Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

从矶崎新眼中看中国 & 从央美建筑新锐中见未来

2025-07-18

7月15日,由中央美术学院主办的“矶崎新:一个世界公民眼中的中国”展览和“溯流而上:央美建筑青年创作展”在中央美术学院美术馆正式拉开帷幕。中央美术学院院长林茂,副院长吕品晶出席活动并致辞,中央美术学院原院长潘公凯先生、老教授张宝玮先生,以及相关部门负责同志、师生代表、校友代表参加活动。“矶崎新:一个世界公民眼中的中国”   展览继成都展之后,回到了矶崎新设计的中央美术学院美术馆,展览精选了建筑大师矶崎新于过去近三十年间,在中国的众多作品中所做的十个建筑和城市设计项目。每个作品都饱含深刻的历史意识、丰富的当下意义、积极的中外对话和有力的空间语言。致敬矶崎新先生在这片土地上留下国际视野与本土关怀的印记一同践行“如何让建筑扎根文化、连接未来”的探索精神策展人中央美术学院建筑学院副院长崔冬晖教授介绍了展览的机缘及核心内容,同时回忆了矶崎新先生从21年前至现在“回家”的点滴,策展人香港大学建筑系副教授朱涛、矶崎新+胡倩工作室联合创始人兼主持建筑师胡倩就展览作品进行了导览与交流学术研讨“矶崎新:一个世界公民眼中的中国”圆桌论坛,围绕“矶崎新与央美”“建筑与艺术”“矶崎新与当下”等议题进行深入研讨。中央美术学院建筑学院史洋副教授主持论坛。中央美术学院原院长潘公凯先生回顾了中央美术学院美术馆建设过程,强调正是基于对矶崎新的高度信任,才促成这场跨越制度与文化的深度合作与成就。希望中央美术学院建筑学院继续把握好“培养具有艺术家素养的建筑师”的办学理念,特别是建筑应具有文化自觉与美学判断,坚持区别于传统工科路径的独特方向。策展人、香港大学朱涛教授谈到,矶崎新以“世界公民之眼”审视中国建筑,融合传统与未来,回应快速城市化中的文化张力;时任中央美术学院美术馆工程负责人、中国国家画院原副院长谢小凡教授分享了“由信任支撑起的责任”这一思考;中央美术学院程启明教授则从“格物”到“格空间”的思辨出发,解读矶崎新设计背后的哲学内核;北京服装学院艺术设计学院院长车飞教授与矶崎新+胡倩工作室联合创始人胡倩教授分别从交往经历出发,强调矶崎新在“矛盾中构建生命力”与“技术中融合情感”的人文姿态。“溯流而上:央美建筑青年创作展”  展览参展的15家设计机构的17位参展人均为中央美术学院建筑教育培养的杰出校友,他们的作品体现出中央美术学院建筑学院独特的教育环境塑造的专业素养和社会关怀,守护了建筑作为人文艺术的核心价值,受到国内外的普遍关注。策展人中央美术学院建筑学院党总支书记傅祎教授和北京建筑大学金秋野教授介绍了本次展览的缘起、目的和学术主张,各位参展校友依次介绍了自己的展览作品学术研讨“溯流而上”青年创作论坛,从建筑与艺术的关系角度切入,聚焦中央美院建筑教育的独特路径。中央美术学院建筑学院党总支副书记李琳教授主持论坛。中央美术学院副院长吕品晶教授回顾中央美院建筑教育体系建设历程,强调“艺术家精神”始终是中央美院建筑的核心;《时代建筑》主编支文军教授指出,中央美院培养的建筑师群体已成规模,应从“个案”走向“系统叙述”;策展人、中央美术学院建筑学院党总支书记傅祎教授谈到此次展览是对中央美院建筑教育人才培养成果的一次检阅,是矶崎新先生和中央美院建筑设计后生一起“回家”;策展人、北京建筑大学金秋野教授谈到展览主题就是关于“逆向思考”与“源头重溯”的精神探索,作为艺术的建筑是从不在顺流中重复自己;参展校友代表就“央美”身份的认同与思考发表了感想,也集体性的呈现了 “艺术直觉”与“技术理性”平衡的共性特点。展览资讯“矶崎新:一个世界公民眼中的中国”展“溯流而上:央美建筑青年创作展”主办:中央美术学院承办:中央美术学院建筑学院   中央美术学院美术馆展览时间:2025年7月15日—8月24日展览地点:中央美术学院美术馆一层展厅、一层侧厅主编 / 何一沙责编  / 杜隐珠
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CAFAM Youth Workshop Recruitment | Seeing The World Differently - N Perspectives Of Photography

