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广角°青年实验项目空间 | “假蜃楼(q|p)”展览即将启幕

2023-12-09

广角°青年实验项目空间主办中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心“广角°青年实验项目空间”于2022年初启动首期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由中央美术学院美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。目前已完成第一期与第二期方案的征集、评选(现有十二个展览方案入选)。“假蜃楼(q|p)”展览时间:2023年12月12日—2024年1月1日展览地点:中央美术学院美术馆2层C展厅开幕时间:2023年12月12日16:00开幕地点:中央美术学院美术馆2层C展厅“广角°青年实验项目空间”第二期第三个展览—— “假蜃楼(q|p)”将于12月12日在中央美术学院美术馆2层C展厅开展。本次展览为央美青年教师陈抱阳的个人作品展。展览由实验艺术与科技艺术学院院长冯梦波教授担任学术顾问,央美青年教师孙骞谦担任策展人。展览选择了陈抱阳2023年创作的关于人工智能与社会仿真的“假蜃楼“系列。在人工智能研究与创作从生成式任务转向智能体(Agent)和基于环境感知的能动性(Agency)的同时,本展览也是图灵问题的实践转向,从解决人工智能创造力问题,迈向洞察机器是否具有初步的"意识"。为了实现这个目标,展览建立了一个名为"假蜃楼(Alt-Mirage)"的虚拟试炼场(Arena)。这个试炼场是一个结合叙事结构、多智能体和认知科学的环境,通过智能体之间的对抗与协作,展览旨在解构新技术所带来的社会变迁,关注科技对人与社会的影响。展览开幕式将于2023年12月12日(周二)下午16:00于中央美术学院美术馆2层C展厅举办。《假蜃楼·迭代1·意识欺骗》,大语言模型驱动的智能体,屏幕,镜面。实时演算。2023展览中第一件作品《假蜃楼·迭代1·意识欺骗》是探索机器意识和撒谎能力的作品,以"技术作为观念"为背景,旨在研究机器是否具有初步的"意识"。作品试图探索技术不仅是中性工具,也带有挑战性的价值观、信仰和假设,对社会和人类行为产生影响。在试炼场,通过投毒攻击方法,诱导AI在特定叙事框架中进行撒谎,以理解AI的响应机制和潜在弱点。依据陈抱阳形象创立的假蜃楼智能体虚拟试炼场示意图在理论框架方面,该作品继续借鉴海德格尔的Worlding概念中将语言视为世界构建过程中的关键元素。这一理念为我们研究大型语言模型的意识表达提供了理论基础,尤其是在研究AI包括撒谎和欺骗在内的语言表达。海德格尔认为语言不仅是沟通的工具,更是构建和理解世界的基础。通过研究AI如何使用语言,包括撒谎和进行基于语言的欺骗,我们可以更深入地了解它们如何“理解”和响应世界,及其在语言交流中的复杂性和局限性。多智能体系统在艺术创作中的应用表现了机器意识的形成和演化,通过多个人工智能实体的相互协作或竞争,展现了机器在互动中如何形成和优化其意识。它们之间的互动模拟了社会中个体之间的互动和合作,为陈抱阳提供了一个理想的平台,探索和表达关于组织行为、合作与竞争、信息传播和群体决策等社会现象——比如当人类仰望星空时。《假蜃楼·迭代2.1·共生移民》大语言模型驱动的智能体(导航算法),屏幕,投影。实时演算。探索在火星构建生态系统中人工智能与人类共生图景的《迭代2.1-共生移民》是一个将智能体中具身智能的概念应用于火星移民背景的互动艺术装置。艺术家利用其创造的假蜃楼多智能体仿真系统,通过自动驾驶的机器人车辆和多功能显示屏,生动展现了火星上的基础设施和资源。作品还探讨了人工智能和人类在火星上的相互作用和共存可能性。作品也涉及人工智能作为“火星真实居民”的深层次哲学和伦理讨论,比较了历史上被剥夺认可的群体,以此促使观众思考AI在火星移民中的角色。作品强调使用人工智能时的伦理和责任,倡导保持人工智能补充人类能力并促进技能发展的平衡。这件作品展示了一种与环境互动学习的人工智能训练哲学(Q-Learning),类似于人类如何通过与世界的互动逐渐学习生存。其中知识体现在探索状态与行动之间的关系,以及评估每个行动可能导致的结果。它类似于在特定状态下采取某一行动的预期奖励,通过与环境的不断交互中学习和更新,代表系统对环境规律的理解与掌握。