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持画笔 与时代同行丨韦启美百年诞辰纪念展隆重开幕

2023-11-28

艺术的道路应像信鸽的飞行,它穿过云层,穿过雷雨,穿过旋风,穿过晴空,不论升降回旋,不论滑翔或鼓翼,永远向着既定的方向奋飞。——韦启美“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。11月27日上午,“为时代持笔——韦启美百年诞辰纪念展”在中央美术学院美术馆开幕。中央美术学院老领导、老教授靳尚谊、杨先让、彭鸿远、翁乃强、袁运生、王同仁、广军、文国璋、孙景波、吴长江、黄华英等,中国美术馆党委书记安远远以及中国国家博物馆、故宫博物院、中国军事博物馆、北京鲁迅博物馆、徐悲鸿纪念馆、吴作人国际美术基金会、北京画院、炎黄艺术馆等单位相关部门的负责人,韦启美先生的家属代表,中央美术学院领导班子成员和师生代表一同出席了开幕式。开幕式由中央美术学院党委书记高洪主持。开幕式现场中国美术家协会名誉主席、中央美术学院原院长 靳尚谊:韦先生曾是我的老师,后来我们在油画系第一画室共同任教。在新中国成立初期,也正是我上学的那个时候,他是中央美院教师中创作最活跃的一个。那时候老师都是在美院的教室里画画,作为学生,我们经常到画室看这些老先生的创作,《模范饲养员》就是我最早看到的在当时算大尺幅创作,并在画面中创作了多人物的作品。他的思想很敏锐,在改革开放以后,他接受了很多现代艺术的艺术处理手法,画了很多表现北京新气象的作品,如《新线》《电话亭》《附中的走廊》等。一直到他的晚年,他的思想一直在变化,艺术的探索也在不断地发展。中央美术学院党委书记 高洪:“为时代持笔”首先体现着韦启美先生是一位有强烈社会责任感和历史使命感的优秀艺术家。他在教学实践、理论著述、油画创作与漫画创作等领域都卓有建树。他坚持现实主义精神,对新事物保持高度敏感。他在创作上强调艺术与时代同步,作品具有鲜明的时代气息。“为时代持笔”还体现着韦启美先生是一位执着为学生奠定扎实基本功力的优秀艺术教育家。韦启美先生一辈子在中央美术学院教书,在基础课教学领域卓有建树,他不仅在辛勤工作在教学第一线,而且还为中央美术学院基础教学作整体结构和大纲的设计,他参与设计的基础教学系统,是中央美术学院教学体系的重要组成部分。韦启美先生在中央美术学院美院度过了近半个世纪的光阴,在他的创作和教育生涯中,不仅兢兢业业地履行了作为一名教师的职责,也一步步奠定了自己的艺术基业。中央美术学院院长 林茂:韦启美先生始终保持着对生活敏锐的观察、对教学笃定的深耕和对艺术不懈的追求。他以坚定的艺术信念持续探索绘画语言和不同的艺术表达方式,认真研究美术基础教学的方法,以广阔的视野和多样的艺术创作回应时代命题。本次展览围绕他艺术创作中的油画实践,以及在水墨画、素描和漫画等领域的探索,结合丰富的文献史料,呈现了韦启美先生的艺术人生在各阶段不同类型艺术创作的转向与拓展,展现了他既独特又精彩的艺术道路——以油画著称、以漫画闻名、以素描立身、以水墨养性。韦启美先生的油画之路早成,从写实主义到现代转向,创作了大量作品,展现了一位艺术家的开放和活力。本次展览也第一次呈现他的水墨画探索与实践,为我们开启了认识韦启美先生的新维度。他的漫画之路车水马龙,人民群众喜闻乐见,在中国漫画史上有着重要地位。韦启美先生的素描之路则留下了中国美术教育的深深车辙,他为绘画系和油画系第一工作室做了大量教研和体系建构的工作,这些珍贵的成果成为了中央美术学院教学体系的重要组成部分。相信韦启美先生的艺术创作与教育实践将成为中央美术学院新百年的精神引领和时代启迪!展览策展人、中央美术学院艺术管理与教育学院院长、(中法)艺术与设计管理学院院长 余丁:“作为一个艺术家,应该首先去了解这个世界,这个世界是什么样子,我们才能够在创作当中去呈现它”,这是韦启美先生给我上的最重要的一课。十年前,我策划了“韦启美先生的素描课”这个展览,整理了韦先生所有关于素描教学的史料;七年前,我又策划了“韦启美先生社会百科全书”,翻阅了他所创作的800多幅漫画;今天,我以“为时代持笔”这个题目来纪念韦先生的百年。“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。韦启美先生一生谦逊低调,但对艺术始终怀揣敬畏,始终求索不止。他以知识眺见未来、以傲骨坚守信念,在追求真理的道路上从未止步。谨以此展向中央美术学院的前辈先生们致敬,愿今天的我们,还能继承先生们传下来的精神,还能守得住央美百年的传统,开拓创新,成为为新时代持笔的人!