2025-07-17

Roger Ballen(South African) Head Below Wires   Gelatin silver print  40×40cm 1999"Interflowing Artscapes: CAFAM International Exchange Research Exhibition from the Collection" is currently on display in Halls A and B on the 3rd floor of the museum. The photography works in this exhibition feature a collection of masterpieces by renowned photographers such as Marc Riboud, Hiroji Kubota, Agnès Varda, and Roger Ballen. Their diverse perspectives present an alternative way of observing the world, capturing the facets of human existence with freshness and acuity.In this workshop, we will guide the participants to visit the exhibition and analyze the works. On this basis, we will invite you to create a photography work from your personal perspective based on the content of the works in the exhibition hall.Agnès Varda(French) Beijing No.3  Archival Pigment Print   80×80cm  1957Ancestral Veneration Ritual, Hangzhou, Zhejiang,1983〔   Event Information   〕Activity Time: July 20, 2025 (Sunday) 10:00-11:30 (Gather at the museum front desk at 9:50)Recruitment Target: Children & teenagers aged 10-16 (accompanied by at least one parent)Photography Equipment: iPad, mobile phone (to be prepared by participants themselves)Number of Recruits: 20 peopleCourse Duration: 1.5 hoursVenue: 3rd Floor Exhibition Hall of the Art Museum + Public Education Area at the West Gate of the Art Museum〔   Teaching Instructor   〕He PeijiaBorn in 1997 in Hangzhou, Zhejiang Province, currently works and lives in Beijing;Graduated with a master's degree in the Research on Imagistic Oil Painting from the Central Academy of Fine Arts in 2023;Graduated with a bachelor's degree in New Media Art from the Beijing Film Academy in 2019;Her works have been selected into: 2024 Excellence Award of Zhejiang Fine Arts Award Creation Award (The 15th Zhejiang Provincial Fine Arts Exhibition);2024 The 14th National Fine Arts Exhibition (Oil Painting Category);2024 The 21st New Artists and New Works Exhibition of Beijing Artists Association, etc.〔   Registration Method   〕Teenagers participating in the event are requested to scan the QR code via WeChat to make an appointment for this activity.Parents or accompanying personnel are required to purchase tickets for the art museum.The number of places is limited, and registration will close once all places are filled.If you are unable to attend after registering, please cancel in a timely manner. Those who are absent without cancellation for a total of twice within a year will have their eligibility to participate in public education activities suspended for the current year.Note:1.Teenagers can participate in this workshop for free.2.Painting materials and shooting equipment (such as iPads and mobile phones) need to be prepared by participants themselves.3.The Central Academy of Fine Arts Art Museum reserves the final right of interpretation for this event.Chief Editor / He Yisha Editor / Du Yinzhu
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暑期活动预告|「我来央美画馆藏」 ,更多惊喜等着你!

2025-07-16

这个夏天,别再只是“看”展啦!中央美术学院美术馆邀你变身“创作者”,与千年古代艺术来一场跨越时空的灵感碰撞!活动时间:2025年7月16日开启活动地点:中央美术学院美术馆藏——古代中国艺术(美术馆2A展厅)如何参与?超简单!在“古代中国艺术”展厅完成临摹或回家再创作,将自己的作品在小红书平台发布,带话题#我来央美画馆藏,并@中央美术学院美术馆官方账号,需标注灵感来源的馆藏作品名称。  奖项设置  按照笔记获得点赞数量居高者给予奖励;两周汇总一次数据,7月31日公布获奖名单。一等奖1名:可获得美术馆家庭年票一张二等奖3名:可获得美术馆个人年票一张三等奖10名:可获得美术馆普通门票两张为什么必须参加?零门槛艺术共创:无论你是专业画家还是绘画爱好者,甚至是第一次拿起画笔,这里都欢迎你!用你的视角解读国宝。深入对话古代大师:临摹与再创作,是走进传统艺术精髓最直接、最深刻的方式。官方平台展示机会:你的作品有机会被央美美术馆官方看到并分享,让更多人欣赏你的才华!成为艺术传播者:用你的创作和分享,让沉睡的文物在当代焕发新生,讲述新的故事!独一无二的暑期体验:在艺术殿堂里留下你的创作足迹,收获满满艺术能量!这个暑期,让馆藏在你的笔下“活”起来!我们在央美美术馆2A展厅等你,更在小红书等你晒出大作!一起掀起传统与创新的艺术浪潮吧!主编 / 何一沙 责编 / 杜隐珠编辑 / 王一帆
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Two Exhibitions In One Day | "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural from CAFA" Open Simultaneously

