Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM论坛预告 | 合成生命与生物未来

2023-12-08

2023年第五届中央美术学院EAST-科技艺术季系列活动 ——“合成生命与生物未来” 学术论坛,将于2023年12月9日(周六)在中央美术学院美术馆学术报告厅举行。此次论坛致力于探讨合成生物学(Synthetic Biology)作为生命科学前沿研究聚焦点的必要性,及其在社会范围与艺术领域内的影响。正式研讨议题包括但不限于:合成生物学伦理、生物机器构建与生命本质的探索、合成生物学的社会想象,旨在展现合成生物学的多方面影响与潜力。作为国家战略前瞻与生命科学前沿研究的共同焦点,合成生物学(Synthetic Biology)在各媒体与大众视野中的曝光与关注度正迅速提升。由合成生物学创造的细胞工程世界带来的新视角、新可能、新挑战,重新谱写了人们对于生命的想象。从日常衣食住行的“物世界”到基因工程与人体改造,再到合成生物与宇宙探索等技术的结合,合成生物学的“天工开物”将为我们带来一个怎样未知而充满期待与争议的生物未来(Biological Future)?在这个日新月异的领域中,我们特别强调艺术的重要性。艺术家将通过独特的视角与想象力,重新思考科技与艺术的关系,为合成生物学的复杂议题带来更开拓的思路。本次论坛我们将邀请艺术、生命伦理与政策研究等不同领域学者与科学家一起讨论合成生物学及其引发的社会思考、生物技术与艺术碰撞的诸多可能,并将深入讨论各方在面对这一领域时应肩负怎样的的社会责任。我们希望为合成生物学与生物艺术领域的未来发展描绘更为清晰的图景,形塑一个更具想象力与人文关怀的生物未来。主办单位中央美术学院联合主办单位中华国际科学交流基金会 承办单位中央美术学院科技艺术研究院中央美术学院学报编辑部中央美术学院实验艺术与科技艺术学院 学术支持中央美术学院学术委员会总策划高洪 林茂学术策划苏新平 吕品晶 邱志杰学术召集冯梦波 张鹏 汤宇论坛统筹陈抱阳工作组活动 执行 | 巴瑞云 季刘卓笛撰稿 宣传 | 胡一葳图文 编辑 | 胡筱铮  主视觉 | 刘世豪(仙人)现场 | 刘明博 李明思 尹紫涔 张聪聪
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“图示新探”系列学术讲座回溯(第四讲)| 于洋:艺术表达的真实与现实——油画《欢庆解放》与宋步云的现实主义艺术之路

2023-12-07

2023年6月14日由中央美术学院教授、博士生导师,中央美术学院科研处处长于洋开启第四讲,主题为“艺术表达的真实与现实——油画《欢庆解放》与宋步云的现实主义艺术之路”,此次讲座为中央美术学院美术馆与机关党委的行政教辅部门第一、第二、第三党总支、图书馆支部和高碑店乡半壁店村党总支联合主办,由美术馆直属党支部书记韩文超担任主持。宋步云先生的家属代表也来到了讲座现场。
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科研资讯 | 我校推荐科技艺术作品参展第20届全国科普日主场活动获得好评

2023-12-06

由我校全国科普教育基地——中央美术学院美术馆推荐的新晋2件馆藏科技艺术作品《2023年:愿意直面人机共生的时代吗?》(中央美术学院建筑学院城市建筑工作室——埊木工作室)、《目飞之星》(中央美术学院实验艺术和科技艺术学院2023届硕士毕业生李博)入选本次全国科普日主场活动展览,与参观群众进行了有益互动,产生了良好反响,并获得主办方中国科学技术协会的认可和好评。
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CAFAM讲座预告 | 新“人-机”时代

2023-12-06

新一代的以ChatGPT为代表的智能机器能力,需要人们改变使用工具的思维范式,充分理解人与机器各自的优势与劣势,真正做到人与机器的取长补短,共同进化,而其中人作为主体而机器作为辅助的Copilot X范式,将能够决定人类在这一轮智能机器进步的时代,处于何种地位以及具备何种发展机会。
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CAFAM预告|“根景-智联-跃界”主题分享会、专题导览系列学术活动

