Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: CAFAM讲座预告 | 金允哲的“物质之喻”

2024-09-23

2024年5月，韩国艺术家金允哲在中国的首个个展“两极椭圆：情动的粒子及玄秘的流溢”在北京的798CUBE开幕，展览由策展人张尕策展。作为艺术家在中国的首次大型个展，金允哲为中国观众带来了11件极具代表性的重要装置作品，展现了他作为一名来自东方、且受到儒家文化感召的艺术家，其独特的物质观和科学观。在金允哲的艺术世界中，“Transmatter/跨物质”是一个核心概念，体现了他将艺术、科学、哲学和技术交织在一起的跨学科创作方法。在金允哲的创作中，物质的转化是一个动态的过程，在这个过程中，物质超越了单纯的使用，成为了更活跃的主体。金允哲的作品深入探讨了物质世界的潜力与物质性。其作品中的材料通过与周围环境、宇宙、展览空间和观众的互动而演变。在这个过程中，自然与人工、物质与概念以及各种学科之间的边界变得模糊。通过这些模糊的界限，金允哲提出了新的问题，以启发我们面对未知的世界。科学解决问题的同时，金允哲的艺术开辟出新的思维和感知之路径—这就是“Transmatter/跨物质”的本质，他的作品启发我们重新思考对物质世界的理解，激励我们以一个更流动的、相互关联的视角，在物质世界中审视“物质的世界”。金允哲不仅打破了艺术的边界，还鼓励人们重新想象自己如何与周围的世界进行互动和感知。金允哲， “两极椭圆：情动的粒子及玄秘的流溢”，展览现场，798CUBE，2024金允哲在不同大学院校的演讲，为大众提供了解其艺术世界的机会。这些讲座让大家从哲学思想和科学知识中深入了解跨学科创作的转化是如何进行的。在9月高校开学季，我们有幸邀请艺术家金允哲来到中央美术学院，开展一场主题为“跨物质（Transmatter）/物质之喻”的讲座，并特别邀请艺术家王郁洋作为本次活动的主持嘉宾。金允哲， “两极椭圆：情动的粒子及玄秘的流溢”，展览现场，798CUBE，2024讲座信息主题：跨物质/物质之喻——艺术家金允哲地点：中央美术学院美术馆报告厅时间：9月24日18:30-20:00演讲嘉宾: 金允哲主持人：王郁洋扫码预约报名名额有限先到先得关于金允哲金允哲（Yunchul Kim）是一位艺术家和电声音乐作曲家。通过对“物质”和“物质性”提出根本性问题，艺术家展示了想象力和创造一个超越人类既有经验之真实的可能性，并关注其潜在的趋势。其作品展现了艺术家想象的物质世界，是一个在人类文化形成或被语言定义之前的维度中的故事。人类、非人类、机器、材料和物质被平等地视为活性物质（跨物质transmattering）和事件主体，存在于其作品当中。金允哲曾获得多个国际奖项，包括2016年欧洲核子研究中心（CERN）的碰撞国际大奖、林茨电子艺术大奖（Ars Electronica）和 VIDA 15.0 三等奖等。其作品也曾在世界多地展出，包括第59届威尼斯双年展韩国馆（意大利）、巴塞罗那当代文化中心（CCCB，西班牙）、FACT利物浦（英国）、林茨电子艺术中心（奥地利）、法兰克福艺术协会（德国）和国际新媒体艺术三年展（中国）等。他曾担任韩国高等研究院（KIAS）跨学科研究项目“物质现实”（Mattereality）研究组的首席研究员。此外，他还是艺术与科学项目组“流体天空”（Fluid Skies）以及奥地利维也纳应用艺术大学艺术与科学系的“液体物质”（Liquid Things）艺术研究项目的团队成员。主持嘉宾王郁洋出生于1979年，曾经就读于中央美院附中、中央戏剧学院、中央美术学院，现任教于中央美院实验与科技艺术学院并在北京居住和创作。王郁洋虽然使用新兴媒介进行创作，却从不强调技术的新奇。他似乎更感兴趣于“过时”的技术、“破坏”美学及物质浪费带来的艺术性。他的作品涉及各种媒介，并充分拓展其内在潜力。他以幽默的、虚构奇观的方式来探究和表述人的身体、经验及认知之间的关系，探讨人造现实、媒体、历史感知与身体认同之间的关系。他的作品在中国及欧洲的主要展览和艺术节上均有展出。关于798CUBE798CUBE坐落于北京798艺术区的核心区域，建筑面积 3600平方米，建筑体由中国当代著名建筑师、艺术家朱锫设计，是朱锫建筑所（Studio Zhu Pei）近年来以工业遗产为主题的一系列实验性的创作实践之一，这座艺术区里的工业“盒子群”，充分展现出科技、艺术与工业遗产相结合的基因。以“Into the Unknown”为口号的798CUBE，致力于科技和艺术的融合，并依托798艺术区作为中国当代艺术文化名片的天生优势，打造一个面向大众，链接国际优质艺术资源与公众的平台，在新兴科技与前卫艺术孕育的语境中启发大众，并愿意持续、深入地参与到世界范围内的艺术语境之中。主编 / 何一沙责编 / 杜隐珠
More

