Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: Compulsory Course for Entering the Industry | Countdown to the Recruitment of the "Art Museum Operation and Exhibition Planning" Training Course

2025-04-23

Enter the Behind-the-Scenes World of the Art MuseumUncover the Secrets of Its OperationExplore the Art MuseumExperience the Unique Perspective of the CuratorDraw Back the Curatorial CurtainDiscover the Stories Behind the Art MuseumIn contemporary society, exhibitions have become an indispensable and important part of people's cultural lives. The curation of art galleries is not only a reflection on classical art but also an exploration and response to contemporary creativity. Countless people who are passionate about art gather here, jointly witnessing how art transcends time and space, conveys beauty, inspires thinking, and demonstrates the resonance of culture and the depth of spirit.This spring, the "Social Aesthetic Education Program of Chinese Aesthetic Education Campaign" of the School of Continuing Education of CAFA, in collaboration with the CAFA Art Museum, has grandly launched the "Short-term Training Courses on Art Museum Operation and Exhibition Planning (the 4th/5th Sessions)". This course has especially invited a group of experts and scholars who have delved deeply into the fields of art museum operation and curation. They will conduct an in-depth analysis of industry trends and share how to, while adhering to the aesthetic education mission of art museums, expand the boundaries of art dissemination with innovative thinking, enabling the power of beauty to reach a broader social group and promoting the continuous development and diverse expression of art. Hai Jun Deputy Director of the CAFA Art MuseumProfessor and Doctoral Supervisor of CAFACourses: "Operation and Sustainability of Art Museums""At present, the driving force of technology and the profound changes in social structure are reshaping the operational logic of cultural institutions. As an institutional form that undertakes public cultural functions, art museums inevitably face the pressure of transformation. Against the backdrop of the increasing limitations of the traditional model that relies on government funding and ticket revenues, how to achieve the sustainable development of art museums has become a fundamental issue that cannot be avoided... At its core is the establishment of a mechanism that can maintain self-regulation and continuously produce public value in a complex environment. This mechanism not only depends on a diversified economic support structure, but also requires that the institutional design reflects a balanced consideration of academic autonomy, public nature, and social effectiveness.The sustainable development of art museums must go beyond the technical discussions at the management level and enter into a re-cognition of their institutional essence and cultural responsibilities. This includes: how to deal with the tension between academic research and communication, how to respond to the growing demands for social participation, how to expand a reasonable relationship with the market while maintaining the independence of art, and how to enhance its long-term vitality as a cultural infrastructure through structural organizational reforms." Gao Gao Deputy Director of CAFA Art MuseumCourses: "Operation and Management of Art Museums"If, in the past... visitors were led into a state of passivity by the paintings, then our current design aims to make people take the initiative and become more active. This should be the purpose of my design for this exhibition room.Modern museums are institutions with educational functions. In addition to providing the public with an aesthetic experience, art museums also need to convey knowledge to people. For a modern art museum, since the art categories it involves are very extensive and the art forms displayed are significantly different from traditional art forms, many artworks make the audience feel confused and unable to understand. Therefore, art education becomes even more necessary and important.——Selected from "Alfred H. Barr and the Early Establishment of the Museum of Modern Art in New York" Li Yaochen Director of the Collection Department of CAFA Art MuseumAssociate Researcher of the CAFA Art MuseumCourses: "Overview of the Collection Management Work in Art Museums""The characteristics of an art museum lie in its non-profit nature, public accessibility, and the establishment of a systematic academic framework based on the research of its collections. Systematic collection is an important feature that distinguishes an art museum from other art institutions such as art galleries. The research, exhibitions, and dissemination carried out based on these collections have formed the unique characteristics and cultures of art museums or art galleries.......At the current stage of China's development, the development of permanent exhibitions in art museums is definitely an important trend for the future. The academic depth and the quality of the collections required for permanent exhibitions are higher than those for temporary exhibitions. Planning permanent exhibitions will inevitably mobilize research forces on a wider scale. During the process of studying the collections, identifying their advantages, and sorting out the context, all the deficiencies in one's own work will be exposed, which is a test of one's own research ability and the architecture of all aspects of the art museum. This is a function that temporary exhibitions do not possess. This is also a great promotion for the construction of art museums in China.