Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: CAFAM EXHIBITIONS&ACTIVITES NOTICE (MARCH - JUNE)

2019-02-28

MUTE ENCOUNTERS: BRUNO WALPOTH The Italian artist Bruno Walpoth has been known as "one of the greatest woodcarving artists of the century". He focuses on the research of human figures, using a simple and unpretentious style to create a special emotional atmosphere. Though the expression and body language of the figure, his work directly reflects the inner feelings. It will be the first time that Bruno's works have been exhibited in Beijing. The exhibition will present 20 new a sculptures which have been prepared specifically for this exhibition, as well as paintings, bronze and paper sculptures that have rarely appeared in his solo shows.Time:2019/3/5-2019/5/1Venue: Gallery 3A,CAFA Art Museum MARC QUINN:UNDER THE SKIN This exhibition will present a selection of the work of the acclaimed British artist Marc Quinn. As one of the leading artists of his generation, Quinn's work explores the recurring themes of art and science; the human body; emotion; and the perception of beauty. For the artist's first solo museum exhibition in China, the works have been drawn from his 30-year career and from multiple series, exploring his enduring interest in identity.Time:2019/3/8-2019/5/1Venue: Gallery 3B,CAFA Art Museum FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960- Maggi Hambling (born in 1945) is a major British artist who gained an international reputation in the 1980s, only enhanced subsequently byrecent shows at major museums such as the Hermitage in St Petersburg Russia. This will be a career-length exhibition which showcases Magg Hambling's work from the 1960s to the present day-oil paintings, drawings and monotypes. Her most iconic works will be presented in the exhibition, including the extraordinary Walls of Water paintings, as well as her portraits of lovers, family and friends.Time:2019/3/8-2019/5/1Venue: Gallery 4F,CAFA Art Museum CAFA ANNUAL FINE ARTS NOMINATION EXHIBITION·2019— ZHOU JIRONG& YE NAN:BETWEEN THE HEAVENLY AND THE HUMAN The exhibition of CAFA Annual Fine Arts Nomination Exhibition. 2019 will be divided into two parts: 1. Cappella of the History-Zhou Jirong Solo Exhibition: 2. Limit of the Loneliness-Ye Nan Solo Exhibition. Over 70 oil paintings, the works of printmaking and composite materials will be presented, displaying the 30-year art careers of the two artists。Time:2019/3/12-2019/5/1Venue: Gallery 2B,CAFA Art Museum LIN GANGPAINTING/ VITALITY The exhibition will focus on Mr. Lin Gang's oil paintings from life and abstraction works from the perspective of artistic ontology. The former will show how the artist painted the image of external objects, while the latter will show how the artist expressed the spiritual world. Finally, it will aim to outline the internal relationship between Lin Gang’s paintings from life and abstraction works in the past decades, hoping to provide reference for the younger generations in painting practice and creation. At the same time, the exhibition will also review and summarize Mr. Lin Gang’s artistic career and important achievements in an independent section.Time:2019/3/12-2019/5/1Venue: Gallery 2A,CAFA Art Museum ITINERANT EXHIBITION PROJECTSPIONEERING: CHINESE ARTISTS ABROAD IN FRANCEAND CHINESE MODERN ART(1911-1949) The exhibition will be the first large-scale academic exhibition of which CAFA Art Museum has participated in the curating, after the conclusion of the celebrating the 100th anniversary of CAFA. Supported by 2018 China's National Art Fund, the exhibition will show more than 200 artworks loaned from dozens of public and private institutions and art collectors presenting the academic life of more than 50 