Exhibitions and Events-News

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Play Beyond the Game, Review Games at the First Grand Exhibition of Art and Serious Games ...

2018-09-09

“Play Beyond the Game – the First Grand Exhibition of Art and Serious Games” is opened at the CAFA Art Museum on September 8, 2018. It is hosted by the Central Academy of Fine Arts (CAFA) and China Cultural & Entertainment Industry Association (CCEA) and organized by the School of City Design in CAFA, CAFA Art Museum and Game Branch of CCEA. It showcases a large number of serious games that combined with various elements including culture, art, science and technology, and holds a series of discussion and exchange activities, in the aim of excavating the artistic and functional value as well as the cultural connotation of games. Through exploring profound communications between the game and art, education, medical treatment and other social disciplines, the exhibition hopes to convey the positive values of serious games and encourage and support talents of game developing to create serious, cultural and artistic games, so as to push forward the development of digital entertainment education in China.The exhibition presents a variety of nearly 100 pieces of games from around the world, including “Minecraft”, “Monument Valley”, “Kingdom Come: Deliverance”, “Sky”, “Gorogoa”, “Cuphead”, “Ylands”, “Folding Fan”, “Mortise and Tenon”, “DragonBox Big Numbers”, “Human Resource Machine”, and so on. Based on the interactive experience of games, the exhibition focuses on introducing the development process of each game and uncovering the creation process of game designers, including showing their original manuscripts and exclusive interview videos, directly conveying the charm of the “ninth art”, cultural value and practical application to the audience.Fan Di’an, President of the Central Academy of Fine Arts, is addressing the opening ceremonyFan Di’an, president of the Central Academy of Fine Arts, expressed at the opening ceremony that, “Play Beyond the Game – the First Grand Exhibition of Art and Serious Games” not only displays a large number of new works of game design and innovation at home and abroad, and more importantly it reveals a new cultural pursuit in the international game industry under a global information era, that is, to concern about social culture on the aspect of game creation and production. Game is an ancient and ever-changing field, and also a cultural lifestyle which is closely associated with human intelligence, imagination, sense of competition and adventurous spirit that are required in people’s life. With the rapid development of the game industry and its increasing market demand, there are at least two issues exist in the process. One is the language style of games; the other is the social and cultural responsibility that games should bear. People may worry about that the teenage generation loses themselves in cultural recognition and interests because of those games with strong cultural characteristics in the content, form, discourse and style. Therefore, it particularly needs to consider some crucial questions that what the game care about and whether it has contributed to social development through showing humanistic and cultural concern. The theme of the exhibition “Play Beyond the Game” reflects a cultural review of games from the perspectives of design concepts. Fan Di’an further commented that “many displayed game works explores the integration of digital technology and artistic innovation, including drawing inspiration from traditional art and making a modern transformation, which increased the degree of artistic involvement in the exhibition to some extent”. He hopes that “Play Beyond the Game” will open a new window for the world of games and game works from different countries could resonate with people’s spirit world, thus to make indeed the exhibition an academic milestone in the worldwide game industry. Wang Zhong, Director of the School of City Design in CAFAWang Zhong, Director of the School of City Design in CAFA, mentioned that it is the first exhibition featuring serious games in China. Themed on “Play Beyond the Game”, the exhibition explores the communications between the game and education, culture, medical treatment as well as other social disciplines, and pays attention to the virtual world and imagination of serious games that may transcend an age. Thus, this exhibition not only concerns the expansion of the functions of games but also shows an attitude to explore the future, trying to establish an intensive platform for gathering cutting-edge technology, academy and capital.Zhang Zikang, Director of the CAFA Art MuseumZhang Zikang, Director of the CAFA Art Museum, said that , “CAFA Art Museum hopes that through sorting out and presenting the cultural issues concerning game art in the exhibition, it can lead this emerging art form to draw more attention and discussion in the academic system of fine arts, and explore the deep influence brought by games nowadays on visual arts as well as other fields. At the same time, it expected that people who come to visit and experience the show could pay more attention to serious games that involved in domains such as education, medical treatment, social practice and future imagination. It also anticipated that the humanistic care and social philosophies reflected in the exhibition would