——Selected from: "Li Yaochen: A Tentative Discussion on the Systematic Collection and Permanent Exhibition in Art Museums” Liu Xiyan Director of the Planning and Research Department of CAFA Art MuseumAssociate Researcher of CAFA Art MuseumCourses: "Modern Curatorial Practice of Classic Exhibitions""The collection displays in China's early art museums demonstrate a process of learning from overseas while constantly adapting overseas experiences to China's actual situation. Overseas experiences played the role of a skeletal structure, assisting the art museums at that time in grasping several major directions that needed attention in planning the display of collections. However, when the early practitioners were adding flesh and blood to this skeleton, they did not completely copy the "Western methods." Instead, after taking into account China's art forms, the special relationship between collection and exhibition, the current situation of aesthetic education, and other factors, they depicted a local appearance for it, demonstrating an outstanding exploration of handling the relationship between Chinese art and Western art through the display of collections and using this as a representation of ideology. Although, as mentioned earlier, these early explorations were stifled in their potential for further development by the flames of war, these practices still had a significant impact on the subsequent thoughts regarding the display of collections in Chinese art museums."——Selected from: "Liu Xiyan: Applying Western Methods in China — A Review of the Collection Exhibitions in China's Early Art Museums in the Early 20th Century"There are also more wonderful courses…Intensive Class(Enrollment in Progress)Weekend Class(Enrollment has been closed)*The art museum has the right to make adjustments to the courses under the same conditions.We sincerely invite you to embark on a journey of artistic enhancement together, delving deep into the operation of art galleries and the planning and execution behind exhibitions. This training workshop places great emphasis on "face-to-face interaction with mentors" and "personalized guidance." Under the guidance of experienced mentors, all you need is a bit of curiosity about art and a touch of interest in art galleries. Let conversations unfold under the mentors' guidance, and together, we can appreciate the beauty of all-encompassing art and culture.| Friendly Reminder |The registration for the "Short-term Training Course on Art Museum Operation and Exhibition Planning (Weekend Class)" has been closed as of April 5th. The registration for the "Short-term Training Course on Art Museum Operation and Exhibition Planning (Intensive Class)" will close on May 15th. For more information, you can call Teacher Jin at 15957702868 for consultation, or click "Read More" to jump to view the course prospectus.The Social Aesthetic Education Action Plan of "Chinese Aesthetic Education Campaign"The Continuing Education College of the Central Academy of Fine Arts actively practices the spirit of serving the public through aesthetic education. Guided by the core spirit of General Secretary Xi Jinping's speech at the Symposium on Cultural Inheritance and Development, it gives full play to the professional and talent advantages of affiliated institutions to provide a sustainable high - quality development plan for the implementation of the "Chinese Aesthetic Education Campaign" of the Central Academy of Fine Arts. The "Chinese Aesthetic Education Campaign" Social Aesthetic Education Action Plan of the Continuing Education College of the Central Academy of Fine Arts is jointly participated by the experts and scholars of the Central Academy of Fine Arts, contributing wisdom and strength to the dissemination and promotion of the aesthetic education spirit of the Central Academy of Fine Arts.CAFA Art MuseumThe CAFA Art Museum is a professional and international modern art museum integrating functions such as academic research, exhibition display, collection, restoration, and public education. Its history can be traced back to the early 1950s. It is the first professional art exhibition hall built after the founding of the People's Republic of China and is also one of the first batch of key art museums in the country. Adhering to the academic concept of "inclusiveness, inheriting the past and creating the future", CAFA Art Museum serves society with "knowledge", is committed to the construction of contemporary public cultural spaces, presents the artistic civilization of mankind to the general public from a new perspective, and shares the culture of the times with all sectors of society.Chief Editor / He Yisha Editor / Du Yinzhu
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: The reservation channel for the 2025 graduation season of the Central Academy of Fine Arts is about to open & Announcement of temporary museum closure

