东美术馆等机构收藏。出版的专著及画册有《山水画笔墨技法详解》《宋代山水画造境研究》《丘园养素——丘挺书法作品集》等。《延月梳风—丘挺作品集》获2023年中华印制大奖,2022年中国出版政府奖等。黄小峰,中央美术学院教授、人文学院院长。主要研究中国美术史,致力于中国古代绘画的研究。著有《货郎图:小商贩肩挑大历史》《虢国夫人游春图:大唐丽人的生命瞬间》《古画新品录:一部眼睛的历史》《西园雅集:两宋人物画》等,译有柯律格《大明:明代中国的视觉文化与物质文化》。吴雪杉,本科、硕士、博士均就读于中央美术学院美术史系,2003—2015年任教于中央民族大学,2016年调入中央美术学院。研究领域为中国美术史与视觉文化研究,著有《长城:一部抗战时期的视觉文化史》(2018年)、《大河颂:中国现代美术中的黄河》(2023年)、《图像的焦虑:中国现代美术的12个观察》(2024年)。张震,浙江大学艺术与考古学院艺术史系研究员、博士生导师,北京大学人文社会科学院邀访学者,2020年2月至今在浙江大学工作,主要从事中国书画史、书画鉴藏史的研究;2004年8 月至2020年1月在故宫博物院书画部工作,主持策划多项专题展,主编、参与编写图录十余本,出版专著《“因画名室”与乾隆内府鉴藏》,在《故宫博物院院刊》、《新美术》、《美术研究》、《台湾大学美术史研究集刊》、《华夏考古》等发表论文、文章40余篇。陈韵如,台大艺术史博士,现任台大艺术史研究所教授。1997-2019年任职于台北故宫博物院书画处。曾获奖助至日本东京大学东洋文化研究所(2005年)、美国大都会博物馆亚洲部(2014-15年)短期学术访问。主要研究方向为中国绘画史、画论知识与鉴藏史、宫廷画院运作机制等,近期探讨视觉叙事与东亚图绘交流等课题。陈相锋,字南元。现为中央美术学院教授、博士生导师,中国画学院创研部主任,西泠印社社员,中国美术家协会会员,中国工笔画学会会员。出版专著《徐三庚篆刻及其刀法》《菊花白描技法精讲》《五代黄筌写生珍禽图》《陈相锋白描写生课徒作品》《游心方外:陈相锋作品集》《陈相锋花鸟画范例》《宋元墨竹》等10种,编著《中国画技法图典》花鸟篇等13种共计16册,主编《宋元之眼:历代花鸟名品临摹技法丛书》第1、2辑共计14册。陈相锋,字南元。现为中央美术学院教授、博士生导师,中国画学院创研部主任,西泠印社社员,中国美术家协会会员,中国工笔画学会会员。出版专著《徐三庚篆刻及其刀法》《菊花白描技法精讲》《五代黄筌写生珍禽图》《陈相锋白描写生课徒作品》《游心方外:陈相锋作品集》《陈相锋花鸟画范例》《宋元墨竹》等10种,编著《中国画技法图典》花鸟篇等13种共计16册,主编《宋元之眼:历代花鸟名品临摹技法丛书》第1、2辑共计14册。陈婧莎,广州美术学院研究生院副院长、绘画艺术学院副教授。本、硕、博均毕业于中央美术学院人文学院美术史系,主要从事中国古代绘画史研究。著有《宋本之外:〈清明上河图的〉传播与再生》,于《文艺研究》《美术研究》等杂志发表论文多篇。与会者名单(按姓氏拼音排序)毕   斐  中国美术学院艺术人文学院教授[意] 毕罗 Pietro De Laurentis  广州美术学院教授、博士生导师、美术教育学院中外书写文化与美术交流研究中心负责人、清华大学伟伦特聘访问教授陈婧莎  广州美术学院副教授、研究生院副院长陈相锋  中央美术学院中国画学院创研部主任、教授陈韵如  台湾大学艺术史研究所教授黄小峰  中央美术学院人文学院院长、教授吕品晶  中央美术学院党委常委、副院长、教授王中旭  故宫博物院书画部副主任、研究馆员吴雪杉  中央美术学院人文学院美术史系主任、教授丘 挺  中央美术学院中国画学院院长、教授尹吉男  中央美术学院教授、广州美术学院图像与历史高等研究院院长张 震  浙江大学艺术与考古学院教授朱万章  香港故宫文化博物馆研究员传移模写中央美术学院中国画临摹教学作品展主办单位:中央美术学院承办单位:中央美术学院中国画学院     中央美术学院美术馆展览时间:2025年1月21日—4月16日展览地点:中央美术学院美术馆三层展厅主编 / 何一沙责编  / 杜隐珠