evoke new thinkings and possibilities for the future of the game and human beings.”The opening forum brought together worldwide famous game designers and experts of game education in colleges from around the world, including Tracy Flullerton, Dean of the Game Department in the University of Southern California; Pamela M. Kato, Former President of the Research Center of serious games European Union; Andre Thomas, Principal Lecturer of the National Art Education Association. Their discussion is around how the electronic game – as a well-received digital media of the future – could combine with different social fields and provide higher social values beyond entertainment with the development of technology. Tracy Flullerton, Dean of the Game Department in the University of Southern CaliforniaTracy pointed out that interactive experience is essential to the development of future game industry and the humanistic idea that the game wants to convey is the soul. To achieve this goal, it requires game developers, designers and people from the education department to have interdisciplinary cooperation in cultivating talents as the industry enabler for the next generation. Pamela M. Kato, Former President of the Research Center of serious games in European UnionPamela believes that there are challenge and opportunity for this industry as well. The challenge is that creating serious games itself involves several irrelevant disciplines and costs high during the initial stage of development. On the contrary, however, it will lower the cost for the related industries in the long run, such as medical treatment, psychology, medical skills and engineering. In this sense, the challenge can also be viewed as an opportunity. Andre Thomas, Principal Lecturer of the National Art Education AssociationAndre talked about every game should start from a learning course and these courses contain new knowledge for the students. His another point is to build an efficiently-collaborated team, in which the game scholars and course experts – such as the expert in mathematics or history – design the required examinable quantity and learning objectives for the students to achieve.It is the first time in China for an exhibition of game art to enter into a major national art museum – CAFA Art Museum and provide a large-scale concentrated display of world-class game designers’ exclusive documents, sources of inspiration, creation manuscripts, videos as well as accomplishments of applications on serious games. “Play Beyond the Game” is a journey of adventure and exploration about games, using the means of the game to enable people to re-recognize and re-know serious games from the cooperation with various fields covering children’s medical treatment, teenage education, literature and fine arts.On the opening ceremony, China Cultural & Entertainment Industry Association, leaders of the Central Academy of Fine Arts and world famous game education experts gave rewards for the “Enterprise Contribution Award of Serious Games”, “Pathfinder Award of Serious Games”, “Culture and Art Communication Award” and “Academy Award of Games”. Enterprise Contribution Award of Serious GamesTencent Serious Game, Tencent Next Idea Center, Perfect World, NetEase Games, TapTap Games, Bilibili, Unity, Sony China Pathfinder Award of Serious GamesShiyun, Nishan ShaMan, Unheard, Ylands, Minecraft, Aooman Culture and Art Communication AwardIris Fall, Candle Man, White Night, Sky, Seven Days of International Trade Academy Award of GamesArte-Mecenas, Gorogoa, Walden, Folding Fan The audience is playing games during the exhibitionPart of the serious games presented in the exhibition include: “Variant: Limits” – bringing game into the teaching of college education, “R-mission” – helping children with cancer to fight against the disease by presenting the cancer treatment process, “Minecraft” – allowing players to learn history through famous historical scenes and Chinese classical architectures that restored in the game world, “DragonBox Numbers” – using the form of game to illustrate basic mathematics for learning, “Walden” – using the means of game to interpret the essence of the world literary classics, “Ylands” – inspiring students’ creativity and imagination through collaboration with the game design department of colleges and universities.For artistic games, there are: “Lumino City” – using handmade models to create a game world with city buildings combing live shooting, “Sky” – a social game on mobile terminal developed by the famous “Zenist” designer Chen Xinghan, “Iris Fall” – presenting the optic artistry of black and white by the way of digital game, “Nishan Shaman” – promoting minority culture and paper-cut art through the means of electronic game, “Gorogoa” – a puzzle game completed independently by one person with the style of hand-drawing, possessing a high artistic quality and rich philosophical connotation.The exhibition forum also invited Yoshitaka Amano, an illustrator and famous Japanese artist who is also known for his illustrations for “Final Fantasy”, and Yoji Shinkawa, an exclusive painter of the Kojima Production, and the illustrator of “Metal Gear” and “Death Stranding”, to come to the event and bring the audience a conversation after 20 years. Interactions between game design masters: Yoshitaka Amano is talking with Yoji Shinkawa More

Notice: Temporary Closure from June 27 to September 5, 2018 ...