2025-04-21

Dear audience friends:Due to the need for exhibition setup and removal, our museum will be temporarily closed from April 22nd to April 29th, 2025. It will officially reopen on April 30th. The "Graduate Graduation Works Exhibition" will be held during the same period. A total of 532 master's and doctoral students will participate in the exhibition. At that time, more than 3,000 works by graduates will be gathered at the Central Academy of Fine Arts. We sincerely look forward to your visit.CAFA Art Museum2025年4月21日At 00:00 on April 23rd, the online reservation and ticketing channel for the 2025 graduation season of the Central Academy of Fine Arts will be opened. Audiences can make reservations and purchase tickets through the WeChat mini-program of CAFA Art Museum, its official WeChat account, or the official website (for detailed ticketing instructions, please refer to the official website). The number of daily visiting slots is limited and will be available until fully booked. During the graduation season, the Art Museum will be open as usual on Mondays.When making a reservation, you need to use a valid ID document for real-name registration. Each person can only make one reservation per day. After a successful reservation, the audience should arrive at the museum according to the reserved time. During the graduation season, you can enter the museum through the special ticket inspection channel at the north gate of the Central Academy of Fine Arts by swiping a valid ID document such as an ID card for ticket inspection.Chief Editor / He Yisha Editor / Du Yinzhu
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: Walking In The Light | The 2025 Graduation Season Of The Central Academy of Fine Arts Shines Brightly!

2025-04-21

主编 / 何一沙责编 / 杜隐珠
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: Today Is Grain Rain

2025-04-20

Today is Grain Rain.
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: Sixty Masterpieces From CAFAM Collection Interpret The Vitality Of Beijing City | The Premiere Exhibition Of "Rising At Dawn" Kicks Off At The Capital Library