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“颅海见山:楔子”对谈预告|地脉与潮声:田野、考古与媒介转译

2025-04-08

地脉与潮声:田野、考古与媒介转译时间:2025年4月8日15:00地点:中央美术学院美术馆会议室(即美术馆咖啡厅斜坡尽头左侧会议室)|对谈嘉宾| 葛康岚古务运动发展小组成员 盛文强作家、海洋文化研究者 邬建安艺术家,中央美术学院教授、博士生导师 |主持人| 刘则芊“颅海见山:楔子”策展团队成员|参与方式| 校内观众无需预约校外观众请扫码预约入校|内容介绍|“颅海见山”从民间出发,将那些游离的精神世界显化至山川之间。本次对谈嘉宾的作品汇聚成了内心风景的多个面向,他们走入在野音声响彻的地下,走入流动着海洋秘史的潮间带,也走入古老智慧与生命力闪烁的原野,在地脉与潮声中考古人迹。对谈以声音、文本和视觉等不同的创作媒介为切入点,探讨来自田野现场的知识、经验和技艺如何转译。|嘉宾介绍|古务运动发展小组古务运动发展小组自成立以来,一直筹备开展针对中国传统民间音声的采集、制作计划。其视野中,包含宝卷讲唱、文人清曲、小曲小调等等。这些音声,如今有的只存在于某些小圈子,有的已经深埋地下。它们记录了古人们最直接的乐与哀,生命的苦痛,以及朴素的期盼。小组的采集和制作计划得到郊眠寺Cable Temple 的支持,同时,作为一个民间音声的发表平台,古务运动发展小组希望此计划有更大的扩展性,容纳各种各样的音声成果。盛文强1984年生于青岛,作家、海洋文化研究者。近年来奔走于中国东南沿海,致力于海洋民间故事、渔夫口述史的搜集整理,兼及海洋题材的跨文体写作实践。作品见于《人民文学》《十月》《花城》《天涯》《大家》等,著有《渔具列传》《海盗奇谭》《海神的肖像》《海怪简史》《岛屿之书》《半岛手记》等。邬建安1980年生于北京,毕业于中央美术学院,获硕士学位并留校任教,现为中央美术学院教授、博士生导师,工作、生活于北京。邬建安的艺术思辨和视觉创造,核心在于借助那些看似远离今日生活的情境,表达人类文明历史中永恒的部分,唤醒人内心感受中隐秘幽微却宏大磅礴的潜意识,进而引发对时代和人的反思与观照。邬建安的作品曾代表中国参加第57届威尼斯双年展,近年来还曾在中国上海余德耀美术馆(2023)、美国伯克利美术馆及太平洋影像艺术中心(2022)、俄罗斯国立艾尔米塔什博物馆(2021)、法国里尔伯爵夫人博物馆(2021)、中国银川当代美术馆(2020)、意大利那不勒斯国家考古博物馆(2019)、日本森美术馆(2018)、新加坡艺术科学博物(2017)、美国波士顿美术馆博物馆(2015)等机构参加重要展事,并在北京、上海、香港、西安、新加坡、巴塞尔、卡拉马祖、芝加哥、纽约等地举办个展。多家世界级美术馆和艺术基金会等机构皆收藏有邬建安的艺术作品,如美国大都会艺术博物馆、洛杉矶郡立艺术博物馆、康奈尔大学赫伯特 F.约翰逊艺术博物馆、中国中央美术学院美术馆、北京民生现代美术馆、星美术馆、巴西奥斯卡 ·尼迈耶博物馆、日本福冈亚洲艺术博物馆、澳大利亚白兔艺术基金会等。|主持人|刘则芊策展人、美人鱼潜水教练。本硕毕业于中央美术学院艺术管理与教育学院艺术史论专业及艺术展览与策划研究方向。当下关注后人类语境中的艺术与博物馆实践、海洋及生态可持续性和环境伦理,在跨文化、跨物种交流间探索策展的边界。