Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: If You Also Have Unresolved Feelings | Take A Look At The Graduation Season Of CAFA And See How They Make Peace With Themselves

2025-05-27

The 2025 Undergraduate Graduation Exhibition of the Central Academy of Fine Arts is currently on display. When artistic creation meets complex inner emotions, this graduation exhibition is no longer just a visual transmission, but has become a dialogue about emotions. In the exhibition hall, a group of "post-00s" creators use brushes, sculptures, and videos to bring this hidden emotion to the stage, making the growing pains, ununderstood loneliness, and unspeakable no longer murmurs in the dead of night, but a resonance shared by thousands of people.01The barrier between reality and memoryCAFAM@ 2025Title: Memory and YouArtist: Chen ZhiweiInstructors: Yang Jing, Zhang Wei, Wang Shaojun, Wu Yongping, Yang KunDimensions: 340x150x180 cmMedium: Mixed mediaChen Zhiwei's Memory and You originates from the longing for his younger brother, who left him many years ago. His younger brother was a very important part of his childhood life and left many beautiful memories. As time passes, the once-clear memories gradually fade and become fragmented. Therefore, he intends to use certain elements to depict the sense of memory fading away and the emotional reluctance to part.Detail drawingsThe work consists of a wall, two figures, and several old objects. The wall symbolizes the barrier between reality and memory, expressing the sense of distance in memory. The figure and the wall on the right are in a relatively complete form, representing the part of reality. The figures and walls on the left are shaped with a sense of dissipation, showing that memories gradually blur and fragment over time. Several old objects full of childhood memories are embedded in the wall, all carrying the bits and pieces of shared experiences. Although the emotion is heavy, in the artist's view, sometimes there is no need to step out of sadness—this is precisely a kind of happiness, proving the traces of their existence.02The Development and Reconstruction of TraumaCAFAM@ 2025Artist: Feng JinjiayiInstructors: Pan Jingru, Yao Lu, Wang ZiyuanWork Information: In Search of Paradise LostMedium: Mixed mediaIn the exhibition hall of the Design School, there is a special narrative work titled In Search of Paradise Lost. The artist's grandmother is a patient with Alzheimer's disease. Through the experience of caring for her grandmother, the artist, from a first-hand perspective, has deeply felt the emotional struggles of being a caregiver and directly faced the widespread misunderstandings and stigmatization of this disease in society. By exploring the inner world of Alzheimer's patients, this project no longer perceives them from the perspective of healthy individuals for comparison. Instead, it cuts in from the patients' own feelings and attempts to break the public's stereotypes that this group "loses their sense of self" and "exists unconsciously" from a de-medicalized perspective.In memory of her grandmother, the artist compiled the multifaceted emotions her grandmother experienced during her illness into a book. Hoping to adopt a more empathetic and subversive narrative perspective, she aims to convey and call on the public to treat Alzheimer's patients with more patience and respect, and to re-understand and accept them. This is not just a story about the fading of memory, but also an exploration of the reconstruction of love and social empathy.03Home is the final echoCAFAM@ 2025Work: Adults Trick Children: Falling Down Will Make You Grow UpArtist: Chen TongqiInstructors: Chen Zhuo, Lin Tong, He HaoMedium: Mixed mediaThe work Adults Trick Children: Falling Down Will Make You Grow Up uses the traditional Cimingxian opera stage from Fuqing as its carrier, exploring the "black dog" symbolizing grandpa's emotional knot through a child's perspective. With persistent love, the child searches for the "non-existent existence," transforming the process of searching into a tangible manifestation of love.The work expresses a gaze upon "home" by integrating family videos with the space of the opera stage—those 心事 (matters weighing on the heart) hidden in wrinkles, unspoken cares, and the stubborn tenderness that persists despite knowing it may be in vain. At the age of seven, Ahua discovered that his grandfather would always murmur to himself by the opera stage, speaking of a "black dog" that only he could see. The innocence of childhood made him firmly believe that finding this "non-existent black dog" would untangle his grandfather's emotional knot. So he ran, fell, and got up again, as if in a stubborn ritual, transforming the search into a tangible form of love. When he grew up, he came to understand that some existences need not be seen with the naked eye—they are already engraved in the folds of stories and hidden in the sighs passed down through generations.The artist wants to dedicate this work to everyone who has "searched" for something in their family: "We are always seeking some definite answer, but perhaps the evidence of love lies precisely in the 'search' that persists despite being in vain. Love is a kind of faith. I hope everyone can become closer to their family, just like the words on the wall at the exhibition: 'Home is our first story and our final echo.'"04When emotions take shapeCAFAM@ 2025Author: Xu ZhiyiWork Title: Looking BackWork Size: VariableWork Material: Experimental AnimationInstructors: Cheng Kemei, Zhou Shu, Zhao BinXu Zhiyi is from Leshan and grew up by the Minjiang River. The river in front of her house flows toward the Giant Buddha not far away. Since childhood, the Giant Buddha has quietly overlooked people from the opposite bank. When she was young, she didn't find this particularly special—the Giant Buddha was just a daily sight by the river. It was not until she left her hometown to study elsewhere that she gradually realized those ordinary things she had never paid attention to had quietly merged into her memories and growth.This work is both a look back and a response to the hometown. Through 2D hand-drawn illustrations and mixed materials, the artist attempts to reconnect with those overlooked gazes and companionships, responding to a kind of guardianship that seems distant but has never truly left, providing an outlet for the "unresolved emotions" in the heart.While the moments of fragmentation during the creative process were undoubtedly painful, when reconstructing the texture, the artist touched upon life patterns more moving than perfection. As Leonard Cohen's poem goes, "There is a crack in everything, that's how the light gets in." Perhaps we need not cling to eliminating the "unresolved feelings" in life but learn to transform scars into prisms of self-awareness. After viewing the exhibition, it is hoped that the audience will also feel: true reconciliation is not about accepting a perfect self, but embracing the soul that carries scars yet continues to move forward.Reservation ChannelThe online reservation and ticketing channel for the 2025 Central Academy of Fine Arts Graduation Season has been opened. Visitors can make reservations and purchase tickets through the CAFA Art Museum mini-program, WeChat official account, or official website (for ticketing instructions, please refer to the official website). The number of daily visiting slots is limited and available until full. During the graduation season, the museum is open as usual on Mondays.When making a reservation, valid identification must be used for real-name registration. Each person can only make one reservation per day. After successful reservation, visitors should arriveChief Editor / He Yisha Editor / Du Yinzhu
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: The CAFAM And China Eastern Airlines Launch A Cross-industry Collaboration With Multiple Media Outlets Helping To Initiate A New Chapter