技能则是在这个环境中做出有效决策的实践能力,不仅仅是理论知识的应用,还包括基于当前环境状态进行最佳行动选择的能力。这种能力通过实践、试错和经验积累逐渐形成,如智能体学会在探索新行动和利用已知最佳行动之间寻找平衡,这也提出了一个关键问题——在不同的路径中,我们该如何选择?《假蜃楼·迭代2.2·状态切片》大语言模型驱动的智能体(导航算法),光学装置,屏幕,投影。实时演算。通过光学装置探索多元现实与选择的《迭代2.2-状态切片》作品中,通过两个人工智能控制的机械臂和一系列精心设计的光学装置,巧妙地展示了多智能体仿真中无穷可能性与现实选择之间的紧密联系。作品中的光学装置拥有三个观看面,每个面都在不同的角度下展示来自假蜃楼系统的独特“切片”,象征着多智能体系统在模拟复杂环境时所能揭示的多样化未来场景。这些“切片”不仅呈现了模拟系统探索的多种可能性,还暗示了在现实生活中我们所面临的选择的局限性。尽管仿真系统能够展示许多不同的未来方向,但在现实世界中,我们必须基于当前的信息和环境做出单一的选择,沿着一条确定的路径前行。这种对比反映了虽然理论上存在无数可能,但现实生活中的每个决策都会将我们带向一个特定的未来。这件作品成为了一个引人深思的观看景观,展现了技术与人类决策之间的复杂互动,同时揭示了我们在面对未知和复杂情境时的局限性和责任。通过这件作品,观众被邀请去反思在无限可能性和现实选择之间的微妙平衡,以及我们如何在这两者之间导航,以塑造我们共同的未来。在人工智能的历史长河中,生成式技术作为其独特的支流,为艺术史铺设了新的一章。自其诞生之日起,生成式艺术便成为了人工智能与艺术交融的标志性先驱,借助其神奇之手,把看似抽象、复杂的数据转化为生动、直观的艺术形象。随着多智能体系统的崛起,艺术创作的领域又迎来了新的疆界。多智能体为我们呈现了一个更为协同、生态、互动的艺术创作世界,它们之间的相互作用与学习提供了无数可能性,为艺术家们开辟了一个更加广阔的创作天地。这种技术的进步不仅代表了工程学的成就,更是艺术史中的新里程碑。AIGC生成式工作已在艺术史的发展中迈出了坚实的步伐,而未来,基于多智能体的创作,将会是陈抱阳持续探索和期待的焦点。《重构山水》系列,人工智能生成,2014艺术家简介陈抱阳,男,1989年出生于浙江杭州,先后获哥伦比亚大学、纽约视觉艺术学院双硕士学位,任教于中央美术学院实验艺术与科技艺术学院。其创作将艺术与科技紧密结合,探索科技与艺术的交融,并在实践中探索与技术的共存。曾多次于全球重要美术馆及艺术机构举办个展,其中包括浙江美术馆、武汉K11、上海Cc艺术中心、量子画廊、杨画廊、纽约云图画廊等;并于纽约新美术馆、上海明当代美术馆、北京时代美术馆、北京现代汽车文化中心等机构展开策展工作。2019年获保时捷青年艺术家奖,2020年获现代汽车Blue Prize策展奖,2020年任MMEDIA AI+Art主席,2020年至今担任亚洲数字艺术展的联合策展人。在IJCAI、IEEE、ACM等国际会议与期刊上发表多篇研究论文。2023年9月,主笔发表了首份《中国人工智能学会——AI+Art》白皮书。2023年11月,入选世界互联网大会全球青年领军者计划人才池。策展人简介孙骞谦,北京大学哲学系博士,中山大学逻辑与认知研究所博士后,现任教于中央美术学院人文学院。研究领域为心灵哲学、行动哲学与认知科学哲学。当下的研究兴趣集中于行动与知觉,认知的机制与架构,认知基本单元与认知科学的整合等方向。同期学术活动预告EAST科技艺术季系列活动——AI+Art:智能体艺术与机器意识展览信息“假蜃楼(q|p)”——陈抱阳个人作品展展览时间:2023年12月12日—2024年1月1日展览地点:中央美术学院美术馆2层C展厅《假蜃楼(q|p)》展览工作组学术顾问 | 冯梦波策展人 | 孙骞谦艺术家 | 陈抱阳人工智能顾问 | 汪军、何晓冬、王乃岩叙事与声学顾问 | 张梓倩展览协调 | 刘希言、李捷设计统筹 | 纪玉洁平面设计 | 刘世豪展览鸣谢 | 陈硕、高鑫平、胡家博、李润东、金宣法、乔楷淳、王维奕、王梓岩、徐楚蒙、张驰、祖伟钦设备支持 | 深圳光峰科技有限公司、北京澜景科技有限公司、北京苑艺瑞博科技有限公司
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为时代持笔 | 韦启美:为了与时代同步——一个持画笔人的断想