曾策划展览“颅海见山:楔子”(中央美术学院美术馆,2025)、“《历史、契机与方法——艺术博物馆策展介入海洋可持续发展目标》研究生学位论文毕业展”(中央美术学院,2024)、“直立的人 返航时我们不必起身”(入围新绎美术馆“青年策展人计划”,2024)、“FIRST AID+ ART CLINIC”(布达佩斯春季艺术节,2022)、“庞茂琨×缪晓春双人展:未来从何而来?”(首届全国大学生虚拟策展大赛二等奖,2022);撰写展评《邬建安“视神经变图”:从细胞到宇宙》发表于中央美院艺讯网。重峦叠嶂处,山重水复;柳暗花明时,声声唤归。“颅海见山”关注个体及群体的际遇,聚焦“现实”在脑海中投射、演化和改造后的模样。展览从民间出发,将那些游离的颅海世界显化至山川之间。峰峦与潮汐交叠,不同的视野交汇于此。“楔子”既引出于展览期间展开的对谈、共读与分享会,又暗示未来将发生于展览空间外的在地实践。一系列事件将远抛片石,共落颅海,我们期待这激起的圈圈“涟漪”能够从波动中漫延开来,连接起相隔的山,也呼唤回离散的人。颅海见山:楔子主办单位:中央美术学院美术馆展览时间:2025年3月18日—4月20日展览地点:中央美术学院美术馆2层C展厅主编 / 何一沙责编 / 杜隐珠
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跨越太平洋的独特艺术创造 | 早期粤籍留美艺术家研究展(巡展)开幕

2025-04-04

春风掠过湖岸新绿攀上苑墙一场横跨大洋的艺术对话在中央美术学院美术馆展开2025年3月31日,文化和旅游部2022年全国美术馆馆藏精品展出季项目“跨越太平洋——早期粤籍留美艺术家研究展(巡展)”在中央美术学院美术馆举办开幕式。该研究专题由王璜生教授领衔广州美术学院美术馆学术团队共同策划实施,并得到众多海内外院校、研究及收藏机构的重要支持。展览通过系统的文献梳理和视觉呈现,聚焦19世纪末至20世纪中叶粤籍艺术家群体的跨文化流动的历史轨迹。北美路径与学界长期关注的留日、留欧或留苏路径形成鲜明比照,该群体与北美华人移民史深度交织。展览不仅呈现该群体的艺术实践,更为全球化的艺术流动研究提供了重要案例,填补了中西艺术史书写盲区中“双重缺席者”的研究空白。出席开幕式的嘉宾有中央美术学院美术馆馆长靳军、美术馆直属党支部书记韩文超、副馆长高高和副馆长海军,广州美术学院新美术馆学研究中心主任王璜生、广州美术学院美术馆常务副馆长陈晓阳、本次巡展的两位策展人广州美术学院副教授杨慧丹和助理研究员李铁军,以及北京大学赛克勒考古与艺术博物馆、北京服装学院民族服饰博物馆、北京理工大学延河艺术博物馆、广西艺术学院美术馆、河北美术学院美术馆、湖北美术学院美术馆、吉林艺术学院美术馆、景德镇陶瓷大学博物馆、鲁迅美术学院美术馆、南京艺术学院美术馆、清华大学艺术博物馆、山东工艺美术学院美术馆、上海大学上海美术学院美术馆、上海交通大学程及美术馆、深圳大学美术馆、四川美术学院美术馆、四川音乐学院美术馆、天津美术学院美术馆、武汉大学万林艺术博物馆、西安美术学院美术博物馆、延边大学美术馆、云南艺术学院民族艺术博物馆、中国美术学院美术馆群等当天到中央美术学院美术馆参加“2025全国高校艺术博物馆联盟会议”的各大高校美术馆、博物馆的馆长和业务骨干等。中央美术学院美术馆馆长 靳军在展览开幕式上,中央美术学院美术馆馆长靳军指出,本次巡展开创了南北美术学院美术馆馆际合作的新模式。作为国内首次系统研究中国早期留美艺术家群体的专题展览,其学术价值体现在多个方面,一是突破传统留学艺术史中以日本、欧洲、苏联为主的研究范式,填补了被历史遮蔽的北美方向的学术空白;二是,通过以广东籍艺术家作为研究样本,揭示了20世纪上半叶中国艺术教育跨国实践的复杂途径,特别是梳理了该群体与中央美术学院早期师资体系的渊源关系,以及南北美术教育的互动脉络;最后,展览通过王少陵、余本等个案研究,呈现了留美术艺术家在创作实践与艺术教育领域的双重贡献,为重新审视中国现代美术教育史提供了新的研究视角。