2025-05-25

On May 21, coinciding with the opening of the "2025 Central Academy of Fine Arts Graduation Season" exhibition, the CAFA Art Museum joined hands with China Eastern Airlines' Beijing Branch and more than 30 media partners to jointly launch the "Chasing the Light" graduation exhibition and media art salon event.On-site of the EventGroup Photo of GuestsJin Jun, Curator of CAFA Art Museum; Cai Yingzhu, General Manager and Party Secretary of the Marketing and Sales Department of China Eastern Airlines' Beijing Branch; Xu Xinli, Director of the Party Propaganda Department and Secretary of the Youth League Committee of CAFA; Han Wenchao, Secretary of the Direct Party Branch of CAFA Art Museum; Hai Jun, Deputy Curator; Gao Gao, Deputy Curator; Lin Zhaohua, Deputy General Manager of the Marketing and Sales Department of China Eastern Airlines' Beijing Branch; and media friends jointly attended the event. He Yisha, Director of the Media and Propaganda Department of CAFA Art Museum, served as the host.On-site Guided TourAt the beginning of the event, the museum's docents and graduates led the guests on a tour of the exhibition, providing in-depth explanations of the creative experiences and sources of inspiration behind a series of outstanding artworks.Jin Jun, Curator of CAFA Art Museum, delivered a speechIn the subsequent media salon session, Jin Jun, Curator of CAFA Art Museums, delivered the opening remarks first. He stated that this cross-industry collaboration with China Eastern Airlines has pioneered a new paradigm for art communication. Coinciding with the "Chasing the Light" exhibition during the 2025 Central Academy of Fine Arts Graduation Season, the exhibition not only showcases the academic achievements of young students but also constitutes a grand art event for the whole nation. In the future, it is hoped that art can break through the boundaries of exhibition halls and "blend into the clouds with the roar of engines," creating an aesthetic experience during flights. Jin Jun also specially thanked the media for their support over the years, noting that their in-depth reports have extended the exhibition to all levels of society, transforming the Academy's explorations into cross-circle cultural waves. He expressed his expectation that this collaboration will become the starting point for the deep integration of art and communication, working hand in hand with China Eastern Airlines to expand the radiating boundaries of aesthetic education and build an "innovation hub."Cai Yingzhu, General Manager and Party Secretary of the Marketing and Sales Department of China Eastern Airlines' Beijing Branch, delivered a speech.Cai Yingzhu, General Manager and Party Secretary of the Marketing and Sales Department of China Eastern Airlines' Beijing Branch, stated that China Eastern Airlines has broken through the positioning of a traditional transportation enterprise and deepened its cooperation with the CAFA Art Museum with the vision of an "Airborne Art Museum." By integrating the creative works of academy students through various carriers, the airline aims to transform flights into mobile art spaces, allowing passengers to experience the heritage of Chinese art during their journeys. Relying on its international route network, China Eastern also seeks to promote young artists' works to the world, showcasing the unique charm of "Chinese Creation" globally. She emphasized that China Eastern will upgrade flight tickets into cultural mediums, establishing art display platforms at 10,000 meters above sea level, making air travel a window for spreading aesthetic education and cultural confidence, and fulfilling the social mission of "Travel as Aesthetic Education."Xu Xinli, Director of the Party Propaganda Department and Secretary of the Youth League Committee of CAFAHan Wenchao, Secretary of the Direct Party Branch of CAFA Art MuseumLin Zhaohua, Deputy General Manager of the Marketing and Sales Department of China Eastern Airlines' Beijing BranchDuring the media Q&A session, Xu Xinli, Director of the Party Propaganda Department and Secretary of the Youth League Committee of CAFA; Han Wenchao, Secretary of the Direct Party Branch of CAFA Art Museum; and Lin Zhaohua, Deputy General Manager of the Marketing and Sales Department of China Eastern