2023-12-08

韦启美先生是中国现代美术史中著名的艺术家,是百年中央美术学院杰出的教育家。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就。
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CAFAM论坛预告 | 合成生命与生物未来

2023-12-08

2023年第五届中央美术学院EAST-科技艺术季系列活动 ——“合成生命与生物未来” 学术论坛,将于2023年12月9日(周六)在中央美术学院美术馆学术报告厅举行。此次论坛致力于探讨合成生物学(Synthetic Biology)作为生命科学前沿研究聚焦点的必要性,及其在社会范围与艺术领域内的影响。正式研讨议题包括但不限于:合成生物学伦理、生物机器构建与生命本质的探索、合成生物学的社会想象,旨在展现合成生物学的多方面影响与潜力。作为国家战略前瞻与生命科学前沿研究的共同焦点,合成生物学(Synthetic Biology)在各媒体与大众视野中的曝光与关注度正迅速提升。由合成生物学创造的细胞工程世界带来的新视角、新可能、新挑战,重新谱写了人们对于生命的想象。从日常衣食住行的“物世界”到基因工程与人体改造,再到合成生物与宇宙探索等技术的结合,合成生物学的“天工开物”将为我们带来一个怎样未知而充满期待与争议的生物未来(Biological Future)?在这个日新月异的领域中,我们特别强调艺术的重要性。艺术家将通过独特的视角与想象力,重新思考科技与艺术的关系,为合成生物学的复杂议题带来更开拓的思路。本次论坛我们将邀请艺术、生命伦理与政策研究等不同领域学者与科学家一起讨论合成生物学及其引发的社会思考、生物技术与艺术碰撞的诸多可能,并将深入讨论各方在面对这一领域时应肩负怎样的的社会责任。我们希望为合成生物学与生物艺术领域的未来发展描绘更为清晰的图景,形塑一个更具想象力与人文关怀的生物未来。主办单位中央美术学院联合主办单位中华国际科学交流基金会 承办单位中央美术学院科技艺术研究院中央美术学院学报编辑部中央美术学院实验艺术与科技艺术学院 学术支持中央美术学院学术委员会总策划高洪 林茂学术策划苏新平 吕品晶 邱志杰学术召集冯梦波 张鹏 汤宇论坛统筹陈抱阳工作组活动 执行 | 巴瑞云 季刘卓笛撰稿 宣传 | 胡一葳图文 编辑 | 胡筱铮  主视觉 | 刘世豪(仙人)现场 | 刘明博 李明思 尹紫涔 张聪聪
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“图示新探”系列学术讲座回溯(第四讲)| 于洋:艺术表达的真实与现实——油画《欢庆解放》与宋步云的现实主义艺术之路

