Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: 注入新生活力 | 我馆2024届毕业生收藏作品概览

2024-06-27

中央美术学院有着收藏毕业生作品的优秀传统，历届毕业生的作品都有着鲜明的时代特点和艺术气质，是美院教学的生命力体现和历史展现。目前，2024届毕业生作品的收藏工作圆满完成，经由收藏委员会审定确认，共有28名学生的优秀毕业作品被挑选留校，由中央美术学院美术馆永久收藏。其中研究生共10名18件（套）作品，本科生共18名22件（套）作品，不仅涵盖了绘画、雕塑、装置、设计等多种艺术形式，更有一批具有跨学科融合的数字多媒体艺术作品。这些作品的入藏，增加了我馆藏品的多元化和创新性，丰富了我馆的馆藏体系，为艺术更好地推广和交流奠定了坚实的基础。靳军馆长在2024中央美院毕业典礼上向馆藏作品的作者代表颁发证书| 被收藏作品毕业生名单 |研究生院：原晓轩中国画学院：高佳艺油画系：徐志洋、刘家豪、谭森垚版画系：周宏博、陈柏宇、范书媚、林圭宇、叶娉婷雕塑系：陈光耀、马千丁壁画系：高一鸣设计学院：张岩、吴兆伦、肖博涵、刘金涛、孙艺宸、李然、邵泓晔城市设计学院：谢孟瑶、杨云舒、朱若歌、刘峰岑、刘鑫、陈仲烜、程海铸实验艺术与科技艺术学院：李晴
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: 实习生招募公告 | 中央美术学院美术馆期待你的加入！

2024-06-27

中央美术学院美术馆实习生招募中央美术学院美术馆为有志于从事美术馆相关学习、研究和实践的人士提供实习机会。通过参与具体项目的策划实施，切实了解和学习美术馆运营机制，为年轻学子未来的专业学习和职业发展积累实践经验，也为培养新一代高素质美术馆从业人员创造条件。如果你有艺术相关专业本科及以上学习背景，年龄在20-30岁之间；如果你身体健康，热爱美术馆事业，有较强的团队合作能力；我们为你开放美术馆7个部门的实习机会：一各部门岗位要求01典藏部| 岗位要求 |1、具备美术史基本知识；2、熟练掌握办公软件。02策划研究部| 岗位要求 |1、美术史相关专业硕士研究生及以上学历，有展览相关实习经历；2、熟练掌握办公软件。03公教部| 岗位要求 |1、艺术相关专业学习背景，美术、艺术设计、艺术教育等优先；2、英语能力佳、表达能力佳者优秀；3、熟练掌握办公软件。04展览部| 岗位要求 |1、熟练掌握办公软件及简单绘图软件；2、具备一定写作能力。05设计部| 岗位要求 |1、熟练掌握空间设计软件（SketchUp）及平面设计软件（Illustrator、Photoshop、Indesign）等（有展览视觉及空间设计经验者优先）。06媒体部| 岗位要求 |1、有艺术管理、艺术史专业学习背景或相关经历；2、具有扎实的文字功底，撰写和编辑能力强，可独立完成艺术类报道；3、有微信公众号、小红书平台编辑经验者优先。07发展部| 岗位要求 |1、熟练掌握办公软件（尤其PowerPoint）；2、具备一定设计能力者优先。二实习期限1、能够每周到岗参与工作4-5天，在校学生至少3天，能够接受周末及节假日的临时工作安排；2、实习期不少于三个月，最长不超过一年。三实习生福利1、实习期间不提供薪资，可为实习生申请临时校园卡用于餐食；2、根据实习期间表现及时长记录，可开具实习证明。四报名申请请点击文末“阅读原文”或从以下百度网盘链接下载《中央美术学院美术馆实习生申请表》，填写后发送至cafamcafam@163.com，邮件主题注明“姓名+申请部门”，我们将择优联系及安排面试。报名时间截至2024年7月7日（周日）。链接：https://pan.baidu.com/s/1DJWMHdVr4QNTycl6YJYgLw?pwd=r3ss提取码：r3ssCAFAM期待您的加入！
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: Volunteers for the Central Academy of Fine Arts (CAFA) Museum of Fine Arts