2025-07-16

"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumTwo Exhibitions in One Day: Hosted by the Central Academy of Fine Arts, "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural From CAFA" opened on July 15 at the First-Floor Exhibition Hall of the CAFA Art Museum."Arata Isozaki: China Through The Eyes Of A World Citizen" Exhibition SitePart.1Arata Isozaki: China Through The Eyes Of A World CitizenFirst-Floor Exhibition Hall, CAFAM"Arata Isozaki: China Through the Eyes of a World Citizen", this exhibition selects ten architectural and urban design projects from the numerous works completed in China by renowned architectural master Arata Isozaki over the past nearly three decades. Each work is infused with a profound sense of history, rich contemporary significance, active dialogue between China and the world, and a powerful spatial language. Currently, Arata Isozaki’s works in China have formed a stunning "archipelago". It is hoped that through this exhibition, visitors will be invited to explore each "island" one by one, appreciate the uniqueness of each, and "sail" between them to feel the distant echoes and mutual resonance among the "islands".Arata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,Shenzhen Cultural CenterCourtesy of ISOZAKI+HuQian Partners Arata Isozaki, National Grand Theater Limited CompetitionCourtesy of ISOZAKI+HuQian PartnersArata Isozaki, Zhengdong New District Longhu SubCBD, MasterplanCourtesy of ISOZAKI+HuQian PartnersPart.2Upstreaming: Young Architectural from CAFASide Hall CAFA MuseumThe 17 participants from 15 design institutions in the exhibition "Upstream: Young Architectural from CAFA" are all outstanding alumni trained by the architectural education program of the Central Academy of Fine Arts. Their works embody the professional qualities and social concern shaped by CAFA's unique architectural education environment, uphold the core value of architecture as a humanities and art discipline, and have attracted widespread attention both domestically and internationally."Upstreaming: Young Architectural from CAFA" Exhibition Site"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumChief Editor / He Yisha Responsible Editor / Du YinzhuOn-site Photos / Lu Baiyun
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锐角——策展培育计划 | 第九回方案联展 × “2024第三届全球大学生虚拟策展大赛”CAFAM赛道