2023-12-07

2023年6月14日由中央美术学院教授、博士生导师,中央美术学院科研处处长于洋开启第四讲,主题为“艺术表达的真实与现实——油画《欢庆解放》与宋步云的现实主义艺术之路”,此次讲座为中央美术学院美术馆与机关党委的行政教辅部门第一、第二、第三党总支、图书馆支部和高碑店乡半壁店村党总支联合主办,由美术馆直属党支部书记韩文超担任主持。宋步云先生的家属代表也来到了讲座现场。
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科研资讯 | 我校推荐科技艺术作品参展第20届全国科普日主场活动获得好评

2023-12-06

由我校全国科普教育基地——中央美术学院美术馆推荐的新晋2件馆藏科技艺术作品《2023年:愿意直面人机共生的时代吗?》(中央美术学院建筑学院城市建筑工作室——埊木工作室)、《目飞之星》(中央美术学院实验艺术和科技艺术学院2023届硕士毕业生李博)入选本次全国科普日主场活动展览,与参观群众进行了有益互动,产生了良好反响,并获得主办方中国科学技术协会的认可和好评。
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CAFAM讲座预告 | 新“人-机”时代

2023-12-06

新一代的以ChatGPT为代表的智能机器能力,需要人们改变使用工具的思维范式,充分理解人与机器各自的优势与劣势,真正做到人与机器的取长补短,共同进化,而其中人作为主体而机器作为辅助的Copilot X范式,将能够决定人类在这一轮智能机器进步的时代,处于何种地位以及具备何种发展机会。
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CAFAM讲座|从未停止的“文艺复兴”:对话马里奥·克里斯蒂阿尼和常青艺术协会

2023-12-01

2023年 11 月 14 日下午,中央美术学院艺术管理与教育学院的系列学术讲座于中央美术学院美术馆报告厅如期举行。本次讲座邀请到了意大利常青画廊和常青艺术协会的创始人之一——马里奥·克里斯蒂阿尼,开启了名为“艺聚万心,对话马里奥·克里斯蒂阿尼和常青艺术协会”的讲座。
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“迎着时代发展”: 93岁的杨先让先生亲笔书信,追忆韦启美先生

2023-12-01

韦启美先生性格内向,很少言笑,但他内秀聪明多才,不只教自身的油画专业,更善于创作漫画,并长期为我们版画系代素描课。
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CAFAM预告|“根景-智联-跃界”展览儿童公教活动

