Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

“何处寻行迹”公开讲座系列 | 邵彦:明清山水画的风格源流

2023-10-07

“何处寻行迹”展览研究工作坊公开讲座系列讲座题目:何处寻龙脉――明清山水画的风格源流主讲人:邵彦(中央美术学院人文学院教授)主持人:黄小峰(中央美术学院人文学院院长,“何处寻行迹”展览学术顾问)讲座时间:2023年10月9日(周一)18:30讲座地点:中央美术学院美术馆学术报告厅Tips:请从美术馆西门进入内容介绍:本此讲座将为“何处寻行迹——中央美术学院美术馆藏古代绘画中的人与自然”展览提供美术史背景知识。以展出作品为例,讲述明清山水画如何继承和发展中古以来的传统,几条主要风格脉络又是如何对立与融合的。【主讲人】邵彦,中央美术学院人文学院教授,博士生导师。专长中国美术史、书画史、书画鉴定。曾任美国纽约大都会艺术博物馆高级访问学者。中央美术学院美术史系《中国美术简史》、“马工程”《中国美术史》等重要教材撰稿专家。专著有《皇舆揽胜——清代宫廷山水》、《山川换古今——蓝瑛家族的故事》,主编《月明十二楼——解读元画》等,发表学术论文数十篇。【主持人】黄小峰,中央美术学院教授、博士生导师、人文学院院长。主要研究中国古代绘画史、书画鉴藏史。著有《古画新品录:一部眼睛的历史》《虢国夫人游春图:大唐丽人的生命瞬间》《西园雅集:两宋人物画》等,于《故宫博物院院刊》《中国国家博物馆馆刊》《艺术史研究》等学术刊物发表论文数十篇。部分展览及讲座涉及的作品文伯仁,《王维诗意图》扇面,明代   金笺设色,纵20厘米、横54厘米中央美术学院美术馆藏盛茂烨,《竹林书斋图》扇面,1624年金笺设色,纵20厘米、横54厘米中央美术学院美术馆藏李士达,《匡庐泉图》轴,明代绢本设色,纵193厘米、横99厘米中央美术学院美术馆藏蓝瑛,《白云红树图》轴,1659年绢本设色,纵162厘米、横86厘米中央美术学院美术馆藏潘恭寿,《仿陆叔平林屋洞天图》轴,清代纸本设色,纵64厘米、横31厘米中央美术学院美术馆藏王鉴,《仿沈石田山水图》轴,1673年绢本设色,纵191厘米、横98厘米中央美术学院美术馆藏展览信息文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目何处寻行迹馆藏古代绘画中的人与自然主办:中央美术学院美术馆展览时间:2023年9月8日-10月20日展览地点:中央美术学院美术馆2层A展厅赞助:北京鑫河艺博文化有限公司、北京自定义科技文化创意有限公司学术主持:邱志杰学术顾问:唐勇力、黄小峰展览总监:张子康、韩文超展览统筹:王春辰、高高策展顾问:郑弌策展人:刘希言、李垚辰策展助理:陈冠石资料整理:陈晨溪、刘盛焱、夏冉设计总监:纪玉洁展览设计:曹群、赵格
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CAFAM预告| “梦作为艺术创作的方法”研讨会、工作坊、专题导览系列学术活动

2023-10-05

“广角°—青年实验项目空间”第一期第五回展览 “化梦:李洋的艺术”以“实验性、社会性、专题性”为策划出发点。其中基于“社会性”的定位,一方面想通过开放的、互动的“展览”事件策划,调动观众的主动参与度,以深度理解和认知本次展览的主旨与内容,形成有效的知识生产。
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CAFAM现场 | “化梦:李洋的艺术”金秋启幕

2023-10-01

9月28日,“广角°——青年实验项目空间”第一期第五回展览“化梦:李洋的艺术”在中央美术学院美术馆二层C展厅如期开幕。本次展览是中央美术学院壁画系副教授李洋的个人作品专题展,由中央美术学院人文学院副院长邵亦杨、中央美术学院人文学院教授邵彦担任学术顾问,中央美术学院美术馆设计总监、副研究员纪玉洁担任策展人。
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“2022年度国家艺术基金传播交流推广资助项目——综合材料绘画作品展览”如期开幕