2025-04-19

On April 18th, just as the Grain Rain was approaching, the exhibition "Rising At Dawn — Exhibition of Artworks with the Theme of Beijing Collected by CAFA Art Museum " opened as scheduled at the Capital Library. Titled "Rising At Dawn", this exhibition aims to showcase the vigorous vitality of Beijing's urban culture and also sketches out the cultural landscape of the ancient capital with a history of thousands of years breaking through the dawn in the long river of time. The symbiosis between the Central Academy of Fine Arts and the development of Beijing city is a brief history of practice of art intervening in urban civilization. The exhibition brings together 60 masterpieces created by artists of different generations from the 1940s to the present. It presents their continuous exploration of the urban theme and also reflects the spirit of their times and their cultural ideals.This exhibition is hosted by the Central Academy of Fine Arts, jointly undertaken by CAFA Art Museum and the Capital Library. It has received strong support from the Scientific Research Office of CAFA and is also a project funded by the Beijing Cultural and Art Foundation in 2024.Group photo of the guestsThe guests attending the opening ceremony included: Jin Jun, Director of CAFA Art Museum; Han Wenchao, Secretary of the Direct Party Branch; Yu Yang, Director of the Scientific Research Office of CAFA; Sun Tao, Director of the National Thematic Art Creation and Research Center of CAFA; Li Nianzu, Deputy Director of the Capital Library, and others. Gao Gao, Deputy Director of CAFA Art Museum, served as the host.Jin Jun, Director of CAFA Art Museum，delivered a speechJin Jun, Director of CAFA Art Museum, stated that this exhibition has gathered some of the excellent works related to the theme of Beijing from the collection of CAFA Art Museum. It covers themes such as urban landscapes and humanistic spirits, and explores the interactive relationship between artistic creation and the social context in different historical periods. The exhibition takes the four sections of "Dawn", "Vitality", "Renewal" and "Centering" as the narrative threads, reflecting the urban mirror images from multiple dimensions. The successful holding of this exhibition is inseparable from the full support of the Capital Library in terms of venue, technology and other aspects, as well as the strong assistance of the Beijing Cultural and Art Foundation. It is hoped that the audience can feel the vigorous urban vitality of Beijing in the exhibition "Rising At Dawn"!Li Nianzu, Deputy Director of the Capital Library, delivered a speechLi Nianzu, Deputy Director of the Capital Library, pointed out that Beijing, which has a history of more than 3,000 years of urban construction and over 870 years of being the capital city, has the code of stratified growth engraved in its urban genes. Just as shown by the theme of this exhibition, "Rising At Dawn", "rising" not only represents the awakening of the city bathed in the first rays of the morning sun, but also symbolizes the cumulative growth of the accumulation of civilization. "dawn" not only refers to the 3,000-year memory of urban construction along the banks of the Yongding River, but also metaphorically implies the shining edge of the capital city in the new era at the break of dawn. The holding of this exhibition will further promote the exchanges and cooperation between the Capital Library and the Central Academy of Fine Arts. Together, they will explore new paths and models for the protection and inheritance of Beijing's culture, enhance the cultural soft power of the capital city, and write a new chapter in the prosperous development of Beijing's culture!Yu Yang, Director of the Scientific Research Office of CAFA, delivered a speechYu Yang, Director of the Scientific Research Office of CAFA, said that although this exhibition is