: CAFAM活动招募｜古韵今景：古代绘画视角下的现代北京

2024-09-21

在“从来风俗亦有诗”展览期间，我们诚邀您亲临展厅，与艺术家缪晓春共赴一场视觉的诗意之旅，共赏《北京手卷》首次公开亮相。随着艺术家轻缓地展开三卷摄影手卷，古老的观看方式将在当下复现，每一位参与者都将感受到那古今交融的时光回响。在这场穿越时空的对话中，您将聆听艺术家讲述创作背后的点滴，细品传统与现代交织出的独特韵味，体会影像中隐含的历史温度与现代脉动。《北京手卷》自述缪晓春手卷不适合于公共展览，却很适合于私人观赏，慢慢打开，细细观看。历代手卷中最出名者莫过于《清明上河图》。在一幅高25厘米、宽529厘米的长卷上将一个城市描述得如此全面详尽而生动，后世无人能出其右者。我们已经无法再用这样的观察方式和描绘方式，用如此的细心和耐心来表现一个城市。或许也因为我们已经有了其他新的媒介和可能，这样的可能包括摄影、录相和计算机，如果用一种特殊的转机来拍摄，便能得到一个极长的画面，再经过后期电脑处理绘制和装裱后，我制作了一个手卷，能让我重又得到观赏手卷的乐趣。这样的手卷自然与传统手卷大相径庭，它没有那么宏观俯瞰，却很真实细致；它没有那么凝炼概括，以一挡十，却有可能做到面面俱到，卷帙浩繁，以百抵一。于是我下定决心，即使表现北京这样一个城市，也要做无数个手卷，以期能依稀比肩那一个曾让我无比感叹的手卷曾达到的全面详尽和生动。北京手卷，缪晓春，30cm×280cm×3卷，摄影，2007-2009【活动信息】活动时间：9月23日（周一） 17:00-19:00活动地点：中央美术学院美术馆3层A展厅体验对象：18岁以上成人人数：30人报名方式：请添加微信13910187193（姚老师），标注“工作坊+真实姓名+电话+职业”发送申请，名额有限，报满为止。报名成功者会收到短信回复，请勿重复提交报名。注：1.工作坊全程免费参与。2.活动最终解释权归中央美术学院美术馆所有。▲ ▲ ▲文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆3层A展厅主办：中央美术学院美术馆支持：北京画院、首都图书馆、中国美术学院美术馆、广州美术学院美术馆赞助：020ART、北京鑫河艺博文化有限公司、北京飞行鱼文化发展有限公司、北京百展文化科技有限公司主编 / 何一沙责编 / 杜隐珠
More