artists who had studied in France. It will be divided into four sections showing comprehensively the exploring journey of those pioneers in advancing the modernization of Chinese art in the first half of the 20th century, hoping to help to research further the process of formation of Chinese art in the 20th century. It was from Shanghai where the pioneers got on ship to France, taking the first step of the path of Chinese modern art.Time:2019/3/16-2019/6/9Venue: Gallery 3&6,Long Museum West Bund,Shanghai ITINERANT EXHIBITION PROJECTSXU BEIHONG AND HIS TIME The Exhibition will make a comprehensive and in-depth review of the historical contributions of Xu Beihong the first director of CAFA after the founding of new China, as well as the development of Chinese fine arts in his time. It will be of great significance to clarify the historical context of the development of Chinese art in the 20th century, trace the formation of the basic features of Chinese art in the same period, and also develop the contemporary Chinese art.Time: 2019/3/29-2019/5/6Venue: Gallery 2&3,Li’ao He Museum of Fine ArtsBEYOND BOUNDARIES: AN INTERACTION BETWEEN THE CENTRAL ACADEMY OF FINE ARTS, BEIJING AND THE SLADE SCHOOL OF FINE ART UCL LONDON The group exhibition will present works by 24 artists who have been teaching in Central Academy of Fine Arts, Beijing( CAFA)and the Slade School of Fine Art, UCL, London. Coinciding with celebrating the 100th anniversary of CAFA and the 150-year anniversary of the Slade School of Fine Art, Beyond Boundaries will highlight the historic contributions made by the two academies and celebrate the important role of cultivating artists played by CAFA and the Slade. Zhang Zikang, Director of CAFAM will be the art director of this exhibition which will be co-curated by Guo Xiaohui and Andrew Stahl. The exhibition will feature the recent works ranging from painting, sculpture to the new digital media, showing the dynamic samples of current artistic practices in China and the UK.Time: 2019/3/12-2019/4/2Venue: Somerset House,LondonCAFA GRADUATION SEASON, 2019 The annual CAFA graduation season has always been carefullyachievements of CAFA, especially the teaching achievements will bemostly reflected in the graduation works. The works presented in the graduation season will embody the level of the academic research and art creation of the academy. During the CAFa graduation season, the academy will be transformed into a grand museum of fine arts, being open to the whole society as a platform of communication between the the graduates and various circles of the society. How can you miss such a gathering?Time: Early May to Late June,2019Venue: CAFA Art Museum ART EDUCATIONAL PROMOTION SPECIAL PROJECTTHE ART OF LEONARDO-IMPOSSIBLE EXHIBITION In order to mark the 500th anniversary of Leonardo da vincis death, the Exhibition "The art of Leonardo-Impossible Exhibition" will display extremely high-definition and true-to-scale reproductions of all the 17 masterpieces of Leonardo exposed in 11 different top museums in the world. These exceptional reproductions will include the Last Supper, Monna Lisa, the Annunciation, the two versions of the virgin of the Rocks etc. The exhibition, organized in cooperation with the italian Embassy and the italian Institute of Culture, with the technical supervision of the Italian national television RAICom, will start its journey in China from Beijing then touring around the world. It will provide a unique opportunity for the people who are passionate of renaissance art to get closer to the great art heritage left to the world by Leonardo da vinci.Time: Early April to Late May,2019Venue: CAFA Art Museum
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: Closing Notice