limited in scale, it is very exquisite and worth viewing carefully. With the support of the Beijing Cultural and Art Foundation, "Rising At Dawn" has gathered the classic works of the senior artists of the Central Academy of Fine Arts over the past 80-odd years, as well as the works on the theme of Beijing that have been collected by the art museum and remained in the academy in recent years. Through four units, it has constructed a corridor of time and space, presenting the features of the capital city in different eras. At the same time, the exhibition is held in the Capital Library, which has a history of 110 years. The combination of calligraphy and paintings conforms to the logic of art appreciation. It is hoped that the Central Academy of Fine Arts and the Capital Library will deepen their cooperation in scientific research and creation in the future, so that high-quality exhibitions can benefit more audiences.Gao Gao, Deputy Director of CAFA Art Museum of, served as the hostGroup photo taken at the opening ceremonyThe exhibition will last until May 5th. It is hoped that the audience can encounter the authentic artworks in the corridors of bookshelves in the Capital Library, and feel the urban cultural context and contemporary innovation of Beijing amidst the fragrance of books and the charm of paintings.01DawnArtists' diverse depictions of the moment of dawn construct a dynamic pictorial book of urban humanities. These works interpret in a way of visual poetics that the dawn is not merely a physical moment of the transition between day and night, but also an aesthetic manifestation of the vitality of the city.Liu Jingui, "The Street Sweeper", 1984, 83.5cm×288cm, color on paper, collected by CAFAMXie Yan, "The Forbidden City in the Morning", 1997, 185cm×205cm, oil on canvas, collected by CAFAM02VitalityThe attention paid by artists of different generations to urban life presents diverse cross-sections of the urban ecosystem in different eras. These artworks deconstruct "vitality" into an organism that keeps growing, and they have become another dimensional yardstick for measuring the progress of urban civilization.Shi Xiguang, "Joining the Young Pioneers", 1964, 78cm×104.5cm, color on paper, collected by CAFA Art MuseumTan Quanshu, "One of the Series of Paintings of Tiananmen Construction Site II", 1958, 27cm×41cm, color woodblock print, collected by CAFA Art MuseumGuang Jun, "The Small Street on a Festival Day", 2018, 90cm×70cm, color woodblock print, collected by CAFA Art MuseumQu Guangci, "Wangfujing", 1994, 40cm×35cm×118cm, 50cm×65cm×116cm, 50cm×43cm×106cm, colored fiberglass reinforced plastic, collected by CAFA Art Museum03RenewalThe artists' visual dissection of the architectural texture and cultural memory reveals the deep logic of the renewal of the ancient capital: It is not merely the reorganization of physical space, but also the transplantation of collective memory and the reconstruction of the spiritual field.邵声朗，《北京风景之八：景山秋雨》，1961年，65cm×34cm，纸本设色，中央美术学院美术馆藏戴泽，《颐和园半壁桥》，2002年，41cm×55cm，布面油画，藏家提供王琦，《大街上的旋律组画之立体交叉》，1987年，40.2cm×28cm，木版单色，中央美术学院美术馆藏张桂林，《记忆之五》，2008年，45.5cm×67.5cm，丝网套色，中央美术学院美术馆藏缪晓春，《立》，2007年，253cm×444cm，收藏级艺术微喷，中央美术学院美术馆藏04择中艺术家将营城智慧转化为视觉语法。中轴线不仅是物理空间的中枢，更是文明认同的精神锚点。艾中信，《紫禁城残雪》，1947年，38cm×70cm，木板油彩，中央美术学院美术馆藏矢崎千代二，《北平北海》，1947年，23.4cm×31cm，纸本色粉，中央美术学院美术馆藏文金扬，《前门，春节》，1953年，43cm×56.5cm，木板油画，中央美术学院美术馆藏谭权书，《天安门》，1958年，35.5cm×25.5cm，木版单色，中央美术学院美术馆藏周吉荣，《景观——鼓楼》，2013年，60cm×75cm，丝网套色，中央美术学院美术馆藏| 关于北京文化艺术基金 |北京文化艺术基金是由北京市文化和旅游局发起设立的公益性基金，重点围绕舞台艺术创作、文化传播交流和艺术人才培养三大领域开展资助。基金面向社会接受申报、资助过程受社会监督、资助成果由社会共享，最大限度调动社会参与文化建设积极性，搭建了一个开放平等、公开透明的艺术资助体系，充分发挥全国文化中心的示范引领作用。| 展览信息 |北京文化艺术基金2024年度资助项目冉冉晨城：中央美术学院美术馆藏北京主题作品展展览时间：4月18日-5月5日展览地点：首都图书馆（华威桥馆）B座第二展厅主办：中央美术学院协办：中央美术学院美术馆首都图书馆支持：中央美术学院科研处主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
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: 中央美术学院美术馆文化创意产品开发与运营合作单位遴选公告