2024-06-25

Located on the campus of the Central Academy of Fine Arts, the Art Museum of the Central Academy of Fine Arts (CAFA) is a professional, internationalized and modern art museum with the functions of academic research, exhibition display, collection restoration and public education. It adheres to the academic philosophy of "being inclusive, following the past and opening up the present", serves the society with "wisdom", devotes itself to the construction of contemporary public cultural space, presents human artistic civilization to the general public with a brand new vision, and shares the culture of the times with all walks of life.The dissemination and promotion of art and culture requires wider public participation, and the work of art museum volunteers is an important window for public participation in the arts. At present, the art museum volunteer work has been carried out for more than nine years, and the volunteer team is getting stronger and stronger, injecting vivid power into the art museum. As an enthusiastic social welfare and art museums, you must hope to join our team and contribute to social aesthetic education. We are willing to build a platform for you to show yourself and serve the society.The Art Museum of the Central Academy of Fine Arts is now openly recruiting people from all walks of life who are enthusiastic about public welfare and museums, and invites you to join our volunteer team.1、您可参与的岗位（1）公共咨询服务志愿者（2）导览志愿者（3）活动志愿者（4）公共教育多媒体志愿者2、期待您符合以下志愿者的基本条件（1）18-65周岁，具有完全民事行为能力的自然人，无违纪违法不良记录；（2）身心健康、开朗热情、态度亲和、善于沟通，具有较强的责任心、志愿服务意识和组织协调能力，语言表达流畅，普通话发音标准；（3）大专以上文化程度，热爱艺术，愿意了解艺术的相关知识，有较强的学习能力；（4）有足够空余时间从事志愿工作；（5）符合以下条件者可优先考虑： ①具有艺术类、文博类、语言文学类、历史、考古、新闻学、心理学、摄影摄像、新媒体运营、美术教育等专业背景者； ②大中小学教师； ③有博物馆志愿者一年以上服务经验者； ④掌握一门或多门语言沟通能力者； ⑤具有文字编辑、图片和视频拍摄能力者。3、岗位工作内容与具体要求（一）公共咨询服务志愿者（1）为观众提供咨询和引导服务；（2）完成现场观众咨询解答和投诉接待工作；（3）完成公众服务工作，应急配合接待团体导览服务。以尊重的态度对待每一位公众，做到礼貌用语，微笑服务，引导观众文明参观，有序参观；（4）前台服务热线的接听和电话转接，做好来电咨询工作，重要事项认真记录并传达给相关人员；（5）配合馆内安全导引等相关工作预案，及时发现情况并上报且采取相应措施。（二）导览志愿者（1）参与展前培训，了解各展览学术点，提供志愿导览服务；（2）导览资料的整理及收集，策划并组织艺术知识的普及工作；（3）建构硕博生导览团的相关整理工作；（4）根据不同年龄层进行导览心理研究与探访。（三）活动志愿者（1）参与公共教育项目和活动的策划与实施；（2）协助讲座、工作坊等相关活动宣传资料的整理与收集；（3）参与部门项目活动的现场工作执行。（四）公共教育多媒体志愿者（1）完成现场照片、视频拍摄相关工作；（2）完成活动报告撰写、编辑校对、照片与视频等归档、编辑及整理等活动总结工作；（3）必要时协助活动现场执行。4、服务时长（1）每周二至周日开馆日上午9:30-13:30；下午13:30-17:30（请根据个人实际情况填写志愿服务时间，可选半天）；（2）保证每月至少来馆服务2次（每次不少于2小时）；（3）每年服务时间不少于48小时。5、您将获得的专属权益（1）免费参加中央美术学院美术馆举办的各种培训学习、讲座研讨会等活动的权利；（2）凭志愿者证件可以免费参观展览的权利；（3）在服务期间，志愿者可以向管理部门申请免费查阅本馆资料；（4）将获得艺术专业知识培训，包括但不限于中西方美术简史，美学导论，博物馆、美术馆概论与发展史，展览阐释，解密展览策划，博物馆、美术馆多媒体记录技巧与应用。（5）了解和参与幕后的专业工作，可以接触艺术家、艺术品、策划人和专家学者，认识有共同兴趣和理想的人；（6）可以参加“志愿者活动日”——美术馆专门为志愿者设计的交流、培训和联谊活动；（7）可以累积“志愿北京”时长；（8）服务期满半年且服务时长超过36小时或年满一年且服务时长达48小时的志愿者可向管理部门申请志愿者服务证明，并享有优先申请“美术馆实习生”的资质；（9）每年优秀志愿者将获得一年度的美术馆个人年卡会员资格。6、报名方式（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30；报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编 / 杜隐珠
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: 作品回顾 ‧ 数字三维动画工作室（一） | 2024中央美院本科生毕业作品展