2018-12-03

CAFA Art Museum will be temporarily closed from December 4 to 9, 2018 for exhibition installation.For your information, It will re-open on December 9, at 9:30 AM.Welcome to visit the new exhibition. Thank you for your attention!The new exhibition will open soon:远志四韵——李斛的艺术步履 2018.12.09 - 2019.01.03 Everlasting Sincerity of Heart: Li Ruinian and Art Education 2018.12.09 - 2019.01.03苦旅心语——宋源文个案研究 2018.12.09 - 2019.01.03
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: “The Land of Country Remade” Awarded as An Outstanding Exhibition in the 2018 National Exhibition Season of the Excellent Collection from the Art Museums in China

2018-11-22

On November 20, learning from “The Notice of the Ministry of Culture Issuing ‘the Project Planning of 2018 National Exhibition Season of the Excellent Collection from the Art Museums in China’” (Letter of Approval [2018] No. 15), the acceptance work of this project has been successfully completed. Carefully reviewed by a panel of experts and examined by the Ministry of Culture and Tourism, “The Land of Country Remade – Research Exhibition on the Movement of New Chinese Guohua Painting in the 1950s-60s”, planned by CAFA Art Museum, won the Outstanding Project Award. A total of eleven projects are selected as excellent exhibitions and will receive incentive subsidies from the Ministry of Culture and Tourism for carrying out their exhibition tours and other related works.“The Land of Country Remade” selected representative works from the collection of CAFA Art Museum that reveals the innovation history of Chinese Painting in the 1950s and 1960s, and combed through the literature of discussion, exhibition articles and artworks that related to the reform of Chinese painting. In this both academic and artistic exhibition based on research, visitors can get a viewing experience as if walking through a history book. Edited | Editorial Department of CAFA Art Museum WebsitePhotography | Li Biao| The Exhibition Site |
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: Student Recruitment “A Poem of Great Ambition – Li Hu’s Artistic Path” • Research Workshop

2018-11-20

“A Poem of Great Ambition – Li Hu’s Artistic Path”Research WorkshopStudent RecruitmentTime: November and December 2018Venue: Multifunctional Room and 2B Gallery, CAFA Art Museum*See application process at the end of the articleResearch Workshop Introduction Li Hu was an important Chinese painter, art educator, and teacher of CAFA in Chinese modern art history. He integrated Chinese and Western painting techniques – Chinese brush and ink with Western skills – in the creation of Chinese painting and made unique achievements in landscape and portrait painting. Li Hu created a lot of outstanding works, including “Guangzhou Uprising”, “Indian Woman”, “Portrait of Guan Hanqing”, “Night Navigation on the Three Gorges”, etc.Li Hu, “Guangzhou Uprising”2019 is the centenary anniversary of Li Hu. In order to commemorate Li Hu and fully present his artistic outlook, CAFA Art Museum has planned a special exhibition “A Poem of Great Ambition – Li Hu’s Artistic Path”, which is to be displayed in the art museum from December 2018 to January 2019. This exhibition will present more than 100 pieces of representative works created by Li Hua in his lifetime. Curator Cao Qinghui has systematically sorted out the creative process and works of Li Hu at different periods, focusing on Li Hu’s contribution to the innovation creation of Chinese figure painting.Li Hu, “Self-portrait”The research workshop, held along with the exhibition, takes on the education function of CAFA Art Museum to encourage young students to participate in the scientific and research projects related to the exhibition theme by a new model. It attempts to make students have deep engagement with the exhibition and works using immersion programs throughout the exhibition period, so as to arouse and inspire the research interest of students on Li Hu and the modern transformation of modern Chinese painting from multiple perspectives.Research Workshop ContentThis workshop is free of Charge and is divided into three stages.Li Hu drawing the draft of “Night Navigation on the Three Gorges” in 1973The first stage contains four courses before the opening of the exhibition. The main content is to lead students to get familiar with and master the related literature of Li Hu. In this stage, Li Hu’s families, and scholars who have involved in his exhibitions and studies will be invited to teach the students. In the last session of the first part, participants will decide research directions and topics with the instruction of curator Cao Qinghui.Time: November 2018Venue: Multifunctional Room, CAFA Art MuseumLi Hu,“An Old Man in Red”The second stage has four courses after the opening of the exhibition, with its subject content to further understand Li Hu from different angles and confirm the research titles. In this stage, curators and scholars in the fields of art history and Chinese painting will be invited to direct students to analyze Li Hu’s works and contemporary art of his time from the point of art history, techniques and other angles. Before the courses of the second stage start, students should first submit their research topics according to their learning situation. In addition, during the exhibition, each student will complete an on-site audience tour to have a profound understanding of Li Hua and his works.Time: December 2018Venue: 2B Gallery and Multifunctional Room, CAFA Art MuseumLi Hu, “Sketch of A Plaster Figure”The third stage is for students to report their achievements before the end of the exhibition. Based on the course learning of the first two stages, students will present their study results in PPT and finish an essay before January 15, 2019. The excellent essay will be included in the publication of the same title as the exhibition.Time: January 2, 2019Venue: Multifunctional Room, CAFA Art MuseumThe Host of the Research WorkshopCao Qinghui(Curator of the exhibition)Liu Xiyan(Coordinator of the project)Instructors of the Research WorkshopWu Hongliang(Deputy Director of Beijing Fine Art Academy, Director of the Art Museum of Beijing Fine Art Academy, Curator of “A Retrospective Exhibition of Li Hu’s Excellent Paintings” at the Art Museum of Beijing Fine Art Academy in 2009)Deng Feng(Researcher of the National Art Museum of China, Curator of “Beautiful Expression by Pen and Ink: Exhibition of Li Hu’s Paintings” at Han Hai Contemporary Art Center in 2015)Liu Xilin(Renowned Chinese art historian)Jiang Caiping(Professor of the School of Chinese Painting of CAFA)Liao Qin(Lecturer of the School of Chinese Painting of CAFA)Li Yaochen(Director of the Collection Department of CAFA Art Museum)Li Rong(Li Hu’s daughter)Li Fan(Li Hu’s son)Li Yun(Li Hu’s daughter) Application RequirementsRecruitment of 10 students as plannedAcademic background of art history studies or Chinese painting creationRecent or graduated master and Ph.D. studentsPlease send your resume to 112337188@qq.com before November 18(Please include academic background, research direction and mobile number in the resume)
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: Upcoming CAFAM Art Talks  In the Center of the (falling?) World – Istanbul Biennial

