Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: "The 'Fashion 100' Project Conclusion Exhibition & Series of Shows" Is About To Debut At The CAFA Art Museum

2026-03-19

The "Fashion 100" Project under the "Youth Partner Program" of the Chinese Artists Association, guided by the China Federation of Literary and Art Circles, hosted by the Chinese Artists Association, co-organized by the Fine Arts Art Center of the China Federation of Literary and Art Circles and Beijing Institute of Fashion Technology, and assisted by the Fashion Design Art Committee of the Chinese Artists Association, the Art Museum of the Central Academy of Fine Arts, and the China Fashion Association, is about to usher in the grand release of its core achievements. As a youth design talent development initiative, this marks a significant move by the Chinese Artists Association to integrate fashion design into its core talent development system for the first time. Adhering to the core tenet of "Academics First, Independent Thinking, Innovation Leadership", the project is committed to discovering and fostering a group of leading Chinese fashion design talents with aesthetic confidence, cultural soft power and academic distinctiveness.Since the official launch of the project in April 2025, "Fashion 100" has gathered young design talents from 59 key universities and renowned design institutions across the country. One hundred finalist designers, rigorously selected from 390 applications, have participated in intensive training and on-site research covering five major modules, including national narrative, cultural root-seeking, business logic, and cutting-edge technology. Subsequently, the jury panel composed of academic leaders from prestigious universities and senior industry experts conducted multiple rounds of rigorous reviews of the participants' works. Following a comprehensive evaluation of creativity, craftsmanship, styling, and stage effects, the outstanding works that have finally stood out are about to present a substantial response to the public.At 20:20 on March 22, 2026, as a key part of the official schedule of China Fashion Week, the presentation and show for the conclusion of the first "Fashion 100" under the "Youth Partner Program" of the Chinese Artists Association will officially kick off at the CAFA Art Museum. Breaking away from a single release model, this event adopts a deep integration of a dynamic opening gala show and a static exhibition, comprehensively and three-dimensionally presenting the exploration context of young designers. With the core of exploring the origin of creation and inheriting cultural genes, the participating works deeply root in the tradition of Chinese aesthetics, while connecting with international frontiers with an open vision, subtly interweaving Oriental implications and avant-garde expressions.What is particularly worth anticipating is the bold innovation in venue planning and audience experience for this exhibition. Leveraging the unique architectural space of the CAFA Art Museum, the show venue has been elaborately constructed into a multi-dimensional three-dimensional structure. In contrast to the traditional runway, the three-dimensional venue provides models with a deeper and more extended walking path, creating a fascinating cross-space dialogue between the dynamic fashion presentation and the surrounding static