: 今日秋分

2024-09-21

More

: CAFAM工作坊招募 | “从来风俗亦有诗”展览研究工作坊即将举办

2024-09-20

文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目“从来风俗亦有诗——馆藏作品中的古今人物风貌”展览研究工作坊时间：2024年9月-12月地点：中央美院美术馆会议室、报告厅、3A展厅、纸本修复室，中国画学院教室、版画系教室*报名方式详见文末展览宣传片展览研究工作坊介绍2024年9月10日，由中央美术学院美术馆主办的“从来风俗亦有诗——馆藏作品中的古今人物风貌”展览在中央美术学院美术馆3层A展厅正式开幕，本次展览将古代风俗画与现代影像并置，旨在通过现代作品的视角，引导观众更深刻地理解古代风俗画中的人民性与诗意情怀。作为文化和旅游部“2024 年全国美术馆馆藏精品展出季”的入选项目，秉承中央美术学院美术馆的教育职能，随着本次展览举办研究工作坊，旨在以新颖的模式鼓励年轻学子参与到与展览主题相关的科研项目中，尝试以浸入式教学让学员从展览前到展览中深入接触作品和展览，从多角度调动和激发青年学人对馆藏古代书画作品的深入研究以及探索艺术史研究新视角。研究工作坊内容本次工作坊全程免费分为三个阶段进行第一阶段为展览开幕后的系列公开讲座。该阶段将依托中央美术学院美术馆平台举办学术讲座，展现杰出学者的前沿成就，与校内外师生形成积极互动，推出学界原创性的独有思考成果，并为工作坊下一阶段拟定研究方向和题目提供帮助。时间：2024年9月、10月地点：中央美院美术馆学术报告厅第二阶段为工作坊内部授课。该阶段从多种角度进一步认识馆藏书画和摄影、确定研究题目与方向。授课方式为内部授课，将邀请策展团队及艺术史、中国画、版画与影像创作相关领域学者，带领学员从艺术史、中国文学和绘画技法等角度分析馆藏古代作品及同时代艺术。时间：2024年9月、10月地点：中央美院美术馆3A展厅、会议室、纸本修复室；中国画学院教室，中国画学院教室、版画系教室第三阶段为学员成果汇报。学员根据前两个阶段的课程学习，于2024年10月18日汇报选题，于2024年12月1日以PPT形式汇报研究成果，优秀论文将推荐发表。时间：2024年10-12月地点：中央美院美术馆会议室展览研究工作坊主持黄小峰（展览学术顾问，中央美术学院人文学院院长、教授）刘希言（展览策展人，中央美术学院美术馆副研究员）研究工作坊授课教师公开讲座部分黄小峰：从来风俗亦有诗(展览学术顾问，中央美术学院人文学院院长、教授)施含牧：中国古代风俗画漫谈(故宫博物院副研究馆员，“众生百态”人物画展览策展人)王璜生：美术馆与摄影及收藏(广州美术学院新美术馆学研究中心主任，中央美术学院教授)内部授课部分董梅（中央美术学院人文学院教授）姜鹏（国家博物馆副研究馆员）王子锟（中央美术学院中国画学院副教授、北京美协中国画艺委会委员）谭坦（中央美术学院版画系教师、北京美协版画艺委会委员）蔡萌（摄影研究学者、中央美术学院美术馆收藏委员会副主任）杨迪(中国传媒大学艺术研究院教师)窦天炜（中央美术学院美术馆纸本修复师）王若冰、陈冠石（展览策展团队）成果汇报部分郭怀宇（故宫博物院副研究馆员）郑弌（中央美术学院人文学院教授）万笑石（中央美术学院人文学院教师）李垚辰（展览策展人，中央美术学院美术馆副研究员）招募学员要求招募人数: 10人招募对象:美术史研究、中国画创作、当代艺术等方向，北京地区在读硕、博士，或已毕业硕、博士报名方式: 请于9月21日前发送简历到chenchenstone@163.com（标注“工作坊+姓名+电话”发送申请，简历包含学术背景、研究方向、手机号。最终将由主办方共同讨论决定参加人选，并以收到回复为准，请勿重复提交报名）文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆3层A展厅主办：中央美术学院美术馆支持：北京画院、首都图书馆、中国美术学院美术馆、广州美术学院美术馆赞助：020ART、北京鑫河艺博文化有限公司、北京飞行鱼文化发展有限公司、北京百展文化科技有限公司主编 / 何一沙责编 / 杜隐珠编辑 / 史泉悦
More

: CAFAM讲座预告 | 世界著名当代摄影艺术家斯蒂芬·肖尔亲临现场

2024-09-20

关于讲座TALK转变我人生的五次经历，以及它们如何促使我成为一名艺术家主讲人：斯蒂芬·肖尔主持人：江融翻译：夏靖宜时间：2024.09.19 18:30-20:30地点：中央美术学院美术馆学术报告厅联合主办：中央美术学院美术馆、三影堂摄影艺术中心语言：交替传译（英语-中文）参与方式：预约后凭预约二维码或身份证入场（*本活动对外开放300个名额，入场凭证自2024年9月19日17:40起生效）
More