韦启美先生家属代表 韦浒生:我的父亲韦启美先生1947年从国立中央大学毕业,应徐悲鸿先生邀请来到国立北平艺专,后来在中央美术学院教书育人,圆了他一生的美术梦想。在教学中,他不断探索新的教学方式和方法,提高教学质量;在教学工作中,也不断提高自己的艺术修养,他把自己的一生献给了他所热爱的美术事业。衷心感谢中央美术学院,感谢为本次展览付出的工作人员,以及感谢所有帮助和爱护过韦启美先生的人。此次展览筹备过程得到了韦启美先生家属的大力支持,韦启美先生之子韦浒生代表家属向中央美术学院捐赠油画作品两幅,并捐赠韦启美先生画箱、画具(一套),作为中央美术学院校史馆永久陈列收藏。韦启美先生是中国现代美术史上重要的油画家、漫画家和美术教育家。1942年他考入重庆中央大学艺术系,受教于徐悲鸿、吕斯百等先生。1947年毕业后,应徐悲鸿先生聘请,到国立北平艺术专科学校任教,教授素描和油画。新中国成立后,继续在中央美术学院从事教学工作,曾先后在绘画系、油画系任教。历任油画系教研组组长、油画系研究生班主任、院学术委员会委员等职。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就,致敬美院先生。本次展览以“先知后觉”“现实观照”“现代转向”“生活诗意”“水墨探索”“素描哲理”“漫画百科”七个学术专题展现了韦启美先生的绘画历程和不同画种的创作形式,全面梳理了他的百年艺术成就。展览第一次集中展出了韦启美先生的油画作品,是韦启美先生作为20世纪美术史中重要油画家的作品全面呈现。展览从美术史研究出发,收集并整理了他在创作时的心得体会和理论方法,以百余份笔记手稿和刊发著述,对他的油画创作进行了文献梳理。展览首次把韦启美先生的水墨作品纳入对其绘画语言的讨论中,不仅展现他数十年来对水墨的持续研习,更是窥见了他在油画和水墨这两种媒介间的借鉴与转换。展览将展至12月22日。开幕式嘉宾合影展览现场我走着,因为我总是擎起我手中的灯。我走着,向着传来时代声响的方向。生活啊,我歌唱你,因为你通向未来。——韦启美《模范饲养员》,布面油彩,114×146cm,1956年,中国美术馆藏《青纱帐里游击队员逞英豪》,布面油彩,244×444cm,1977年,中国人民革命军事博物馆藏《实验室》,布面油彩,127×180cm,1979年《飞往北京的班机上》,布面油彩,104×92cm,1982年《新线》,布面油彩,82×110cm,1983年,中国美术馆藏《大坝的构思》,布面油彩,113×134cm,1984年,北京市美术家协会藏《讲座》,布面油彩,90×90cm,1985年《附中的走廊》,韦启美,布面油彩,118×140cm,1990年,中央美术学院美术馆藏《在108电车的起点站》,布面油彩,118×140cm,1998年《提琴的故事》,布面油彩,160×149cm,2007年《老饲养员》,纸本彩墨,56×63cm,年代不详《早春》,纸本彩墨,45.5×49cm,年代不详《山顶上》,纸本水墨,46×49cm,年代不详《骤雨》,纸本水墨,88.5×72.5cm,2003年《少年浒生像》,纸本炭笔,39.5cm×29.5cm,1965-1966年《肖像》,纸本炭笔,44cm×31cm,20世纪80年代初《写字图》,纸本、墨水、毛笔,30.6×44.1cm,1998年,发表于《人民日报》增刊《讽刺与幽默》,1998年4月20日第8期《1968年-自然博物馆内 解说员:“这种动物现在已经没有了……” 小孩:“我知道,这一定是老鼠!”》,纸本、墨水、毛笔,28.9×37.9cm,1958年《李白改诗》(2),纸本、墨水、毛笔,14×16cm,1981年,发表于《人民日报》增刊《讽刺与幽默》第13期,1981年7月5日,第1版百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展展览时间:2023年11月28日—12月22日展览地点:中央美术学院美术馆二层B展厅主  办:中央美术学院承  办:中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系总策划:高洪 林茂学术主持:邱志杰项目策划:秦建平 袁元展览总监:张子康 韩文超展览统筹:王春辰 高高特别支持:韦浒生 韦星辰策展人:余丁执行策展:易玥策展助理:何逸凡展览协调:刘希言 赵晶 李捷设计总监:纪玉洁宣传部/文图 
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讲座预告|央美建筑系列讲堂|刘家琨——作品选编:Selected Works