exhibits. Following this deeply layered path, the audience will be immersed in the artistic space with its staggered layout, experiencing every breakthrough in the cutting, fabrics, and craftsmanship of the garments.The future of Chinese fashion is being nurtured in the solid academic accumulation and fearless innovative practices of the younger generation. We sincerely invite faculty, students, and friends from all walks of life to visit the event, wandering through the extensive static exhibition areas and the interlaced three-dimensional runway space.On the evening of March 22, let's meet at the CAFA Art Museum,and witness the brilliant blooming of China's youngfashion design forces in the new era.Amber Work Title: Dust & LightHou RuoyiWork Title: Needles Across the SeaHuang Siyun Work Title: The Phygital Rhythm of TimeJiang Xiaoxi Work Title: Photosynthesis (The green symphony of light) Schedule of the series of shows March 28, 17:10 "New Era Young Art Talent Development Program – Fashion 100" Conclusion Achievement Report Exhibition & Outstanding Student Works Show, Session 1April 5, 16:00 "New Era Young Art Talent Development Program – Fashion 100" Conclusion Achievement Report Exhibition & Outstanding Student Works Show, Session 2April 11, 16:00 "New Era Young Art Talent Development Program – Fashion 100" Conclusion Achievement Report Exhibition & Outstanding Student Works Show, Session 3April 18, 16:00 "New Era Young Art Talent Development Program – Fashion 100" Conclusion Achievement Report Exhibition & Outstanding Student Works Show, Session 4April 19, 16:00 "New Era Young Art Talent Development Program – Fashion 100" Conclusion Achievement Report Exhibition & Outstanding Student Works Show, Session 5Xie MengdiWork Title: The Rising Wind and Water SeriesYu Shi、Guo Yong Work Title: Sense of PresenceWei Qinwen Work Title: Between the StrokesZhang Yan Work Title: Wilderness PastureZhang YidiWork Title: Traces of the Wind · Grotto SeriesZhao Jiarong Work Title: The void withinArtists AssociationYouth Art Talent ProgramIN -- The First Fashion 100 Project Conclusion Achievement Exhibition & Series of ShowsExhibition Dates: March 22, 2026 – April 19, 2026Exhibition Venue: CAFA Art Museum, 1st Floor Hall / 3rd Floor Gallery BGuided by: China Federation of Literary and Art CirclesHosted by: Chinese Artists AssociationOrganized by: Fine Arts and Art Center of China Federation of Literary and Art Circles, Beijing Institute of Fashion TechnologyCo-organized by: Fashion Design Art Committee of Chinese Artists Association, CAFA Art Museum, China Fashion AssociationSupported by: Chenfeng Group, Huaman·Miyin, Deshang GroupChief Consultants: Zhu Di, Fan Di'anGeneral Directors: Qu Jian, Huang Keying, Jia Ronglin, Lin Mao, Xu Yang, Yu YangChief Planners: Wang Ping, Zou You, Jin JunExhibition Coordination: Li Wei, Wan Lan, Han Wenchao, Gao Gao, Hai JunCuratorial Team: Wang Yixing, Xu BoCuratorial Assistants: Sun Ningning, Ma Hongjin, Li Zhiqian, Lyu ShanqiFashion Show Directors: Liu Fang, Lin JiuruFashion Show Coordination: Yan Xuyan, Zhang Yuhang, An Ning, Gu XiProject Coordination: Wang Jing, Liu Yuhan, Wang Feifei, Yang Lei, Wang Changyu, Wang Ruicheng, Dong ZhimiaoChief Editor / He Yisha Editor / Du Yinzhu
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: 2026 Spring Intern Recruitment Announcement | CAFA Art Museum Looks Forward To Your Joining!