2023-12-05

“广角°青年实验项目空间”第二期第二回展览“根景-智联-跃界:探索植物,技术与其他生命的交错共振”源自于全球生态危机背景下对于植物的研究热潮,试图以策展作为途径,以材料与技术作为载体,以设计、建筑及艺术等不同学科的眼光检视全人类面临的迫切议题,探寻应对地球危机的设计之道。为此,策展团队精心策划了“根景-智联-跃界”主题分享会和专题导览系列学术活动,从多个角度展开对展览主题的艺术探索与创造。学术活动一“以植物视角出发”主题分享会本次活动无需报名分享会时间:2023年12月6日16:00分享会地点:中央美术学院设计学院四层(4F)公共空间活动介绍:在全球生态危机研究热潮下,植物的跨学科研究受到越来越多的关注,无论是植物学、考古学、博物学、设计、建筑等各个学科开始从自己的领域发问。植物不仅帮助我们建立社会,也在潜移默化的改变社会结构。然后随着技术的进步与迭代,人们开始忽略,甚至破坏日常生活中无处不在的植物与环境的平衡。此次展览希望以材料和技术为媒介,通过调研国内外的生态艺术作品和可持续设计产品,将理论与实践相结合,以批判性视角思考植物、技术与其他生命之间的关系。 如何改变人类中心主义,找到工业化生产与自然生态之间的平衡?如何联合产业、设计、生态三者共同反思或者审视当前复杂的社会属性?在本次研讨会中,我们希望以“植物、技术与其他生命”这个主题为核心展开讨论回答上述问题,邀请不同领域的专家学者及从业人员,从多个角度思考人类活动与自然环境之间的联系,工业化、城市化生产与本土生态之间的互联网络,总结展望未来人类的生活方式与策展趋势。 学术主持宋协伟中央美术学院设计学院院长、教授学术召集薛天宠中央美术学院设计策展与空间叙事方向教师李贝壳中央美术学院设计策展与空间叙事方向教师对谈嘉宾李习斌超级植物品牌主理人、北京大田作物设计工作室创始人视觉设计师、产品设计师、建筑设计师。北京大田作物文化传播有限公司设计事务所总经理。创立“超级植物品牌”并任公司CEO。作品被中央美术学院美术馆,深圳关山月美术馆等收藏,作品收录于《2011 Tokyo TDC 》《2015 Tokyo TDC 》《2017 Tokyo TDC 》《2020 Tokyo TDC 》《2021 Tokyo TDC 》等。张娜独立设计师,再造衣银行Reclothing Bank创始人中国独立设计师中的领军人物,被媒体誉为中国可持续时尚第一人。2015年进入亚洲版,美国版《福布斯》杂志中国设计师TOP30榜单。2020年,被CNN评选为全球可持续时尚品牌,代表亚洲被称为“环保先锋”。张天怡生态艺术家,中央美术学院艺术与科技方向博士生主要研究生态艺术和生物艺术等领域,将科技视作修复生态的重要机遇,将“机器”与“生态”结合去探索修复生态的新方法和探索生态艺术的新语言。作品曾在国内外30余个展览中展出,获奥地利林茨电子艺术节STARTS Prize“荣誉奖”(2022)等多个国内外奖项。受邀在国际论坛会议“可持续未来智能农业与文化”(希腊)等学术活动中报告。孙漪南风景园林学博士,北京林业大学艺术设计学院环境设计系副主任,讲师。景观设计师。主要研究景观中的植物,主持并参与园林景观项目30余项,设计项目获得LI Awards、IFLA AAPEM、勘察设计协会优秀设计奖等国际、国内多项设计大奖。杨北辰杨北辰是一位生活于北京的研究者与策展人。他目前担任美凯龙艺术中心(MACA)总监,同时是普拉达基金会(Fondazione Prada)思想委员会(Thought Council)成员之一。他的研究兴趣侧重于在当代复杂的技术&生态语境中探讨运动影像的可能性,致力于以激进的媒介考古学模型进行关于另类现代性问题的思辨,并强调以新物质主义的立场重新诠释历史与地缘政治。他的策展实践与跨学科的学术方向相辅相成,其于MACA规划了为期三年的研究性展览项目“谁拥有自然?”,其中第一章“多物种之云”已在2022年底发生,第二章“元素小说”亦于近期开幕。学术活动二“根景-智联-跃界”专题导览(共两场)本次活动无需报名活动时间:2023年12月6日下午3:00 袁冰2023年12月7日上午 10:00 付虹羽 活动地点:中央美术学院美术馆二层c展厅袁冰中央美术美术学院设计学院设计批评与策展研究方向研究生付虹羽中央美术学院设计学院设计策展与空间叙事方向本科生活动介绍:本次展览的策展团队将为观众开放2场专题导览。导览将从策展团队的前期调研、文献整理、思维方法等方面对展览的结构和内容进行深度讲解。同时,也会结合展览策划的叙事手法、视觉呈现以及板块划分分享策展团队在策展过程中的理念及设计思路。展览信息根景-智联-跃界:植物,技术与其他生命展览时间:2023年11月17日—12月7日展览地点:中央美术学院美术馆2层C展厅主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心
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CAFAM讲座|从未停止的“文艺复兴”:对话马里奥·克里斯蒂阿尼和常青艺术协会