2023-09-29

9月26日,由中国美术家协会综合材料绘画与美术作品保存修复艺委会学术支持,浙江师范大学主办,浙江师范大学艺术学院、浙江师范大学设计与创意学院、中央美术学院美术馆共同承办的“2022年度国家艺术基金传播交流推广资助项目——综合材料绘画作品展览” 在中央美术学院美术馆开幕。
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CAFAM 工作坊招募 | “何处寻踪迹”展览公共教育活动

2023-09-28

正值中秋十一小长假,美术馆将呈现多场公共教育活动,本系列活动由在展的“何处寻踪迹——馆藏古代绘画中的人与自然”展览生发,此次展览试图提供给公众的一个观看山水画的新向度:从“人”的在场与观看出发,重新进入山水画,观察并串联起不同时代的古代山水画和人物画的叙事共性,籍由山水中的人与人物间的景,重新理解中国传统文化思想中人与自然的共生关系。我们将通过系列工作坊带领大家共同感受古代文人山水画的魅力。
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策展人后记 | 李垚辰:纵浪大化——袁运生与壁画梦

2023-09-27

“纵浪大化 ——袁运生与壁画梦”这个展览不是一个日常形式的展览,策展人希望的是观众通过展览走入艺术家的思想。艺术家的作品是艺术家思想的体现,展览中的语录文字来自于袁运生先生自己的话语,策展人希望通过袁运生先生的自述和作品,抽离出袁运生先生作品背后的精神支撑,呈现出一个自传体的展览。
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CAFAM讲座预告|名家对话:“谈谈袁运生” 第一场

2023-09-25

本次系列活动的第一场《在美国的十四年》将于2023年9月26日在中央美术学院美术馆报告厅举办,嘉宾们将回顾与袁运生先生的交往,围绕着袁运生先生在美国时期的创作与思想变化展开对谈。
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CAFAM展览预告 | “化梦:李洋的艺术”及“画出你的梦境—征集计划”即将启幕