2023-11-30

“广角°青年实验项目空间”第二期第二回展览“根景-智联-跃界:探索植物,技术与其他生命的交错共振”源自于全球生态危机背景下对于植物的研究热潮,试图以策展作为途径,以材料与技术作为载体,以设计、建筑及艺术等不同学科的眼光检视全人类面临的迫切议题,探寻应对地球危机的设计之道。为此,策展团队精心策划了“落叶留痕”儿童公教活动,从美育角度展开对展览主题的艺术探索与创造。儿童公教活动 “落叶留痕”过往作品图片活动介绍:植物即是大自然的产物,也是人类赖以生存的重要支撑。它不仅可以为人类提供氧气,制作药材,同时可以作为建筑材料建设家园,燃烧自己给人类带来温暖。本次公教活动将以植物为创作原材料,带领孩子们通过拓印的方式近距离感受植物之美,认识植物的生长过程,培养孩子们对大自然的理解和思辨能力,开启一场奇妙的植物拓印创意活动,在本次工作坊中,我们邀请了艺术家周洪亮带领孩子们一起通过植物拓印的方式,感受植物表面的纹理和形态,认识植物的多样性。通过互动和讨论的教学方式,引导孩子们思考植物的生物属性以及它们在生态系统中的角色和意义。在拓印的过程中,鼓励孩子们充分发挥想象力对植物纹理和形态进行个性化创作。通过科普与植物相关的自然生态知识,最大程度帮助孩子们从理论和实践两个方面更好地了解植物与环境之间的关系。往期活动照片在活动过程中,孩子们首先将在老师的带领下来到户外收集各种形态植物,然后通过拓印工具感受植物不同的表达方式,了解每种植物散发的气质与灵魂。老师则会在创作中,引导孩子们观察植物、思考植物,向植物学习,以沉浸式的互动体验,达到人、技术与其他生命三者之间的平衡。植物拓印儿童公教活动旨在通过创意和互动,激发孩子们对植物的兴趣和热爱。我们期待活动能够深入孩子们的心灵,培养他们对自然界的敬畏之情,通过美术馆这一公共场域,连接公众与艺术教育,增强美术馆与公共的粘性,使每位参与者都能在植物世界中用植物表达自己,提升参与者对自然的关爱和对艺术的创造力。制作工具授课老师周洪亮青年艺术家儿童公教活动报名方式活动时间:12月2日(周六)上午10:00-12:00活动地点:美术馆展厅及会议室招募对象:6-10岁(每位儿童限一位家长陪同)招募人数:10人报名方式:请编辑“参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功者将会收到短信回复。请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。展览信息根景-智联-跃界:植物,技术与其他生命展览时间:2023年11月17日-12月7日展览地点:中央美术学院美术馆2层C展厅主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心
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持画笔 与时代同行丨韦启美百年诞辰纪念展隆重开幕