2018-06-07

The CAFA Art Museum is currently closed for architectural refurbishment and will reopen on September 5, 2018. Sorry for the inconvenience, come back and visit us soon! More

News: Central Academy of Fine Arts received 30 million RMB donation from Tianhong Real Estate ...

2018-01-03

Zhao Ruichun Donation Ceremony Was Successfully Held on October 27 ...

2017-10-27

On October 27th, the Zhao Ruichun Donation Ceremony was held in CAFA Art Museum’s multifunction room. Su Xinping, Deputy President of CAFA, Zhang Zikang, Director of CAFA Art Museum, and the donor Zhao Ruichun, a CAFA class-of-1959 graduate, member of the Guangzhou Painting Academy, were present in the ceremony. Mr. Zhao’s wife Ms. Yuan Xiuying and Zhao’s daughter Ms. Zhao Min were also invited. The ceremony was hosted by Gao Gao, Assistant Director and Head of Academics of CAFAM.。 More

Three of CAFA’s Programs were Awarded to be the Annual National Art Works Collection and Donation Program of 2017 ...

2017-05-16

Recently, the Ministry of Culture announced its completion in selecting works for the 2017 Annual National Art Works Collection and Donation Program. After consideration and discussion, 16 programs were selected across the country, including the CAFA Art Museum’s “Zong Qixiang Donation Project”, “Zhao Ruichun Donation Project” and “Tian Shixin Donation Project.” More

CAFA Art Museum is Awarded the Nationally Outstanding Exhibition Program and Nationally Outstanding Public Education Program of the Year 2016 ...

2017-04-18

CAFA Art Museum was honored to receive the Nationally Outstanding Exhibition Program and Nationally Outstanding Public Education Program of the Year 2016. More

CAFA Art Museum is Now One of the First Batch of Pilot Units for Cultural and Creative Products Development ...

2017-01-23

CAFA Art Museum has been recognized by the Ministry of Culture to be one of the first batches of pilot units for the development of the cultural and creative product.  Since the issue of Notice of the State Council on Approving and Forwarding Some Opinions from the Ministry of Culture and Other Departments on Promoting the Development of Cultural and Creative Products at Cultural Relics Units (No. 36 [ 2016], State Council), on May 11th 2016, the Ministry of Culture and the State Administration of Cultural Relics have identified 154 institutions for creative products development. CAFA Art Museum was selected to be one of the seven pilot units of the development of the cultural and creative product.  List of experimental units for cultural and creative products development selected by the Ministry of Culture (a total of 7)National Library  The Palace Museum National Museum of China Chinese Art Museum Prince Kung’s Mansion of the Ministry of Culture of ChinaCAFA Art Museum CAAM Art Museum  CAFA Art Museum has always attached great importance to the development and production of art derivatives. It is committed to making the museum art shop a platform for cultural and creative products, in which not only collections of paintings, sculptures, creative products, art publications and art derivatives from renowned Central Academy of Fine Arts artists are provided, but also derivative products of Joseph Beuys, Tony Clark, Wendy Sacks and other internationally renowned artists. Future Exhibition: Mobile Phone Shell / Handbag / Future Watch / T-shirt / U Disc Bracelet   Art derivative is a window for the public to appreciate art. Under the influence of the concept of "knowledge producing", we aim to bring avant-garde art into public life, achieving the motto "art for life, life for art". The derivatives here at the art museum not only satisfy aesthetic needs but also have an emphasis on practicality and usability. In addition to the conventional derivatives of silk scarves, canvas bags, and water cups, there are also derivatives produced separately for different exhibitions. For example,bamboo cups, brooches and children's books for the exhibition Selected Works of Chinese Painting Created in the Period of National Beiping Art School, watches and U disc bracelets for The Future Exhibition, earrings and brooches for Roger Ballen’s Theater of the Absurd, memo pads and wine for Super-Organism CAFAM Biennale 2011 and notebooks, photo frames and bags for the CAFA Graduation Season Series. These artistic derivatives, designed according to the theme of the exhibitions, not only contribute to the promotion of the exhibitions but also serves as a material extension of each exhibition that can be distributed to a larger audience. Canvas bag / Notebook for CAFA Graduation Season SeriesMemo Pad for Super-Organism CAFAM Biennale 2011 Brooch / Earring for Roger Ballen’s Theater of the AbsurdThe development of derived art can lead ordinary people into the world of art. Those derivatives not only convey the value of the original artworks but also allow the owner to acquire more knowledge through the possession and use of them. This can be their first step to having their own collection. In this sense, the art shop at CAFA Art Museum is also the carrier of culture and the extension of art education of the museum. Cup for The Invisible Hand: Curating as Gesture Wine for Super-Organism CAFAM Biennale 2011Brooches for National Beiping Series Bamboo Cup for National Beiping Series Hat for Social Sculpture: Beuys in China More