2023-12-01

2023年 11 月 14 日下午,中央美术学院艺术管理与教育学院的系列学术讲座于中央美术学院美术馆报告厅如期举行。本次讲座邀请到了意大利常青画廊和常青艺术协会的创始人之一——马里奥·克里斯蒂阿尼,开启了名为“艺聚万心,对话马里奥·克里斯蒂阿尼和常青艺术协会”的讲座。
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“迎着时代发展”: 93岁的杨先让先生亲笔书信,追忆韦启美先生

2023-12-01

韦启美先生性格内向,很少言笑,但他内秀聪明多才,不只教自身的油画专业,更善于创作漫画,并长期为我们版画系代素描课。
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CAFAM预告|“根景-智联-跃界”展览儿童公教活动

2023-11-30

“广角°青年实验项目空间”第二期第二回展览“根景-智联-跃界:探索植物,技术与其他生命的交错共振”源自于全球生态危机背景下对于植物的研究热潮,试图以策展作为途径,以材料与技术作为载体,以设计、建筑及艺术等不同学科的眼光检视全人类面临的迫切议题,探寻应对地球危机的设计之道。为此,策展团队精心策划了“落叶留痕”儿童公教活动,从美育角度展开对展览主题的艺术探索与创造。儿童公教活动 “落叶留痕”过往作品图片活动介绍:植物即是大自然的产物,也是人类赖以生存的重要支撑。它不仅可以为人类提供氧气,制作药材,同时可以作为建筑材料建设家园,燃烧自己给人类带来温暖。本次公教活动将以植物为创作原材料,带领孩子们通过拓印的方式近距离感受植物之美,认识植物的生长过程,培养孩子们对大自然的理解和思辨能力,开启一场奇妙的植物拓印创意活动,在本次工作坊中,我们邀请了艺术家周洪亮带领孩子们一起通过植物拓印的方式,感受植物表面的纹理和形态,认识植物的多样性。通过互动和讨论的教学方式,引导孩子们思考植物的生物属性以及它们在生态系统中的角色和意义。在拓印的过程中,鼓励孩子们充分发挥想象力对植物纹理和形态进行个性化创作。通过科普与植物相关的自然生态知识,最大程度帮助孩子们从理论和实践两个方面更好地了解植物与环境之间的关系。往期活动照片在活动过程中,孩子们首先将在老师的带领下来到户外收集各种形态植物,然后通过拓印工具感受植物不同的表达方式,了解每种植物散发的气质与灵魂。老师则会在创作中,引导孩子们观察植物、思考植物,向植物学习,以沉浸式的互动体验,达到人、技术与其他生命三者之间的平衡。植物拓印儿童公教活动旨在通过创意和互动,激发孩子们对植物的兴趣和热爱。我们期待活动能够深入孩子们的心灵,培养他们对自然界的敬畏之情,通过美术馆这一公共场域,连接公众与艺术教育,增强美术馆与公共的粘性,使每位参与者都能在植物世界中用植物表达自己,提升参与者对自然的关爱和对艺术的创造力。制作工具授课老师周洪亮青年艺术家儿童公教活动报名方式活动时间:12月2日(周六)上午10:00-12:00活动地点:美术馆展厅及会议室招募对象:6-10岁(每位儿童限一位家长陪同)招募人数:10人报名方式:请编辑“参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功者将会收到短信回复。请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。展览信息根景-智联-跃界:植物,技术与其他生命展览时间:2023年11月17日-12月7日展览地点:中央美术学院美术馆2层C展厅主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心
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持画笔 与时代同行丨韦启美百年诞辰纪念展隆重开幕