2023-09-22

“广角°——青年实验项目空间”第一期第五回“化梦:李洋的艺术”“广角°——青年实验项目空间”第一期第五回展览——“化梦:李洋的艺术”,将于9月28日下午2点在中央美术学院美术馆二层c展厅开幕。本次展览是中央美术学院壁画系副教授李洋的个人作品专题展,由中央美术学院人文学院副院长邵亦杨、中央美术学院人文学院教授邵彦担任学术顾问,由中央美术学院美术馆设计总监、副研究员纪玉洁担任策展人。本次展览以谱系和样本为空间叙事逻辑,通过轻松灵动的视觉设计,构建了一个时空交错、虚实交融、浪漫与逻辑并存的超现实图景。展览梳理并呈现了艺术家三十三年来以梦为核心展开的艺术探索与创作,包括油画、壁画、数字艺术、装置、图形设计、社会行为艺术以及艺术家日记、手稿等108件/组作品。核心议题是把梦作为一种艺术创作方法,探索“以梦化人”的潜在可能。作为中央美术学院培养的艺术家和美术教育者,美术学府深厚的艺术底蕴、开放的学术氛围,培塑了李洋鲜明而富有个性的艺术品格——研究型艺术家。他通过梦境探究当代中国社会的集体潜意识和精神世界,以图形、图像、文本等方式进行视觉转化,从个体梦的挖掘与研究连接到时代、历史、社会乃至人类问题的集体梦的表达与探索。以此展开对人类生存状态的普适性问题——梦与心理、梦与个人潜意识、梦与社会潜意识、梦与创造性之间的复杂关系和相互作用等问题的探讨。部分参展作品一九九八年的梦:红星公社 布面油画 109.5×65cm 1998一九九三年的梦:前知识经济的造人机制 布面丙烯 104.5×101.7cm 1999二零零一年八月七日的梦 纸本水彩 45×65cm 2013如何画梦 纸本墨水 21×29.7cm 2014被联合起来的366个人类的梦 iPad绘画 最大尺寸600×600cm 2019-2020一九九八年十二月二十六日的梦 布面油彩  145×68cm 2019二零零一年十一月二十六日的梦 IPad绘画 尺寸可变 2021一九九八年八月二十七日的梦 布面油彩  145×68cm 2022二零二二年十一月二十六日的梦 布面丙烯 240x90cm 2022画出你的梦境-征集计划人的一生大约有1/3的时间是在睡眠当中度过的,当代科学研究发现,每个成年人每天经历的正常睡眠中,会做4-6个梦。梦是人类个体及集体潜意识的反映,是人身体与精神生活的重要组成部分。梦也是拥有巨大创造力的内在的宝库。画出自身的梦,这不仅是一种回忆和纪念,也是自我观察、整理、再认知的过程,更是经典的自我审视与自我疗愈的手法之一。据此,我们将开展一次“画出你的梦境”征集计划。我们为大家提供了“画梦登记表”,不同年龄、不同职业的参与者都可以自行下载打印,绘制并上传关于各自梦境的绘画及文本,这些视觉化的梦境图像/图形与文本将会在展厅的特定墙面上张贴呈现,成为“化梦”展览展出作品的一部分。在这里,参与者既可以对不同人们的梦境产生宏观的认知,也可以和不同的参与者有着微观而具体层面的分享交流。所有参与者共同创作了一件关于梦的大型作品,随着上传作品的增加,梦的神秘园地会越来越庞大。梦的登记表下载地址https://pan.baidu.com/s/1ieu1u99aP9Ih8ZQ2fcZqOg 提取码: bckt梦的登记表上传邮箱:liyanghuameng@163.com艺术家简介李洋艺术家,梦工作者,中央美术学院壁画系副教授,硕士生导师,艺术学博士,目前生活和工作于北京。他的工作目前关注于梦工作的艺术、心理学、医学与社会学视角的整合,从梦的语言中获取新的社会生活工具的可能性。个展:“李洋画梦三十年加密艺术展”,沪申画廊,上海(2021)“捉梦器:关于梦的田野调查”,空间站艺术中心,北京(2020);“李洋-Unicorn-梦研所”,独角兽艺术空间,北京(2015);“现实的自疗——身藏”现实空间,北京(2010);“‘思无邪’——李洋作品展”,上海美术馆,上海(2007);“醒醒”,长征空间,北京(2006)等。