2023-11-28

| 央美建筑系列讲堂|CAFAa Lecture Series2023年11月29日,家琨建筑设计事务所主持建筑师刘家琨先生将受邀来到中央美术学院,带来"央美建筑系列讲堂"的第十六次讲座——《作品选编》(Selected Works)。“央美建筑系列讲堂”(CAFAa Lecture Series)由中央美术学院建筑学院于2018年发起,旨在立足建筑学术前沿,邀请当今世界最杰出的学者、教育家、建筑师、艺术家展开研讨、讲座、会议等多种活动,共同建构批评、包容、开放的国际建筑学术平台。该系列已成功邀请雷姆·库哈斯、莫森·莫斯塔法维、曹汛、矶崎新、斯蒂文·霍尔、彼得·塔居里、崔愷、威尼·马斯、伊东丰雄、卡洛斯·爱德华多·科玛斯、安杰罗·马吉、张永和、Peter Tagiuri等多位学术巨匠进行讲座及会谈。| 活动信息 |本次演讲选取了家琨建筑多年工作中的七个项目,这些项目类型迥异,但都与本地文脉,现场状况,当地事件有着密不可分、甚至血肉相连的关系。通过这些项目,试图表达家琨建筑一直关注的主题:尊重地域文脉、关注社会现实,融入现场环境,致力于将传统文化内涵转译成当代建筑语言,每一个项目设计都试图带着现实感解决当代建筑事宜。讲座题目 作品选编  Selected Works 演讲嘉宾刘家琨家琨建筑设计事务所主持建筑师 学术主持朱锫中央美术学院建筑学院院长、教授讲座时间2023年11月29日 18:00   讲座形式线下讲座地址:中央美术学院美术馆学术报告厅(注:受场地限制,讲座对校外公众开放200个名额,先到者优先,请携带身份证原件在中央美术学院北门扫码登记入校。)直播地址央美建筑学院b站全球知识雷锋b站| 讲者简介 |刘家琨家琨建筑设计事务所主持建筑师。他的设计作品体现了当代建筑理念和对传统的精神继承,传达出中国当代建筑罕见的将个人记忆与集体记忆交融激荡的卓越品质。刘家琨主持设计的作品被选送参加威尼斯建筑双年展、威尼斯艺术双年展等众多国际展览,曾获2020自然建造:实践成就奖,2020 联合国教科文组织亚太地区文化遗产保护奖,2017远东建筑奖、2017 WAN世界建筑新闻奖等多个重要奖项,并应邀在国内外等多所知名院校及机构开办讲座。主办中央美术学院建筑学院承办中央美术学院建筑学院学术部、中央美术学院建筑学院对外交流部协办中央美术学院、TEXTENT学社   央美建筑系列讲堂往期讲座回顾:   ·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):近期创作与思考聚焦·莫森·莫斯塔法维(哈佛大学设计研究生院前院长;中央美术学院荣誉教授):建筑与情境·曹汛(著名园林学家;北京建筑大学教授;北京大学考古文博学院特聘教授):中国的造园艺术;中国的叠山名家;造园大师张南垣·矶崎新(国际著名建筑师;2019普里兹克奖获得者):“矶崎新之谜/‘息’+‘岛’篇”与“六十年代以来的建筑运动”·斯蒂文·霍尔(世界著名建筑家):“建筑创作”讲座与“锚固、知觉与建筑现象学”·崔愷(中国工程院院士;中国建筑设计研究院有限公司名誉院长、总建筑师;中央美术学院客座教授):“以土为本——探索绿色建筑新美学”·威尼·马斯(国际著名建筑师、城市规划师;MVRDV创始合伙人):建筑为众——MVRDV文化建筑实践·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (上)·雷姆·库哈斯(普利兹克奖获得者;中央美术学院荣誉教授、客座教授):空间传记:中国文化 (下)·伊东丰雄(伊东丰雄建筑设计事务所创始人;2013普利兹克获得者):我的建筑论
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巡展讯息 | “自然的回声——央美美术馆藏毕业生作品展”在首图展出