: CAFAM讲座预告 | 佩特拉·布莱瑟：应用艺术，玩转内外——Art Applied, Inside Outside

2024-09-20

2024年09月20日，Inside Outside事务所的创始人兼首席设计师、独立展览设计师佩特拉·布莱瑟女士将受邀来到中央美术学院，带来"央美建筑系列讲堂"的第十九次讲座——《应用艺术，玩转内外》(Art Applied, Inside Outside)。“央美建筑系列讲堂”（CAFAa Lecture Series）由中央美术学院建筑学院于2018年发起，旨在立足建筑学术前沿，邀请当今世界最杰出的学者、教育家、建筑师、艺术家展开研讨、讲座、会议等多种活动，共同建构批评、包容、开放的国际建筑学术平台。该系列已成功邀请雷姆·库哈斯、莫森·莫斯塔法维、曹汛、矶崎新、斯蒂文·霍尔、彼得·塔居里、崔愷、威尼·马斯、伊东丰雄、卡洛斯·爱德华多·科玛斯、佩特拉·布莱瑟、安杰罗·马吉、张永和、刘家琨、赫尔南·迪亚兹·阿隆索、艾琳娜·曼费迪尼等多位学术巨匠进行讲座及会谈。讲座题目 0 应用艺术，玩转内外 Art Applied, Inside Outside 演讲嘉宾佩特拉·布莱瑟Inside Outside事务所的创始人兼首席设计师独立展览设计师学术主持 0朱锫中央美术学院建筑学院院长、教授讲座时间 02024年09月20日 15:00 讲座形式 0线下讲座地址中央美术学院美术馆学术报告厅（注：受场地限制，讲座对校外公众开放200个名额，先到者优先，请携带身份证原件在中央美术学院北门扫码登记入校；本场讲座将安排同声传译。）| 讲者简介 |Petra Blaisse 佩特拉·布莱瑟 ‍佩特拉•布莱瑟, Inside Outside事务所的创始人兼首席设计师，从事多个创意领域的工作，包括室内设计、景观建筑、展览设计、纺织品和幕布设计。布莱瑟在接受视觉艺术教育后，于1978年至1986年在阿姆斯特丹市立博物馆的应用艺术部门工作。从1986年起，布莱瑟开始作为一名独立展览设计师与鹿特丹艺术委员会(Rotterdamse Kunst Stichting)和大都会建筑事务所(OMA)等组织合作。她的工作范围很快延伸至室内设计和景观设计，并与世界各地的建筑师和工匠合作。1996年，布莱瑟在阿姆斯特丹创立了她的事务所Inside Outside。多年来，布莱瑟因其工作室极具创新性和充满活力的项目而获得了众多奖项。2022年，布莱瑟荣获荷兰ARC22设计大赛建筑设计作品奖。‍‍‍布莱瑟还为国际学生授课和举办工作坊。布莱瑟在继2007年和2012年出版了两本关于Inside Outside作品的书之后，2024年初出版了一本全新的书籍《Art Applied》。‍‍‍‍‍‍‍‍| 讲座内容 |本次讲座将介绍关于Petra Blaisse和Inside Outside作品的这本新书，展示从1986年至2023年间的作品。布莱瑟将在讲座现场翻阅这本新书并实时拍摄投影。她会首先讲述这本书的编撰过程，之后将更深入的介绍她和Inside Outside的一些项目作品。--------------------------------------------------------------------------------‍主办中央美术学院建筑学院承办中央美术学院建筑学院学术部协办中央美术学院美术馆中央美术学院TEXTENT学社主编 / 何一沙责编/ 杜隐珠
More