Airlines' Beijing Branch, respectively provided detailed answers to the media's hot-topic questions. They deeply discussed the positive role of the graduation exhibition in promoting college students' employment, analyzed the important role of museums in driving tourism development, and fully exchanged ideas on the future directions for collaborative promotional activities between CAFA Art Museum and China Eastern Airlines' Beijing Branch.Q&A Session On-siteHe Yisha, Director of the Media and Propaganda Department of CAFA Art Museum, served as the host.The successful holding of this event marks an innovative collaboration between the Central Academy of Fine Arts and China Eastern Airlines. By deeply integrating aviation scenarios with artistic creation, it has opened up a new model for the popularization of culture and art, injecting cloud-based vitality into urban aesthetic education.Chief Editor / He Yisha Editor / Du Yinzhu
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: Good News | The Exhibition Curated By CAFA Art Museum Is Selected Into The "National Exhibition Season Of Fine Works From Art Museum Collections" Of The Ministry Of Culture And Tourism

2025-05-25

Recently, the General Office of the Ministry of Culture and Tourism announced the 2025 National Exhibition Season of Fine Works from Art Museum Collections Activity Catalog. The exhibition "Flowing Art Realms - International Art Exchange and Research Exhibition from the Collection of CAFA Art Museum" curated by the CAFA Art Museum, was selected. The exhibition will be held at the CAFA Art Museum in September 2025.———————————————————————————————————————————| Exhibition Information |Flowing Art Realms - International Art Exchange and Research Exhibition from the Collection of CAFA Art MuseumOrganizer: CAFA Art MuseumExhibition Date: September to October 2025Exhibition Venue: CAFA Art MuseumThe collection of international artworks has been a long-standing focus and continuously developed collection series of the CAFA Art Museum of for many years. The exhibition "Flowing Art Realms - International Art Exchange and Research Exhibition from the Collection of the Art Museum of the Central Academy of Fine Arts" marks the first systematic collation of the museum's international art collections. The exhibition will present diverse works including paintings, sculptures, and videos, featuring not only representative pieces acquired through international purchases, donations, and exchanges but also thematic works created by foreign artists inspired by China.The exhibition will adopt a historical perspective, tracing the early practices of public collections during the Republic of China period to the cross-cultural interactions in international exhibitions and art education today, as well as artists' absorption and transformation of foreign cultures. Through case studies of the international collections of CAFA Art Museum, it aims to provide the public and academic circles with a museum perspective reflecting the mutual learning of international civilizations, and offer references for future collection practices of international artworks. It is hoped that the audience will experience the boundary-breaking vitality of art and the realistic vision of interwoven and symbiotic different cultures through the exhibition.———————————————————————————————————————————| About CAFA Art Museum |The CAFA Art Museum is a professional and international modern art museum integrating functions such as academic research, exhibition display, collection restoration, and public education. Its history can be traced back to the early 1950s. As the first professional art exhibition hall built after the founding of the People's Republic of China, it is also one of the first batch of key art museums in the country. Upholding the academic philosophy of "inclusiveness, inheriting the past and opening up the present," the museum serves society with "knowledge," commits to the construction of contemporary public cultural spaces, presents human artistic civilization to the public with a new vision, and shares the culture of the era with all sectors of society.Chief Editor / He Yisha Executive Editor / Du YinzhuEditor / Feng Kaiziqi
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: 相约520 | 属于中央美院本科生毕业展的“艺见钟情”

