Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM工作坊回顾|重见唐彩绘文吏俑

2025-07-24

活动时间第一期:2025年07月03日 14:00—17:00第二期:2025年07月15日  14:00—17:00活动地点中央美术学院美术馆为进一步丰富会员的艺术文化体验,中央美术学院美术馆特别为CAFAM企业会员策划并举办了两期古代中国艺术展主题公共教育工作坊。此次活动主要分为“参观讲解—色彩学习—实践创作”三大环节,以馆藏精品为引,融合专业导览、美学讲堂与沉浸创作,围绕中国古代雕塑与色彩文化展开,带大家零距离触领略古代艺术的审美智慧,感知中华优秀传统文化的深厚底蕴。第一环节:以“美”为径——馆藏导览与艺术讲解活动首站,学员们在专业讲解员的引领下参观了“中央美术学院美术馆藏陈列古代中国艺术展”,透过珍贵馆藏文物,了解中国古代历史与艺术发展的脉络,从器物到雕塑、从图像到工艺,体会中华民族关于“美”的文化理念与精神追求。导览老师为学员们导览杜英奇老师在展厅教学学员们现场“寻宝”环节第二环节:以“色”为笔——古代色彩美学分享 由中央美术学院毕业的青年艺术家王徳彬老师带来主题讲解。围绕红、黄、紫三种在古代雕塑中常见的代表性色彩,小彬老师从色彩提取、文化象征与视觉表现等层面进行解读。通过对传统色彩体系的讲述,学员们不仅学习了古代艺术的用色逻辑,也激发了对传统色彩体系的尊重与再创造的热情。王徳彬老师分享古代色彩美学第三环节:以“艺”为实——亲手复原彩绘文吏俑本次实践环节特别采用由中央美术学院美术馆依据馆藏文物定制研发的3D打印文吏俑雕像作为基础模型,真实还原了唐代雕塑的比例、结构与神态。小学员们在两位导师及中央美术学院助教老师的悉心指导下,依次完成勾线、涂色、晕染、贴金箔等传统彩绘流程,亲身体验古代工艺的精细与魅力。在创作过程中,大家围绕人物的面部神情、衣饰造型与纹样细节进行描绘,将课堂中学习到的传统色彩知识与个人审美理解相结合。最终,每位参与者都完成了一件独一无二的彩绘雕塑作品。本次中央美术学院CAFAM会员公共教育工作坊,以独特的”理论+实践”模式,让小学员们在专业艺术氛围中感受传统文化的魅力,实现了从"欣赏美"到"创造美"的跨越。艺术教育在传承中华优秀传统文化、培育文化自信方面的重要作用,未来中央美术学院美术馆将持续拓展公共教育内容,为会员与公众提供更多高质量的艺术体验。项目总监:海军项目策划&执行:耿菁华项目协调:肖宝珍导师:杜英奇 王徳彬助教:王振振 王雪松 胡雨萧 刘小艺导览:张欣 肖雪梅 王振振  杨璟 温京晶场务:梁雯 陈小华 郭旭 范天润撰文&摄影:王雪松主编 / 何一沙责编  / 杜隐珠
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第十届“我爱颜色——小天才绘画大赛”优秀作品展 如约开幕