Worldly Renowned Artist Sean Scully Donated Weeping Song to CAFA Art Museum ...

2016-09-07

In early 2015, Sean Scully had his first individual exhibition Follow the Heart: The Art of Sean Scully, 1964-2014, London -New York at CAFA Art Museum. The exhibition received great popularity. After one and a half years, the artist decided to donate one of his large works Weeping Song to CAFA Art Museum. On September 6th, 2016, as Sean was having his exhibition in Guangzhou, Wang Huangsheng, Director of CAFA Art Museum visited him and accepted his donation.At the donation ceremony, Director Wang Huangsheng expressed his gratitude and said CAFA Art Museum has been waiting for this work for over a year. Sean took the certificate while posing for a photo shoot. His sense of humor affected all the guests and audience. Shot at the Donation CeremonyDonated work Weeping Song, 2015, Oil on aluminum, 215.9x190.5cm,  Collection of CAFA Art Museum,Beijing Detail of the work I play with the colours:and what I do with them is I mix them up or pervert them to the point when they almost lose their identity in relation to the name they are given. Because we give colors different names, like blue, black, red- but there are many colors that are on the edge of these categories and these are the kind of colors that I tend to use.——Sean ScullySean ScullySean Scully was born in Ireland and grew up in the UK, currently living in the United States. Sean Scully is one of the most important living abstract painters and international art masters. His works were exhibited in and collected by over 150 museums and institutions around the world, including the Met, MoMA, Centre Pompidou, and Tate London. Sean was also a visiting scholar at Harvard and Princeton. Sean was awarded the Turner Award twice in 1989 and 1993.Philosopher and art critic Arthur Danto praised Sean Scully as such “Scully's historical importance lies in the way he has brought the great achievement of Abstract Expressionist painting into the contemporary moment”. The Exhibition: Follow the Heart: The Art of Sean Scully, 1964-2014, London -New York Follow the Heart: The Art of Sean Scully, 1964-2014, London -New York was Sean's first individual exhibition in China. The exhibition showed Sean's works from his 45-years life of art, including photographs, oil, pastel and watercolor paintings, and a new sculpture work created specifically for the individual exhibition in China. More than 80 works shown in the exhibition came from private collections and museum collections in Europe or America.Photos of the exhibition: More

CAFAM Projects Have Been Selected for the 2016 National Art Collections and Donation Awards ...