2025-07-07

“锐角——策展培育计划”第九回方案联展邀请“2024第三届全球大学生虚拟策展大赛”CAFAM赛道的10个获奖策展方案,在中央美术学院美术馆一层公共空间展出。“2024第三届全球大学生虚拟策展大赛”不仅是一个让有冲动实现展览策划的年轻人施展心中创想的舞台,更是一次联动科技、艺术与美育,连接现实与元宇宙世界,让未来策展人探索虚拟策展边界的大胆实验!指导单位:全国普通高校毕业生文旅艺术行业就业创业指导委员会主办单位:中央美术学院、中共北京市东城区委宣传部承办单位:中央美术学院艺术管理与教育学院、中央美术学院创新创业教育中心、中央美术学院美术馆、北京画院、青年艺术100组委会学术支持:中国国家博物馆、广东美术馆、湖北美术馆、湖南美术馆、江西省美术馆、云南美术馆、黑龙江省美术馆、内蒙古美术馆、郑州美术馆、石家庄市美术馆、北京今日美术馆、北京东城文化发展研究院执行单位:中央美术学院美术博物馆虚拟策展与美育课程虚拟教研室技术平台:广州市大湾区虚拟现实研究院 初评专家:高高、高敬、刘希言、沈森、王春辰复评专家:靳军、韩文超、雷晨、吕涛总指导:康俐中央美术学院自2022年起策划举办“大学生虚拟策展大赛”品牌赛事,是为贯彻落实中共中央办公厅、国务院办公厅印发的《关于全面加强和改进新时代学校美育工作的意见》,推进社会主义文化强国建设的决策部署。前两届大赛共收到来自全球340所高校、803组报名方案,参赛者覆盖本、硕、博三个学历阶段,总人数达1854名,在全球高校中引发了热烈反响。基于前两届大赛的影响力,于2024年7月1日启动2024第三届全球大学生虚拟策展大赛,第三届全球大学生虚拟策展大赛正式启动,旨在进一步激发青年学子的艺术创新潜能,推动优秀艺术成果的跨界传播与公共共享,为新时代美育发展注入新活力,拓展国际视野下的美育实践空间。本次大赛以“以策展助力美育,为美育而策展”为宗旨,旨在激发大学生的创造力与实践能力,鼓励其将人文艺术、前沿科技与美育传播有机融合,探索美育在新时代背景下的多元表达路径。大赛依托还原度高、操作性强的虚拟策展实验平台,为参赛者提供沉浸式创作与展示空间,推动优质虚拟展览方案的诞生与落地。通过展览的形式,参赛者不仅锻炼了策展思维和数字媒介运用能力,更以作品面向公众,拓展美育的传播边界,激发社会大众的审美意识与艺术参与感,延伸出社会美育的多重可能与实践价值,助力形成富有时代气息与教育意义的美育新生态。「CAFAM赛道」是大赛组委会联合中央美术学院美术馆(简称CAFAM)共同设立的命题赛道,本赛道要求参赛者自主选择艺术作品,在中央美术学院美术馆项目空间场地进行展览策划,打造具有实验性和在地性的特色展览。获得赛道特等奖的项目最终落地中央美术学院美术馆(简称CAFAM)“广角——青年实验项目空间”场地,为大学生的想象力提供具有实验性与在地性兼具的施展空间。特等奖 地表之下,流动之上 参赛者:戴友毅、徐子涵、蒋雨辰一等奖 城市生活的阈限与重归 参赛者:上山打老虎(张蕴琦、黄奕、王缇)一等奖 步行图志:跨越边界的制图认知 参赛者:说到难点了策展小组(孙嘉奕、邱靖凯、向锦茂)二等奖 无声宇宙 参赛者:三吾工作室(秦宇萱、张怡菲)二等奖 地球苹果:三维建造一种空想宇宙 参赛者:谭伊恬、尹梓萌、洪梦露二等奖 多声部:边缘的复调 参赛者:爱吃蘑菇就多吃组(魏羽枫、金羽桐、宫涵玥)三等奖 阈限空间——我们、身份、模糊中的可能性 参赛者:鳕鱼堡队(陈钰洁)三等奖 昨日方舟 参赛者:Z61(郑牧心、刘佳艺、洪晨毅)锐角——策展培育计划ACUTE+CURATE=ACURATE主办:中央美术学院美术馆地点:中央美术学院美术馆 一层公共空间总策划:靳军  韩文超统  筹:高高  海军工作组:易玥  刘希言  纪玉洁  刘宇晗  宿世存  荆鹏“锐角”是呈现中央美术学院策展教学与策展实验的自留地,意在汇集中央美术学院青年学人们具有探索性的展览方案,促成交流、互动与共进。策展已成为一项重要且有机的艺术活动,策展人不仅是艺术现象的观察者和研究者,更是艺术实践的参与者和建设者。与此同时,策展专业教育也正处在欣欣发展之中。中央美术学院的策展专业教学经多年的开拓与积累,多个院系逐步从自身学科出发,以多视角的思考与跨学科的方法展开教学和实践,回应多元且联结的当代社会。“锐角”计划与各院系策展相关的方向与课程联动,并邀请课程中的优秀策展方案,分期展示这些的策展教学成果。什么是策展?年轻人们以所立之地为端点,以敏锐之志为态度,以方案实践与理论思辨为射线,无限地指向策展的未来。在此角隅,空间得以延伸、时间实现跳跃、形式走向复合、理念达成对话……这是点簇星星之火,亦是蕴含无限可能的有生力量!主编 / 何一沙责编 / 杜隐珠现场图 / 路柏云
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国家艺术基金2025年度艺术人才培养资助项目《新发展语境下设计和管理人才培训》开班仪式在央美成功举办