2023-11-26

中央美术学院美术馆与首都图书馆联合举办的“自然的回声——中央美术学院美术馆藏毕业生作品展”于2023年10月在首都图书馆A座文化艺术展厅开幕。本次展览展出央美美术馆2023年新入藏的28位央美优秀毕业生的新近作品。
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纪录片《广爷》首发

2023-11-25

制作这部纪录片,我们有两个目的:一是真实再现广军先生作品背后,隐藏着的鲜活生命状态;二是拍摄的大量素材,为策展团队提供一种近距离观察广军先生日常状态的视角。——策展人 蔡萌 制  片蔡  萌  孙  华导  演杨延远摄  影李 迪  杜霄成剪  辑杨延远翻  译贺  潇
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为时代持笔 | 韦启美百年诞辰纪念展即将启幕

2023-11-24

百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展主办:中央美术学院承办:中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系开幕时间:2023年11月27日10:00开幕地点:中央美术学院美术馆学术报告厅展览时间:2023年11月28日—12月22日展览地点:中央美术学院美术馆二层B展厅韦启美先生是中国现代美术史上杰出的艺术家和美术教育家。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就,致敬美院先生,展览将于2023年11月28日至12月22日在中央美术学院美术馆举办。我走着,因为我总是擎起我手中的灯。我走着,向着传来时代声响的方向。生活啊,我歌唱你,因为你通向未来。——韦启美韦启美1923年出生于安徽安庆。童年时就喜欢看上海出版的《时代漫画》,并从父亲给他买的一本木版《芥子园画谱·山水卷》学画国画。1942年至1947年,进入重庆中央大学艺术系学习,受业于徐悲鸿、黄显之、吕斯百等先生。1947年赴国立北平艺术专科学校,教授素描和油画。新中国成立后继续在中央美术学院从事教学工作,他曾先后在绘画系、油画系任教,1977年担任油画系教研组组长,1980年恢复画室制后,曾与靳尚谊先生共同主持油画系第一画室工作,1983年晋升教授。韦启美先生曾担任中央美术学院学术委员会委员、研究生班主任和导师。20世纪40年代初,青年韦启美(左一)与友人合影1944年在中央大学,韦启美(前排右一)与艺术系同学在一起20世纪40年代末,韦启美(右三)与赵宜明(右二)、陈碧茵(右一)等在国立北平艺术专科学校前20世纪40年代末,青年韦启美20世纪50年代初,韦启美(二排中)与学生们在中央美术学院校门前20世纪50年代,韦启美(左)与中大艺术系同学、中央美院同事李斛(中)、戴泽(右)在原徐悲鸿纪念馆前1953年,韦启美正在创作《三湾改编》数十年来以窗玻璃拓漫画草图的韦启美1995年,韦启美正在创作《明天的风云》1998年韦启美在《在108路电车起点站》的自画像前摆出同样的侧坐姿势韦启美先生是一位有强烈社会责任感和历史使命感的优秀艺术家,在教学实践、理论著述、油画创作与漫画创作等领域均卓有建树。他一贯坚持现实主义精神,对新事物保持高度敏感。强调艺术与时代同步和具有鲜明时代气息,是他创作上的突出特点。进入新时期,他以开阔的视野反思历史,打破僵化创作模式,明确提出“简约、诗意”的艺术追求,表现出难能可贵的探索热情和锐意进取、勇于革新的创造精神。韦启美先生生前发表油画作品、漫画作品数百件,文章百余篇。代表油画作品有《模范饲养员》《初春》《青纱帐》《新线》《立交桥》《班机上》《大坝的构思》《附中的走廊》《提琴的故事》等,广为人知的漫画作品有《幻想变成现实》《运砖》《好奇》《打假和假打》《乘潮起航》等。