: 锐角——策展培育计划 | 第六回方案联展×“2023第二届全球大学生虚拟策展大赛”CAFAM赛道

2024-09-19

锐角——策展培育计划 ACUTE+CURATE=ACURATE 主办：中央美术学院美术馆地点：中央美术学院美术馆一层公共空间总策划：靳军韩文超统筹：王春辰高高工作组：易玥刘希言纪玉洁刘宇晗吴鹏荆鹏“锐角”是呈现中央美术学院策展教学与策展实验的自留地，意在汇集中央美术学院青年学人们具有探索性的展览方案，促成交流、互动与共进。策展已成为一项重要且有机的艺术活动，策展人不仅是艺术现象的观察者和研究者，更是艺术实践的参与者和建设者。与此同时，策展专业教育也正处在欣欣发展之中。中央美术学院的策展专业教学经多年的开拓与积累，多个院系逐步从自身学科出发，以多视角的思考与跨学科的方法展开教学和实践，回应多元且联结的当代社会。“锐角”计划与各院系策展相关的方向与课程联动，并邀请课程中的优秀策展方案，分期展示这些的策展教学成果。什么是策展？年轻人们以所立之地为端点，以敏锐之志为态度，以方案实践与理论思辨为射线，无限地指向策展的未来。在此角隅，空间得以延伸、时间实现跳跃、形式走向复合、理念达成对话……这是点簇星星之火，亦是蕴含无限可能的有生力量！“锐角——策展培育计划”第六回方案联展邀请“2023第二届全球大学生虚拟策展大赛”CAFAM赛道的10个获奖策展方案，在中央美术学院美术馆一层公共空间展出。“2023第二届全球大学生虚拟策展大赛”由中央美术学院主办，不仅是一个让有冲动实现展览策划的年轻人施展心中创想的舞台，更是一次联动科技、艺术与美育，连接现实与元宇宙世界，让未来策展人探索虚拟策展边界的大胆实验！“2023第二届全球大学生虚拟策展大赛”CAFAM赛道承办单位：中央美术学院艺术管理与教育学院中央美术学院创新创业教育中心中央美术学院美术馆学术指导单位：中国国家博物馆广东美术馆湖北美术馆湖南美术馆江西省美术馆云南美术馆黑龙江省美术馆内蒙古美术馆北京今日美术馆项目执行单位：中央美术学院美术博物馆虚拟策展与美育课程虚拟教研室初评专家：高高刘希言沈森王春辰薛良复评专家：韩文超何桂彦冀少峰吴洪亮张子康自2022年起，由中央美术学院主办，中央美术学院艺术管理与教育学院、中央美术学院创新创业教育中心、中央美术学院美术馆承办的“全球大学生虚拟策展大赛”品牌赛事，两届大赛共收到来自全球340所高校、803组报名方案，参赛者覆盖本、硕、博三个学历阶段，总人数达1854名，在全球高校中引发了热烈反响。从第二届方案多元化的面貌中，可以深深感受到新一代青年对策展的热爱和对当下与未来的思考，新一代在总体构思与视觉呈现中均颇有创新，展示出蓬勃的青春活力和绵延的思考能量，体现出青年策展人的巨大潜力。｜CAFAM赛道｜「CAFAM赛道」是大赛组委会联合中央美术学院美术馆（简称CAFAM）共同设立的命题赛道，本赛道要求参赛者自主选择艺术作品，在中央美术学院美术馆二层半项目空间场地进行展览策划，打造具有实验性和在地性的特色展览。获得赛道特等奖的项目最终落地中央美术学院美术馆（简称CAFAM）二层半“广角——青年实验项目空间”场地，为大学生的想象力提供具有实验性与在地性兼具的施展空间。展览现场展出方案一览特等奖数字分身参赛者：黄丽欣王樱桓姜肯帝一等奖时空睡道参赛者：高乐怡一等奖迦太基的玫瑰：upload脑机交互跨界实验剧场参赛者：陈乐恬杨童禹孔德琳二等奖⽣命3.0：在我的时代回望⼈类参赛者：蒋欣彧蒋令涵二等奖茧房的桎梏参赛者：田苗董朴瑶张越洋二等奖蹦塌天花板参赛者：孙铭泽蒋杭达刘昕仪三等奖 AN：倾斜的思考参赛者：陈伶俐屈章张子木三等奖往复之形参赛者：陈余悦 Virginia Ingram三等奖某某供销社：个体与集体记忆的重构参赛者：刘亦帆严菡白王树清三等奖节奏感知 feel that rhythm 参赛者：郭畅蒙婕邱冉明主编 / 何一沙责编/ 杜隐珠
More

: 中央美院美术馆公益导览安排（9月18日-9月22日）| 志愿者持续招募

2024-09-18

为了艺术更广泛的普及和传播，我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约，请观众按时前往相应展厅入口展览前言墙前，“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中，欢迎广大艺术爱好者、讲解爱好者加入！报名方式◤（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》，报名时请注明申报岗位；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30，报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。正在展出◤01∕中央美术学院美术馆藏陈列——现代中国美术展览时间：2024年7月23日起展览地点：中央美术学院美术馆2层B展厅02∕百年辉煌·中央美术学院艺术名家大艺不言——林岗先生百岁艺术展展览时间：2024年9月11日–10月13日展览地点：中央美术学院美术馆3层B展厅03∕文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆3层A展厅04∕中央美术学院人文学院典藏研究“1949年第一届全国美展”作品资料典藏展展览时间：2024年9月10日—2024年10月8日展览地点：中央美术学院美术馆四层展厅05∕2024年全国科普日系列活动固态沉积：有关矿物的存档展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆一层展厅06∕玉·见广角——钱亮玉质媒材艺术研究展展览时间：2024年9月10日—10月7日展览地点：中央美术学院美术馆2层C展厅主编 / 何一沙责编/ 杜隐珠
More

: "Jade · See Wide Angle - Qian Liang's Art Research Exhibition of Jade Media Materials" opened as scheduled.