2016-06-07

The Annual National Art Collection and Donation Award, launched by the Arts Department of the Ministry of Culture in 2015, is an important award considering collection and donation program of art museums in China. This project mainly supports the collection and donation of key national art museums across the country. The donated works will be recorded in the national collection, and also serve to support the related research, exhibitions, discussions, public education, etc.. In 2015, the donation projects of the works of Feng Fasi and Sun Zixi at CAFA Art Museum were awarded the 2015 National Collection and Donation Award. In 2016, there were six projects at our museum that was selected for the 2016 National Art Collections and Donation Awards, including collection and donation projects of Luo Gongliu, Zhang Ping, Wu Biduan, Tian Shiguang, Tan Quanshu and Qin Xuanfu. All of them received funds from the Ministry of Culture. This year, the museum held a large retrospective exhibition for Mr. Luo Gongliu and Mr. Zhang Ping and received eight representative works from Mr. Zhang Ping's family. Other projects are also in the process with related exhibitions and research planned. In recent years, the CAFA Art Museum has paid great attention to the research and collection of the works of the old artists of CAFA and has also carried out exhibitions for renowned artists who are CAFA’s alumnus. On the one hand, the works of the artists are to prepare for the commemorative activities of the centennial anniversary of CAFA in 2018. More importantly, the collection and research can help to carry on the tradition of the academy, which is to sorting out the development of art and education in China in the Twentieth Century, as well as stimulating the younger generation. The reward from the Ministry of culture further clarified the significance and far-reaching influence of these collections, exhibitions and research work not only for CAFA but also for the development and advancement of modern and contemporary art in China.  Appendix 1: The timetable for the exhibitions of the artists' Collections and Donation projects at CAFA Art Museum in 2016: The Retrospective Exhibition of Zhang Pin  2016.03.28-05.03The Road of A Creative Forerunner - Luo Gongliu's Centennial Anniversary Exhibition   2016.03.29-05.03Feathers and Light -The 100 anniversary of the birth of Tian Shiguang memorial  2016.09.02-9.23 (provisional)Wu Biduan's Arts Exhibition   2016.09.05-9.25
Merry-go-round --The 110th Anniversary of Qian Xuanfu   2016.09.29-10.30Taking the Straight Road of Art: The Exhibition of Printworks Donated by Tan Quanshu 2016.11.04-28.There will be further noticed in the exhibition’s title and date. Please pay attention to the official website of the art museum. Appendix 2: More

CAFA Art Museum Received Donation from Yang Li ...

2016-06-07

The CAFA Art Museum has been promoting the collection of the works of important artists and art educators from the twentieth century. Through continuous efforts, we have collected many important artworks and achieved a good reputation. With the approaching of its centennial anniversary, CAFA has received an increasing amount of attention from the society. In May 2016, Mr. Yang Li, the former secretary of the Central Academy of Fine Arts and a professor at the Department of Printmaking, proposed to donate his work Sha Tan Hong Lou(沙滩红楼) and some other representative works made around the 1950s. Our museum has shown our gratitude for his generous donation and support and has appointed Wang Chunling and Li Sha for further arrangements. In the morning of June 2, 2016, Tang Bin, the Vice President of CAFAM,joined with Li Yaochen, the Deputy Director of CAFAM’s Collection Department, and Wang Chunling, Manager of CAFAM’s Collection Department, together they visited Mr. Yang Li's residence and issued a collection certificate to Mr. Yang Li.Sha Tan Hong Lou(沙滩红楼) is a thought-provoking landscape painting. On the one hand, this painting is made for commemorating the 90th anniversary of the establishment of the Communist Party of China, as Sha Tan Hong Louis the former site of Peking University, the birthplace of the May 4th Movement, and also the place where Li Dazhao and Mao Zedong, the leaders of the Communist Party of China, had worked. The building painted in the artwork is not only a representation of history but a memorial to the founders of the Communist Party of China. On the other hand, this work is also to commemorate the artist’s father, who had taken numerous classes in the Sha Tan Hong Lou during his study in Peking University and had participated in the May 4th Movement and the December 9th Movement. Sha Tan Hong Lou is also of great significance to Mr. Yang's growth. In 1948, Mr. Yang Li went to study at Yan'an University and in 1958, he was graduated from the Printmaking Department at Central Academy of Fine Arts. The representative works donated by Mr. Yang Li reflect the spirit and the artistic features of the specific historical period. The works are of great significance for us to learn more about the teaching and creation of printmaking in the 1950s and have enriched the collection of the Central Academy of Fine Arts Art Museum.  More

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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