2025-05-22

就算读不懂艺术理论也没关系，当你站在作品前突然心跳漏了一拍，这场毕业展的目的就达到了—— 毕竟心动，从来不需要理由。所谓“艺见钟情”，便是央美学子们用几年的时光打磨出的一句话：“世界或许不够完美，但艺术能让我们相信美好、珍惜美好”。预约通道2025中央美院毕业季CAFAM@ 20252025中央美院毕业季线上预约购票通道已开启，观众可通过中央美术学院美术馆小程序、微信公众号或官网进行预约购票（购票说明详见官网）。每日观展名额限量约满为止，毕业季期间美术馆周一正常开放。预约时需使用有效证件进行实名预约，每人当天只能预约一次，预约成功后，观众按预约时间到场。毕业季期间，在中央美术学院北门票务专用通道刷身份证等有效证件验票进馆。主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞丰凯梓奇
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: CAFAM学术季“青年论坛”征稿启事 | 钩沉与新解——央美美术馆藏品个案研究

2025-05-22

“中央美术学院美术馆藏陈列”于2025年3月开幕，随之展开的美术馆学术季也于同期启幕，系列聚焦于行业发展、美术馆管理、藏品研究的活动将在2025年持续举办。美术馆计划通过学术季这一国际化的视野和跨文化的对话，扩展自身丰富馆藏的社会化认知，探讨当代艺术博物馆在全球化和数字化背景下的担当与使命，为公众提供深度参与艺术对话的平台，实现学术研究与公共教育、社会参与的有机融合。目前已于3-4月完成“文化引擎——中央美术学院国际美术馆高峰论坛”“全国高校艺术博物馆联盟会议”，并计划于6-9月举办演讲论坛和专题论坛。“中央美术学院美术馆藏陈列——现代中国美术”展览现场“中央美术学院美术馆藏陈列——古代中国艺术”展览现场作为学术季的收官活动，美术馆拟定于2025年10月举办“青年论坛”，主题为“钩沉与新解——央美美术馆藏品个案研究”，旨在将青年一代的研究纳入到藏品研究、陈列更新的讨论中。现诚向海内外青年研究者公开征稿，组委会将依据论文内容及质量，确定论坛发言人选。届时，来自艺术及文博领域的专家学者将出席本次论坛，并就与会者的发言进行点评与讨论。征稿主题为“钩沉与新解——央美美术馆藏品个案研究”，内容为针对“中央美术学院美术馆藏陈列”中的近现代美术、古代书画、古代文物作品进行个案研究。馆藏陈列从中央美术学院美术馆2万余件展品中精选近五百件优秀作品，分为“古代中国艺术”和“现代中国美术”两部分。其中“古代中国艺术”部分选取了217件藏品，以“器物”和“书画”为两大类型，包含铜镜、画像砖、俑、陶瓷、宗教造像、人物画、花鸟画、山水画、书法九个子类藏品，时间跨越两千年。“现代中国美术”部分选取了馆藏20世纪中国美术作品247件，以时间为线，梳理呈现了油画、中国画、版画、雕塑等百年造型艺术的发展脉络。相关作品范围详见附件“馆藏陈列展出作品清单”，同时欢迎各青年学者到现场参观“中央美术学院美术馆藏陈列”，观看作品实物以助于深入分析及研究。
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: 将版画“炼”成诗 | 中央美院本科生毕业展