2024-09-17

Wide Angle ° Youth Experimental Project Space Organizer: CAFA Art Museum The "Wide Angle ° Youth Experimental Project Space" was launched in early 2022. Adhering to the concept of promoting multi-dimensional exploration in curating and creation by young teachers of the Central Academy of Fine Arts, our museum has turned the independent space on the second and a half floors of the art museum into an experimental field for the creation, research and exhibition planning of young teachers. At present, the collection and selection of the three-phase plans have been completed (eighteen exhibition plans have been selected).On September 14th, the opening ceremony of the sixth exhibition of the second phase of the Wide Angle ° Youth Experimental Project Space: "Jade · See Wide Angle - Qian Liang's Art Research Exhibition of Jade Media Materials" was held as scheduled in Exhibition Hall C on the second floor of the art museum. Through the artist's polishing and construction of jade materials, the exhibition uses works to connect the spatial logical relationship of encountering jade, respecting jade, carving jade and even finally emptying and healing. And through this, it launches exploration and thinking in different dimensions such as history, culture, social life, science and technology.Guests attending the opening ceremony included: Wang Shaojun, former deputy secretary of the Party Committee of the Central Academy of Fine Arts; Qin Pu and Sun Wei, old professors of the Sculpture Department; Yu Yang, director of the Scientific Research Department; Ge Yujun, secretary of the Party Branch directly under the Graduate School; Yu Runsheng, secretary of the Party General Branch of the School of Humanities; Lu Zhengyuan, deputy director of the Basic Department of Plastic Arts Disciplines; Zheng Taokai, director of the Creative City Department of the School of Urban Design; Zhang Yibo, professor of the Oil Painting Department; Zhang Junming, professor of the School of Urban Design; Chen Mingqiang, deputy secretary of the Party Branch directly under the School of Experimental Art and Technological Art; Li Feng, deputy director of the Scientific Research Department. There were also teachers such as Zhang Fan, Zhao Yan, Zhang Chen, Xiao Jin, Ji Yujie, Liu Xiyan, Wang Hongzhou, Zhang Xiaoxue, Huang Shan, Yi Yue, Li Jie, Wu Jingying, Du Yingqi, Liu Shiying, Liu Lu, and He Pengqi from the Oil Painting Department, Sculpture Department, Mural Painting Department, School of Chinese Painting, School of Design, School of Humanities, High School Affiliated to CAFA, Art Museum, Scientific Research Department and the National Thematic Art Creation and Research Center; Qian Buhui, professor of Hebei Academy of Fine Arts; Cao Zhiyong, a national first-class artist; and doctoral students in reading such as Zhao Qin, Song Furi, and Shi Ziyuan. Representatives of the organizing committee members of the Wide Angle ° Youth Project Space: Jin Jun, director of the art museum, and Han Wenchao, secretary of the Party branch directly under it; Song Weiguang, academic chair of the exhibition, artist Qian Liang and curator Zeng Xiaofeng. Gao Gao, deputy director of the art museum, served as the host.Han Wenchao, secretary of the Party branch directly under the art museum, delivered a speech.Han Wenchao, secretary of the Party branch directly under the art museum, briefly introduced the main purpose and original intention of setting up the "Wide Angle ° Youth Experimental Project Space", and said that the opening of Qian Liang's exhibition drew a perfect full stop to the second phase of the wide-angle project space. Teacher Qian Liang himself is gentle and simple in character, and has a deep understanding of the exploration of sculpture theory and art. Using jade as a medium language to make sculptures, his exhibition is the first thematic