Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

观众互动会 |跟随《李叔同》纪录片来央美看“镇馆之宝”

2024-10-17

时间:2024年10月18日 3:00PM地点:中央美术学院美术馆学术报告厅主讲嘉宾:黄小裕(《李叔同》总导演、制片人)李垚辰(中央美术学院美术馆典藏部主任)主持人:耿菁华(中央美术学院美术馆公教部副主任)百年前,李叔同是中国第一批把美育实践带进课堂的文化先行者;百年后,他将以另一种方式重返课堂,与当今学子、社会公众进行一次跨越时空的对话。10月18日下午(本周五),由浙江广播电视集团、中共平湖市委宣传部联合出品的纪录片《李叔同》将走进中央美术学院,这是“纪录片《李叔同》走进百年名校和博物馆”系列活动继首站浙江博物馆后的第二站。出品方代表、节目主创团队将带着纪录片《李叔同》第二集《华枝春满》与同学、观众们分享策划理念与拍摄感悟。此外,中央美术学院美术馆典藏部主任李垚辰也将围绕中央美术学院美术馆馆藏的李叔同油画《半裸女像》的传奇故事,与大家分享研究体会。《半裸女像》 李叔同 约1909年 布面油彩 90.5x116cm 中央美术学院美术馆藏这幅《半裸女像》是李叔同目前可考存世的仅有两幅油画之一,也是国内仅存的李叔同油画真迹,是大师与中央美术学院的缘分所在。2011年,中央美术学院美术馆在对库房中的民国时期藏品进行深入整理中发现了这幅油画,从而使得这件作品重见天日,对于李叔同学术研究和中国早期油画研究具有重大意义。此次记录片《李叔同》观众互动会的举办恰逢油画《半裸女像》刚刚在中央美术学院美术馆展出,观众同时可以欣赏到纪录片与珍贵的油画原作。第二集《华枝春满》剧照弘一大师李叔同,一代艺术先驱,在美术、音乐、戏剧、广告等诸多文化领域,开创了无数个“第一”;先器识而后文艺,他又为后世培养了诸多艺坛大师,纪录片《李叔同》第二集《花枝春满》讲述的就是李叔同的“艺缘”。纪录片《李叔同》以《问余何适》《华枝春满》《天心月圆》三集篇幅呈现一代大师李叔同的多面人生,以一部具有现实观照的“人生启示录”传递“勇猛精进”的时代精神。该片自浙江卫视、Z视介首轮播出以来,得到了社会各界的广泛肯定,微博、抖音、快手KOL覆盖粉丝超1.1亿人次。全网上线之后,更收获了腾讯视频开分9.3、爱奇艺评分9.6的口碑佳绩。讲座对校外公众开放50位名额请扫码预约,携带身份证入场先扫先得嘉宾介绍黄小裕,浙江广电集团重点纪录片总导演,浙江卫视总编室文化专题部副主任,正高职称(高级编辑)。浙江省突出贡献中青年专家候选人。多次获中国新闻奖、中国广播电视大奖、“五个一”工程奖、浙江新闻奖等。 纪录片《东向大海》《26县纪事》《李叔同》总导演、总撰稿、制片人,获丹桂奖最佳长系列纪录片奖、最佳导演奖。李垚辰 ,副研究员、博士、中央美术学院美术馆典藏部主任,从事典藏理论研究、近现代美术史研究,组织策划展览项目多次获得文化和旅游部奖励。主编 / 何一沙责编  / 杜隐珠
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Preview of CAFAM Lecture | "Fantasy and Tradition" by Mr. Kan Min

2024-10-16

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CAFAM Preview | “Accumulation——Print Exhibition Of Contemporary Chinese Art Masters” And Academic Seminar About To Start