2025-05-22

2025中央美院本科生毕业展第一阶段正在展出，在版画系展厅中，画作上流淌着刀锋的韵律，深浅不一的刻痕宛如一首凝固的视觉诗。本届毕业生的部分作品集体呈现出令人耳目一新的创作转向——在木、铜、石、丝网、拓印、影像等多种媒介上谱写出触手可及的诗意。01时光的诗笺CAFAM@ 2025
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: 今日小满

2025-05-21

今日小满
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: 展览预告｜国家艺术基金2025年度传播交流推广项目“新中国设计的诞生”鲁美站即将启幕

2025-05-20

总策划：徐扬、林茂、许金龙特邀顾问：常沙娜学术主持：吕品晶学术顾问：杭间、许平、蒋兴旺展览总监：赵璐、胡秉文、赵双丽展览执行总监：王雄、靳军、韩文超、海军、高高展览统筹：庄革发、宋喜珍、陈亮、韩立萍、刘红日、林涛、张超、魏强、代刚项目负责人：纪玉洁策展人：周博、纪玉洁特邀策展人：赵璐联合策展人：张儒赫展览文献：刘春芽、徐恺、吴炜、杨欣欣、夏晴、孟楠展览助理：谢书旖、凌晨、于明慧、黄心仪、许梦伊、陈珊珊、王轩逸巡展策展助理：张倩媛、张良铭、陈家怡视觉设计：闵志伊、丁小川、庞明昊空间设计：薛梓桢、丁嘉仪、阎冠廷、杨雨霖、梅宛晨、张智豪、曲怡璇、宋柯杭、李金帝、李木紫特别鸣谢（机构）：中央美术学院档案室、中国工业博物馆、辽宁工业展览馆、辽宁省建筑设计研究院有限责任公司、沈阳城市规划展示馆、沈飞航空博览园、沈阳音乐学院、大连博物馆、大连市规划展示中心、中车大连机车车辆有限公司、旅顺博物馆、鞍钢集团博物馆、抚顺煤矿博物馆、丹东抗美援朝纪念馆、长春博物馆、长春规划展览馆、长春电影制片厂、长影旧址博物馆、长春一汽集团红旗文化展馆、长拖1958文创园、吉林大学地质博物馆、哈尔滨博物馆、哈尔滨规划展览馆、哈尔滨工业大学博物馆特别鸣谢（个人）：马克辛、赵国志、周永红、杨军、张天一、贾延良、周容、唐薇、王人殷、崔冬晖、彦风、戴梦、谢亚平、马鸿锦、历丽丽、曹阳、陈雪、陆刚、李世奇学术支持：国家社科基金艺术学重点项目“新中国设计史研究”（21AG012)课题组主编 / 何一沙责编 / 杜隐珠
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: 518博物馆日限定福利｜“中央美院本科生毕业展”剧透抢先看

2025-05-19

当518国际博物馆日遇上中央美术学院毕业季，一场艺术与青春的碰撞正在美术馆酝酿。“中央美术学院本科生毕业作品展”第一阶段即将启幕，集中展出中国画学院、书法学院、版画系、雕塑系、设计学院、建筑学院、人文学院的毕业作品。今天，我们深入布展现场，为你揭开这场年度艺术盛事的幕后花絮，更有20个免费观展名额限量放送（评论区留言最期待的院系作品，即有机会获得毕业季门票一张）。走进央美美术馆，脚手架与展墙之间，年轻学子正在与时间争分夺秒。当布展的灰尘还未落定，毕业生们仍在为某个细节争执不休。他们用砂纸打磨作品边缘的姿势，像极了在这个时代不愿妥协的棱角。5月20日起，来央美美术馆见证：那些曾不被看好疯狂构想；那些凌晨三点的执念与脆弱，那些铺满工作室的草稿，终将在你的参与下获得千万种共鸣的注解。预约通道2025中央美院毕业季CAFAM@ 2025主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
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: 什么才是央美的“实验艺术” ？ | “中央美院研究生毕业作品展”精彩回顾