2026-03-17

■ CAFA Art Museum■ Spring Intern RecruitmentThe CAFA Art Museum is committed to providing an internship platform for students aspiring to engage in the study, research and practice of the art museum field. By participating in the planning and implementation of specific projects, interns can gain an in-depth understanding of the operation mechanism of art museums, accumulate practical experience for their academic studies and 2career development, and meanwhile create conditions for nurturing a new generation of high-quality art museum professionals.The CAFA Art Museum offers internship opportunities covering thirteen types of positions across seven departments:01 Planning and Research Department Exhibition Project Assistant——————————————————1. Currently pursuing a bachelor's degree or above in art history, art or related majors;2. Having relevant work or internship experience in exhibitions, with excellent communication skills and text editing and processing capabilities;3.Proficient in using daily office software.Archives Management Assistant——————————————————————1. Currently pursuing a bachelor's degree or above in majors such as Archival Science, Art History, Information Management, etc.;2. Possess excellent word processing and archival arrangement capabilities;3. Proficient in using daily office software;4. Candidates with relevant experience in archival management are preferred.02 Collection Department Collection Data Arrangement Assistant——————————————————————————1. Current undergraduate or postgraduate student majoring in Art History, Museology, Archaeology, Archival Science, Information Management, Cultural Heritage Conservation, or other related fields.2. Meticulous and detail-oriented in work, able to adapt to repetitive and process-driven tasks.3. Proficient in common office software, with advanced Excel skills.4. Preference will be given to applicants with experience using databases or collection management software, basic knowledge of art history, and the ability to recognize common art categories and professional terminology.Registration and Recording Assistant————————————————————————1. Currently pursuing a bachelor's degree or above in majors such as art history, library science, information management, etc.;2. Have certain text editing capabilities;3. Proficient in using daily office software;4. Experience in database management is preferred.03 Exhibition Department Exhibition Installation and Dismantling Assistant————————————————————————————————1. Bachelor's degree or above or currently enrolled in majors such as art history, design, and plastic arts;2. Good official document writing ability;3. Proficient in using daily office software and simple drawing software, and familiar with the operation of media playback software.04 Design Department Spatial Design Assistant————————————————1. Currently pursuing a master's degree or above in a design-related major;2. Understand spatial scale and ergonomics, be able to assist in the design and structural optimization of exhibitions and interior spaces, and possess basic knowledge of materials and craftsmanship;3. Proficient in using AutoCAD; priority will be given to those who master SketchUp or other drafting and 3D software.Visual Design Assistant——————————————————1. Currently pursuing a master's degree or above in a design-related major;2. Possess solid capabilities in Chinese and English typography, layout design and color matching, and be able to independently complete basic designs such as simple posters and material typesetting;3. Proficient in using Adobe Photoshop, Illustrator and InDesign.05 Ministry of Public Education Front Desk Public Service Assistant————————————————————————1. Currently pursuing a bachelor's degree or above in majors such as art history, art management, art education, modeling, media, etc.;2. Strong sense of service, good affinity and communication skills, as well as the ability to respond to emergencies;3. Proficiency in spoken English is preferred.Art Workshop Assistant————————————————1. Currently pursuing or holding a bachelor's degree or above in majors such as art history, art management, art education, and modeling;2. Possess solid writing skills and be able to independently compose copy;3. Have event organization and on-site coordination abilities, with strong execution skills and the capacity to handle multi-threaded work;4. Candidates with experience in event photography, videography, video editing, and art teaching are preferred.06 Media Propaganda Department Photography and Video Production Assistant————————————————————————————1. Currently pursuing a bachelor's degree or above in Journalism, Digital Media, or related majors;2. Possess excellent team communication skills;3. Proficient in using basic shooting and video production tools;Experience in editing on WeChat Official Accounts and Xiaohongshu platforms is preferred.Media Editing Assistant————————————————1. Bachelor's degree or above or currently enrolled in majors such as art management, journalism, Chinese language, etc.;2. Possess solid writing skills and writing and editing abilities, and be able to independently complete art-related reports;3. Experience in editing for WeChat Official Accounts and Xiaohongshu platforms is preferred.07Department of DevelopmentAssistant for Business Cooperation and Cultural and Creative Development———————————————————————————————————————————————1. Currently pursuing a bachelor's degree or above in majors such as art management and product design;2. Good aesthetic foundation, strong communication and execution skills;3. Proficient in using AI graphic design software, 3D modeling software, office software, etc.;4. Candidates with photography and video editing capabilities, a foundation in product design, or experience in event and art cooperation are preferred.Assistant for Donation and Sponsorship Activities————————————————————————————————1. Currently enrolled in a bachelor's degree program or above, with a major in Digital Media being preferred.2. Possess a good aesthetic foundation and solid writing skills, and be able to write independently.3. Proficient in using office software such as Keynote and Office; those with basic graphic design skills are preferred.3. Have photography, videography and video editing capabilities, be familiar with software such as Photoshop, InDesign, and AI, and be able to complete video production independently; those with editing experience on WeChat Official Accounts and Xiaohongshu platforms are preferred.1. The internship period is from the end of March 2026 to the end of June 2026, and the complete internship cycle shall be no less than three months.2. Participate in work no less than four days a week and be able to accept temporary work arrangements during holidays.3. A mentor system shall be implemented. The art gallery shall assign internship mentors, formulate internship plans, guide interns to participate in project practice, and provide internship evaluations.4. Conduct a comprehensive assessment based on the performance and duration records during the internship, and issue an internship certificate.1. Please scan the QR code below to download the Internship Application Form for the Central Academy of Fine Arts Art Museum, fill it out and send it to cafamcafam@163.com. You may also attach your personal resume, recommendation letters, etc. For applications for positions in the Design Department, a portfolio of your original works (PDF or online link) is required; plagiarism or collage of others' works is strictly prohibited.2. The email subject shall indicate "Name + Applied Department + Applied Position". We will contact qualified candidates for interviews based on merit.3. The application deadline is Friday, March 20, 2026.Scan the QR code to downloadInternship Application Form for the CAFA Art Museum CAFAM looks forward to your joining! Editor-in-Chief / He YishaEditor / Du Yinzhu
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: 铭记与传承 | 周令钊先生221件作品入藏央美