2024-10-15

集成——中国当代艺术名家版画展展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅 开幕时间:2024年10月18日下午14:00开幕地点:中央美术学院美术馆报告厅开幕式预约二维码(嘉宾请扫码预约进校)本次展览以“集成”为名,以版画为媒,汇聚了徐冰、隋建国、张晓刚、苏新平、王华祥、孟禄丁、洪浩、陈琦、冯梦波、邱志杰,10位在当今颇具影响力的艺术家,每人5件,共50件版画作品。因艺术家各自的创作背景不同,又自然关联到了油画、雕塑、装置、影像等多种不同的艺术形式,共同演绎了一场当代意识与传统版画基因的奇妙结合。展览作品涵盖了铜版、石版、丝网、数码打印、水印木刻等目前几乎所有的主流版画形式。在表现手法上,从线刻、腐蚀、套色、美柔汀等传统技法,到照相制版、微电压印刷、机械手段、数字技术等现代技法都有被应用。不同技法的使用既与艺术家作品表达的需求相适应,更涉及到他们的创作理念和思维方式。更重要的是,在这个当代艺术与数字化的时代,一种集体性的重回物质化的行动本身就非常有意味。展览在跨越三年的巡展中不断丰盈,如今终于在中央美术学院美术馆迎来了完美的收官。展览希望通过不同领域艺术家的版画创作实践,引发关于版画本质的思考,讨论版画背后的“逆思维”“层思维”“复数性”等版画基因与当代艺术的契合,探讨版画基因对于当代艺术的特殊价值。展览将持续到11月24日。 部分参展作品学术研讨会集成思维与版画基因时间:2024年10月18日星期五10:00—12:00地点:中央美术学院美术馆会议室研讨会预约二维码(请扫码预约进校)会议主持吴洪亮(全国政协委员、北京画院院长、本次展览策展人)发言嘉宾|参展艺术家|徐冰、隋建国、苏新平、王华祥孟禄丁、洪浩、陈琦、冯梦波|其他校内嘉宾|靳军、唐晖、于洋、张鹏、刘礼宾、张战地集成——中国当代艺术名家版画展展览时间:2024年10月18日—11月24日展览地点:中央美术学院美术馆一层展厅主办:中央美术学院美术馆学术顾问:苏新平 陈琦   策展人:吴洪亮   展览总监:靳军 韩文超展览统筹:王春辰 高高创意总监:唐胜策展助理:王霖 刘晶 宋金明 陆天嘉 张恩泽 梁子琦 杨嘉怡展览协调:刘希言 王若冰设计统筹:纪玉洁展览设计:王毅 书籍设计:蒋艳鸣谢   特别资助:魏新民  王庚飞   中央美术学院版画系丝网工作室中央美术学院版画系铜板工作室CHAOS版画工作室 | 北京陈琦工作室隋建国工作室主编 / 何一沙责编  / 杜隐珠
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启动 | 中央美术学院美术馆“广角°青年实验项目空间”第四期方案征集

2024-10-15

主编 / 何一沙责编  / 杜隐珠
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中央美院美术馆公益导览安排(10月15日-10月20日)| 志愿者持续招募

2024-10-14

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入!报名方式◤(1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。正在展出◤弦歌不辍-央美教学传承展展览时间:2024-10-11 - 2024-11-01展览地点:中央美术学院美术馆4层展厅异境逃逸录——感觉阈限与编程风景展览时间:2024-10-15 - 2024-11-10展览地点:中央美术学院美术馆2C展厅中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅主编 / 何一沙 责编 / 杜隐珠
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Young Experiment Project Space | “Escaping The Other World——Threshold Of Sensation And Programmed Landscapes” Is About To Open