2025-07-07

2025年6月28日上午,中央美术学院设计学院教授、中央美术学院美术馆副馆长海军教授负责的国家艺术基金2025年度艺术人才培养资助项目《新发展语境下设计和管理人才培训》开班仪式在中央美术学院美术馆举行。中央美术学院副院长吕品晶教授、北京服装学院副院长邹游教授、北京建筑设计研究院总建筑师刘淼教授、清华大学美术学院蔡军教授、中央美术学院设计学院副院长韩涛教授、中央美术学院设计学院党总支副书记计华老师、中央美术学院美术馆副馆长高高老师、中央美术学院科研处吴晶莹副教授、中央美术学院设计学院李卫教授、中央美术学院建筑学院丁圆教授、中央美术学院设计学院徐彤副教授、前视觉中国联合创始人雷海波先生、前扬特中国设计总监朱小海先生,以及30位培训学员参加了开班仪式。此外,还有来自中国日报、光明日报、北京日报、北京青年周刊、南方都市报、中国文化报、中国美术报、雅昌艺术网、99以上、网易、腾讯新闻、艺术栗子等媒体老师出席了开班仪式。开班仪式由项目负责人海军教授主持。中央美术学院副院长吕品晶致辞中央美术学院副院长吕品晶教授发表致辞,向全体与会嘉宾、学员表示热烈欢迎,向国家艺术基金管理中心对项目的大力支持表示诚挚感谢。吕品晶教授指出,中央美术学院一贯重视各类科研项目申报、执行、管理等工作,重视以科研创新推动人才培养、学术发展、社会服务、文化创新、国际交流。始终坚持以习近平文化思想为指导,锚定2035年建成文化强国战略目标,不断发展具有强大思想引领力、精神凝聚力、价值感召力、国际影响力的新时代中国特色社会主义文化,持续筑牢强国建设、民族复兴的文化根基。始终坚持大美术融入现代产业体系,服务经济社会高质量发展为根本,为中国式现代化伟大实践注入央美贡献。吕品晶教授希望各位学员怀抱“热望”投入学习,珍视平台,以空杯心态汲取新知,勇于挑战思维边界;掌握“方法”,精进专业,深入研讨,掌握系统化工具;拓展“格局”引领实践,促进跨地域、跨领域学员深度交流,碰撞火花,激发协作潜能,为未来合作奠基。期待大家将课堂所获,转化为解决实际问题、推动行业进步的强大动能。北京服装学院副院长邹游致辞北京服装学院副院长邹游教授作为授课教师代表致辞,邹游副院长强调“新发展语境”不仅是一个时间概念,更是一个内涵丰富的命题。它意味着科技的飞速迭代、全球格局的深度调整、社会需求的多元化演进、可持续发展理念的深入人心,以及文化自信与文化强国的时代召唤。在是这一宏大背景下,设计早已超越了传统的“美化”与“造型”范畴,正日益成为驱动创新、引领产业升级、优化社会服务、塑造美好生活、乃至提升国家文化软实力的核心引擎。中央美术学院始终站在时代的前沿,思考设计教育的未来。国家艺术基金设立此项目,正是高瞻远瞩的洞察了时代对复合型战略型设计与管理人才的迫切需求。中央美术学院设计学院副院长韩涛致辞中央美术学院设计学院副院长韩涛教授代表设计学院致辞。韩涛教授对项目名称《新发展语境下设计和管理人才培训》进行了精彩解读。韩涛教授强调,“培训的核心在于‘培’,而不在于‘训’。“‘培’更接近培育的感觉、孕育的感觉,也更接近今天对人才之“才”的深层理解。如何成才?答案在于“育”,在于“培”。而这样的育人环境,正是央美百年积淀的深厚底蕴所能承载的,也是设计学院众多名师长期打造的学术氛围所能支撑的。从“训”到“培”,一字之差,却体现了教育理念的深刻转变。在这里,每一位学员都将在百年名校的文化土壤中,感受设计与管理的融合之美,成就属于新时代的设计管理之才。西安工程大学李晶发言西安工程大学李晶副教授作为学员代表发言。李晶老师表达了设计创新和设计管理在未来发展中是机遇,不是风险。设计管理者需要在新质生产力建设中打通创新闭环,在城乡发展中平衡传统与现代,在文化强国建设中输出中国叙事。设计管理和设计战略是统筹美学、商业和社会创新的核心引擎。并代表学员们承诺,在中央美术学院这座以人文艺术为根基的百年学府中,将按照吕院长、韩涛老师以及各位嘉宾的和各位教授的指示,深耕于中国文化土壤,在城乡建设中来校准设计坐标,以设计管理的思维来构建社会价值、商业价值和文化传承的共生模型。以眼力洞察时代浪潮,以脑力铸造战略框架,以心力铸造文化基石,成为真正执行创新导航设计管理的先锋一代。项目负责人海军发言最后,项目负责人海军教授简要介绍了培训班基本情况。本次培训班共录取来自16个省、自治区、直辖市学员30人,其中12人来自高校,15人来自产业,3人来自其它相关机构。课程集中培训30天,共分三个阶段进行,第一阶段于2025年6月27日至7月7日在中央美术学院集中培训,第二阶段于2025年11月1日至9日在杭州会展集团进行,第三阶段于2025年12月12日至22日在中央美术美院进行,超过30位来自学校和产业的教授将为大家授课。海军希望全部学员能够在国家艺术基金和中央美术学的支持下,以一流平台、一流课程、一流师资出一流成果的目标和使命投入课程,学有所成,思有所获。中央美术学院设计学院党委副书记计华授课开班仪式结束后,中央美术学院设计学院党委副书记计华老师为全体学员进行开班思政第一课授课。主编 / 何一沙责编 / 杜隐珠
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今日小暑