2025-07-24

7月19日下午,第十届“我爱颜色——小天才绘画大赛”主题创作“美好的明天”优秀作品展在中央美术学院美术馆隆重开幕,并同步举办“美好的明天”主题分享会。展览由中央美术学院美术馆与艾敬工作室联合主办,呈现了来自全国各地儿童天马行空的艺术创作和真挚的情感表达。第十届“我爱颜色——小天才绘画大赛”展厅“LOVE”展墙“我爱颜色——小天才绘画大赛”自2014年创立以来,已连续举办十届。大赛始终坚持以公益之心发掘与鼓励儿童艺术潜能,为无数孩子搭建了自由表达与梦想启航的平台。作为这一公益项目的十年重要里程碑,本届大赛格外受到社会关注。本届大赛共收到1600余件参赛作品。经过海内外评委的严格评审,最终评选出150件优秀作品入展。展览集中呈现孩子们的奇思妙想,展现他们对世界的观察与想象、情感与表达。受邀出席的嘉宾有:第十四届全国人大常委会委员、教科文卫委员会主任委员、原文化部部长雒树刚,中央美术学院院长林茂,中央美术学院美术馆馆长靳军。现场还汇聚了本届优秀作品奖获奖儿童及家长代表,以及长期关注公益事业的社会各界人士和新闻媒体代表。中央美术学院美术馆副馆长高高担任开幕式主持人。艺术家艾敬、雒树刚部长、林茂院长、靳军馆长、高高副馆长(从左至右)中央美术学院院长林茂致辞中央美术学院院长林茂在致辞中表示,孩子们的作品展现了童真的想象力与美的创造力,是美育成果的体现。艺术是儿童认识世界的重要方式,也孕育着未来社会的创造力。中央美院始终重视青少年美术教育,致力于将专业资源转化为社会养分。每一幅作品都是一粒希望的种子,承载着我们对美好生活的共同期待。中央美术学院美术馆馆长靳军致辞中央美术学院美术馆馆长靳军指出,孩子们的画作展现了对世界最真挚的情感与天然的艺术感受力,是童心与创造力的真实流露。美术馆不仅展出经典作品,更致力于搭建平台,让儿童的奇思妙想被看见、被记录、被珍惜。他希望每位孩子都能在这里播下艺术的种子,找到属于自己的表达天地,并感谢所有为展览付出心力的策划者与志愿者。开幕式主持人  中央美术学院美术馆副馆长高高“小天才”活动发起人、艺术家艾敬现场致辞 现场播放了特别制作的十周年纪念短片《爱像一颗种子——“我爱颜色”小天才绘画大赛十年公益录》,呈现了这项公益活动十年来的发展轨迹与温暖时刻。短片结束后,艺术家、公益项目发起人艾敬以“十年收获”为题发表感言,讲述了大赛从萌芽到成长的点点滴滴。艾敬特别感谢中央美术学院以及中央美术学院美术馆对本届活动的大力支持以及往届支持这项公益活动的艺术机构、美术教育家以及社会各界热心于公益的朋友们。并寄语小朋友们,为了美好的明天快乐健康地过好每一天。艾敬还深情缅怀了这项公益活动的重要发起人、中国国家博物馆副原馆长陈履生老师,并播放了陈履生老师一分钟的纪念短片,短片记录了陈履生老师曾经亲临现场为孩子们颁发奖状的身影。随后,各位嘉宾依次上台,为获奖儿童颁发奖杯与证书。“小天才”活动发起人、艺术家艾敬为评委及义工赠送限量版纪念奖杯“小天才”活动发起人、艺术家艾敬与评委及义工合影“小天才”评委何韵兰老师及刘宝亮老师为获奖小朋友颁奖“小天才”评委汪家明老师及尹然老师为获奖小朋友颁奖“小天才”评委杨源老师及搜狐公益代表曾怿女士为获奖小朋友颁奖艺术家张蔚星老师(已故陈履生老师夫人)、陈都老师(陈履生老师之子)为获奖小朋友颁奖雒树刚部长及林茂院长为获奖小朋友颁奖靳军馆长、高高副馆长及艺术家艾敬为获奖小朋友颁奖 “我爱颜色——小天才绘画大赛”十周年纪念版奖杯第十届“我爱颜色——小天才绘画大赛”优秀作品奖杯值得一提的是,本届活动特别设置了"我爱颜色——小天才绘画大赛"十年回顾展单元,邀请历届部分获奖者携作品参展,与第十届获奖作品交相辉映。其中,第一届获奖的两位代表还专门录制了视频短片,分享他们的艺术成长故事。本届展览展期为7月19日至8月22日,诚邀社会各界前来观展。同期,中央美术学院美术馆还推出"流动的艺域——中央美术学院美术馆藏国际艺术交流研究展",这是该馆首次系统梳理并呈现其丰富的国际艺术收藏。展览汇聚了跨越三个世纪、涵盖五大洲的两百余件艺术精品,每件作品都承载着独特的时代印记与艺术价值,不仅勾勒出中央美术学院美术馆视野下的国际艺术脉络,更展现了中央美术学院在国际美术教育与交流领域的历史成就。这些艺术珍品在中央美术学院美术馆璀璨绽放,既向公众呈现了中外艺术交流的珍贵历史,也为观众开启了对艺术未来的美好展望。嘉宾合影第十届“我爱颜色——小天才绘画大赛”展览现场第十届“我爱颜色——小天才绘画大赛”参展作品“我爱颜色——小天才绘画大赛”十年回顾展厅第十届“我爱颜色——小天才绘画大赛”开幕式大合照主编 / 何一沙责编  / 杜隐珠
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吴彬《洗象图》中的隐喻与晚明禅意 | CAFAM馆藏陈列