2024-10-14

Young Experiment Project Space OrganizerCAFA Art MuseumThe "Wide-Angle ° Youth Experimental Project Space" was launched in early 2022. Adhering to the concept of promoting multi-dimensional exploration in curation and creation by young teachers of the Central Academy of Fine Arts, our museum has made the independent space on the second and a half floors of the art museum an experimental field for the creation, research and exhibition planning of young teachers. At present, the collection and selection of three-phase plans have been completed (eighteen exhibition plans have been selected).▲▲▲Escaping The Other World——Threshold Of Sensation And Programmed Landscapes展览时间:2024年10月15日—2024年11月10日展览地点:中央美术学院美术馆2C展厅开幕时间:2024年10月15日15:00开幕地点:中央美术学院美术馆学术报告厅▲▲▲In countless literary works, people make the feelings in their hearts and the scenery of the world sense, mingle, and depend on each other through the depiction technique of expressing emotions through scenery, transforming them into inner scenery and overflowing emotions. Those perceptions that are difficult to be carried in the immediate reality choose to escape and use the strange, exotic, and fictional landscapes as ideal containers.This exhibition regards itself as a "strange place", inviting the audience to start a short "escape" together, and juggle between the two concepts of "sensory threshold" and "programming landscape". Sensory threshold refers to the minimum stimulus intensity required in the process of perception, and the critical point that can be perceived or observed by subjective consciousness. This concept is applicable to all kinds of senses, and its measurement can help us understand the sensitivity and scope of human perception system. In psychology and neuroscience, researchers often use a variety of experimental methods to determine the sensory thresholds of different senses, thus gaining insight into the working mechanism of perceptual processes. The programming landscape points to a regenerative, reproducible scene created according to certain settings and rules.Nowadays, our perception is stimulated by the rapidly changing digital life, and the scenery in daily life is no longer just natural or urban scenery, but a complex landscape infiltrated by information technology and wrapped in imagination and illusion. Then, due to different viewing angles, the landscape is disassembled into different information and text fragments, which participate in the shaping of new scenery. In such a process, how do individuals deal with familiarity and strangeness, and how do they bring themselves into viewing, dissolving and reconstructing the scenery? Landscape often provides test and shelter at the same time, reflecting the relationship between people and the world challenging each other and dependent on each other. What is hidden in the depths of the spirit may be the appeasement of anxiety in drastic changes and the awe of nature and life. The exhibition gathers the works of several young teachers/artists from the School of Art and Design Management of the Central Academy of Fine Arts (Sino-French) in recent years. They all consciously used visual elements similar to codes or input some instructions to tamper with the original program in their creations, and reconstructed the landscape through different paths and different media means. After undergoing surgery, Huang Keyi brought his attention to the body into his creation. With the help of digital imaging technology, the cell tissue was generated into an unpredictable bright landscape, and the irregular shape sculpture also derived from the body structure constituted a miniature alien-shaped landscape. Zhu Rixin throws the image of a small person into the huge geographic information, and depicts the vast and distorted barren territory with precise lines as mechanically drawn. The broken Petri dish with map information is as disturbing as the failed compass.Huang Keyi《Inner Landscapes 20240814》20242分58秒VideoZhu Rixin《Relic》202130×40cm不锈钢丙烯图片由HDM画廊惠允受过长期传统中国画训练的李森以历史上的文化输入细节为线索,让传统的山水画呈现出新的面貌,又把充满随机性的创作实验机制变成了乐此不疲的日常练习,像发明了一个新的游戏。章烟朦画作中的未来人类似乎已经脱离了肉体的束缚,身体正在分崩离析,或是早已变异成为新的物种。单俊盛则用他的动态热图模型为展览带来了城市空间规划语境下的现实视角,引领我们重返当下对城市生态环境及可持续发展的思考。李森《半自由 004 Semi-free 004》202426×18cm纸本丙烯章烟朦《I Will Never Stop Loving You 我永远不会停止爱你》2020170×135cm布面油画单俊盛《能量地图 Energy Flux》2021GIF图像异境逃逸录——感觉阈限与编程风景主办单位:中央美术学院美术馆展览时间:2024年10月15日—2024年11月10日展览地点:中央美术学院美术馆2C展厅策展人:  赵欣昕展览团队:黄可一 朱日新 李森 章烟朦 单俊盛视觉设计:王天宁展览助理:姚睿琳 付慧迪展览协调:易玥设计统筹:纪玉洁展览鸣谢:中央美术学院(中法)艺术与设计管理学院主编 / 何一沙 责编 / 杜隐珠
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大展开幕在即丨雕塑大系:中央美术学院雕塑学科90年