2026-03-16

他是“最美奋斗者”，亦被誉为“新中国设计第一人”。他为共和国塑造了视觉记忆，用画笔定格了一个时代的光与影。参观现场2023年1月3日，周令钊先生溘然长逝，享年104岁。生前，他已郑重决定将221件作品捐赠中央美术学院美术馆。在其爱女周容教授的悉心整理以及中央美术学院的支持推动下，这批作品得以进行系统的学术梳理并完整呈现，最终促成本次“画在时光深处——周令钊先生捐赠作品展”。由此，这不仅是一次作品的集中入藏，更是一份跨越时间的艺术托付与精神回响。2026年3月12日，在展览展出之际，“周令钊先生作品捐赠仪式”在美术馆举办。周令钊先生捐赠中央美术学院美术馆的221件作品，涵盖水彩、水粉、速写、连环画、壁画、宣传画与设计等多个门类，时间跨度自1938年至2008年，贯穿其七十年的艺术实践。嘉宾合影中央美术学院院长林茂、副院长于洋，周令钊先生家属代表周容，美术馆领导班子，学校各科研处室代表以及展览策划和收藏团队的负责人出席开幕仪式。美术馆副馆长高高担任主持人。中央美术学院副院长于洋致辞中央美术学院副院长于洋代表学校向周容老师以及周令钊先生家属表达了诚挚的感谢和崇高的敬意。他表示，此次周先生家属的慷慨捐赠不仅是对美院的深情厚谊，更是对中国高等美术教育事业的一份巨大支持和宝贵财富。2018年美院百年校庆之际，习近平总书记给8位老教授的回信，周令钊先生位列首位。周先生所代表的，正是老一辈美院人宽厚的人格与崇高的艺品。日前，全国两会刚刚闭幕，林茂院长提出的“以大艺术推动大美育”议题，为大家指明了方向。美术馆的核心职责，正是践行这一理念，让艺术之美惠及大众。有了周令钊先生这200余件珍品的支持，在美术馆同仁及全校师生的共同努力，定当不负厚望，让更多美院学子继承先生精神，为教育强国、文化强国建设贡献更大的力量。周令钊先生家属代表周容致辞周令钊先生家属代表周容表示，今天这场捐赠展，让其感到特别自然和温暖，就像父亲生前的为人一样。站在这里，往事历历在目——父亲从小历经战乱，军阀混战、抗日战争，直到1948年下半年来到北京，才在美院开启了新生，也在这里走完人生旅程。他一生向往美好，即便在苦难中也始终坚持传递正能量，用作品把美呈现给大家。解放后，他重走当年战争的路线，为人民而创作，为国家形象建设助力，用温暖的形式记录下祖国的山河巨变。这批作品捐给学校，是最好的归宿。希望它们能像父亲本人一样，继续滋养年轻学子，让后辈从中受益。中央美术学院美术馆馆长靳军致辞中央美术学院美术馆馆长靳军在致辞中向周令钊先生表达了深切的敬意。他谈到，周先生是中国20世纪最重要的艺术家之一，也是老一辈艺术家中的典范，曾为新中国的国家形象建设做出了突出贡献，更为一代代艺术工作者做出了榜样。今天这个展览，清晰而全面地展示了他的重要创作历程——如何描绘祖国的大好河山，如何刻画社会的发展面貌，周先生对艺术的不懈追求如同一盏明灯，照亮着后辈前行的道路。靳馆长由衷地感谢周蓉老师及周令钊先生家属的慷慨捐赠，将这批精彩而珍贵的经典作品交予美术馆珍藏、研究和传承。未来，将通过这些作品，让“大美育”的理念更广泛地传播，使更多艺术从业者以及社会各界的观众，都能从中领略中国艺术和社会的发展脉络与成就。中央美术学院美术馆副馆长高高担任主持人“画在时光深处——周令钊先生捐赠作品展”即将于3月15日闭幕，这批作品不仅为我们理解周令钊先生的创作脉络与工作方法提供了关键线索，也使观众得以回到其创作现场，在作品的细节与结构中体认其艺术精神，并进一步识读其独具特色的视觉语言与表达体系。愿大家在“时光深处”，重拾那份历久弥新的清澈、坚定与温暖；亦愿这份精神在今天的课堂、创作与生活之中持续启迪今天的艺术工作者，不断思考如何在时代的画卷里，找到自己的笔触与光芒。展览现场主编 | 何一沙责编 | 杜隐珠现场图 | 贺伊飞
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: 以展会心，以书会友——“她们·进行时” | CAFAM读书沙龙回顾