exhibition on jade in the art museum, adding a new dimension to the exhibition structure of the art museum.Speech by Wang Shaojun, former deputy secretary of the Party Committee and professor of the Central Academy of Fine Arts.Wang Shaojun, former deputy secretary of the Party Committee and professor of the Central Academy of Fine Arts, said that Qian Liang, as a young person, is wholeheartedly engaged in the study of jade carving art. Whether at the theoretical level or in creative practice, it has aroused his great interest. Jade is different from ordinary sculpture materials and media. It is permeated with thousands of years of Chinese jade culture. In contemporary sculpture, taking jade as the medium and injecting contemporary people's new aesthetic cognition, emotional imagination and value concepts into it promotes the establishment of new symbols and cultures at the spiritual level of jade carving art. Through the exhibition, we can see Qian Liang's promotion of this. His deconstruction and reuse of contemporary art concepts, including the ontological language of materials, have set a good example for jade media creation.Speech by Yu Yang, director and professor of the Scientific Research Department of the Central Academy of Fine Arts.Yu Yang, director and professor of the Scientific Research Department of the Central Academy of Fine Arts, mentioned that this exhibition enters the research of jade media art from the perspective of the "wide angle" of the project space of the art museum. The works continuously transform between "hard" and "soft", "virtual" and "real", and "whole" and "broken", forming an internal tension. On the one hand, it enlarges the category of contemporary jade culture. On the other hand, jade is used as a sculpture medium and applied to a broader concept, forming a new medium branch of contemporary art and academic art.Speech by Zheng Taokai, director and associate professor of the Creative City Department of the School of Urban Design of the Central Academy of Fine Arts.Zheng Taokai, director and associate professor of the Creative City Department of the School of Urban Design of the Central Academy of Fine Arts, on behalf of the School of Urban Design, congratulated the opening of Qian Liang's exhibition and introduced that Teacher Qian Liang's works actually made a very good demonstration and presentation of the spiritual outlook of the Department of Arts and Crafts starting from materials, focusing on aesthetics, craftsmanship and the present, and then realizing the combination of art with contemporary technology and new-quality productive forces.Speech by Professor Song Weiguang, academic chair of the exhibition and executive editor-in-chief of "Chinese Sculpture".Professor Song Weiguang, the academic chair of the exhibition and executive editor-in-chief of "Chinese Sculpture", introduced his perception of Qian Liang's new works from the relationship between the exhibition works and the space. Although the project space is small, seeing the "wide angle" through "jade" shows us the rich changing dimensions of jade from material to culture and concept. It is not only a re-recognition of contemporary culture, but also a regeneration, application and promotion of Chinese traditional culture.Speech by curator Zeng Xiaofeng.Curator Zeng Xiaofeng first thanked the art museum for providing a platform for planning and exhibitions. She said that Teacher Qian Liang's creations gave her great inspiration for writing. The exhibition discusses Qian Liang's creative method of exploring contemporary sculpture concepts and languages using jade as a medium. The three sets of keywords "reduction and creation", "jade realm and self-object", and "jade encounter and superposition" constitute the academic context and theoretical dimension of Qian Liang's jade sculpture creation in nearly ten years.
More