《模范饲养员》,布面油彩,114×146cm,1956年,中国美术馆藏油画在我国习惯地视为只表现正剧。1956年我画《模范饲养员》是想画张喜剧性的油画。当时甚至产生以后创作中多搞喜剧性风俗画的念头……喜剧性必须有幽默。幽默常常来自某个“情理之中意料之外”的细节,这细节是真实的生活,却突破了事物的常规,因之才具有某种新的意义……喜剧性油画创作必然是风俗画,因而必须有生活的实感。——韦启美《关于自己两幅油画<模范饲养员><念一段审江青>的喜剧、幽默性》手稿《青纱帐里游击队员逞英豪》,布面油彩,244×444cm,1977年,中国人民革命军事博物馆藏我是40年代在重庆上大学时开始学油画的,属“土油画”出身。以后东捡西拾,犹未积累成一套足以确立自信的油画本领,我所掌握的油画技巧是五六十年代通用的写实风格,这点本领在1977年画《青纱帐》时得到尽情地发挥,至今我对前段走过的艺术道路的珍爱之情总是首先落在这幅画上。——韦启美《怎么画——我的几点思考》《实验室》,布面油彩,127×180cm,1979年《飞往北京的班机上》,布面油彩,104×92cm,1982年不综观近一百年的历史巨幕的色彩变化,就调不准表现此时此刻的生活的色彩。只有把生活中的片段放在巨大的历史整体的背景中去认识,才能敏锐地分辨出它 最有价值的信息,才能感受到它的全部的内涵。——韦启美《一个持画笔人的断想》《新线》,布面油彩,82×110cm,1983年,中国美术馆藏《大坝的构思》,布面油彩,113×134cm,1984年,北京市美术家协会藏《夏日》,布面油彩,87×130cm,2001年在对生活进行艺术关照中,我逐渐发现了一个新的世界,一个被电和齿轮运转的世界,一个用信息、导线和管道联系和编织起来的世界,一个向停滞、匮乏和迷信进击的世界。这个世界是以其特有的线条、形体和色彩组成的。——韦启美《为了与时代同步——一个持画笔人的断想》《附中的走廊》,韦启美,布面油彩,118×140cm,1990年,中央美术学院美术馆藏《在108电车的起点站》,布面油彩,118×140cm,1998年《提琴的故事》,布面油彩,160×149cm,2007年“简约、诗意”是我在创作中追求的艺术风格。我在油画创作中往往构建一个与生活着自然在情感上对应的有虚幻意味的世界。——韦启美《谈艺》手稿《老饲养员》,纸本彩墨,56×63cm,年代不详《早春》,纸本彩墨,45.5×49cm,年代不详《山顶上》,纸本水墨,46×49cm,年代不详《繁忙的车站》,纸本水墨,52×66cm,1961年《骤雨》,纸本水墨,88.5×72.5cm,2003年不能简单地用实验美学或异质同构论的方法来判定某类笔墨的情感倾向,如不能认为干瘦的线条有逸气,或圆熟的线条有匠气。笔只能放到一幅作品整体中考察才能感受到它的艺术特性和审美效应。笔笔相生,物物相应,画家根据心中意象,遣使笔墨,笔墨从字、词、短句形态(如大师的授徒画稿) 积聚成画,笔才从运动和建构中获得生命。——韦启美《笔、墨、宣纸》百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展展览时间:2023年11月28日—12月22日展览地点:中央美术学院美术馆二层B展厅主  办:中央美术学院承  办:中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系总策划:高洪 林茂学术主持:邱志杰项目策划:秦建平 袁元展览总监:张子康 韩文超展览统筹:王春辰 高高特别支持:韦浒生 韦星辰策展人:余丁执行策展:易玥策展助理:何逸凡展览协调:刘希言 赵晶 李捷设计总监:纪玉洁
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为时代持笔 | 韦启美百年诞辰纪念展即将启幕