2025-07-23

>>>>《洗象图》,吴彬,轴,纸本设色,1592年,纵123cm 横45cm,中央美术学院美术馆藏题款:万历二十年清和八日画于长安燕邸,吴彬钤印:吴彬之印( 朱文方印 )、文中氏( 白文方印 )中央美术学院美术馆二层展厅里,泛黄的绢素上,一队僧侣正于潺潺溪水中涤洗白象——吴彬《洗象图》将佛家的清净境界永恒定格。《洗象图》 局部图吴彬,字文中,又作文仲,自号枝隐僧,生于福建莆田,后寓居金陵(今南京),主要活跃于明万历至崇祯年间。他因画艺精湛被授中书舍人,后擢升工部主事,长期供职于宫廷画院,成为晚明画坛的重要人物。吴彬善绘山水、佛像人物,尤以白描见长,笔法精妙,独树一帜。他的山水布局不囿于古法,自成机杼,而佛像人物则造型奇崛,迥异前人,在晚明画坛开创了独特的艺术语言。作为“变形主义画风”的代表,他以夸张的形态和强烈的表现力重塑人物画传统;同时,他又倡导“复兴北宋经典山水画风”,以严谨的笔墨和宏阔的意境接续古典精神。二者并重,使他在晚明艺术变革中成为承前启后的关键人物,影响深远。《洗象图》 局部图吴彬此作绘于万历二十年(1592),属其中晚年笔意。画题《洗象图》,以“清和”(农历四月别称)点明时节,暗合四月八日佛诞之期,呼应传统“浴佛”仪轨。画中红衣高士为普贤菩萨,持杖立于磐石,三侍从随侧,共观众侍于溪中洗濯白象。象身纹路繁密,在佛教图式中既为普贤坐骑,亦暗喻“佛像”之形,故洗象之举实为“浴佛”象征。晚明宫廷逢初伏有洗象风俗,此作或受官方节俗启发,然更深层地融汇文人“扫相参禅”之思——以涤象为喻,洗却尘障,照见心性。吴彬以奇崛造型与北宋山水笔意并置,使宗教主题兼具仪式感与哲理性。同期洗象图式虽不乏其例,然此作借世俗节令托喻佛法,既应宫廷需求,亦契文人禅悦,堪称晚明佛画“以俗入玄”之典范。>>>>中央美术学院美术馆藏陈列——古代中国美术(第二期)展览时间:2025年7月1日起展览地点:中央美术学院美术馆2层A展厅主编 / 何一沙责编 / 杜隐珠编辑 / 王一帆
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Today is Major Heat.

2025-07-22

Today is Major Heat.
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蓝瑛《雷蛰龙孙图》的无限生机 | CAFAM馆藏陈列