群展及社会项目:“夜次元:奇遇之夜(Night Dimension:The Night of the Gifts)”,雷士德工学院旧址,上海(2023);“亚洲数字艺术展:地球太空船”,时代美术馆,北京(2022);“沙盒系统:关于治愈的三个样本”,线上展览,Cryptovoxels,雷电所(2022);“超融体:成都双年展”,天府艺术公园,成都(2021);“工艺之道:首届苏州工艺双年展”,苏州(2021);“不准停电”,明当代美术馆,上海(2021);“一席”第697位讲者:“画梦”,万象剧场,深圳(2019);“我绘百年 百年梦圆——中央美术学院校史壁画”,中央美术学院望京校区,北京(2017);“CAFAM双年展:空间协商”,中央美术学院美术馆,北京(2016);“旋构塔——中国青年艺术家推介展”,时代美术馆,北京(2014、2015);“第六届成都双年展”,成都现代艺术馆(2013);“造型——中央美术学院教师作品展”,中央美术学院美术馆,北京(2010);“中央美术学院素描60年”,中央美术学院美术馆,北京(2009);“新锐策展人计划-头发的故事”;“形无形”,一月当代画廊,北京(2006);“‘谈话十+十’当代艺术展”,证大现代艺术馆,上海(2006);“长征计划–延安项目”,长征,北京(2006);“第51届威尼斯双年展-处女园:浮现”,为王其亨《威尼斯双年展的风水》创作绘画并进行美术设计,中国国家馆,威尼斯,意大利(2005);“今日美术馆首届青年美展”,今日美术馆,北京(2003)。所获奖项:“中央美术学院2001届毕业作品展”,一等奖,中央美术学院美术馆,北京(2001);“诺基亚‘我看未来’艺术大奖赛”,当代美术馆,北京(1999);“中央美术学院80周年校庆招贴画展”,一等奖,中央美术学院美术馆,北京(1998)等。作品及访谈发表:《心理月刊》、《心探索》、《城市画报》、《中华英才》、《北京青年周刊》、《美术研究》、《美术观察》、《美术》、《新周刊》、《典藏(国际版)》、《中国艺志》、《中国国家地理》、《博物》等。教学课程:“超现实艺术解析与创作” 、“全观性素描” 、“神秘美术课”等。广角°——青年实验项目空间“广角°——青年实验项目空间”于2022年初启动第一期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。经历数月的方案征集和方案评选,第一期“青年实验项目空间”选定5份展览方案落地实施。“化梦:李洋的艺术”为第五个实现的展览。主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心筹备组:总顾问:苏新平、邱志杰总策划:张子康、韩文超、傅怡静特聘专家:吴洪亮、彭锋统筹:王春辰、高高、郁飞、扈学婷、李彦君执行策划:刘希言、李垚辰、李金朋、易玥、胡晓岚、金简如、王若冰视觉设计:闵志伊“广角°——青年实验项目空间”第一期第五回“化梦:李洋的艺术”展览时间:2023年9月28日—10月18日展览地点:中央美术学院美术馆2层C展厅学术顾问:邵亦杨  邵彦艺 术 家:李洋策 展 人:纪玉洁策展助理及设计团队:张倩媛  李晋羽  王悦嘉  郑璐瑶  郭双玉展览管理:马亮  荆鹏媒体宣传:何一沙  吴靖  贺伊飞官网文宣:王静智识中心:肖宝珍公共教育:任蕊  姚轶群  梁雯  王军财经事务:杨柳  门婧  寇蕾行政支持:蒋思妤  岳君瑶  张倩  郭旭后勤保障:孙炜  陈小华  吕智发
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“何处寻行迹”展览研究工作坊 学员招募