2018-11-12

Hosted by CAFA Art Museum and New Century Art Foundation, this lecture invites two internationally renowned art curators and critics, Nicolas Bourriaud and Hou Hanru for a profound and wonderful conversation about the relationship of art and the vision of the world.
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: “CAFA Art Museum – Langfang” was Officially Unveiled on November 3

2018-11-04

Followed by strategic cooperation achieved by CAFA Art Museum and ENN Group, the opening ceremony of “CAFA Art Museum-Langfang” was held successfully at the Silk Road International Cultural Exchange Center. Coinciding with the centenary anniversary of CAFA, Langfang branch initiated two exhibitions upon its founding: “The Collection of CAFA Art Museum” and “The Perspectives of the World: Through Photography and Videos”, which presented the excellent collection of CAFA Art Museum in recent years so as to view and experience the vitality of Chinese art in the contemporary era.
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: Art Museum Forum:Opportunities and Challenges of Art Museums in the Digital Age Is Opening Soon

2018-10-31

This forum will explore the topic from art museum's academic research,public education,construction of substance & concept,and other aspects.
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: The Exhibition of “Xu Beihong and His Times: Artworks for the 100th Anniversary of CAFA” Opened at Hong Kong Sun Museum

2018-10-26

Organized by CAFA, Bauhinia Magazine and Sun Museum, the exhibition of “Xu Beihong and His Times: Artworks for the 100th Anniversary of CAFA” is opened at Sun Museum on October 25, 2018. It features 61 precious works from 33 well-known modern Chinese artists, including Xu Beihong, Qi Baishi, Zhang Daqian, Li Keran, and so on. For Hong Kong, it is rare to hold an exhibition of Chinese masterpieces of the 20th century with such high standards and scales in recent years.
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: “Media Architecture Biennale 2018”Will be Opened at CAFA Art Museum

