Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

讲座预告|实践语境研究沙龙 Context-Praxis Salon

2026-05-05

身体·幻相·守望——东方美学的灵光乍现与赵梁的舞蹈艺术时间:2026年5月6日  18:30-20:30地点:中央美术学院美术馆报告厅嘉宾:赵梁 邵亦杨  杨明刚 吴键  武宏主办:中央美术学院美术馆支持:中国艺术研究院实践语境研究沙龙,是作为中央美术学院美术馆对当下不同领域的艺术实践的链接与探讨的公共美育学术活动。我们将定期邀请不同领域的专家与学者,将各自最新的艺术实践与研究展示给公众。与CAFAM公共剧场通过展演的呈现方式所不同的是,实践语境研究沙龙将通过语言与文本来呈现艺术家们的当下实践。它与CAFAM公共剧场共同构成中央美术学院美术馆对当代美育前沿领域的讨论与公共传播。校外观众请扫描二维码预约入校请从中央美术学院美术馆西门进入学术报告厅Off-campus visitors are requested to scan the QR code to register for entry.Please enter the Auditorium through the West Gate of CAFA Art Museum.讲座内容近年来,青年当代舞蹈家赵梁努力坚持和探索现代舞与东方元素的融合,既成为独树一帜的 鲜明符号,又将现代舞的思想、观念渗透到古老而又有活力的东方身体中。创作出一系列有着东方语境的舞台作品。其中有东方灵欲“三部曲”,由上阙——《警幻绝》、中阙——《幻茶谜经》、下阙——《双下山》构成。作品《舞术》由武术运动员和现代舞跨界融合完成。尝试将当代武术从竞技体育的驱使中剥离。以及在上海禅院完成的作品《神人畅》等。无不透露出赵梁对东方美学的扎根深究和热爱。工作实践不仅在身体语言的开发,也将独特的东方美学通过强烈的视觉语言融入到舞蹈作品中。本期实践语境研究沙龙特别邀请当代著名舞蹈家赵梁畅谈其创作观,并约请相关领域的学者对东方传统灵韵在不同艺术领域的形成进行评论。特邀嘉宾赵梁中国当代舞蹈艺术家,毕业于中央民族大学舞蹈系,曾任广东实验现代舞团舞者,现为赵梁 ART 艺术总监、中国舞蹈家协会理事。1998 年进入广东实验现代舞团,参与国际文化交流。2003年成为独立艺术家,开启跨界创作。其代表作“东方灵欲三部曲”(《警幻绝》《幻茶谜经》《双下山》)融合传统戏曲与西方现代艺术,其中《幻茶谜经》以唐代茶具为灵感,世界巡演至今近二百场 。作品《舞术》更是融合武术与现代舞 。编导作品曾获中国舞蹈荷花奖金奖、文华奖新剧目奖。曾获意大利国际舞蹈比赛现代舞最高奖。并获得中国文联基金、国家艺术基金支持,同时入选全国文艺领军人才班。邵亦杨中央美术学院教授,人文学院副院长,博士后、博士导师,西方美术史研究负责人,世界艺术史协会理事,中国美协艺术理论委员会委员,中国油画学会理事,江苏凤凰美术出版社视觉文化系列执行主编,2003年获悉尼大学哲学博士,曾任墨尔本大学客座教授。2019年获国际中国当代艺术批评奖。著有《后现代之后》《穿越后现代》《西方美术史》《20世纪现当代艺术史》《全球视野下的当代艺术》《西方艺术:一部视觉的历史》,主持翻译《文艺复兴新艺术史》,主编“中国近代西方艺术学文献丛书”。杨明刚文学博士,文艺美学博士后。现为中国艺术研究院舞蹈研究所所长、研究员、博士生导师,主要从事中国美学、古代文论、文艺史论及评论研究。承担国家社科基金艺术学重大项目“中国艺术学学科体系、学术体系、话语体系现状评估和建构目标及评价标准研究”子项、国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”子项、国家社科基金重点项目“中国审美意识通史”清代子项等;著有《中国审美意识通史•清代卷》、《中华美学的现代转型》;主编《中华美学精神研究(六卷本)》等。杨明刚文学博士,文艺美学博士后。现为中国艺术研究院舞蹈研究所所长、研究员、博士生导师,主要从事中国美学、古代文论、文艺史论及评论研究。承担国家社科基金艺术学重大项目“中国艺术学学科体系、学术体系、话语体系现状评估和建构目标及评价标准研究”子项、国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”子项、国家社科基金重点项目“中国审美意识通史”清代子项等;著有《中国审美意识通史•清代卷》、《中华美学的现代转型》;主编《中华美学精神研究(六卷本)》等。武宏中央美术学院教授、博士生导师。2019年获中央美术学院研究生院博士学位,2023—2024年比利时安特卫普皇家艺术学院访问学者。长期专注于石版、水印木刻与综合材料创作,以木版印痕、水墨渗化与层积光影为语言特征,致力于传统版画的当代转译,作品兼具东方意境与当代观念。先后在国内外举办展览,个展项目包括《关于一首诗的阐释》、《穿木唤名》、《形移感通》、《壁间吟游》。作品被国内外重要机构收藏。主持人耿菁华策展人&写作者,任职于中央美术学院美术馆公共教育部,策划主持CAFAM公共剧场、想法实验室等美育项目。主要研究方向当代艺术家个案研究,公共美育的生产与传播。主编 / 何一沙责编 /杜隐珠编辑  /  张妮
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今日立夏 宜看展