2025-07-21

>>>>蓝瑛《雷蛰龙孙图》 轴明纵193厘米 横74厘米纸本设色中央美术学院美术馆藏 题款:雷蛰龙孙,法李息斋之意。时于西溪万壑松涛,七十又四蝶叟蓝瑛。钤印:蓝瑛之印(白文方印)田叔(朱文方印)鉴藏印:博尔济吉特氏瑞浩所藏(朱文长方印)蓝瑛字田叔,号蝶叟,晚号石头陀、山公、万篆阿主者、西湖研民,又号东郭老农,所居榜额曰“城曲茅堂”,钱塘(今浙江杭州)人,是浙派后期代表画家之一。工书善画,长于山水、花鸟、梅竹,尤以山水著名。其山水法宗宋元,又能自成一家。师画家沈周,落笔秀润,临摹唐、宋、元诸家,师黄公望尤为致力。晚年笔力蓊苍劲,气象峻嶒,与文征明、沈周并重。其画派在晚明影响甚大,传其画法者甚多。在“中央美术学院美术馆藏陈列——古代中国美术”展览中,蓝瑛这幅晚年作品《雷蛰龙孙图》演绎了自然伟力与生命韧性的交锋。笔墨间的力量透露出其对天地生机的哲思。《雷蛰龙孙图》局部具体来看,《雷蛰龙孙图》采用纵向的立轴形式,主要由湖石作为视觉中心,辅以灵芝、雷竹与破土而出的春笋。湖石以高耸、嶙峋的形态贯穿画面,营造出一种奇石挺拔的高古之感。而雷竹和春笋则点缀其旁。《雷蛰龙孙图》 局部雷竹与春笋:雷竹象征旺盛的生命力,而春笋作为竹子的幼苗,与“龙孙”(子孙后代)相呼应,寓意生机勃勃、后继有人,而灵芝常被视为长寿和吉祥的象征,在画面中位于春笋的旁边,强化了祝福长寿的主题。画江南雷竹之春笋,在惊蛰之际破土而出,配以灵芝、湖石,成为祝福老年人长寿和添孙的祥瑞题材。>>>>中央美术学院美术馆藏陈列 ——古代中国艺术 (第二期)  展览时间:2024年7月1日起 展览地点:中央美术学院美术馆2层A展厅       主编 / 何一沙 责编  / 杜隐珠
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跨越三个世纪的133位全球艺术家的作品集结 |“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”开幕