2025-07-07

今日小暑
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“地表之下,流动之上” 如期开幕

2025-07-07

“地表之下,流动之上”展览现场7月4日下午14:00点,“地表之下,流动之上”展览在中央美术学院美术馆3层C展厅开幕。“2025第三届全球大学生虚拟策展大赛”由中央美术学院主办,中央美术学院艺术管理与教育学院、中央美术学院创新创业教育中心、中央美术学院美术馆、广州美术学院艺术与人文学院承办。大赛设置了CAFAM赛道、东城区钟楼“北京时间”主题、北京画院“青春之齐白石”赛道、青年艺术100四条赛道。其中,由中央美术学院美术馆承办的“CAFAM赛道”的特等奖方案获得落地展出的奖励。“地表之下,流动之上”由策展团队徐子涵、戴友毅、姜雨辰完成。本次展览以华北流域的永定河为线索,通过七件艺术作品探讨水体在地理、生态、制度与身体之间的渗透性,呈现出一种非线性、非中心、非理性的叙事流域。“地表之下,流动之上”开幕式嘉宾合照开幕式由中央美术学院美术馆副馆长高高主持中央美术学院美术馆直属党支部书记韩文超,中央美术学院艺术管理与教育学院党总支副书记、中央美术学院国家级虚拟仿真教研室主任康俐,中央美术学院美术馆策划研究部副主任易玥等嘉宾出席了开幕式。开幕式由中央美术学院美术馆副馆长高高主持。中央美术学院美术馆党支部书记韩文超致辞拓展实践的平台,赋能青年策展中央美术学院美术馆党支部书记韩文超老师率先发言。他指出,这已是美术馆连续第三年支持全国大学生虚拟策展大赛特等奖作品的线下落地,并强调:“这个项目最初是由艺管学院与美术馆共同发起,近年来也吸纳了更多机构赛道的加入,例如北京画院的‘青年100’,逐渐形成了全国性甚至具备国际交流潜力的平台网络。”韩老师进一步谈到青年实验项目空间的意义:“虽然它是一个非常小的空间,但正因其灵活性和开放性,我们希望它成为一个‘鲜活的空间’,容纳具有实验性和先锋性的小型项目,尤其鼓励学生自主策划与探索。”谈到展览主题,他给予了高度评价:“《地表之下,流动之上》这个题目本身就充满想象力,也体现出青年人对于生态、水资源和社会结构的关怀。北京是一个严重缺水、极度依赖外部水源调配的城市,而永定河作为北京的‘母亲河’,承载了极为复杂的地理与历史记忆。通过这次展览,我们看见了年轻策展人用艺术调研的方式,重新激活了这条古老河流在人文视野中的生命力,也让我们感受到艺术如何与生态、生活深度勾连。”中央美术学院艺管学院党总支副书记、国家虚拟仿真教研室主任康俐致辞托举青年之思,回应当下之问作为本次虚拟策展大赛的发起人之一,艺管学院党总支副书记、国家虚拟仿真教研室主任康俐老师亦在开幕式中发言。她强调了展览在当代美术馆知识生产中的价值,并回顾了大赛创设的初心:“我们希望借由这个平台,让更多来自不同背景的年轻人参与到策展这一充满创造力与社会责任感的实践中。策展并不是美术馆的专属语汇,它应该回应当下,拥抱跨界。”她特别感谢美术馆对大赛长期稳定的资源支持:“在今天这样一个对快速产出与流量关注度有所焦虑的时代,美术馆仍能坚持提供人力、物力支持,以纯粹的心态托举年轻人的实验性策展,这本身就极其宝贵。”她最后表示:“《地表之下,流动之上》不仅展示了当代艺术与生态议题之间的深度交叉,也体现出策展人从艺术语言到实践能力的完整成长。希望更多青年策展人能从中汲取灵感,持续思考,持续行动。”策展团队代表徐子涵发言策展团队代表戴友毅发言之后,策展团队代表徐子涵和戴友毅进行了发言。徐子涵回顾了展览从立项到落地的全过程:她也坦言这段经历不仅是艺术上的探索,更是对策展实务的切身体会:“我们从美术馆空间规范、观众动线、作品对接等各方面获得了扎实的经验。这不仅是一次理论和人文关怀的表达,更是一次实践能力的综合训练。”谈及策展灵感,徐子涵提到团队对“水”的敏感始于近年大量以水为主题的当代艺术展:“我们注意到水在生态政治与当代艺术中频繁出现,而华北作为严重缺水的区域,却鲜少被本地策展所触及。于是我们从永定河出发,以河流为线索延展至内蒙古、山西、河北与北京等地,用作品去感知和记录这一流域在生态变迁与社会制度中的‘湿性逻辑’。”另一位策展人戴友毅则从跨专业的角度分享了自己的收获:“我来自数字媒体艺术专业,参与策展对我而言是一种跨界的体验。但正因为虚拟策展大赛所提供的技术支持与开放平台,让我有机会进入到策展这一富有社会责任的领域中。”他用“永定与无定”的关系来比喻整个策展过程的挑战:“正如永定河从‘无定’到‘永定’的命名历史,我们的策展路径也在不断的确定与不确定中交织前行。这段经历带给我们的不只是项目本身,更是未来生活与工作的宝贵经验。”策展人徐子涵为观者导览策展人戴友毅为观者导览展览“地表之下,流动之上”将展出至8月24日。与此同时,美术馆锐角空间亦同步推出第三届全球大学生虚拟策展大赛CAFAM赛道的其他获奖方案。欢迎各界观众亲临现场,或通过美术馆公众号进一步了解展览内容。开幕式嘉宾观展艺术家赵亿为观者讲解
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“地表之下,流动之上”即将开展 | 第三届全国大学生虚拟策展大赛CAFAM赛道特等奖