靳军强调,这种基于地域群体研究的策展方法,拓展了艺术史研究中人际网络、区域互动、全球视野等多维研究框架。这次通过南北美术馆的学术合作,建立了艺术机构间资源共享与学术对话的新机制。巡展的成功举办,回应了此次美术馆界各位同仁参与的互动论坛,也为未来美术院校之间的协同研究提供了示范性案例。广州美术学院新美术馆学中心主任 王璜生广州美术学院新美术馆学研究中心主任王璜生在致辞中表示,本次巡展标志着广州美术学院美术馆与中央美术学院美术馆首次建立深度学术合作关系,展览的选品还包括一些地方美术馆的收藏,这些作品的发掘实属不易,感谢中央美术学院美术馆提供这样一个展示被遮蔽历史的机会。该展览研究始于2021年,在获得文旅部2022年全国美术馆馆藏精品展出季项目的支持后得以系统展开。展览以重构早期广东籍留美艺术家群体历史为目标,不仅突破传统艺术留学史中以欧洲、日本和苏联为主导的叙事范式,更延续了2013年与曹庆晖教授在中央美术学院美术馆合作的“留法艺术家与他们的老师”的研究脉络以及与李垚辰等同仁进行的李叔同油画专题、展览,形成了中国近现代艺术留学研究的完整谱系。王璜生特别强调,基于广州美术学院美术馆在李铁夫作品收藏方面的独特优势,广美研究团队在深化李铁夫个案研究的同时,还挖掘出更早的赴美以艺谋生的黎镛以及留美女性雕塑家等个案,串联起华侨劳工史与艺术教育史的交叉研究框架。策展团队的研究显示,这些北美华侨艺术家大多自幼随家族移民,在务工与求学的双重境遇中完成艺术启蒙,这种生存状态与官派留欧艺术家形成鲜明对比,展现出中国现代艺术史中未被充分关注的民间跨国艺术实践路径。这些艺术家个体与家族史、移民史的复杂关联,犹如学术研究的“洋葱结构”,一层又一层,每一次史料的挖掘与阐释的深入,都揭示出新的研究维度。他认为这一领域仍存在广阔的学术探索空间,特别是在跨国艺术网络与地方艺术生态互动方面,亟待学界进一步开掘。广州美术学院美术馆常务副馆长 陈晓阳广州美术学院美术馆常务副馆长陈晓阳表示,本次巡展对这次全国高校艺术博物馆联盟会议有着实证性的意义。巡展整合了中央美术学院和广州美术学院的特色馆藏资源,串联了校际间的学术史、教育史和展览史,构建起校际交流研究的新模式,印证了高校艺术博物馆联盟成立的必要性。她指出,策展团队创造性地将华侨史维度引入艺术史研究,溯源至1868年《蒲安臣条约》签订后的华工移民潮,建构起民间艺术教育跨国实践与官派留学制度的比较研究框架;同时反思主流叙事逻辑,如在旧金山设立领事馆等华侨权益保护机制形成的背景下,这些艺术家以半工半读的生存模式在异域展开艺术探索,其创作既体现了太平洋两岸文明碰撞的微观图景,又拓展了中国近现代艺术史的研究维度。尤为重要的是,新发现的早期赴美艺术家案例,促使学界将离散群体的艺术活动置于全球移民史框架中重新审视。展览通过构建实物证据链,不仅突破了早期留美艺术家“双重失语”的学术困境,更实现了地方性知识与主流艺术史叙事的对话与互动。这种研究路径为艺术史研究提供了新的方法论启示。在展览合作方面,她认为通过校际藏品的资源共享、学术团队跨馆协作等方式丰富了高校艺术博物馆联盟的落地性;最后,她对中央美术学院早期中国画教学展“莫忘初业第一程——早期北平艺专的国画课堂”2025年中在广州美术学院的展出表示期待。中央美术学院美术馆副馆长高高担任主持人嘉宾合影本次巡展的策展人杨慧丹、李铁军围绕展览结构、展厅设计和展览内容等方面进行现场导览。展览的陈列设计以“船”这一跨洋交通工具作为意象构建历史情境,通过艺术家画作、照片、手稿、画具等文献实物,影视记录和浪花、鸣笛音等,构建多维度的展示场景。