2025-07-20

7月18日,“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”在中央美术学院美术馆开幕。该展览凭借其学术价值和独特的文化视角,大量重要艺术作品为首次展出,涉及133位全球艺术家的244件(组)精彩作品。本展览入选文化和旅游部“2025年全国美术馆馆藏精品展出季”项目。上级单位领导、以及校外艺术机构的代表:教育部留学服务中心来华处处长马赟、清华大学艺术博物馆副馆长段江飞、清华大学奥林匹克艺术研究中心副主任宿志鹏、影易艺术空间负责人李欣、中国对外艺术展览公司负责人尹鹏、今日美术馆执行馆长晏燕、X美术馆馆长尤洋;从事外国美术史论研究的校外专家、学者:清华大学美术学院教授张敢,独立策展人、艺术史研究者苏伟,独立策展人、北京大学艺术学院研究员、西方艺术理论研究学者董丽慧;校内教学科研部门和职能部门嘉宾:南海美术学院院长、中央美术学院教授金日龙、国际合作和交流处处长王川和副处长杨曦、艺术管理与教育学院院长余丁和党总支副书记康俐、党委宣传部部长徐新立和副部长吴琼、建筑学院党总支书记傅祎、人文学院副院长邵亦杨、版画系副主任杨宏伟、图书馆直属党支部副书记安永欣、教务处副处长周岚、姚璐教授、曹庆辉教授,以及美术馆领导班子成员馆长靳军、直属党支部书记韩文超、副馆长高高、副馆长海军,学校相关部门负责人、老师等嘉宾参加开幕式。中央美术学院美术馆副馆长高高担任主持人。中央美术学院美术馆馆长靳军  中央美术学院美术馆馆长靳军在致辞中表示,“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”是我馆首次系统性呈现丰富而珍贵的国际艺术收藏。其中,两百余件国际馆藏作品汇聚于此,每一件作品都承载着独特的时代记忆与艺术价值,共同勾勒出中央美术学院美术馆收藏体系视野下的国际艺术轮廓,生动反映了中央美院在国际美术教育与交流中积淀的深厚历史成果。同时,本次展览入选了文化和旅游部2025年全国美术馆馆藏精品展出季项目。希望观众沉浸于这场跨越时空与地域的艺术对话。中央美术学院人文学院副院长邵亦杨    中央美术学院人文学院副院长邵亦杨表示,此次展览精彩呈现了中央美院从库尔贝到马克·奎恩等国际大师的珍贵收藏,跨越古典至当代艺术。策展以"中国看世界"和"世界看中国"双视角展开,启发我们以全球视野思考艺术发展。这些展品不仅展现了央美的国际交流历程,更折射出不同时期收藏对中国艺术发展的深远影响。正如"他山之石,可以攻玉"的智慧,国际展览让我们通过世界反观自身,推动艺术进步。这是一次极具学术价值的成功展览,期待未来更多这样的艺术盛宴。美术馆策划研究部项目主管胡晓岚   美术馆策划研究部项目主管胡晓岚博士作为策展团队代表谈到,开放、包容和接纳的态度与中央美术学院美术馆建构国际收藏体系的视野和格局是一致的。对于此次馆藏国际艺术展的策划,离不开我们的原点和根本思考点,那就是中央美术学院,那就是中国,因此展览分为"国际艺珍"和"中国镜像"两个单元,从“看世界”与“看中国”的双向视角展开,试图从一个侧面呈现世界艺术相互作用,生长变化的动态图景。特别感谢藏家、艺术家及国际友人的支持,让这些来自世界各地的作品汇聚央美美术馆。感谢在展览落实的过程中提供过帮助的老师们和支持者,希望通过展览激发更多的学术讨论,活化馆藏研究。中央美术学院美术馆副馆长高高担任主持人此次展览是中央美术学院美术馆历史上首次系统梳理并公开展示其国际艺术收藏,是中央美术学院美术馆持续挖掘藏品价值,扩展学术视野,促进藏品高质量利用,促进美术馆高质量发展的重要项目。展品时间跨越三个世纪,从19世纪欧洲古典油画延伸至21世纪的全球当代艺术,地域范围涵盖五大洲。这些馆藏作品不仅体现了不同时代、不同地区的艺术特征,也是从中国视角对于全球美术史的一次关注,同时这次展览更是记录了中央美术学院自1930年代开始,近百年来的国际艺术收藏的积累历程,包括早期欧洲油画收藏、1950年代的系统购藏、捐赠,以及矶崎新设计的中央美术学院美术馆新馆2008年建成开放后的进一步拓展。展览分为“国际艺珍”和“中国镜像”两个单元。“国际艺珍”以文化多样性、历史发展的双重线索,呈现馆藏体系的构建过程,展示了众多珍品。展品包括中国近代第一批公立机构的国际艺术收藏——19世纪欧洲古典主义、现实主义油画序列的首次系统展出(如古斯塔夫·库尔贝的《妇女头像》),也有反映特定时期艺术交流的东欧版画收藏,以及新馆时期入藏的国际艺术名家,如德国约瑟夫·博伊斯、爱尔兰肖恩·斯库利、丹麦比扬·诺格、智利何塞·万图勒里、韩国河东哲、日裔美籍小野洋子、瑞士罗曼·西格纳的当代绘画、雕塑、影像和装置作品。“中国镜像”单元则聚焦日本矢崎千代二、法国阿涅斯·瓦尔达、法国马克·吕布、日本久保田博二四位国际艺术家的创作,展示他们如何观察并艺术化地呈现中国的社会变迁、人文景观和文化特质。这些作品提供了外部视角对中国复杂形象的解读。“国际艺珍”与“中国镜像”两个单元形成了一种双向的观察:既展示对世界艺术的收藏与研究(由内而外),也呈现外国艺术家眼中的中国(由外而内),旨在探讨艺术跨越边界的流动以及文化交流互鉴的意义。展览还设立特别单元,回顾了中央美术学院美术馆2008年新馆落成之后至今的国际艺术展览项目,通过书籍与海报、地图的展示,探讨新时代中国的美术馆与全球艺术的深刻关系。  作为入选文旅部精品展出季的项目,“流动的艺域”的举办,既是对中央美术学院美术馆长期国际收藏与研究工作的阶段性呈现,也反映了中央美术学院积极参与国际艺术交流与对话的姿态。同时这次展览也是中国美术馆界的一次重要尝试,首次以自有馆藏向社会公众呈现一个梳理世界艺术史的展览项目,也是展示了美术馆高质量发展的信心。展览将持续为公众提供一个了解世界艺术多样性与文化交流实践的平台。随着该展览的开幕,中央美术学院美术馆将呈现“中央美术学院美术馆藏陈列:古代中国艺术”、“中央美术学院美术馆藏精品展出季:现代中国美术”和“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”三展联动态势,多角度地向社会奉献中央美术学院美术馆古今中外艺术收藏的成果。  本次展览在中央美术学院美术馆的三层展出,展览将持续到2025年8月24日。期待您的到来!      / 部分参展作品 /妇女头像,古斯塔夫·库尔贝,19世纪,46×38cm,布面油彩,中央美术学院美术馆藏,Head of a Woman,Gustave Courbet,19th century,46×38cm,Oil on canvas,CAFAM Collection枪炮与鲜花,华盛顿特区,美国,马克·吕布,1967年,50×60cm,明胶银盐照片,中央美术学院美术馆藏,Flower,Washington DC,USA,Marc Riboud,1967,50×60cm,Gelatin silver print,CAFAM Collection采集者,何塞•万徒勒里,1982年,98x68cm,布面丙烯,中央美术学院美术馆藏,A Gatherer   José Venturelli,1982,98x68cm,Acrylic on canvas,CAFAM Collection“7000 棵橡树”玄武石之一,约瑟夫·博伊斯,1982年,40×40cm×140cm,玄武石,中央美术学院美术馆藏,One of the Basalt Stones from _7000 Oaks_,Joseph Beuys,1982,40×40cm×140cm  Basalt stone,CAFAM Collection妇女头像,古斯塔夫·库尔贝,19世纪,46×38cm,布面油彩,中央美术学院美术馆藏,Head of a Woman,Gustave Courbet,19th century,46×38cm,Oil on canvas,CAFAM Collection妇女头像,古斯塔夫·库尔贝,19世纪,46×38cm,布面油彩,中央美术学院美术馆藏,Head of a Woman,Gustave Courbet,19th century,46×38cm,Oil on canvas,CAFAM Collection妇女头像,古斯塔夫·库尔贝,19世纪,46×38cm,布面油彩,中央美术学院美术馆藏,Head of a Woman,Gustave Courbet,19th century,46×38cm,Oil on canvas,CAFAM Collection歧路之园,马克·奎恩,2019年,220×120cm,铜,中央美术学院美术馆藏,The Garden of Forking Paths,Marc Quinn,2019 ,220×120cm,Bronze,CAFAM Collection 
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从矶崎新眼中看中国 & 从央美建筑新锐中见未来