2026-03-13

鲜花，笑语，祝福，心与心的碰撞，3月8日，中央美术学院美术馆迎来了一个不同寻常的妇女节，一群热爱文艺的小伙伴，怀揣着自己钟爱的书籍，满怀激情地来赴“CAFAM读书沙龙”的浪漫之约，在这里度过了一个深刻充实而又轻松愉悦的下午。一位年轻的妈妈安顿好年幼的孩子，从繁琐的家务中特意抽出两个小时，来赴这场撞击心灵的文艺之约，在一个温馨而又超然的氛围里享受独属于她自己的节日和美好时光；另一位书友怀着热诚穿越了一座城池从石景山赶来，由书本抛出自己的问题，引发了现场热烈的讨论；还有书友结合自身经验，借助书本阐发了女性独立、从容的生活态度，引起大家的强烈共鸣；两位男士也乘兴而来，尽情表达，倾心交流，从不同的视角带来新的思考……中央美术学院美术馆公共教育部主任肖宝珍与读书沙龙主持人、作家陈艳敏（CAFAM志愿者）一起分享了书籍做了艺术展览导赏，带领大家与书籍和艺术展览中的女性作面对面的精神交流，深入感受艺术之美和读书之乐。书香弥漫的美术馆，在那一日，顿时也变得愈加迷人。
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: CAFAM直播预告｜从女儿的讲述到策展人的解读，一起走进周令钊先生70年的艺术历程

2026-03-12

讲丨解丨嘉丨宾周容周令钊之女纪玉洁中央美术学院美术馆设计部主任/总监直丨播丨通丨道抖音平台@中央美术学院美术馆小红书平台@中央美术学院美术馆哔哩哔哩平台@中央美术学院美术馆主编 / 何一沙责编 / 杜隐珠
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: Announcement on the Closing of Some Exhibitions

2026-03-12

Exhibition View of “The Art New Year: Horse-Inspired”Dear Visitors,The exhibitions The Art New Year: Horse-Inspired(1st Floor Hall) and Vibrant Imagination – Picture Books and Animation by CAFA Graduates (3rd Floor Hall B) will close at 17:30 on Thursday, March 12, 2026. Thank you for your interest and support. Please plan your visit accordingly.We apologize for any inconvenience caused.CAFA Art MuseumMarch 11, 2026Vibrant Imagination – Picture Books and Animation by CAFA GraduatesChief Editor / He Yisha Editor / Du Yinzhu
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: CAFAM Exhibition Preview | Wide Angle° Youth Experimental Project Space "Echoes of A Voyage — Lyu Zhi-qiang" Coming Soon