2023-11-28

艺术的道路应像信鸽的飞行,它穿过云层,穿过雷雨,穿过旋风,穿过晴空,不论升降回旋,不论滑翔或鼓翼,永远向着既定的方向奋飞。——韦启美“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。11月27日上午,“为时代持笔——韦启美百年诞辰纪念展”在中央美术学院美术馆开幕。中央美术学院老领导、老教授靳尚谊、杨先让、彭鸿远、翁乃强、袁运生、王同仁、广军、文国璋、孙景波、吴长江、黄华英等,中国美术馆党委书记安远远以及中国国家博物馆、故宫博物院、中国军事博物馆、北京鲁迅博物馆、徐悲鸿纪念馆、吴作人国际美术基金会、北京画院、炎黄艺术馆等单位相关部门的负责人,韦启美先生的家属代表,中央美术学院领导班子成员和师生代表一同出席了开幕式。开幕式由中央美术学院党委书记高洪主持。开幕式现场中国美术家协会名誉主席、中央美术学院原院长 靳尚谊:韦先生曾是我的老师,后来我们在油画系第一画室共同任教。在新中国成立初期,也正是我上学的那个时候,他是中央美院教师中创作最活跃的一个。那时候老师都是在美院的教室里画画,作为学生,我们经常到画室看这些老先生的创作,《模范饲养员》就是我最早看到的在当时算大尺幅创作,并在画面中创作了多人物的作品。他的思想很敏锐,在改革开放以后,他接受了很多现代艺术的艺术处理手法,画了很多表现北京新气象的作品,如《新线》《电话亭》《附中的走廊》等。一直到他的晚年,他的思想一直在变化,艺术的探索也在不断地发展。中央美术学院党委书记 高洪:“为时代持笔”首先体现着韦启美先生是一位有强烈社会责任感和历史使命感的优秀艺术家。他在教学实践、理论著述、油画创作与漫画创作等领域都卓有建树。他坚持现实主义精神,对新事物保持高度敏感。他在创作上强调艺术与时代同步,作品具有鲜明的时代气息。“为时代持笔”还体现着韦启美先生是一位执着为学生奠定扎实基本功力的优秀艺术教育家。韦启美先生一辈子在中央美术学院教书,在基础课教学领域卓有建树,他不仅在辛勤工作在教学第一线,而且还为中央美术学院基础教学作整体结构和大纲的设计,他参与设计的基础教学系统,是中央美术学院教学体系的重要组成部分。韦启美先生在中央美术学院美院度过了近半个世纪的光阴,在他的创作和教育生涯中,不仅兢兢业业地履行了作为一名教师的职责,也一步步奠定了自己的艺术基业。中央美术学院院长 林茂:韦启美先生始终保持着对生活敏锐的观察、对教学笃定的深耕和对艺术不懈的追求。他以坚定的艺术信念持续探索绘画语言和不同的艺术表达方式,认真研究美术基础教学的方法,以广阔的视野和多样的艺术创作回应时代命题。本次展览围绕他艺术创作中的油画实践,以及在水墨画、素描和漫画等领域的探索,结合丰富的文献史料,呈现了韦启美先生的艺术人生在各阶段不同类型艺术创作的转向与拓展,展现了他既独特又精彩的艺术道路——以油画著称、以漫画闻名、以素描立身、以水墨养性。韦启美先生的油画之路早成,从写实主义到现代转向,创作了大量作品,展现了一位艺术家的开放和活力。本次展览也第一次呈现他的水墨画探索与实践,为我们开启了认识韦启美先生的新维度。他的漫画之路车水马龙,人民群众喜闻乐见,在中国漫画史上有着重要地位。韦启美先生的素描之路则留下了中国美术教育的深深车辙,他为绘画系和油画系第一工作室做了大量教研和体系建构的工作,这些珍贵的成果成为了中央美术学院教学体系的重要组成部分。相信韦启美先生的艺术创作与教育实践将成为中央美术学院新百年的精神引领和时代启迪!展览策展人、中央美术学院艺术管理与教育学院院长、(中法)艺术与设计管理学院院长 余丁:“作为一个艺术家,应该首先去了解这个世界,这个世界是什么样子,我们才能够在创作当中去呈现它”,这是韦启美先生给我上的最重要的一课。十年前,我策划了“韦启美先生的素描课”这个展览,整理了韦先生所有关于素描教学的史料;七年前,我又策划了“韦启美先生社会百科全书”,翻阅了他所创作的800多幅漫画;今天,我以“为时代持笔”这个题目来纪念韦先生的百年。“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。韦启美先生一生谦逊低调,但对艺术始终怀揣敬畏,始终求索不止。他以知识眺见未来、以傲骨坚守信念,在追求真理的道路上从未止步。谨以此展向中央美术学院的前辈先生们致敬,愿今天的我们,还能继承先生们传下来的精神,还能守得住央美百年的传统,开拓创新,成为为新时代持笔的人!韦启美先生家属代表 韦浒生:我的父亲韦启美先生1947年从国立中央大学毕业,应徐悲鸿先生邀请来到国立北平艺专,后来在中央美术学院教书育人,圆了他一生的美术梦想。