2025-05-15

当艺术的边界在实验中消融，当故事的肌理被重新编织，中央美术学院实验艺术与科技艺术学院的年轻创作者用跨维度的实践，诠释了实验艺术对当代语境的深度回应。那么，什么才是央美的“实验艺术”呢？展厅中“实验”二字被反复解绑又重组，在这里能看到他们关于媒介创新、叙事解构、跨界融合和社会镜像的探索。这场以多元叙事为表象的展出，实则是关于艺术本质的哲学追问。也许，真正的实验性永远存在于过程中，以唤醒观众对不确定的觉知。| 温馨提示 |“中央美术学院本科生毕业作品展”即将于5月20开展，精彩不容错过！01媒介创新CAFAM@ 2025李湘宜《双城记》340*340*300cm偶戏表演表演时长12min双城记是一出讲述医疗游民境遇的偶戏表演。父亲带着女儿来到城里看病，女儿在住院，而父亲只能在城里四处寻找落脚处。在这一天中，父亲接连与不同角色相遇，他们丑态百出又解囊相助，在白天与黑夜中展现出千差万别的面孔。作者以表演行为艺术为媒介，讲述了一个沉重的医疗议题。小小的身躯直击现实，展现了社会百态与人情冷暖，内涵深刻，引发了许多观众的共鸣。Mady Cheng《五福四海》200*245*235cm 综合材料全球化曾是某种必然，一种历史叙事的方向。对于成长于90年代末至2010年国际学校的作者而言，世界的连结性并非抽象概念，而是一种日常经验——不同语言中交错，饮食习惯在餐桌上交融，身份流动在对话之间展开。“地球村”不仅是经济与文化的框架，更是他早年世界观的基石。然而，今日的现实指向另一条轨迹。去全球化正在成为主导趋势，国家间的壁垒再度强化，区域性的文化与经济格局加深分裂。在这样的背景下，《五福四海》试图借助味觉的媒介，重构全球经验，召唤那些曾经共存、彼此滋养的关系。菜肴不仅是物理性的混合，更是社会记忆的沉淀，承载着过往的理想，也折射出当下的矛盾。在这场宴席之中，食物超越其生理功能，成为文化的隐喻、历史的载体和情感的出口。一桌菜，既是一次回溯，也是一次提问：当全球化不再是共识，我们该如何重新理解彼此？02叙事解构CAFAM@ 2025罗厚麟《流浪艺人》300*300*300cm 漫画、瓦楞纸板这件作品截取自作者的漫画《南方蟑螂》中未完成的第四章“流浪艺人”，故事以90年代虚构的南方县城为背景，当流浪马戏团闯入这座潮湿的南方小镇，帐篷里每天都在上演着不同的奇幻剧场。罗厚麟《流浪艺人》300*300*300cm 漫画、瓦楞纸板这件作品截取自作者的漫画《南方蟑螂》中未完成的第四章“流浪艺人”，故事以90年代虚构的南方县城为背景，当流浪马戏团闯入这座潮湿的南方小镇，帐篷里每天都在上演着不同的奇幻剧场。观众创作的故事赵祎彤《声域地理》尺寸可变影像、公共电话机、开发板、串口屏幕《声域地理》作品由影像及改装公共电话构成。公共电话作为载体，承载着不同语境下的通话画面：影像通过电话屏幕进行播放，声音通过电话手柄内部播放，观众需拿起听筒才能接收对话内容。由此构建起个体与装置之间的私密互动场域，呈现出多种情绪状态及其背后的情感模式与流动轨迹。影像分为视频和音频两个部分。视频部分拍摄周围处于不同人生阶段的人的通话，通话内容自然发生，内容大致围绕：成长、未来、反叛、心动、距离......与此同时邀请来自不同国家的朋友针对上述主题展开通话。对话者在听不懂彼此语言的情况下，使用各自母语进行对话，通过语气或表情来感知彼此的情绪。以此创造陌生通话者之间自然微妙的谈话氛围，激发原始而直接的交流。最后用这些跨文化对话替换了视频原声，创造出时空交错的交流体验。03跨界融合CAFAM@ 2025王典《艺术市场：从西红柿到艺术》2.4x2.4mAI生成的大量西红柿的艺术阐释、1/4块西红柿作者想通过这次作品去做一个当代艺术的确立性实验，利用AI技术去为西红柿赋予艺术内涵。