2025-04-19

中央美术学院美术馆始建于1953年，是新中国第一座专业美术展览馆。美术馆新馆2008年落成，由普利兹克奖得主建筑师矶崎新主持设计，建筑面积14777平方米。美术馆是文旅部首批“全国重点美术馆”之一， “文化创意产品开发试点单位”之一，2022年入选2021-2025年首批全国科普教育基地。为深入发掘中央美术学院美术馆文化资源，进行馆藏作品创造性转化和创新性发展，中央美术学院现通过公开遴选方式选择合作单位负责美术馆文化创意产品开发与经营管理工作，推动美术馆文化创意产品的系统性开发。我们诚邀具备优秀文创案例、成熟运营经验及创新能力的单位积极参与，携手挖掘文化价值，促进新质生产力发展与赋能产业升级，共促文化创意产品高质量发展。遴选详情及申报方式详见遴选公告（或点击文末阅读原文查看），请按公告要求参与遴选并提交资料，期待优质伙伴加入！▎遴选公告 ▎主编 / 何一沙责编 / 杜隐珠
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: CAFAM工作坊招募 | 鉴古通今——一场穿越时空的铜镜美学课！

2025-04-18

CAFAM课堂开课啦！鉴古通今：铜镜里的艺术与故事还记得《哪吒2》里石矶娘娘会说话的"好闺蜜"铜镜吗？其实，中国古人真的相信铜镜有魔力！从战国的"山"字纹青铜镜，到唐代的海兽葡萄镜，古人在镜背上铸造神兽、星辰甚至西域传来的葡萄纹。一面铜镜，既是古人梳妆的工具，也是镇邪的"法宝"，更是穿越千年的艺术密码。快来一起探索铜镜背后的奇幻故事吧！中国铜镜自商周诞生，历经战国神秘纹饰、汉代天文意象、唐代异域风情，至宋明世俗化发展，既是实用器，更是艺术与科技的融合载体。其精准的青铜配方、精密的铸造工艺，以及纹饰中蕴含的宇宙观、宗教思想和文化交流，展现了古人非凡的创造力。穿梭于中国古代陈列展厅深入铜镜的“前世今生”艺术与科技、古代与现代相互交融、精准共鸣！展览联动中央美术学院美术馆藏陈列中国古代艺术“中央美院美术馆藏陈列”于3月30日在中央美院美术馆盛大启幕。此次馆藏陈列展包括首次露面的“古代中国艺术”部分，共200余件馆藏、40余件铜镜展品集中亮相。课程亮点l 近距离接触美术馆珍贵馆藏：艺术作品是时代的镜像，折射着由古及今的社会风貌和人民情感，是我们解读历史的一条视觉线索。观众可通过本次藏品展，感受古代的艺术特色，并从中探寻始终贯穿于中国古代艺术中的精神与气息。l 专业导览员讲解：中央美术学院美术馆专业导览员进行导览，推开美术馆的“隐形门”，从展览思路到藏品细节，全方位领略古代铜镜艺术的魅力。l 特色互动工作坊：展览课程与互动工作坊深度结合，将精彩纷呈，类型丰富的精品铜镜，与拓印深度交流，深度体验艺术的独特魅力。中央美术学院美术馆有权根据实际情况，在同等条件下对课程进行微调工作坊策划与执行：中央美术学院美术馆公共教育部课程导师：中央美术学院艺术管理与教育学院美术博物馆管理工作室丰凯梓奇陈荟羽杨烨晨注：中央美术学院艺术管理与教育学院有权根据实际情况，在同等条件下对授课教师进行微调。活动流程｜课程学习 /40min通过古代铜镜历史起源、传统纹样、现代拓展等全方面的了解铜镜的“前世今生” 。｜观展 & 导览 /1h专业导览员带领讲解，中央美术学院美术馆藏陈列中国古代艺术部分（着重讲解铜镜部分文物），作为课程铺垫的初步了解。｜纹饰拓印体验 & DIY /30min课程结束后，通过对课程的理解进行铜镜纹样的拓印体验，具体内容和时间把控依据现场情况而定。课程报名1. 时间：2025年4月19日（周六） 14:00-16:10（13:50在前台签到集合）2. 地点：中央美术学院美术馆四层公教区3.对象：10-15岁青少年（限额18人）4. 报名后如不能参加请及时取消，年度内累计两次未取消且缺席者，将暂停本年度公教活动参与资格报名方式注：1、本次体验请自行提前购买美术馆参观门票2、未成年人需要一名监护人陪同3、活动最终解释权归中央美术学院美术馆所有主编 / 何一沙责编 / 杜隐珠编辑 / 丰凯梓奇部分配图来源于网络
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: 个体微声在山重水复中徐徐道来｜“颅海见山：楔子”展览现场