2026-03-11

"Echoes of a Voyage—— Lyu Zhi-qiang"Exhibition Time: March 13, 2026 — April 20, 2026Exhibition Venue: Hall C, 2nd Floor, CAFA Art Museum"Returning is the movement of the Dao." What the Tao Te Ching states forms a time‑transcending resonance with the operational logic of the Loop in electronic music: the movement of the Dao is reversal, an eternal tendency to return to itself. For the artist Lü Zhiqiang, the echo of this ancient image manifests most explicitly in the repeated practice of linear perspective using the rope‑and‑ink method, and also emerges in a more circuitous way through years of excavation and re‑composition of the soundscapes along his journey.In modern electronic music, the Loop is not merely a technical device but rather an ontological declaration. It breaks with the linear structure of Western classical music—beginning–development–climax–ending—and its repetitive beats and melodies outline a non‑linear, circular model of time. Nietzsche’s idea of the eternal recurrence finds an auditory re‑presentation here:“The eternal hourglass of existence will keep turning, and you are but a grain of dust within it.”Trapped in a circular orbit, should the individual feel agony or ecstasy? This is the Hamlet‑question of modern life.An old Volkswagen Jetta is the materialization of this question: every engine start, every journey marked by its tire tracks, constitutes a subjective response to eternal recurrence. During a trip to revisit the First Automobile Works in Changchun, the artist learned that the production line that assembled this car had a history of circulation—from Germany to the United States and then to China. To achieve localized production, Chinese workers had creatively modified this weathered line in countless ways. All this has silently provided a contemporary footnote to Nietzsche’s thesis: as Deleuze argued, the Same inevitably generates Difference in circulation, much like lines drawn strictly according to the rules of perspective still show subtle shifts with every snap of the inked line. The Loop of life plays on endlessly. The industrial glory of yesterday, once celebrated in early automobile advertisements, has faded, yet beneath the worn paint emerges an eternal structure. No matter how many cycles it undergoes, the soul of this “German car” is undeniably infused with the spirit of northern China.The car’s hybrid lineage also mirrors the metaphor of identity in contemporary culture: the artist’s identity is no longer a singular, ontological definition. In the prismatic world of life, he is a car owner, driver, traveler; a sound collector, DJ, and stage designer; a student of perspective and a spatial surveyor; and at the same time, a teacher within the academic system, whose duty often involves negotiating a spiral Loop between inheritance and creation, discipline and enlightenment. These parallel fragments of experience are like scattered stars, yet when consciously integrated into the subject‑identity of “artist,” an orderly constellation‑like map emerges from chaos. In fact, this map points precisely to what Benjamin called “the possibility of reshaping experience”—that is, “the liberation of historical energy confined within the social form of art as an independent entity.” Here, art as aesthetic experience has long become an abrupt method of action: it flows into the path toward the everyday with the flexible posture of perception, reflection, and intervention, introducing liberating energy into a new dimension of historical life.Wang WentingMarch 2026 Selected Previous Works 《Mohemann's Living Room》个人项目，2020A Long Road, Sound Installation, Stereo, 1 hour 11 minutes, 2019Admonition sound installation, 3-channel, 29'39", 2017"Gaze/Inhibition", watercolor paper, Chinese ink, aluminum-plastic panel, steel, alkyd paint, 180120cm, 70*70*100cm (installation part), 2015Scavenger, Installation, Performance, Urban Waste, 2012Modern Tate Museum, Waste from the Art District, 350cm × 410cm × 360cm, 2011Cabin, Tree Branches, 350cm × 200cm × 260cm, 2010Crawler, Installation & Research Documentation, Found Objects, Steel, 900cm×1200cm×350cm, 2009 Exhibition team | Curator |Wang WentingShe teaches at the School of Art Administration and Education, Central Academy of Fine Arts. The exhibitions and cultural activities she has participated in curating include "Return: Sino-German Young Artists' Group Exhibition", "The Myth of Documenta — Arnold Bode and His Successors", "Searching for Utopia — Sino-German Curators' Workshop", "Transformation Wandlung — Kathrin von Rechenberg and He Jian Dual Exhibition", etc.| Artist |Lv ZhiqiangBorn in Mohe County, Heilongjiang Province, he graduated from the School of Experimental Art, Central Academy of Fine Arts, and currently teaches there. He has extensively used materialized materials for socially engaged creations, preferring to carry out his work through field investigations and practice. He has also conducted research and painting with a focus on the study of Western perspective, and his recent works have paid attention to sound as a material.He has had solo projects such as "Mohemann’s Living Room" (C5CNM, Beijing, 2020) and "The Long Road Ahead" (Telescope Art Studio, Beijing, 2019). Some of his group exhibitions include "Sense of Touch – Group Exhibition of Young Artists from the School of Experimental Art, Central Academy of Fine Arts" (Taoxichuan Art Museum, Jingdezhen, 2021); "A Patchwork Leviathan" (Bridge Projects, Los Angeles, 2020); "There is a Form" (Song Art Museum, Beijing); "Anren Biennale" (Sichuan, 2017); "'Relay' Series Exhibition – Art Re-Long March" (National Art Museum of China, Beijing, 2016); and "The 12th National Art Exhibition" (Today Art Museum, Beijing, 2014), among others. Exhibition Information “声回路转（Echoes of a Voyage）——吕智强个人项目”展览时间：2026年3月13日—4月20日展览地点：中央美术学院美术馆2层C展厅主办：中央美术学院美术馆中央美术学院党委教师工作部（人事处）中央美术学院教师发展中心学术主持：冯梦波策展人：王文婷艺术家：吕智强视觉设计：赵序主编 / 何一沙责编 / 杜隐珠
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: CAFAM Live Preview | Treasures of Ancient and Modern Art, Visions of Childlike Innocence