部分展出作品李铁夫 《男侧面像(大学生)》 布面油彩 60×48cm  1900—1930  广州美术学院美术馆藏伍泽枢 《静物》 板上油彩 40.5×51cm 1940樂藝居藏 关墨园 《古巴国家公园》 纸板油彩 28×43cm 1920s关墨园家属藏关金鳌 《牧羊》 布面油彩 68.5×87.5cm 1961开平市赤坎关族图书馆藏司徒乔 《女歌手》 布面油彩 75×66.5cm 1930—1940 中央美术学院美术馆藏余本 《横躺的裸女》 布面油彩 71×91.5cm 年代不详樂藝居藏朱沅芷 《自画像Self-portrait》 纸板油彩 23.5×18.5cm  1927樂藝居藏王少陵 《长岛夕照》  纸本水彩 57×75cm 1952 中央美术学院美术馆藏曾景文 《港口》 纸本水彩 68×50cm 年代不详樂藝居藏黄玉雪 《盘 Plate》 铜胎珐琅 14.1×14cm  1971 太石斋藏部分参展艺术家介绍文化和旅游部2022年全国美术馆馆藏精品展出季项目 跨越太平洋早期粤籍留美艺术家研究展(巡展)Across the PacificEarly Cantonese Artists Abroad in North America  主办单位:中央美术学院美术馆 广州美术学院美术馆展览时间:2025.03.18—04.20展览地点:中央美术学院美术馆四层展厅 学术顾问:王璜生 胡斌展览总监:靳军 陈晓阳展览统筹:高高 洪荣满策展人:杨慧丹 李铁军展览协调:李垚辰 李捷设计统筹:纪玉洁展览设计:谭达徽展览管理:荆鹏 宿世存 于雨鑫  王新言展览助理:芦丁元 赖晓婷 夏蔚茏典藏管理:李垚辰 徐研 王春玲 马亮 崔然然 窦天炜  李伟 梁小延 梁欣 林朝阳 郑萃茵 李秀棠修复工作:许炀 王丹媒体宣传:何一沙 吴靖 贺伊飞 杜隐珠 丁怡 王秀媛    余爽 刘子瑗公共教育:肖宝珍 耿菁华 王军 姚轶群 梁雯 西华伟财经事务:杨柳 门婧 寇蕾 杜倩盈发展推广:孙炜 伊义 刘星伶 金简如行政支持:蒋思妤 岳君瑶 张倩 郭旭 蔡灿后勤安保:陈小华 吕智发支持机构:广东美术馆 开平市美术馆 开平市赤坎关族图书馆    香港艺术馆 旧金山亚洲艺术博物馆    斯坦福大学坎特艺术中心 美国华人历史学会    伊利诺伊大学香槟分校克兰纳特艺术博物馆    洛杉矶郡立艺术博物馆 美国华人博物馆    罗伯特 · 亨利美术馆鸣  谢:梁慈恩女士(冯钢百家属)      琥珂先生(陈锡君家族友人)      关夏敏先生(关墨园家属)      余锦森先生(余本家属)      朱礼银女士(朱沅芷家属)      胡始康先生(胡意秋家属)      张光铎先生      关询维先生主编 / 何一沙责编  / 杜隐珠
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今日清明

2025-04-04

今日清明
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清明踏青来央美——花间寻道,感受艺术美学的魅力

2025-04-03

尊敬的观众朋友:为满足广大观众的观展需求,我馆将于清明节放假期间(4月4日至4月6日)正常开馆。同时,为丰富观展体验,4月6日(周日)将举办“花之道——花的语言转换与思维构成”课程工作坊,期待您的参与。中央美术学院美术馆2025年4月3日本次活动为内部课程会设置一定数量的座椅欢迎安静旁听| 主讲导师 |
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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