2023-11-28

艺术的道路应像信鸽的飞行,它穿过云层,穿过雷雨,穿过旋风,穿过晴空,不论升降回旋,不论滑翔或鼓翼,永远向着既定的方向奋飞。——韦启美“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。11月27日上午,“为时代持笔——韦启美百年诞辰纪念展”在中央美术学院美术馆开幕。中央美术学院老领导、老教授靳尚谊、杨先让、彭鸿远、翁乃强、袁运生、王同仁、广军、文国璋、孙景波、吴长江、黄华英等,中国美术馆党委书记安远远以及中国国家博物馆、故宫博物院、中国军事博物馆、北京鲁迅博物馆、徐悲鸿纪念馆、吴作人国际美术基金会、北京画院、炎黄艺术馆等单位相关部门的负责人,韦启美先生的家属代表,中央美术学院领导班子成员和师生代表一同出席了开幕式。开幕式由中央美术学院党委书记高洪主持。开幕式现场中国美术家协会名誉主席、中央美术学院原院长 靳尚谊:韦先生曾是我的老师,后来我们在油画系第一画室共同任教。在新中国成立初期,也正是我上学的那个时候,他是中央美院教师中创作最活跃的一个。那时候老师都是在美院的教室里画画,作为学生,我们经常到画室看这些老先生的创作,《模范饲养员》就是我最早看到的在当时算大尺幅创作,并在画面中创作了多人物的作品。他的思想很敏锐,在改革开放以后,他接受了很多现代艺术的艺术处理手法,画了很多表现北京新气象的作品,如《新线》《电话亭》《附中的走廊》等。一直到他的晚年,他的思想一直在变化,艺术的探索也在不断地发展。中央美术学院党委书记 高洪:“为时代持笔”首先体现着韦启美先生是一位有强烈社会责任感和历史使命感的优秀艺术家。他在教学实践、理论著述、油画创作与漫画创作等领域都卓有建树。他坚持现实主义精神,对新事物保持高度敏感。他在创作上强调艺术与时代同步,作品具有鲜明的时代气息。“为时代持笔”还体现着韦启美先生是一位执着为学生奠定扎实基本功力的优秀艺术教育家。韦启美先生一辈子在中央美术学院教书,在基础课教学领域卓有建树,他不仅在辛勤工作在教学第一线,而且还为中央美术学院基础教学作整体结构和大纲的设计,他参与设计的基础教学系统,是中央美术学院教学体系的重要组成部分。韦启美先生在中央美术学院美院度过了近半个世纪的光阴,在他的创作和教育生涯中,不仅兢兢业业地履行了作为一名教师的职责,也一步步奠定了自己的艺术基业。中央美术学院院长 林茂:韦启美先生始终保持着对生活敏锐的观察、对教学笃定的深耕和对艺术不懈的追求。他以坚定的艺术信念持续探索绘画语言和不同的艺术表达方式,认真研究美术基础教学的方法,以广阔的视野和多样的艺术创作回应时代命题。本次展览围绕他艺术创作中的油画实践,以及在水墨画、素描和漫画等领域的探索,结合丰富的文献史料,呈现了韦启美先生的艺术人生在各阶段不同类型艺术创作的转向与拓展,展现了他既独特又精彩的艺术道路——以油画著称、以漫画闻名、以素描立身、以水墨养性。韦启美先生的油画之路早成,从写实主义到现代转向,创作了大量作品,展现了一位艺术家的开放和活力。本次展览也第一次呈现他的水墨画探索与实践,为我们开启了认识韦启美先生的新维度。他的漫画之路车水马龙,人民群众喜闻乐见,在中国漫画史上有着重要地位。韦启美先生的素描之路则留下了中国美术教育的深深车辙,他为绘画系和油画系第一工作室做了大量教研和体系建构的工作,这些珍贵的成果成为了中央美术学院教学体系的重要组成部分。相信韦启美先生的艺术创作与教育实践将成为中央美术学院新百年的精神引领和时代启迪!展览策展人、中央美术学院艺术管理与教育学院院长、(中法)艺术与设计管理学院院长 余丁:“作为一个艺术家,应该首先去了解这个世界,这个世界是什么样子,我们才能够在创作当中去呈现它”,这是韦启美先生给我上的最重要的一课。十年前,我策划了“韦启美先生的素描课”这个展览,整理了韦先生所有关于素描教学的史料;七年前,我又策划了“韦启美先生社会百科全书”,翻阅了他所创作的800多幅漫画;今天,我以“为时代持笔”这个题目来纪念韦先生的百年。“持画笔的人”是韦启美先生对他作为画家的自称,这一称呼内敛朴素,但却明确而坚定地表明了他对艺术的信念。韦启美先生一生谦逊低调,但对艺术始终怀揣敬畏,始终求索不止。他以知识眺见未来、以傲骨坚守信念,在追求真理的道路上从未止步。谨以此展向中央美术学院的前辈先生们致敬,愿今天的我们,还能继承先生们传下来的精神,还能守得住央美百年的传统,开拓创新,成为为新时代持笔的人!