在教学中,他不断探索新的教学方式和方法,提高教学质量;在教学工作中,也不断提高自己的艺术修养,他把自己的一生献给了他所热爱的美术事业。衷心感谢中央美术学院,感谢为本次展览付出的工作人员,以及感谢所有帮助和爱护过韦启美先生的人。此次展览筹备过程得到了韦启美先生家属的大力支持,韦启美先生之子韦浒生代表家属向中央美术学院捐赠油画作品两幅,并捐赠韦启美先生画箱、画具(一套),作为中央美术学院校史馆永久陈列收藏。韦启美先生是中国现代美术史上重要的油画家、漫画家和美术教育家。1942年他考入重庆中央大学艺术系,受教于徐悲鸿、吕斯百等先生。1947年毕业后,应徐悲鸿先生聘请,到国立北平艺术专科学校任教,教授素描和油画。新中国成立后,继续在中央美术学院从事教学工作,曾先后在绘画系、油画系任教。历任油画系教研组组长、油画系研究生班主任、院学术委员会委员等职。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就,致敬美院先生。本次展览以“先知后觉”“现实观照”“现代转向”“生活诗意”“水墨探索”“素描哲理”“漫画百科”七个学术专题展现了韦启美先生的绘画历程和不同画种的创作形式,全面梳理了他的百年艺术成就。展览第一次集中展出了韦启美先生的油画作品,是韦启美先生作为20世纪美术史中重要油画家的作品全面呈现。展览从美术史研究出发,收集并整理了他在创作时的心得体会和理论方法,以百余份笔记手稿和刊发著述,对他的油画创作进行了文献梳理。展览首次把韦启美先生的水墨作品纳入对其绘画语言的讨论中,不仅展现他数十年来对水墨的持续研习,更是窥见了他在油画和水墨这两种媒介间的借鉴与转换。展览将展至12月22日。开幕式嘉宾合影展览现场我走着,因为我总是擎起我手中的灯。我走着,向着传来时代声响的方向。生活啊,我歌唱你,因为你通向未来。——韦启美《模范饲养员》,布面油彩,114×146cm,1956年,中国美术馆藏《青纱帐里游击队员逞英豪》,布面油彩,244×444cm,1977年,中国人民革命军事博物馆藏《实验室》,布面油彩,127×180cm,1979年《飞往北京的班机上》,布面油彩,104×92cm,1982年《新线》,布面油彩,82×110cm,1983年,中国美术馆藏《大坝的构思》,布面油彩,113×134cm,1984年,北京市美术家协会藏《讲座》,布面油彩,90×90cm,1985年《附中的走廊》,韦启美,布面油彩,118×140cm,1990年,中央美术学院美术馆藏《在108电车的起点站》,布面油彩,118×140cm,1998年《提琴的故事》,布面油彩,160×149cm,2007年《老饲养员》,纸本彩墨,56×63cm,年代不详《早春》,纸本彩墨,45.5×49cm,年代不详《山顶上》,纸本水墨,46×49cm,年代不详《骤雨》,纸本水墨,88.5×72.5cm,2003年《少年浒生像》,纸本炭笔,39.5cm×29.5cm,1965-1966年《肖像》,纸本炭笔,44cm×31cm,20世纪80年代初《写字图》,纸本、墨水、毛笔,30.6×44.1cm,1998年,发表于《人民日报》增刊《讽刺与幽默》,1998年4月20日第8期《1968年-自然博物馆内 解说员:“这种动物现在已经没有了……” 小孩:“我知道,这一定是老鼠!”》,纸本、墨水、毛笔,28.9×37.9cm,1958年《李白改诗》(2),纸本、墨水、毛笔,14×16cm,1981年,发表于《人民日报》增刊《讽刺与幽默》第13期,1981年7月5日,第1版百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展展览时间:2023年11月28日—12月22日展览地点:中央美术学院美术馆二层B展厅主  办:中央美术学院承  办:中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系总策划:高洪 林茂学术主持:邱志杰项目策划:秦建平 袁元展览总监:张子康 韩文超展览统筹:王春辰 高高特别支持:韦浒生 韦星辰策展人:余丁执行策展:易玥策展助理:何逸凡展览协调:刘希言 赵晶 李捷设计总监:纪玉洁宣传部/文图 
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讲座预告|央美建筑系列讲堂|刘家琨——作品选编:Selected Works

