Exhibitions and Events-News

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Youth Workshop | Engraving art: Engraving the Print, Snapping the Moment ...

2019-06-21

Time: Jun 23 (Sun) 14:00 - 16:00 More

Kids Workshop | Dream a Dunhuang Dream ...

2019-06-21

Time: Jun 23 (Sun), 10:00 - 12:00 More

Adult Workshop | Zanke and the Beauty of Metals ...

2019-06-20

Time: Jun 22 (Sat) 10:00 - 12:00 More

Adult Workshop | The Beauty of Light and Mirror: Study of Installation Art and Materials ...

2019-06-20

Time: Jun 22 (Sat) 14:00 - 16:00 More

“Four Stanzas on Aspiration: Traces of Li Hu’s Art” Exhibition Tour Opens in Hebei ...

2019-06-18

The exhibition tour of “Four Stanzas on Aspiration: Traces of Li Hu’s Art”, hosted by Central Academy of Fine Arts (CAFA) and Shijiazhuang Art Museum, opened in Hebei Province on June 14 as scheduled after months of careful preparation. Mr. Li Hu was an artist as well as an art educator who had made great contributions to the innovation of Chinese painting after Xu Beihong and Jiang Zhaohe. He “uses Western painting skills to sketch with Chinese ink on rice paper” in an earlier time. On the one hand, he followed Xu Beihong and advocated his artistic concept of integration of Chinese and Western paintings; on the other hand, he took the plunge to seek innovation and practiced the modern transformation from the tradition, being a practitioner and pioneer in the process of exploring new ways and forms of Chinese painting.Wang Chunchen, Deputy Director of CAFA Art Museum; Han Feng, Vice Chairman of Hebei Art Association; Jin Rui, Professor of Chinese Painting College of CAFA; Wang Fuming, Director of the School of Design of Hebei Normal University; Cao Qinghui, Professor of CAFA and curator of this exhibition; Li Yaochen, Director of the Department of Collections at the CAFA Art Museum; Nie Shufa, Director of School of Art of Hebei University of Economics and Business; Mr. Li Hu’s children (Li Fan, Li Rong, Li Yun), and other guests attended the opening ceremony. Wang Chunchen, Deputy Director of CAFA Art Museum, was delivering a speechWang Chunchen, Deputy Director of CAFA Art Museum, talked about in his speech the deep friendship between CAFA Art Museum and Shijiazhuang Art Museum, and mentioned that Li Hu was a practitioner, pioneer and educator of Chinese figure painting creation and innovation in the history of Chinese modern art. Due to his untimely death, he was ignored by the public, yet through sorting out and presenting Li Hu’s artworks, the public can have some understanding of his achievements. At the same time, the research and discussion on Li Hu also enable us to re-recognize or re-think Chinese painting today, particularly the creation process of figure painting. Drawing nutrition from the tradition and taking an original road should be the only way and also the inevitable trend for the development of Chinese painting.Zhao Zhitian, member of China Artists Association and national first-class artist of Beijing Fine Art Academy, was giving a speech Han Feng, Vice Chairman of Hebei Art Association, was giving a speechFu Yixin, Professor of Tianjin Academy of Fine Arts, Professor of the Institute of Literature and Art at the Minzu University of China, member of China Artists Association and Chinese Calligraphers Association, was giving a speech Li Fan was giving a speech on behalf of Li Hu’s familyBai Liansheng, Representative of Hebei alumni of CAFA, was giving a speechCao Fengxiang, Deputy Director of Shijiazhuang Art Museum, served as the hostLi Hu was born in Sichuan on September 20, 1919, and died in Beijing on November 10, 1975, at the age of 56. During his fifty-six years alive, he not only had lived through bitter years when the Chinese nation was struggling to save the nation at the most dangerous time but also the passionate years when the Chinese people made great efforts to build an independent socialist country at a price under the leadership of the Communist Party. The fifty-six years of his life were exactly overlapping the half a century of Chinese society in the turbulent currents of the 20th century, with which his life path and artistic career rose and fell, leaving behind thousands of paintings for later generations. This exhibition presents more than 100 works and literature to comprehensively show Mr. Li Hu’s life and artistic aspiration, which will have profound practical significant for us to study and carry forward Mr. Li Hu’s artistic spirit of advocating both virtue and skills, and also bring new enlightenment for us to think about the teaching and reform of Chinese painting.The exhibition runs until July 3.Translated from the Chinese text edited by Wu Jing Photos by Li BiaoExhibition site| Exhibition Photos || Exhibition Information |Dates: June 14 – July 3, 2019Venue: Gallery 1 & 2 & 3, Shijiazhuang Art Museum More

Adult Workshop | Tracing Han Portrait - Study of Subtractions in Hard Materials ...