韦启美先生家属代表 韦浒生:我的父亲韦启美先生1947年从国立中央大学毕业,应徐悲鸿先生邀请来到国立北平艺专,后来在中央美术学院教书育人,圆了他一生的美术梦想。在教学中,他不断探索新的教学方式和方法,提高教学质量;在教学工作中,也不断提高自己的艺术修养,他把自己的一生献给了他所热爱的美术事业。衷心感谢中央美术学院,感谢为本次展览付出的工作人员,以及感谢所有帮助和爱护过韦启美先生的人。此次展览筹备过程得到了韦启美先生家属的大力支持,韦启美先生之子韦浒生代表家属向中央美术学院捐赠油画作品两幅,并捐赠韦启美先生画箱、画具(一套),作为中央美术学院校史馆永久陈列收藏。韦启美先生是中国现代美术史上重要的油画家、漫画家和美术教育家。1942年他考入重庆中央大学艺术系,受教于徐悲鸿、吕斯百等先生。1947年毕业后,应徐悲鸿先生聘请,到国立北平艺术专科学校任教,教授素描和油画。新中国成立后,继续在中央美术学院从事教学工作,曾先后在绘画系、油画系任教。历任油画系教研组组长、油画系研究生班主任、院学术委员会委员等职。2023年恰逢韦启美先生诞辰百年,中央美术学院策划“为时代持笔——韦启美百年诞辰纪念展”,集中呈现他的艺术人生和艺术成就,致敬美院先生。本次展览以“先知后觉”“现实观照”“现代转向”“生活诗意”“水墨探索”“素描哲理”“漫画百科”七个学术专题展现了韦启美先生的绘画历程和不同画种的创作形式,全面梳理了他的百年艺术成就。展览第一次集中展出了韦启美先生的油画作品,是韦启美先生作为20世纪美术史中重要油画家的作品全面呈现。展览从美术史研究出发,收集并整理了他在创作时的心得体会和理论方法,以百余份笔记手稿和刊发著述,对他的油画创作进行了文献梳理。展览首次把韦启美先生的水墨作品纳入对其绘画语言的讨论中,不仅展现他数十年来对水墨的持续研习,更是窥见了他在油画和水墨这两种媒介间的借鉴与转换。展览将展至12月22日。开幕式嘉宾合影展览现场我走着,因为我总是擎起我手中的灯。我走着,向着传来时代声响的方向。生活啊,我歌唱你,因为你通向未来。——韦启美《模范饲养员》,布面油彩,114×146cm,1956年,中国美术馆藏《青纱帐里游击队员逞英豪》,布面油彩,244×444cm,1977年,中国人民革命军事博物馆藏《实验室》,布面油彩,127×180cm,1979年《飞往北京的班机上》,布面油彩,104×92cm,1982年《新线》,布面油彩,82×110cm,1983年,中国美术馆藏《大坝的构思》,布面油彩,113×134cm,1984年,北京市美术家协会藏《讲座》,布面油彩,90×90cm,1985年《附中的走廊》,韦启美,布面油彩,118×140cm,1990年,中央美术学院美术馆藏《在108电车的起点站》,布面油彩,118×140cm,1998年《提琴的故事》,布面油彩,160×149cm,2007年《老饲养员》,纸本彩墨,56×63cm,年代不详《早春》,纸本彩墨,45.5×49cm,年代不详《山顶上》,纸本水墨,46×49cm,年代不详《骤雨》,纸本水墨,88.5×72.5cm,2003年《少年浒生像》,纸本炭笔,39.5cm×29.5cm,1965-1966年《肖像》,纸本炭笔,44cm×31cm,20世纪80年代初《写字图》,纸本、墨水、毛笔,30.6×44.1cm,1998年,发表于《人民日报》增刊《讽刺与幽默》,1998年4月20日第8期《1968年-自然博物馆内 解说员:“这种动物现在已经没有了……” 小孩:“我知道,这一定是老鼠!”》,纸本、墨水、毛笔,28.9×37.9cm,1958年《李白改诗》(2),纸本、墨水、毛笔,14×16cm,1981年,发表于《人民日报》增刊《讽刺与幽默》第13期,1981年7月5日,第1版百年辉煌·中央美术学院艺术名家为时代持笔——韦启美百年诞辰纪念展展览时间:2023年11月28日—12月22日展览地点:中央美术学院美术馆二层B展厅主  办:中央美术学院承  办:中央美术学院党委宣传部中央美术学院美术馆中央美术学院油画系总策划:高洪 林茂学术主持:邱志杰项目策划:秦建平 袁元展览总监:张子康 韩文超展览统筹:王春辰 高高特别支持:韦浒生 韦星辰策展人:余丁执行策展:易玥策展助理:何逸凡展览协调:刘希言 赵晶 李捷设计总监:纪玉洁宣传部/文图 
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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