2025-07-03

第三届全球大学生虚拟策展大赛指导单位全国普通高校毕业生文旅艺术行业就业创业指导委员会 主办单位中央美术学院中共北京市东城区委宣传部 承办单位中央美术学院艺术管理与教育学院中央美术学院创新创业教育中心中央美术学院美术馆北京画院青年艺术100组委会执行单位中央美术学院美术博物馆虚拟策展与美育课程虚拟教研室为贯彻落实中共中央办公厅、国务院办公厅印发的《关于全面加强和改进新时代学校美育工作的意见》,推进社会主义文化强国建设的决策部署,激发艺术创新动力,推动艺术成果传播,中央美术学院自2022年起策划举办“大学生虚拟策展大赛”品牌赛事。大赛以“以策展助力美育,为美育而策展”为宗旨,意在鼓励大学生们将人文艺术、前沿技术与美育传播有机结合,通过还原度高、操作性强的虚拟策展实验平台,创作出优质的虚拟展览方案,将成果推向公众,延伸出社会美育的多重可能。「CAFAM赛道」是大赛组委会联合中央美术学院美术馆(简称CAFAM)共同设立的命题赛道,本赛道要求参赛者自主选择艺术作品,在中央美术学院美术馆项目空间场地进行展览策划,打造具有实验性和在地性的特色展览。获得赛道特等奖的项目最终落地中央美术学院美术馆(简称CAFAM)“广角——青年实验项目空间”场地,为大学生的想象力提供具有实验性与在地性兼具的施展空间。< CAFAM赛道特等奖方案展览 >地表之下,流动之上开幕时间2025年7月4日14:00展览时间2025年7月10日—8月24日展览地点中央美术学院美术馆3层C展厅河流从未止步于地表——它在沉积中潜行,在蒸发与回响中改写地貌。“当‘水’成为紧张的资源,流动不再被轻易允诺,我们希望在干裂的河床与城市边缘之间,聆听那些迟缓却未曾中断的叙述。本次展览以“湿本体论”为方法论,将古称“无定”的永定河视为一条“隐形水系”,通过现场装置、影像与摄影作品,回溯河流、工业与身体在过去半个世纪中的渗透与断裂。展览空间采用廊道—节点—密室的节奏,模拟河流在不同段落的开敞与收缩,使观众的行进轨迹与“无定水势”呼应,邀请观众在流动体验中重新感知“水与煤、身份与地貌、记忆与边界”彼此牵连的肌理,倾听“地表之下、流动之上”那些缓慢却未曾中断的叙述。艺术家与作品介绍永定河的历史变迁与水文流经区域,成为一条地貌表层的流动线索,串联起内蒙古、山西、河北与北京,也映射出华北不同区域工业化与城市化进程中所积累的层层张力。以永定河为探源,本次展览汇聚了返祖现象团队、赵亿、崔叶子、琴嘎、李晴与蒋宏波六位艺术家的作品。试图撬动山西、内蒙古、河北和北京等地的不同区域之间彼此嵌合的链条。返祖现象团队的装置《血,宗族,人工智能》以北京焦化厂遗址为线索,在烟雾与光影构成的多层界面中,重建流动人口在时代裂缝中的身份断点;北京焦化厂的拍摄地,在城市版图中早已成为“废弃之地”,却仍储存着的能量与情绪沉积。血,宗族,人工智能,2023-2024, 返祖现象团队, 亚克力,透明投影膜,立体声,彩色动态影像,3"14'艺术家赵亿无数次漫游于永定河畔,拍摄了系列摄影作品,见证了永定河一系列历史性的变化。从干涸到复流,再到洪水退去后的再度沉寂,数次轮回间,河流在水文与记忆之间反复循环,既象征自然的节律,也映射着艺术家观察到的个体在时代变迁中的成长与迷失。永定无定,2020-2023, 赵亿, 艺术微喷, 20×20 cm在琴嘎的作品《一刹那》中,在曾经通达北京古都、如今被遗忘的温榆河成为“剩余地带”,艺术家以身体为媒介进入这片历史地理的褶皱,在水流与触觉中重建与地景的联结。时间在此被拉长、稀释,转化为漂浮的知觉经验:一种不能被语言捕捉、却真实可感的湿性存在。一刹那,2016,琴嘎,行为影像, 8',中央美术学院美术馆藏在北京学习生活与家乡山西之间辗转的李晴,在《被黑簇拥的蓝》作品将一辆父亲留下的运煤卡车改造成泳池,蓝与黑在瓷砖与锈迹中交错沉积,水和煤炭的物质交织召唤出家庭史、资源转译与地貌记忆的复合脉络。被黑簇拥的蓝,2024, 李晴, 三屏影像装置, 3'52''×3 鄂尔多斯降水稀少、蒸发强烈,而地下水超采严重,农业最先承压,而工业经济发展进一步加剧了水资源供需矛盾。艺术家崔叶子在《地图》中让鄂尔多斯的碱性水渍自行蒸发结晶,生成一幅由盐、时间与偶然构成的地理浮雕,地图被从测量之物转化为感知之物,成为这一区域地貌写作的湿性载体,回应着永定河流域上游区域中水资源的紧张现实与生态感知。地图,2025, 崔叶子, 艺术微喷, 95×58 cm与此同时,艺术家蒋宏波在山西矿区的生活4年经验见证了“煤炭”如何嵌入了更宏大的人与自然生态的关系中。数字影像《山水》运用计算机图像(CG) 技术,试图重构中国传统山水画的图像语言。矿区景观悄然渗入画面,水体以蒸汽、留白或反复的空镜形式存在,隐喻着流动地形与生态系统的漂移与松动。《景观》则艺术家通过对水面“不自然”状态的描绘,探讨了“人工自然”的概念,引导人们景观反映出人类与自然之间复杂而双向的关系。山水,2023,蒋宏波,数字影像,W3840×H2160; 3'16''他们的实践路径虽媒介各异,却在水的物性与象征之间达成共鸣。