2026-05-05

今日立夏 宜看展
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Zhao Li | The "Metamorphic" Expression and Visual Turn Of Ren Bonian's Flower-and-Bird Paintings From The Perspective Of Shanghai School — Centered on the Collection of CAFA Art Museum

2026-05-03

主编 / 何一沙责编 / 杜隐珠
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Must-visit for May Day! Over 1,000 artworks at the CAFA Postgraduate Graduation Exhibition interpret the theme of "Awakening in Colors"

2026-05-01

The annual major art event — the 2026 CAFA Graduation Season — kicked off on April 30, with the highly anticipated first phase, the Graduate Graduation Exhibition, opening concurrently. Bringing together over 1,000 elaborate works by 570 master’s and doctoral graduates, the exhibition presents a comprehensive and multi-dimensional showcase across the museum’s galleries. It features graduate creations from the School of Chinese Painting, Department of Oil Painting, Department of Printmaking, Department of Mural Painting, Department of Sculpture, Foundation Department of Fine Arts, School of Calligraphy, School of Experimental and Technological Art, School of Design, School of Cultural Heritage Conservation, Institute of Aesthetic Education, and School of Humanities.This is not only a youthful ritual bidding farewell to campus life, but also a demonstration of contemporary young artistic vitality under the new theme of "Awakening in Colors". We welcome all visitors to immerse themselves in the exhibition and experience the pioneering voices of these emerging artists as they embrace transformation and new beginnings.
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Sneak Peek of The CAFA Graduation Season! Come Take A Look?

2026-04-28

● ●●●●When art intertwines with CAFA, colors come to life. The 2026 CAFA Graduation Season is around the corner, and a visual feast themed “awakening in colors" is quietly taking shape. Every artwork by CAFA students speaks to the vitality of art. From monochrome to rich hues, from static to dynamic, and from observation to interaction, the evolving journey of artistic creation is fully presented.With fewer than 48 hours to go before the official opening of the CAFA Postgraduate Graduation Exhibition, follow our lens to the exhibition venue and catch an exclusive sneak peek of the final installation preparations.On April 30th, countless colors converge and coexist, and diverse youthful spirits unite to generate vibrant energy, blooming fully across the campus of the Central Academy of Fine Arts. More surprises await your personal discovery!The online ticket reservation channel for the 2026 CAFA Graduation Season is now open. Visitors can make reservations and purchase tickets via the Art Museum Mini Program, official WeChat account or official website of the Central Academy of Fine Arts (please refer to the official website for detailed ticket purchase instructions). Reservations can be made up to 7 days in advance. Daily visiting quotas are limited and will close once fully booked. The art museum will open as usual on Mondays during the graduation season.Real-name reservation with valid identification documents is required. Each person is limited to one reservation per day, and visitors shall arrive at the museum at the reserved time after successful reservation. During the graduation season, visitors can enter the museum by verifying their identity cards and other valid documents at the dedicated ticket checking passage at the north gate of the Central Academy of Fine Arts.主编 / 何一沙 责编 / 杜隐珠部分图片来源:小红书博主 脸脸
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The Reservation Channel for 2026 CAFA Graduation Season Opens Today

2026-04-23

The annual grand event of CAFA—the 2026 CAFA Graduation Season—will kick off on April 30, with the Postgraduate Graduation Exhibition opening concurrently. This exhibition features 570 master’s and doctoral graduates, presenting over a thousand artworks displayed across the CAFA Art Museum. We warmly welcome all visitors to experience this year’s graduates’ theme of "Vibrant Coexistence" in person.On April 23, the online reservation and ticket purchase channel for the 2026 CAFA Graduation Season officially opened, with reservations available up to 7 days in advance. Visitors may book tickets via the CAFA Art Museum mini-program, official WeChat account or official website (please refer to the official website for ticketing instructions). Daily visiting quotas are limited and will close once fully booked. During the Graduation Season, the museum will remain open as usual on Mondays.Real-name reservation with valid identification is required. Each person may only make one reservation per day. After successful booking, visitors shall arrive at the museum at their reserved time. Throughout the Graduation Season, admission is available by swiping valid documents such as ID cards at the dedicated ticketing entrance on the north gate of the Central Academy of Fine Arts.Editor-in-Chief / He YishaEditor / Du Yinzhu
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April 30, Witness "Awakening In Colors" Together | 2026 CAFA Graduation Season Is Coming Soon!