2025-04-17

广角°青年实验项目空间主办中央美术学院美术馆“广角°青年实验项目空间”于2022年初启动首期，我馆秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念，使美术馆二层半的独立空间，成为青年教师创作研展、展览策划的一块实验田。目前已完成三期方案的征集、评选（现有十八个展览方案入选）。重峦叠嶂处，山重水复；柳暗花明时，声声唤归。“广角°青年实验项目空间”第三期第五个展览“颅海见山：楔子”已于3月20日春分日中在中央美术学院美术馆2层C展厅开幕。展览由冯雪副教授、王子琪副教授、韩佳彤、刘则芊、王楠、郑淏文组成的师生团队进行策划，蔡山海、杜昆、杜英奇、观潮KwanTeo、古务运动发展小组、顾适、黄洋、绘川、李沁洋、钱彬、社实SPL、沈靖皓、盛文强、邬建安、夏海瑜共15位艺术家或团体参展。在时代浪潮的沉浮里，如蜉蝣一般的生命如何展开？“颅海见山”关注个体及群体的际遇，聚焦“现实”在脑海中投射、演化和改造后的模样。本次展览从民间出发，将那些游离的颅海世界显化至山川之间。内心的风景背后尽是过去的记忆和古老的智慧，山成为情感的寄托，恒久的信仰，欢悦、素朴或虔诚的执念。因山阻隔，外人望不穿个体丰富的精神世界；有山而立，个体得以在时代洪流中稳固自身。“颅海见山：楔子”展览空间线图启领于山与海的意象，展览从空间上分为三个章节。从第一幕“莓苔见履痕”的幽暗处寻着入口，丛林掩映、溪流回环，岸边雾气笼罩。所展出的作品为此次展览委托创作，分别来自绘川与夏海瑜。“颅海见山：楔子”展览现场（图片致谢策展团队）在绘川的The Pool-Generation of Code中，代码生成的虚拟生物正在随着时间演化。当算法与生命在面前交叠重合，我们方知自己也身处这片海中，浮光掠影，皆是蜉蝣。海天留片石，石间六面皆山，山中自有乾坤。观夏海瑜《颅海见山》组画时，可见人世百态，可念万般遐思。金木水火土风，颅海之重重叠叠山吸引我们的凝望，目光回环迤逦，找寻共鸣之声时，已落入相异山海。The Pool-Generation of Code（委托创作）｜2025｜投影、石英砂、纱幕｜尺寸可变图片由艺术家绘川惠允《颅海见山》组画（委托创作）｜2025｜纸本设色｜6件，每件约40×50cm图片由艺术家夏海瑜惠允复行数十步，渐入晨间的山林。在第二幕“横看成岭侧成峰”的开阔通道里，个体之身躯、声波、墨迹、泥范或刻痕制成了自我的精神切片，一面立为坐标，一面围成屏障。江流天地外，颅海之中，一念障千山。“颅海见山：楔子”展览现场（图片致谢策展团队）循着人声以及回声的声波，杜昆的《喊山图》将我们引入了山林之间。呐喊时，个体的微声化为绵延山峦，而回声重重，因此拥有了穿山渡水的力量。杜英奇的《梦游者》将不锈钢的随机组合漂浮出轻盈姿态，《大清凉·云中现》处，宁静胜景，山林变照。云光掠影，观心中所见。《喊山图》｜2023｜数码视频｜2分钟图片由艺术家杜昆惠允《大清凉·云中现》｜2024｜石膏、木、纸浆着色｜左：25×15×1cm；右：40×30cm《梦游者》｜2015｜不锈钢｜78×36×21cm图片由艺术家杜英奇惠允在《木刻三十六景》系列中，黄洋的目光聚焦于家乡老城墙面上，自然界雕琢的奇特纹理，并从中体悟材料与人的对抗及对话。这些内心的风景也不啻为一剂克服焦虑、安神健脑的良药，既暗示了艺术家不同状态的情绪波动，也反映了某种“以版入道”的创作追求。在《嵩阳印象》中，蔚然满目的古木古建、朝气蓬勃的研学儿童、源远流长的中华文脉共处于特定时空关系里，一次游历的生活体验经常会因为文化感染力或应景思维带来感情和精神上的触动，从而留下深刻记忆。
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: 人与花&人与画的合一｜记花之道——花的语言转换与思维构成

2025-04-16

4月6日，由中央美术学院美术馆主办，中央美术学院中国画学院，北京师范大学艺术与传媒学院美术与设计系协办的花之道——花的语言转换与思维构成课程工作坊在中央美术学院美术馆圆满举办。美术馆3B展厅在一片春意盎然之中迎来了30位同学。活动初始，我们邀请了中国画学院研究生会主席邓金为学员们对传移模写展进行了深入导览，让学员在进入课程前对环境中发生的艺术先行学习。在课程开始时，中国画学院的贾田雪老师首先为大家讲解了中国古代绘画中的花鸟题材的源流与发展。邓金为学员导览展览导师关越与辅助导师耿菁华、贾田雪互动
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: “颅海见山：楔子”分享会预告｜潮声与航船：地方影像的自我叙事与流动可能

2025-04-16

潮声与航船：地方影像的自我叙事与流动可能时间：2025年4月17日14:30地点：中央美术学院美术馆会议室（即美术馆咖啡厅斜坡尽头左侧会议室）｜特邀嘉宾｜陈柏麒“观潮KwanTeo”联合创始人、策展人｜主持人｜王楠“颅海见山：楔子”策展团队成员｜参与方式｜校内观众无需预约校外观众请扫码预约入校｜内容介绍｜“颅海见山”从民间出发，期冀微观的颅海世界在人潮中泛开涟漪，地方故事连接遥远山峦。本次分享会嘉宾陈柏麒是“观潮KwanTeo”的联合创办人，也是一位“耕作”于地方的建筑人类学研究者与影像创作者。分享会将由潮汕地区航行至亚洲南方，从地缘叙事出发，游走在远行与归来的数部影像之间，以具身经验，分享在区域策动中，与多方群体的联结与互动故事；探讨在排他性与流动性的认知之间，影像的创作与交流所传达出的力量。｜嘉宾介绍｜
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.