2018-10-26

Host: Central Academy of Fine ArtsOrganizers: CAFA Visual Art Innovation Institute, School of Architecture of CAFA, CAFA Art Museum, Media Architecture Institute ChinaDate: November 13 – 29, 2018Venue: Central Academy of Fine ArtsMAB (Media Architecture Biennale) is among the world’s largest and most high-profile academic brand events in the field of media architecture. Since 2008, five biennales have been held in Berlin in Germany (2008), Vienna in Austria (2010), Aarhus in Denmark (2012/2014), and Sydney (2016). This year’s biennale MAB18 is hosted by CAFA, running 17 days from November 13 to 29, including workshop, thematic forum, conference, exhibition and award ceremony.MAB18 will bring together representatives from Europe, the Americas, Australia, as well aswell-known domestic colleges & universities, art organizations, scientific institutions and innovative enterprises. On the occasion, world’s top scholars, designers, artists, industry experts and urban construction managers of the media architecture and related fields, will lead participants to experience an idea storm of design and innovation, to jointly seek answers to the problems and challenges faced by media architecture in the global and Chinese cities, and to explore the great potential of media architecture in social, cultural and commercial fields in the construction and development of smart cities.The Theme of MAB18: Media Architecture – Digital Infrastructure at the Scale of the Hybrid CityAt present, digital infrastructures, large or small, have already merged into placemaking and smart city initiatives as the familiar “media architecture”. At the micro level, interconnected displays and mobile phones can show useful information to residents, while at the macro level, the huge building facades and screens can represent the image and identity of an entire city. Then, how can the various scales of media architecture connect with the new-type interfaces between physical space and digital world, so as to build and support the structure of society, economy and culture will be an important developing direction in the future. MAB18 is to bring together top researchers, designers, and city builders & managers to discuss the utility and scale of interconnected media architecture in the local and global contexts. I MBA18 AGENDA I I CONFERENCE IDate: November 15 – 16, 2018Venue: Academic Lecture Hall, CAFA Art Museum (simultaneous interpretation)Keynote Speakers:Bruce Ramus, Art Director of Ramus Illumination, Adjunct Professor of University of SydneyDaan Roosegaarde, Artist, InventorUsman Haque, ArtistDan Hill, Associate Director at Arup, and Head of Arup Digital StudioBen Van Berkel, Architect, Founder and Principal Architect of the architectural practice UN StudioValentin Spiess, Chairman, CEO, and Member of the Executive Board of iart agThe exterior of CAFA Art MuseumI SYMPOSIUM I1. Enterprise Innovation SymposiumPresenter: Zhang Xin, School of Architecture of Tsinghua University, M.Hank Haeusler, University of South Wales14:00 – 17:00, November 13, at the Audio-visual academic lecture hall, CAFA (simultaneous interpretation)2. Digital Public SymposiumPresenter: Glenn Harding and Emma Shearman09:00 – 12:00, November 14, at the Audio-visual academic lecture hall, CAFA (simultaneous interpretation)3. Urban Media Art SymposiumPresenter: Susa Pop and Tanya Toft14:00 – 17:00, November 14, at the Audio-visual academic lecture hall, CAFA (simultaneous interpretation)The audio-visual academic lecture hallI Workshop IEach workshop is limited to 20 persons – in the classroom on the ground floor, building 7 of CAFA Art Museum, on November 13I Exhibition IDate: November 13 – 29, Venue: building 7 of CAFA (School of Architecture), Art MuseumContents: 1. The exhibition is based on the review of the award-winning works in the past five rounds of MAB conference, to present the grand occasion and winning works of the previous five biennales held in Berlin in Germany (2008), Vienna in Austria (2010), Aarhus in Denmark (2012/2014), and Sydney (2016) in Australia. 