2023-09-21

文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目 “何处寻行迹——馆藏古代绘画中的人与自然”展览研究工作坊时间:2023年9月、10月地点:中央美院美术馆报告厅、会议室、2A展厅,中央美院中国画与书法学院临摹教室*报名方式详见文末展览研究工作坊介绍2023年9月8日,由中央美术学院美术馆主办的“何处寻行迹——馆藏古代绘画中的人与自然”展览在中央美术学院美术馆2层A展厅正式开幕,精选出横跨元明清三个朝代的山水人物画共五十余件进行展出。作为文化和旅游部“2023 年全国美术馆馆藏精品展出季”的入选项目,秉承中央美术学院美术馆的教育职能,随着本次展览举办研究工作坊,旨在以新颖的模式鼓励年轻学子参与到与展览主题相关的科研项目中,尝试以浸入式教学让学员从展览前到展览后深入接触作品和展览,从多角度调动和激发青年学人对馆藏古代书画作品的深入研究以及探索美术史研究新视角。展览研究工作坊内容本次工作坊全程免费分为三个阶段进行第一阶段为展览开幕后的系列公开讲座。该阶段将依托中央美术学院美术馆平台举办学术讲座,展现杰出学者的前沿成就,与校内外师生形成积极互动,推出学界原创性的独有思考成果,并为工作坊下一阶段拟定研究方向和题目提供帮助。时间:2023年9月、10月地点:中央美院美术馆报告厅第二阶段为工作坊内部授课。主要内容为从多种角度进一步认识馆藏古代书画、确定研究题目与方向。该阶段将邀请策展人以及艺术史和中国画创作相关领域学者,带领学员从艺术史和绘画技法等角度分析馆藏古代山水作品及同时代艺术。时间:2023年9月、10月地点:中央美院美术馆报告厅、会议室、2A展厅,中央美院中国画与书法学院临摹教室第三阶段为学员成果汇报。学员根据前两个阶段的课程学习,于2023年10月18日汇报选题,于2023年12月1日以PPT形式汇报研究成果,优秀论文将推荐发表。时间:2023年10-12月地点:中央美院美术馆会议室    展览研究工作坊主持黄小峰  “何处寻行迹”展览学术顾问中央美术学院人文学院院长、教授研究工作坊授课教师公开讲座部分尹吉男中央美术学院人文学院原院长、现任广州美术学院图像与历史高等研究院院长付阳华中国人民大学艺术学院教授邵彦中央美术学院人文学院教授 内部授课部分董梅中央美术学院人文学院教授郭怀宇故宫博物院副研究馆员郑弌中央美术学院人文学院副教授边凯中央美术学院中国画与书法学院副教授窦天炜中央美术学院美术馆修复师刘希言“何处寻行迹”展览策展人、中央美术学院美术馆副研究员 成果汇报部分主持人姜鹏国家博物馆副研究馆员万笑石中央美术学院人文学院讲师 陈冠石“何处寻行迹”展览策展助理招募学员要求招募人数: 15人招募对象:美术史研究或中国画创作方向,北京地区在读硕、博士,或已毕业硕、博士报名方式: 请发送简历到chen.guanshi@foxmail.com(标注“工作坊+姓名+电话”发送申请,简历包含学术背景、研究方向、手机号,将由主办方共同讨论决定参加人选,并以收到回复为准。名额有限,报满为止,请勿重复提交报名)| 展览信息 |文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目何处寻行迹馆藏古代绘画中的人与自然展览时间:2023年9月8日-10月20日展览地点:中央美术学院美术馆2层A展厅主办:中央美术学院美术馆赞助:北京鑫河艺博文化有限公司、北京自定义科技文化创意有限公司学术主持:邱志杰学术顾问:唐勇力、黄小峰展览总监:张子康、韩文超展览统筹:王春辰、高高策展顾问:郑弌策展人:刘希言、李垚辰策展助理:陈冠石
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摄影的艺术|摄影小史:菲利普斯赠书摄影文献展如期开幕