这些作品共同回应着永定河流经之地的历史残响与地貌伤痕,它们如不同节点上的回音,在展览空间中被重新连接,唤起一种更具触觉性的生态书写。当河流不再只是流域经济的工具性背脊,而成为情绪、权力与生态交叠的动态边界,展览试图共同勾勒出一个属于“地表之下,流动之上”的知识谱系,重新激活我们与自然之间既亲密又不断变形的复杂关联。系列主题公教活动将在展览开幕后推出,详细安排敬请关注后续推文。关于策展团队戴友毅北京印刷学院 数字媒体专业在读对于多媒介的艺术实践抱有强烈热情,尝试将数字艺术与空间叙事融入展览之中,时常将基础自然元素作为研究及创作的对象。徐子涵现就读于爱丁堡大学现代到当代艺术历史、策展、批评专业。目前的研究兴趣侧重于全球和地方视角下的地方艺术表达以及人文地理视角下的地方性、身份、归属感等话题。姜雨辰悉尼大学艺术策展专业硕士。目前工作聚焦于公共艺术机制、城市空间生产与文化政治的交叉领域。>>>>第三届全国大学生虚拟策展大赛CAFAM赛道地表之下,流动之上展览时间:2024年7月4日—8月24日展览地点:中央美术学院美术馆3层C展厅 主办单位:中央美术学院承办单位:中央美术学院美术馆支持单位:美术博物馆虚拟策展与美育课程虚拟教研室主编 / 何一沙责编 / 杜隐珠
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54 Treasures Per Set Renewed | First Look at Collection Of CAFA Art Museum Scene

2025-07-03

The second phase of the "Collections Of CAFA Art Museum" officially opened on July 1st, updating and displaying a total of 54 pieces/sets of fine collections. Among them, 32 sets of newly exhibited works in the calligraphy and painting exhibition area of "Ancient Chinese Art" have attracted much attention for their brushwork and artistic conception. The "treasures of the museum" such as Portrait of Hengyun Mountain People Begging by Ren Bonian and Lotus Painting by Bada Shanren are presented in this stage, along with important works like Portrait of Female Immortal, Pine and Pigeon Painting, and Snowscape Landscape meeting the audience. In the part of "Modern Chinese Fine Arts", 22 new works ranging from traditional Chinese paintings, oil paintings to prints are not only individual expressions of artists, but also embody the pursuit and reform in the historical torrent, responding to the era with modern forms and languages.The renewal of the collection exhibition at CAFA Art Museum is a profound artistic invitation that integrates ancient and modern elements. Through the dialogue between ancient patterns and modern compositions, and the collision between traditional charm and contemporary spirit, it is hoped that the audience can experience the vitality of Chinese artistic civilization.
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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