2026-04-22

2026 CAFA Graduation SeasonSet to kick off on April 30The "Postgraduate Graduation Exhibition" will be held simultaneously570 master's and doctoral graduates participatingOver a thousand works gathered on campusLeap into vibrancyEmbark on a new journeyStay tunedChief Editor / He YishaEditor / Du Yinzhu
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Today Is Grain Rain

2026-04-20

Today is Grain Rain.
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New Expressions of Fashion Design In Art Museums | "Fashion 100" Exhibition Is Coming to An End

2026-04-19

China Artists Association "Youth Art Talent Program": Fashion 100, since its opening, five successful fashion shows have been staged at the CAFA Art Museum. The grand finale show (special session by faculty members of Beijing Institute of Fashion Technology) will follow at 16:00 on April 19.Bringing the Fashion 100 shows to the CAFA Art Museum has not only integrated static and dynamic presentation formats typical of fashion design, but also employed high-definition LED screens to continuously play 3D runway videos of virtual AI-generated models. These echo the winding and varied circulation of the exhibition space where real fashion models walk, creating a uniquely shaped catwalk tailored to the museum’s distinctive aesthetic field. Virtual and real, screen and live performance overlap and complement each other. Audiences are deeply immersed in the experience: as models pass by, they vividly perceive the youthful vitality of the performers, the immersive allure of fashion, the lightness and structure of fabrics, and the exquisite and distinctive craftsmanship.The Fashion 100 shows held at CAFAM organically combine rigorous academic research with dynamic fashion trends, cross-disciplinary experimentation in fashion design with profound cultural heritage. Meanwhile, they extensively integrate high technology with traditional craftsmanship. Two examples are shared below:Jiang Xi’s Lacquer Layered Delights bag series innovatively transforms traditional lacquerware techniques from daily utensils into apparel and bag design. It not only continues the sophisticated textures and unique surfaces of China’s long-revered and influential traditional lacquer craft, but also inspires and expands the boundless possibilities for widely adapting outstanding ethnic traditions from other cross-disciplinary fields in the fashion industry. Xie Mengdi’s Rising Wind and Surging Water fashion collection is designed based on the distinctly Eastern aesthetic of traditional Chinese cross-cut pattern making. Supported by 3D modeling technology, it digitizes, infinitely replicates, and renders multi-dimensionally the traditionally flat-cut construction, realizing a sustainable ecological vision that integrates traditional Chinese costume aesthetics with new technology. Zhang Yidi’s Traces of Wind · Grottoes series fashionably reinterprets the time-honored Chinese grotto culture through textured expressions using ramie fabric and paper art with ethnic characteristics. Zhang Yan’s Pastoral collection transforms ethnic minority materials and aesthetics into contemporary urban garments. Other remarkable works include Wei Qinwen’s Between Lines series, Cheng Zhilu’s Evolving Forms series, Xiong Yi’s Mountains · Whispers series, and Liu Qiwen’s New Adornments of Intangible Cultural Heritage series, all of which are highly noteworthy.The Fashion 100 runway shows at CAFAM differ from the prevailing trends of luxury, niche positioning, haute couture and marketing-driven scarcity in the international fashion industry. Instead, they place greater emphasis on academic confidence and industrial responsibility, as well as on culturally expressive design empowered by technology and the concept of sustainable ecological design. Although the 100 participating young designers feature diverse styles and distinct creative visions, their works generally follow a shared trend: rooted in Eastern aesthetics, drawing on global fashion currents, and grounded in China’s profound cultural traditions. The language and temperament of their creations highlight the contemporary expression of their national cultural roots, integrating the characteristics of Eastern aesthetics with new trends in contemporary fashion.The presentation of "Fashion 100" is not only a reflection of the current academic research status and future development potential of 100 young designers in China's fashion industry, but also a new expression of China's cultural soft power and the strength of Chinese youth in the new century.∕China Artists Association "Youth Art Talent Program"IN — The First Fashion 100 Achievement Exhibition & Runway SeriesExhibition Dates: March 22 – April 19, 2026Venue: Hall on the 1st Floor / Gallery B on the 3rd Floor, CAFA Art Museum  Chief Editor / He YishaExecutive Editor / Du YinzhuContributor / Hong Mei
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Finale Show | Special Design Presentation by Teachers from Beijing Institute of Fashion Technology

2026-04-18

The 6th ShowTeacher Special Session of Beijing Institute of Fashion Technology   Registration for the show venue   | Show Time |16:00, Sunday, April 19| Venue |Hall 3B, Art Museum of Central Academy of Fine Arts| Number of Recruits |80 People| Registration Method |╱China Artists Association "Youth Art Talent Program"IN · Origin – The First Fashion 100 Completion Exhibition & Series of ShowsExhibition Dates: 22 March 2026 – 19 April 2026Venue: Hall on the 1st Floor / Gallery B on the 3rd Floor, CAFA Art MuseumChief Editor / He YishaEditor / Du Yinzhu
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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