2025-07-18

7月15日,由中央美术学院主办的“矶崎新:一个世界公民眼中的中国”展览和“溯流而上:央美建筑青年创作展”在中央美术学院美术馆正式拉开帷幕。中央美术学院院长林茂,副院长吕品晶出席活动并致辞,中央美术学院原院长潘公凯先生、老教授张宝玮先生,以及相关部门负责同志、师生代表、校友代表参加活动。“矶崎新:一个世界公民眼中的中国”   展览继成都展之后,回到了矶崎新设计的中央美术学院美术馆,展览精选了建筑大师矶崎新于过去近三十年间,在中国的众多作品中所做的十个建筑和城市设计项目。每个作品都饱含深刻的历史意识、丰富的当下意义、积极的中外对话和有力的空间语言。致敬矶崎新先生在这片土地上留下国际视野与本土关怀的印记一同践行“如何让建筑扎根文化、连接未来”的探索精神策展人中央美术学院建筑学院副院长崔冬晖教授介绍了展览的机缘及核心内容,同时回忆了矶崎新先生从21年前至现在“回家”的点滴,策展人香港大学建筑系副教授朱涛、矶崎新+胡倩工作室联合创始人兼主持建筑师胡倩就展览作品进行了导览与交流学术研讨“矶崎新:一个世界公民眼中的中国”圆桌论坛,围绕“矶崎新与央美”“建筑与艺术”“矶崎新与当下”等议题进行深入研讨。中央美术学院建筑学院史洋副教授主持论坛。中央美术学院原院长潘公凯先生回顾了中央美术学院美术馆建设过程,强调正是基于对矶崎新的高度信任,才促成这场跨越制度与文化的深度合作与成就。希望中央美术学院建筑学院继续把握好“培养具有艺术家素养的建筑师”的办学理念,特别是建筑应具有文化自觉与美学判断,坚持区别于传统工科路径的独特方向。策展人、香港大学朱涛教授谈到,矶崎新以“世界公民之眼”审视中国建筑,融合传统与未来,回应快速城市化中的文化张力;时任中央美术学院美术馆工程负责人、中国国家画院原副院长谢小凡教授分享了“由信任支撑起的责任”这一思考;中央美术学院程启明教授则从“格物”到“格空间”的思辨出发,解读矶崎新设计背后的哲学内核;北京服装学院艺术设计学院院长车飞教授与矶崎新+胡倩工作室联合创始人胡倩教授分别从交往经历出发,强调矶崎新在“矛盾中构建生命力”与“技术中融合情感”的人文姿态。“溯流而上:央美建筑青年创作展”  展览参展的15家设计机构的17位参展人均为中央美术学院建筑教育培养的杰出校友,他们的作品体现出中央美术学院建筑学院独特的教育环境塑造的专业素养和社会关怀,守护了建筑作为人文艺术的核心价值,受到国内外的普遍关注。策展人中央美术学院建筑学院党总支书记傅祎教授和北京建筑大学金秋野教授介绍了本次展览的缘起、目的和学术主张,各位参展校友依次介绍了自己的展览作品学术研讨“溯流而上”青年创作论坛,从建筑与艺术的关系角度切入,聚焦中央美院建筑教育的独特路径。中央美术学院建筑学院党总支副书记李琳教授主持论坛。中央美术学院副院长吕品晶教授回顾中央美院建筑教育体系建设历程,强调“艺术家精神”始终是中央美院建筑的核心;《时代建筑》主编支文军教授指出,中央美院培养的建筑师群体已成规模,应从“个案”走向“系统叙述”;策展人、中央美术学院建筑学院党总支书记傅祎教授谈到此次展览是对中央美院建筑教育人才培养成果的一次检阅,是矶崎新先生和中央美院建筑设计后生一起“回家”;策展人、北京建筑大学金秋野教授谈到展览主题就是关于“逆向思考”与“源头重溯”的精神探索,作为艺术的建筑是从不在顺流中重复自己;参展校友代表就“央美”身份的认同与思考发表了感想,也集体性的呈现了 “艺术直觉”与“技术理性”平衡的共性特点。展览资讯“矶崎新:一个世界公民眼中的中国”展“溯流而上:央美建筑青年创作展”主办:中央美术学院承办:中央美术学院建筑学院   中央美术学院美术馆展览时间:2025年7月15日—8月24日展览地点:中央美术学院美术馆一层展厅、一层侧厅主编 / 何一沙责编  / 杜隐珠
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CAFAM Youth Workshop Recruitment | Seeing The World Differently - N Perspectives Of Photography