2. It also shows the achievements of Chinese urban media architecture, in which the massive expansion of media architecture from monomer to complex has reached a new height in China in a global context. Academic Lecture Hall, CAFA Art MuseumMAB EXHIBITION OPENING & DIGITAL CALLIGRAFFITI PERFORMANCE：Date: 18:00, November 13, Venue: building 7 of CAFA (School of Architecture)l MAB18 AWARDS CEREMONY Date: November 16, 2018, Venue: Exhibition Hall 7F, building 7 of CAFAI MAB（Media Architecture Biennale）IntroductionMBA (Media Architecture Biennale) is held every two years to give a concentrated display of the highest level of theoretical research and urban practices in the field of media architecture worldwide, which has a history of ten years and exerts a significant influence in the world. In addition to MAB, Media Architecture Institute (MAI) also organizes Media Architecture Summit (MAS) and Media Facades Summit (MFS) every year, which have been opened eight times so far. MAB, MAS and MFS have become the international media architecture brand events with the most international influence and future direction. Over the past ten years, leaders of the cutting-edge research, teaching and design team representing the world’s media architecture have participated in MAB and gave keynote speeches, including Carlo Ratti, Director of MIT Senseable City Lab, Ignatius Jones, Creative Director of the “Vivid Sydney” festival, Gerg Stone, Strategy Director of ARUP Digital Services, Rafael Lzano-Hemmer, international renowned artist, and so on. At the same time, MAB has also carried out practical construction and exhibition of media buildings and installations in Sydney, Vienna, Beijing, Toronto and other cities, forming a wide social influence.In June 2016, at the MAB16 Media Architecture Biennial in Sydney, Dr. Gernot Tscherteu, Founder of MAI, Prof. Hank Haeusler and Prof. Martin Tomitsch jointly announced that MAB18 would be held in Beijing, China, with Prof. Chang Zhigang, head of China branch, as the chairman of MAB18. l MAI（Media Architecture Institute）The Media Architecture Institute was founded by Dr. Gernot Tscherteu, Dr. Oliver Schuerer, Dr. DI. W. Leeb and Dr. Martin Tomitsch in 2009. It aims to supplement the undertakings of universities and research institutions through flexible and focused study activities and binds industry, education and academia together. The institute has four branches in Vienna, Sydney, Toronto and Beijing, in which the Beijing Branch (MAIC) was set up in 2015 with Prof. Chang Zhigang from CAFA as the head of the branch.l MAIC（Media Architecture Institute China）“MAIC Media Architecture · China” focuses on new forms of smart city space, shapes intelligent life and builds the innovative platform of science and arts to realize cross-border cooperation and barrier-free communication between scientific institutions and art & design organizations, science & technology discipline and art & design discipline, as well as scientists, engineers, artists and designers, and to promote a deep integration and updating of cultural & artistic industry and scientific & innovative new industry.Additional Information: About CAFA Visual Art Innovation InstituteIn 2015, the CAFA Visual Art Innovation Institute was among the first batch of institutions selected for the Beijing Advanced Innovation Centre Program. It was also the only art academy amongst 13 colleges and universities. The institute adopts an innovate interdisciplinary, cross-disciplinary mechanism, whereby this platform enables the removal of existing bottlenecks of scientific research and teaching to pursue the interlinking of research, learning, and production that is forward-looking and in line with the developments of times. In this way, it can build a collaborative innovation model that is oriented towards achieving a fourfold synergy between the scientific frontier, cultural heritage innovation, industry, and major regional development needs, thus building two "1+4" models. The first goal is to create a "visual culture system" for Beijing, enhancing Beijing's visual identity, and incorporate the city's cultural development strategy. The second goal is to bring in internationally renowned masters with "Visual Beijing" as a blueprint, driving the research, learning, and production development of Beijing's related professional colleges and universities. In term of content, 'Spatial Beijing', 'Visual Beijing', 'Fashion in Beijing', and 'Life in Beijing' will be the main four components of the institute. In terms of organisation and structure, the Central Academy of Fine Arts will lead and build the platform for teaching, learning , and production, enabling the achievement of resources sharing between four of Beijing's colleges and universities, namely Beijing University of Technology, Beijing University of Civil Engineering and Architecture, Beijing Film Academy, and Beijing Institute of Fashion Technology.
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: Tradition Is The Power For Invention

2018-10-06

In the thousands of years of China’s history, tradition has been constantly recreated but it has never become a formulaic or restricted way of working; CAFA’s artists therefore cannot be defined as exclusively creative, over-mannered or results-driven – instead they are deeply engaged in a tradition of change and re-invention.
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.