: “固态沉积” 开幕 | 探索地层媒介与人类的可持续新生关系

2024-09-16

中央美术学院美术馆矿物科普展“固态沉积：有关矿物的存档”于9月14日如期开幕。本次展览是围绕2024年全国科普日系列活动特别策划的科普展，也是我馆展出的第二个科普展览。展览由中央美术学院教授邱志杰策划，通过艺术作品、科普展墙、矿物宝石等展览内容，架构了一个关于地质、矿物、资源与生产生活的讨论空间。在展览的叙事中，地质物不再是惰性与死寂的，而是被视作宇宙能量、反应元素、社会结构、神圣净化器、实验装置、科技发展的驱动力……多线索的叙事空间在这里融合碰撞，解析着从过去到未来、从自然到人类的地质性变化，为我们打开了一条超越主观感知并进入深层时间的通道。同时，本次展览由沉积的时间为入口，试图通过相互缠绕的矿物、地质与历史的思辨、生命和资源的协同演化，带我们进入“地理调解”的语境，以更为生态的视角组织起地层内部媒介与人类之间的可持续新生关系，重新书写自身。参与开幕式的嘉宾有：中央美术学院美术馆馆长靳军、直属党支部书记韩文超、副馆长高高，实验艺术与科技艺术学院直属党支部书记陈晔、副院长王郁洋、直属党支部副书记陈明强，天津美术学院院长、展览策展人邱志杰，中国科学院地质与地球物理研究所博物馆馆长刘强，北京大学地球与空间科学学院研究员、博导、副教授李扬，参展艺术家卓凡、张晓琳、李勇、葛若雯、时子媛，本次展览执行策展人马秋子等。中央美术学院美术馆副馆长高高担任主持人。中央美术学院美术馆馆长靳军致辞中央美术学院美术馆馆长靳军表示，本次展览是与实验艺术与科技艺术学院共同合作呈现，也是我馆第二次科普主题展，作为全国科普教育基地，这将逐渐形成对于科普内容的序列展示。在他看来，此次展览不仅仅是科普，也是科学与艺术融合的一种新形式的表现。希望通过本次展览可以为更多热爱科学和关注社会自然发展的公众提供一个更深层次的探索平台。中央美术学院实验艺术与科技艺术学院直属党支部书记陈晔致辞中央美术学院实验艺术与科技艺术学院直属党支部书记陈晔谈到，本次展览是一场视觉上的科普盛宴，更是一场知识与艺术深度融合的思维碰撞。在这儿大家不仅可以感受到矿物的独特美感，而且还能够深入的了解这些自然界的瑰宝对日常生活的重要性。艺术家们通过创作将各类矿物质的形态、质感、生命力赋予了全新的表达形式，让公众看到了矿物的视觉之美，更深入的挖掘了它们在文化，在社会以及科技中的象征意义。希望这一系列的展览活动向更多的人传递科学知识，启发大家对自然、科学与艺术表现的全新的理解。独立策展人、本次展览执行策展人马秋子致辞“在地质学家眼中，‘岩石’不是一个名词，而是一个动词。‘矿物’也并非都是无机的，而是活的”。本次展览执行策展人马秋子提到，本次展览强化了关于矿物的存储作用，地质层、矿物，这些理念都存储着地球诞生之初至今的全部历史，希望通过本次展览读取有关人类和自然的历史，并在过去的档案中推演未来演化的线索。希望公众在观展中有所体验，有所收获。中央美术学院美术馆副馆长高高担任主持人嘉宾合影参观及导览现场开幕式结束后本次展览相关主题讲座同期举办：中国科学院地质与地球物理研究所博物馆馆长刘强以《地质之美无与伦比》为主题，从地球的三大类岩石（沉积岩、岩浆岩、变质岩）出发，介绍在各种地质营力作用下岩石风化后保留在地球表面形成的奇特地质地貌景观。北京大学地球与空间科学学院研究员、博导、副教授李扬以《一粒砂的时空之旅》为主题，通过阅读一粒砂，带您回顾地球从蛮荒到宜居的演变、聆听岩浆澎湃的脉搏、并领略由一粒砂驱动的科技革命的魅力。随后，天津美术学院院长、中央美术学院教授、本次展览策展人与两位专家就矿物相关研究进行对谈。对谈现场讲座现场展览将持续至10月8日。欢迎广大观众前来观展。“固态沉积：有关矿物的存档”主办单位：中央美术学院美术馆、中央美术学院科技艺术研究院、中央美术学院实验艺术与科技艺术学院展览时间：2024年 9月10日—10月8日展览地点：中央美术学院美术馆一层展厅展览总监：靳军、韩文超展览统筹：王春辰、高高策展人：邱志杰执行策展人：马秋子科学顾问：刘强、李扬展览协调：金简如、徐欣晨设计统筹：纪玉洁展览设计：能量事务所资料整理：安思潼、张佳妮特别鸣谢：张继栏、王啸然展览管理：吴鹏、荆鹏藏品管理：徐研、王春玲、马亮、崔然然、梅琦、姜楠媒体宣传：何一沙、吴靖、贺伊飞、杜隐珠、丁怡公共教育：肖宝珍、耿菁华、王军、姚轶群、梁雯、西华伟财经事务：杨柳、门婧、寇蕾发展推广：孙炜、刘佩凝行政支持：蒋思妤、岳君瑶、张倩、郭旭后勤安保：陈小华、吕智发主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
More

Child Public Education Reservation Form

*
Event name
*
Event time
*
Gender
Male

Female
*
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Adult Public Education Event Reservation Form

*
Event name
*
Event time
*
*
Gender
Male

Female
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Sumbit

Group Public Education Event Reservation Form

*
Event name
*
Event time
*
Group type
University

Institution

Group
*
*
*
*
Participating group type
Children

Youth

Adult

Seniors
*
*
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.