2025-07-17

Roger Ballen(South African) Head Below Wires   Gelatin silver print  40×40cm 1999"Interflowing Artscapes: CAFAM International Exchange Research Exhibition from the Collection" is currently on display in Halls A and B on the 3rd floor of the museum. The photography works in this exhibition feature a collection of masterpieces by renowned photographers such as Marc Riboud, Hiroji Kubota, Agnès Varda, and Roger Ballen. Their diverse perspectives present an alternative way of observing the world, capturing the facets of human existence with freshness and acuity.In this workshop, we will guide the participants to visit the exhibition and analyze the works. On this basis, we will invite you to create a photography work from your personal perspective based on the content of the works in the exhibition hall.Agnès Varda(French) Beijing No.3  Archival Pigment Print   80×80cm  1957Ancestral Veneration Ritual, Hangzhou, Zhejiang,1983〔   Event Information   〕Activity Time: July 20, 2025 (Sunday) 10:00-11:30 (Gather at the museum front desk at 9:50)Recruitment Target: Children & teenagers aged 10-16 (accompanied by at least one parent)Photography Equipment: iPad, mobile phone (to be prepared by participants themselves)Number of Recruits: 20 peopleCourse Duration: 1.5 hoursVenue: 3rd Floor Exhibition Hall of the Art Museum + Public Education Area at the West Gate of the Art Museum〔   Teaching Instructor   〕He PeijiaBorn in 1997 in Hangzhou, Zhejiang Province, currently works and lives in Beijing;Graduated with a master's degree in the Research on Imagistic Oil Painting from the Central Academy of Fine Arts in 2023;Graduated with a bachelor's degree in New Media Art from the Beijing Film Academy in 2019;Her works have been selected into: 2024 Excellence Award of Zhejiang Fine Arts Award Creation Award (The 15th Zhejiang Provincial Fine Arts Exhibition);2024 The 14th National Fine Arts Exhibition (Oil Painting Category);2024 The 21st New Artists and New Works Exhibition of Beijing Artists Association, etc.〔   Registration Method   〕Teenagers participating in the event are requested to scan the QR code via WeChat to make an appointment for this activity.Parents or accompanying personnel are required to purchase tickets for the art museum.The number of places is limited, and registration will close once all places are filled.If you are unable to attend after registering, please cancel in a timely manner. Those who are absent without cancellation for a total of twice within a year will have their eligibility to participate in public education activities suspended for the current year.Note:1.Teenagers can participate in this workshop for free.2.Painting materials and shooting equipment (such as iPads and mobile phones) need to be prepared by participants themselves.3.The Central Academy of Fine Arts Art Museum reserves the final right of interpretation for this event.Chief Editor / He Yisha Editor / Du Yinzhu
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暑期活动预告|「我来央美画馆藏」 ,更多惊喜等着你!