2023-11-24

韦启美先生是中国现代美术史上杰出的艺术家和美术教育家。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就,致敬美院先生,展览将于2023年11月28日至12月22日在中央美术学院美术馆举办。
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11月16日下午3时,“闻立鹏作品捐赠仪式”在中央美术学院美术馆会议室隆重举行。出席捐赠仪式的嘉宾有:中央美术学院杰出教授、原油画系主任闻立鹏,中央美术学院教授、闻立鹏夫人张同霞,中央美术学院院长林茂,中央美术学院宣传部部长徐新立,中央美术学院离退休工作处处长周红兵,中央美术学院人文学院美术史系教授、博士生导师曹庆晖,中央美术学院美术馆副馆长高高,中央美术学院美术馆典藏部主任李垚辰。捐赠仪式由中央美术学院美术馆直属党支部书记韩文超主持。
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2023-11-16

广角°青年实验项目空间主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心“广角°青年实验项目空间”于2022年初启动首期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由中央美术学院美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。目前已完成第一期与第二期方案的征集、评选(现有十二个展览方案入选)。展览信息开幕时间:2023年11月17日15:00开幕地点:中央美术学院美术馆2层C展厅展览时间:2023年11月17日-12月7日展览地点:中央美术学院美术馆2层C展厅第二期“广角°青年实验项目空间”的首个团体展览“根景-智联-跃界:植物、技术与其他生命”将于2023年11月17日在中央美术学院美术馆开展。本次展览由设计学院院长宋协伟担任学术顾问,由央美青年策展人薛天宠、李贝壳带领设计学院设计策展与空间叙事方向本、硕学生们共同策划。展览策划源自于设计领域的生态研究热潮,试图以策展作为途径,以材料与技术作为载体,通过对植物的跨学科研究,以植物学、科技、设计、建筑及艺术等不同学科的视角检视全人类面临的迫切议题,探寻应对地球危机的设计之道。展览分为“植系社群”“植观无限”“植物产能”三个主题板块,“植系社群”从植物的根系出发,近距离观察植物的社群关系;“植观无限”从植物与跨学科交叉的视角探索植物的无限潜能;“植物产能”深入零污染生产的设计调研探索植物的应用属性与发展前景。以植物作为研究对象,以跨学科文献研究和可持续设计产品作为两条主线,展览旨在探索城市化、工业化、智能化等技术进步与自然生态之间的平衡关系。重新审视人类、科技与自然社会之间复杂且相互依存的属性,反思人类活动与其背后庞大生命网络之间相互渗透的密切联系。展览将持续到12月7日。部分参展作品100%生物基回收菠萝纤维素皮革包@再造衣银行engraft(嫁接)餐具,源于甘蔗、玉米、木薯等植物制成的PLA(聚乳酸)材质,@engraft可回收新材料@lokaReboon 材料源自回收的彩色橡胶气球材质《菠萝流浪史》,作者:植南门市部(江垚,杨杭平,庄明昱)展览团队学术顾问宋协伟中央美术学院设计学院院长、教授策展人薛天宠中央美术学院设计策展与空间叙事方向教师李贝壳中央美术学院设计策展与空间叙事方向教师展览团队袁冰、付虹羽、刘钦清、贺婧、杨雨欣、徐若愚、于炳华展览信息根景-智联-跃界:植物,技术与其他生命展览时间:2023年11月17日—12月7日展览地点:中央美术学院美术馆2层C展厅展览工作组学术顾问 | 宋协伟策展人 | 薛天宠、李贝壳展览团队|袁冰、付虹羽、刘钦清、贺婧、杨雨欣、徐若愚、于炳华展览协调|金简如设计统筹|纪玉洁展览鸣谢|中央美院设计学院“面向未来的策展实践”课程学生(匡慧、曲美霖、张竞文、李子泰郎、孙紫文)
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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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