作品整体以镜面装置形式呈现，在空间中利用墙体90度夹角的位置放置两块镜面，去构建出一个虚实结合的视觉空间。镜面上密密麻麻的文字，是AI根据一颗西红柿所生成的各个角度的艺术阐释，如同艺术世界里纷繁复杂的观点与话语，在镜面的互相反射下延伸，形成了一个看似没有尽头的文字迷宫。底部的西红柿，以其鲜艳的色彩和真实的存在，打破了文字的抽象，成为这个迷思空间中的现实锚点。所有AI生成的各个角度的艺术阐释从上至下由疏至密呈倒三角形排列，镜面上的文字与现实空间虚实结合将西红柿一切为四，不完整的西红柿通过镜面的映像却又完整成一体。使西红柿的真实存在与镜面上虚幻的文字形成对比，想去对艺术界纷繁话语做一个幽默、戏谑地回应。当观众驻足作品前，不仅能看见镜子里无限延伸的文字，还能目睹自己也交织其中，仿佛自身也融入了这场艺术探讨。这件作品期望通过这种视觉与概念的双重碰撞，邀请观众走进这个空间，在文字的反射与西红柿的真实之间，来寻找属于自己的艺术答案。04社会镜像CAFAM@ 2025牟韵婷《达奇茨方糖工厂》280cm*280cm*350cm不锈钢、传送机械、方糖、宣纸、矿物颜料《达奇茨方糖工厂》取自捷克⼩镇达奇茨的⽅糖⼯⼚。1843年，世界上第⼀块⼯业化生产的⽅糖诞⽣于此。从这⾥开始，⽅糖便成为了西方社会现代化和工业化进程中的重要符号。同时，糖也是西方殖民活动向殖民地掠夺的重要目标资源之一。在结构上，这件作品化用了老彼得·勃鲁盖尔的《巴别塔》一画中的图像，以金属结构制作，包含一个螺旋滑梯，一条上下循环的传送带，和一个可以自转的圆盘底座。在内容上，这件作品以两种国际主义的隐喻构成了一对二元化的对比关系，在滑轨上不断下滑的、带有达奇茨方糖工厂标志的盒装方糖指代基于殖民活动的资本主义全球化扩张，以及其所倡导的虚伪的国际主义现正不断下坠。这个世界破破烂烂，但总有⼈在缝缝补补。⽆论是作为个体还是民族，总有人呈现出与命运抗争的姿态，从巴别塔到第三国际纪念塔，从天下⼤同到国际主义，虽然像梦幻彩⾊的泡泡⼀般脆弱易碎，但⼈类互相理解和联合的梦从未停⽌，我们从未放弃向更⾼处攀⾏。曹嘉巍《证词：一座静默的山》240x200x300cm餐桌椅、现成品、气球、电视屏幕这件作品以家庭餐桌为场域，堆积起家庭演变史的地层切片，构成一场关于家庭规训与代际创伤的隐喻剧场。作品在家庭中话题最多的餐桌上进行，其上方有一座家庭史的地层脉络结构。几大地层叙述着一个中国普通家庭的变迁。在地层切片的最上层，则是被这个家庭经营好的和谐景观，在这和谐之下，是诸多的家庭物象被挤压埋藏的不安，餐桌之上共同构建起一座静默的大山。当观者面对面入座其中，面前被厚重的大山所阻挡。这是家庭长期堆砌的琐物挤压埋藏，层层叠嶂，逐渐遮挡住餐桌两边家庭个体间的的视线，横亘眼前的已非传统意义上的用餐空间，而是一座由代际规训构筑的情感褶皱山系。个体间的沟通受到阻碍，家庭成员一起在餐桌上用餐，变为了一场无声静默的剧场。餐桌不再承载共食的温情，在这里，个体的证词被埋入地下。这件作品未做单向批判，而是由装置影像甚至于观者共同来构成关于情感羁绊的动态隐喻——我们既是家族谱系的继承者，也是代际创伤的考古人，在挣脱与回溯的永恒博弈中，完成对亲情本质的重新勘测。在这个艺术场域里，我们都将获得属于自己的叙事版本——实验艺术永远在颠覆与重建的循环中，等待被重新定义。从这个意义上讲，毕业生作品给出的不是定义，而是一份开放问答——邀请每个凝视作品的观众共同续写关于”实验艺术“的未完成答卷。
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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.