2023-09-20

9月19日,由中央美术学院美术馆主办的“摄影小史:菲利普斯赠书摄影文献展”在中央美术学院美术馆3A展厅开幕,本次展览集中梳理了这批藏书的摄影历史部分,以此揭示摄影的发明与发展的历程,也展示了菲利普斯捐赠的图书的学术内涵及价值。展览基于2011年曾任美国国际摄影中心策展人的克里斯托弗·菲利普斯捐赠给央美美术馆的1400多本珍贵藏书,选取经典摄影书籍以简单呈现两个世纪以来的摄影发展进程,同时展出的还有由泰吉轩画廊支持的多幅珍贵摄影作品。展览从菲利普斯推荐的四个类型的重点书籍开始,而后沿着摄影发明发展的历史进程分为三个板块:发明与扩展、步入现代、发散与融合。出席今天开幕式的嘉宾有中央美术学院人文学院院长黄小峰、中央美术学院教授缪晓春,同时出席的还有本次展览策展人中央美术学院美术馆副馆长王春辰,以及本次展览支持单位泰吉轩画廊主理人卢骁。开幕式由中央美术学院美术馆副馆长高高主持。中央美术学院美术馆副馆长、此次展览策展人王春辰中央美术学院美术馆副馆长、此次展览策展人王春辰在致辞中表示,克里斯托弗·菲利普斯(Christopher Phillips)是国际上著名的摄影家,摄影史家,也是摄影领域的著名策展人,他从上世纪90年代就来到中国,每年都要来几次,有时候甚至来十几次,他对中国的摄影充满了爱,这也使他深入地了解了中国当代摄影的发生发展及状态,并且策划过多个有关中国当代摄影的展览。2004年,克里斯托弗·菲利普斯(Christopher Phillips)与巫鸿共同策划了影响深远的展览“过去和未来之间:中国新影像展”。也是因为有像菲利普斯这样的国际的艺术家的推动,才使中国的摄影在国际上获得更大的传播和影响,所以菲利普斯是中国艺术界的好朋友,支持者,赞助者。王春辰教授认为,在展览中每一本书并不都是按照图书的出版时间来展示,而是按照图书所呈现的内容,拼凑出一个相对完整的关于摄影的历史。同时我们也希望通过这个展览勾起人们观看这些摄影图书的愿望,并通过这个特殊的展览来感谢菲利普斯对文化机构无私的赞助。同时也可以通过展览让摄影理念,摄影价值,摄影意义在得到更广泛的社会传播的同时,在美术学院内部也能够得到加倍的重视以加强对摄影的研究。我们在当今开放的全球化时代,必然需要与国际有着密切的交流,菲利普斯在2011年捐赠图书给中央美术学院美术馆这样的具有历史意义的决定,体现了当今世界文化交流的意义与价值。中央美术学院教授缪晓春致辞中央美术学院教授缪晓春在发言中表达了两个深深的感谢。一个是作为艺术家的感谢:2004年,克里斯托弗·菲利普斯(Christopher Phillips)与巫鸿教授共同策划了展览“过去和未来之间:中国新影像展”,这个展览在纽约、芝加哥、西雅图、伦敦、柏林、圣巴巴拉、卡莱罗纳等巡回展出。2004年中国当代摄影刚起步,当时展览面向世界推广和传播了中国当代摄影。参加展览的有60多艺术家,菲利普斯和巫鸿教授一件一件非常仔细地介绍了艺术家们的作品。所以借此机会,他为20年前菲利普斯先生为中国摄影的推广和传播所做的贡献表达深深的感谢。第二个感谢是作为教师的感谢:菲利普斯很早就参与到了中央美术学院的教学活动,以及讲座当中。他有这样一个愿望——把他所收藏的摄影书籍放到美术学院,让更多的学生能够看到。以前学生写论文依靠网络或者现在依靠人工智能,学生们在美术学院学习没有一个实体可依的参照。那么他们所写的内容则会不明就里。所以菲利普斯所捐赠的摄影图书为美院的学生提供了一个学习、观摩的机会。尤其很多的摄影书本身就是一件艺术作品。发言的最后,缪晓春教授代表美院学生对菲利普斯表示深深的感谢。中央美术学院人文学院院长黄小峰致辞中央美术学院人文学院院长黄小峰首先在发言中祝贺了此次展览的顺利开幕。黄小峰教授指出摄影的发明最重要的影响之一便是直接引发了可能是革命性的视觉方式的改变、一个图像文化的改变。本次展览的设计也隐含了这样的主旨,进一步推动文化摄影史的发展,并期望在不久的将来将 “摄影小史”做成“摄影大史”。中央美术学院美术馆副馆长高高主持嘉宾合影展览开幕当天,本次展览策展人中央美术学院美术馆副馆长王春辰、泰吉轩画廊主理人卢骁,以及本次展览执行策展徐欣晨在中央美术学院抖音官方账号为观众直播导览,分别对菲利普斯推荐书籍、三个板块的历史线以及展出作品进行了详细介绍,本次直播由中央美术学院美术馆媒体部主任何一沙主持。中央美术学院美术馆副馆长王春辰,本次展览策展人导览泰吉轩画廊主理人卢骁导览本次展览执行徐欣晨导览本次展览将持续至10月29日。部分捐赠藏书尤金·史密斯  西班牙村庄  24x17cm  明胶银盐  1951《埃莉诺,芝加哥》哈利卡拉汉1949年明胶银盐144x126《布鲁塞尔》亨利·卡蒂埃-布列松1932年362x241mm明胶银盐《月升,埃尔南德斯,新墨西哥州》安塞尔·亚当斯1941年489x384mm明胶银盐摄影小史:菲利普斯赠书摄影文献展主办单位:中央美术学院美术馆支持单位:泰吉轩画廊展览时间:2023年9月19日–10月29日展览地点:中央美术学院美术馆3层A展厅艺术总监:邱志杰展览总监:张子康 韩文超展览统筹:高高学术主持:克里斯托弗·菲利普斯(美)策 展 人:王春辰策展执行:徐欣晨展览助理:黄南燕  朱艺琳展览顾问:卢骁设计总监:纪玉洁展览设计:徐国峰书籍整理:崔然然  康静文字校对:张文野  孙大可  吕维民 贾浅烦 宗钰淇  赵安琪 张馨心
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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