2026-03-10

In this vibrant March,CAFA Art Museum extends an invitation to you.Through a series of consecutive exhibitions,we will take you into the diverse world of art.March 10th (Tuesday) 14:00Follow the official account @CAFA Art MuseumWe'll be waiting for you.Commentary | Guest—————————Gao GaoDeputy Director of CAFA Art MuseumLiu XiyanDirector of the Research and Planning Department, CAFA Art MuseumLi YaochenDirector of the Collection Department, CAFA Art MuseumEditor-in-Chief / He Yisha Editor / Du Yinzhu
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: "Shape Of Myself -- 2026 Nomination Exhibition Of Contemporary Chinese Famale Artists" Debuts Today

2026-03-09

Shape Of Myself2026 Nomination Exhibition Of Contemporary Chinese Famale ArtistsExhibition Dates: March 6 – 15, 2026Venue: 4th Floor, CAFA Art MuseumHosted by: Chinese Women Painters AssociationOrganized by: CAFA Art MuseumAcademic Chair: Xu LianCurator: Wang XiaolinExecutive Curators: Kang Lei, Wei YanParticipating Artists：(Ordered by the number of strokes in their surnames)Oil Painting – Invited: Yan Ping, Liu Hong, Chen Shuxia, Chen Xi, Kang Lei, Guan PuxueOil Painting – Nominated: Wang Haiyan, Zhou Yinchen, Jie FangSculpture – Invited: Deng Ke, Zhu Zhiwei, Chi Hao, Zhou Simin, Jiang Jie, Geng XueSculpture – Nominated: Liu Rui, Yang Guang, Shi Ziyuan, Chi Di, Luo Jin, Cao Yun, Cai YalingOn the occasion of the "March 8th" International Women's Day, the "Shape Of Myself - 2026 Nomination Exhibition of Chinese Contemporary Female Artists", sponsored by the Chinese Women Artists Association and undertaken by the CAFA Art Museums, will be held on the 4th floor of the Art Museum of the Central Academy of Fine Arts from March 6th to 15th. Through academic nominations, the exhibition will focus on presenting the diverse styles and profound thoughts in contemporary female artistic creations, offering the beauty of art to Beijing in March.The exhibition, themed "Shape Of Myself " is both a poetic interpretation of female artists' efforts to shape themselves and express their inner worlds, and an accurate summary of their continuous exploration and innovation in artistic language. Currently, the creations of female artists have become an indispensable and important force in China's art world. With their unique perspectives, keen perceptions, and tenacious spirit of exploration, they have made remarkable contributions to the refinement of artistic language, the deepening of ideological concepts, and social and humanistic care. This academic nomination exhibition aims to highlight these outstanding achievements, promote academic research and public dialogue on female artistic creation, and build an exhibition and exchange platform with both academic height and social influence.This exhibition covers two major categories: oil painting and sculpture, bringing together representative works by two generations of outstanding female artists in China. It specially invites renowned artists and nominated young emerging artists to present their works side by side. Here, one can see the profound attainments of mature artists as well as the exploratory vitality of the younger generation, jointly constructing a vibrant landscape of contemporary Chinese female art.As a special gift for International Women's Day on March 8th, this exhibition is both a concentrated review of the creative achievements of contemporary Chinese female artists and a heartfelt tribute to the power of women's art. It is hoped that through this exhibition, the audience will be able to experience the charm of contemporary women's art up close and inspire academic reflection and dialogue.—— | About The Chinese Women Painters Association | The Chinese Women Painters Association was founded in December 2012. It is a national, industry-based social group approved by the Ministry of Culture and Tourism and the Ministry of Civil Affairs. Its leading organ for Party work is the Central Social Work Department. It is a group member of the All-China Women's Federation and the only national social organization of female artists established since the founding of the People's Republic of China.Guided by Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, the Chinese Women Painters Association adheres to a people-centered creative orientation. It brings together outstanding female painters of the older, middle-aged, and younger generations across various painting genres, regions, professions, and schools. By uniting theorists, curators, and other experts and scholars, the Association has built a service-oriented platform integrating creation, research, exhibition, exchange, training, and collaboration. It pools the strength of women to paint colorful chapters, continuously produces outstanding works and nurtures talented artists, and builds industry influence, exhibition brands, and social benefits. Through fine art as a medium, it promotes the artistic power of Chinese women to a broader global stage.—— Editor-in-Chief / He Yisha Responsible Editor / Du Yinzhu
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: Today Is Awakening Of Insects

2026-03-05

Today is Awakening of Insects.
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.