2019-06-14

 About the Workshop The 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition is underway in the CAFA Art Museum. The museum's Public Education Department has designed a series of activities based on this exhibition. This weekend, we will present an adult workshop about Han Portrait Stone, inviting a graduating student to guide us through his work, the Han Portrait Stone, and art and culture of Han Dynasty. Han Portrait Stone is color-painted, carved or imprinted bricks used in architectural works. With a variety of forms, patterns and themes, they deeply reflect the social customs and aesthetics of Han Dynasty, and are a milestone of Chinese art history. The Han Portrait Stones are one of the most important image archives of Han Dynasty. There is a huge number of them left till today, all of great artistic value, ancient but fresh elements, and a great potential in visual art development and application. Han Dynasty was a time when feudalism was progressing in China, thus Han paintings contain an inherent youthful, free, innovative and magnificent spirit.Let's travel back through time to the Han Dynasty this Saturday, to study together the ancient Chinese social life and art development, and complete a great work of art of our own. (Photo from Internet)(Figures carved in relief, photo from Internet)(Han Portrait Stone, Photo from Internet) Join the Workshop Time: Jun 15 (Sat) 14:00 - 16:00Venue: CAFAM VIP LoungeParticipants: Adults (above 18)How to Join: Please click on the “Reserve Now” button on top of this page, and fill in the Adult Public Education Reservation Form to complete your reservation. You will receive an SMS text message once your reservation is successful. Please do not re-submit your reservation.Note:1) The workshop is free of charge.2) Please gather and sign in at the first floor of CAFA Art Museum on time. We will take the participants to the venue together.3) CAFAM reserves the right for final explanation. About the Work When the artist was rendering Mongols in his work, the vitality of these figures and their posture and facial features are the key in his presentation with wood carving. Wood contains the temporature of life and the record of time. Time leaves traces on wood, and so do life's traces. Using wood as the carving material, the weight of life can be well expressed. In addition, the austerity and straightforwardness of wood carvings could match the quality of my work. Its flexibility also allowed me to create the statues more freely, to do substractions, to keep the inflated quality of sculpture while remaining the space to split and join freely, increasing possibilities in forms and presenting the interesting character unique to wood carvings.The link between relief and wood carvings is that they are both doing substractions. While the former compresses round carvings in equal proportion, or increases the painterly nature of it by composing points, lines and planes, the latter, despite of being round carvings, applies techniques of relief carving. Both embrace the core of induction and reorganization of plastic art.  About the Tutors  Ning BoBorn in Ulanqab, Inner Mongolia. Studied at Department of Sculpture, CAFA from 2014 to 2019.Tutors: Sun Jiabo, Wang Wei, Mu Boyan, Li Zhan Wang WanqiIntern at Department of Public Education, CAFA Art MuseumShe has planned news conferences for Tencent Games, Garden Expo's theme song, and fashion show for famous apparel brand. Luo JiaxinIntern at Department of Public Education, CAFA Art MuseumSenior student of Art History, BA at Syracuse University More

How Does Participatory Art Function in Museum Learning: Case Study of M+ Rover ...

2019-05-29

M+ Rover defies a definition, rather it sits between a workshop, exhibition and an artwork - a transformative process where the artists, participants, schools, communities and organizers together rehearse and redevelop the work while building trusting relationships. More

Adult Workshop | The Tang Dynasty Statues’ Experimental Expression and Interpretation ...

2019-05-24

Time: May 25 (Sat) 10:00-12:00 More

Graduation Season Salon | Perspective - Basic Principles of Looking at Visual Art ...

2019-05-22

Time: May 24 (Fri) 18:00 - 20:00 More

Workshop | Contemporary Experimental Family Education: Food and Sex ...

2019-05-22

Time: May 25 (Sat) 18:00 - 20:00 More

Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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