2025-07-16

这个夏天,别再只是“看”展啦!中央美术学院美术馆邀你变身“创作者”,与千年古代艺术来一场跨越时空的灵感碰撞!活动时间:2025年7月16日开启活动地点:中央美术学院美术馆藏——古代中国艺术(美术馆2A展厅)如何参与?超简单!在“古代中国艺术”展厅完成临摹或回家再创作,将自己的作品在小红书平台发布,带话题#我来央美画馆藏,并@中央美术学院美术馆官方账号,需标注灵感来源的馆藏作品名称。  奖项设置  按照笔记获得点赞数量居高者给予奖励;两周汇总一次数据,7月31日公布获奖名单。一等奖1名:可获得美术馆家庭年票一张二等奖3名:可获得美术馆个人年票一张三等奖10名:可获得美术馆普通门票两张为什么必须参加?零门槛艺术共创:无论你是专业画家还是绘画爱好者,甚至是第一次拿起画笔,这里都欢迎你!用你的视角解读国宝。深入对话古代大师:临摹与再创作,是走进传统艺术精髓最直接、最深刻的方式。官方平台展示机会:你的作品有机会被央美美术馆官方看到并分享,让更多人欣赏你的才华!成为艺术传播者:用你的创作和分享,让沉睡的文物在当代焕发新生,讲述新的故事!独一无二的暑期体验:在艺术殿堂里留下你的创作足迹,收获满满艺术能量!这个暑期,让馆藏在你的笔下“活”起来!我们在央美美术馆2A展厅等你,更在小红书等你晒出大作!一起掀起传统与创新的艺术浪潮吧!主编 / 何一沙 责编 / 杜隐珠编辑 / 王一帆
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Two Exhibitions In One Day | "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural from CAFA" Open Simultaneously

2025-07-16

"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumTwo Exhibitions in One Day: Hosted by the Central Academy of Fine Arts, "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural From CAFA" opened on July 15 at the First-Floor Exhibition Hall of the CAFA Art Museum."Arata Isozaki: China Through The Eyes Of A World Citizen" Exhibition SitePart.1Arata Isozaki: China Through The Eyes Of A World CitizenFirst-Floor Exhibition Hall, CAFAM"Arata Isozaki: China Through the Eyes of a World Citizen", this exhibition selects ten architectural and urban design projects from the numerous works completed in China by renowned architectural master Arata Isozaki over the past nearly three decades. Each work is infused with a profound sense of history, rich contemporary significance, active dialogue between China and the world, and a powerful spatial language. Currently, Arata Isozaki’s works in China have formed a stunning "archipelago". It is hoped that through this exhibition, visitors will be invited to explore each "island" one by one, appreciate the uniqueness of each, and "sail" between them to feel the distant echoes and mutual resonance among the "islands".Arata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,Shenzhen Cultural CenterCourtesy of ISOZAKI+HuQian Partners Arata Isozaki, National Grand Theater Limited CompetitionCourtesy of ISOZAKI+HuQian PartnersArata Isozaki, Zhengdong New District Longhu SubCBD, MasterplanCourtesy of ISOZAKI+HuQian PartnersPart.2Upstreaming: Young Architectural from CAFASide Hall CAFA MuseumThe 17 participants from 15 design institutions in the exhibition "Upstream: Young Architectural from CAFA" are all outstanding alumni trained by the architectural education program of the Central Academy of Fine Arts. Their works embody the professional qualities and social concern shaped by CAFA's unique architectural education environment, uphold the core value of architecture as a humanities and art discipline, and have attracted widespread attention both domestically and internationally."Upstreaming: Young Architectural from CAFA" Exhibition Site"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumChief Editor / He Yisha Responsible Editor / Du YinzhuOn-site Photos / Lu Baiyun
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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