2023-11-28

| 央美建筑系列讲堂|CAFAa Lecture Series2023年11月29日,家琨建筑设计事务所主持建筑师刘家琨先生将受邀来到中央美术学院,带来"央美建筑系列讲堂"的第十六次讲座——《作品选编》(Selected Works)。“央美建筑系列讲堂”(CAFAa Lecture Series)由中央美术学院建筑学院于2018年发起,旨在立足建筑学术前沿,邀请当今世界最杰出的学者、教育家、建筑师、艺术家展开研讨、讲座、会议等多种活动,共同建构批评、包容、开放的国际建筑学术平台。该系列已成功邀请雷姆·库哈斯、莫森·莫斯塔法维、曹汛、矶崎新、斯蒂文·霍尔、彼得·塔居里、崔愷、威尼·马斯、伊东丰雄、卡洛斯·爱德华多·科玛斯、安杰罗·马吉、张永和、Peter Tagiuri等多位学术巨匠进行讲座及会谈。| 活动信息 |本次演讲选取了家琨建筑多年工作中的七个项目,这些项目类型迥异,但都与本地文脉,现场状况,当地事件有着密不可分、甚至血肉相连的关系。通过这些项目,试图表达家琨建筑一直关注的主题:尊重地域文脉、关注社会现实,融入现场环境,致力于将传统文化内涵转译成当代建筑语言,每一个项目设计都试图带着现实感解决当代建筑事宜。讲座题目 作品选编  Selected Works 演讲嘉宾刘家琨家琨建筑设计事务所主持建筑师 学术主持朱锫中央美术学院建筑学院院长、教授讲座时间2023年11月29日 18:00   讲座形式线下讲座地址:中央美术学院美术馆学术报告厅(注:受场地限制,讲座对校外公众开放200个名额,先到者优先,请携带身份证原件在中央美术学院北门扫码登记入校。)直播地址央美建筑学院b站全球知识雷锋b站| 讲者简介 |刘家琨家琨建筑设计事务所主持建筑师。他的设计作品体现了当代建筑理念和对传统的精神继承,传达出中国当代建筑罕见的将个人记忆与集体记忆交融激荡的卓越品质。刘家琨主持设计的作品被选送参加威尼斯建筑双年展、威尼斯艺术双年展等众多国际展览,曾获2020自然建造:实践成就奖,2020 联合国教科文组织亚太地区文化遗产保护奖,2017远东建筑奖、2017 WAN世界建筑新闻奖等多个重要奖项,并应邀在国内外等多所知名院校及机构开办讲座。主办中央美术学院建筑学院承办中央美术学院建筑学院学术部、中央美术学院建筑学院对外交流部协办中央美术学院、TEXTENT学社   央美建筑系列讲堂往期讲座回顾:   ·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):近期创作与思考聚焦·莫森·莫斯塔法维(哈佛大学设计研究生院前院长;中央美术学院荣誉教授):建筑与情境·曹汛(著名园林学家;北京建筑大学教授;北京大学考古文博学院特聘教授):中国的造园艺术;中国的叠山名家;造园大师张南垣·矶崎新(国际著名建筑师;2019普里兹克奖获得者):“矶崎新之谜/‘息’+‘岛’篇”与“六十年代以来的建筑运动”·斯蒂文·霍尔(世界著名建筑家):“建筑创作”讲座与“锚固、知觉与建筑现象学”·崔愷(中国工程院院士;中国建筑设计研究院有限公司名誉院长、总建筑师;中央美术学院客座教授):“以土为本——探索绿色建筑新美学”·威尼·马斯(国际著名建筑师、城市规划师;MVRDV创始合伙人):建筑为众——MVRDV文化建筑实践·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (上)·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (下)·伊东丰雄(伊东丰雄建筑设计事务所创始人;2013普利兹克获得者):我的建筑论
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According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

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(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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