2024-10-11

丨编者按1934年,中央美术学院前身国立北平艺术专科学校设立雕塑科,雕塑专业正式确立。为回望中央美术学院雕塑学科90年发展历程,“雕塑大系——中央美术学院雕塑学科90年”展览将于2024年10月22日至11月24日在中央美术学院美术馆展出,2024年10月26日上午10:00举行开幕式。中央美术学院雕塑系90周年预告片九十岁日月如歌九十年风华已成九十载光华照耀中央美术学院雕塑系自成立至今,熠熠生辉。自前瞻探索至深耕细作,从扎实迈向多元,几代人以雕塑为史笔,勾勒国家发展之轨迹,铭记民族奋斗之历程,映照时代变迁之精神,肩负历史使命,秉持文化自觉,共同铸就了雕塑系九十年的辉煌篇章。“雕塑大系——中央美术学院雕塑学科90年”展览开幕式兹定于2024年10月26日10:00于中央美术学院美术馆报告厅举行,期待您的到来。开幕时间丨2024年10月26日 10:00开幕地点丨中央美术学院美术馆报告厅主办单位丨中央美术学院 承办单位丨中央美术学院雕塑系、中央美术学院美术馆展览时间丨2024年10月22日—11月24日展览地点丨中央美术学院美术馆三层资料来源:雕塑系
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邀您一起解锁“中央美术学院美术馆藏陈列 ——现代中国美术”

2024-10-09

本次陈列选取我馆馆藏20世纪中国美术作品260余件,以时间为主线,分为1900-1949、1950-1976、1977-2000三个板块,呈现了百年造型艺术的发展脉络。
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中央美院美术馆公益导览安排(10月8日-10月13日)| 志愿者持续招募

2024-10-09

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入!报名方式◤(1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。正在展出◤01中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅02百年辉煌·中央美术学院艺术名家大艺不言——林岗先生百岁艺术展展览时间:2024年9月11日–10月13日展览地点:中央美术学院美术馆3层B展厅03文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间:2024年9月10日—10月8日展览地点:中央美术学院美术馆3层A展厅04中央美术学院人文学院典藏研究“1949年第一届全国美展”作品资料典藏展展览时间:2024年9月10日—2024年10月8日展览地点:中央美术学院美术馆四层展厅052024年全国科普日系列活动固态沉积:有关矿物的存档展览时间:2024年9月10日—10月8日展览地点:中央美术学院美术馆一层展厅主编 / 何一沙 责编 / 杜隐珠
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Exhibition of CAFAM's Collection | "The Rammer's Song" - A painting more than three meters wide, showing the youth and passion of the laborers in New China.

2024-10-07

Mr. Wang Wenbin completed the oil painting "The Rammer's Song" in 1962. It is his graduation creation during his study at the art academy and also a representative work in his artistic career. It is hailed as a classic work of Chinese realistic oil painting. Before China's reform and opening up, especially in the vast rural areas, when laying the foundation for large-scale projects, it still relied on manual labor to compact the foundation. This work is called ramming.>>>>“The Rammer's Song”. Wang Wenbin. 1962. Oil on canvas. 156×320cm. Collected by the Art Museum of the Central Academy of Fine Arts.The work "The Rammer's Song" captures this typical moment of labor. The painting mainly shows rural girls singing the ramming song while ramming. In terms of composition, the artist chooses an upward-looking perspective and arranges the main characters above the eye level. The body movements of the girls form a set of radial diagonal lines, giving people a sense of ascent. At the same time, the positions of the mountains in the background are cleverly arranged below the waists of the characters, further enhancing the lofty feeling of the characters. In terms of color, the effect of external light is emphasized. Under the brilliant sunlight, the colorful clothes of the girls, through the warm reflection of the ground, appear more transparent and lightweight.In 1962, the work participated in the "New Shoots" art exhibition organized by the Ministry of Culture and immediately attracted the attention of the art circle, becoming an excellent work that reflects the times. Looking back at Mr. Wang Wenbin's "The Rammer's Song" many years later, the vigorous vitality revealed in the picture still moves everyone. This work has also become one of the artworks that can best represent the construction of New China.>>>>Exhibition of the Collection of the Art Museum of the Central Academy of Fine Arts——Modern Chinese ArtExhibition Dates: From July 23, 2024Exhibition Venue: Exhibition Hall B on the second floor of the Art Museum of the Central Academy of Fine ArtsSponsor of Professional Exhibition Lighting:AKZU (Shenzhen AKZU Lighting System Co., Ltd.)Consultant of Exhibition Space Architectural Design:China Academy of Building Research.Editor-in-chief / He YishaResponsible editor / Du Yinzhu
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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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