2024-06-25

段怡杉 | DUANYISHAN数字三维动画工作室【银河花园】银荷花园是我们一群一起长大的伙伴所居住的社区的名字，在这个场所当中，我们拥有很多共同的童年记忆。而随着光阴飞逝，一些小伙伴逐渐失去了联系，银荷花园也经历了改造翻新。————《银河花园》————侯铮儿 | HOUZHENGER数字三维动画工作室【切舍兔乐园】青春期是个体面临身份认同、自我价值和社会适应等诸多挑战的时期，而现代社会的沟通缺乏和心理问题使这一现象更加普遍。影片通过《爱丽丝》系列童话的符号和梦幻氛围，设计出兔面具女孩这一形象，代表青春期孩子的角色，将现实中的孩子们置于超现实乐园中，表面展现快乐，但现实问题逐步显现。通过从无意识到潜意识的叙事结构和色彩表现，影片揭示了主人公内心的变化和挣扎，探索了三维动画中的情感表达。————《切舍兔乐园》————张桂濠 | ZHANGGUIHAO数字三维动画工作室【碎片】粉色的蝴蝶在黑白的世界中寻找和自己一样色彩的伙伴，却遭遇到来自黑白世界无情的破坏。直到所有的色彩都在黑白的碎片中淹没。————《碎片》————伊溟霄 | YIMINGXIAO数字三维动画工作室【灵境】人类的灭亡是文化的灭亡而非肉体的灭亡，机械的智慧维系着生命的磅礴，但灵魂的消磨与腐朽无可阻拦。人类的灵魂必然再次融入自然完成与生俱来的使命，死亡。————《灵境》————宗怡雯 | ZONGYIWEN数字三维动画工作室【到高高山去】本片主要讲述了某一天小女孩捡到了一个密封的空罐头，罐头商标上的星星告诉她到高高山去，为了这个神秘的罐头，她踏上了前往高高山的旅途。一路上她面对周围环境中的审判、招揽与诱惑都不为所动。最后，她登上了高高山顶，打开了罐头……————《到高高山去》————明理河山 | MINGLIHESHAN数字三维动画工作室【林】短片主要展现的是动画创作者自我剖析的过程。动画主角象征着创作者的思想，它在由过往记忆与认知拼合而成的超现实空间里经历、体会与感知，最终在短片末那无声的浪花中获得内心的安宁与思想上的成长，使“我”更像“我”。————《林》————宋宸菲 | SONGCHENFEI数字三维动画工作室【莉莉的冒险】《莉莉的冒险》是一部2.5D的冒险类动画，故事讲述了一个精灵少女莉莉在成年日被魔镜吃掉，掉进异世界，历经种种冒险与磨难后，凭借友情与爱的力量，战胜自我，回归现实的故事。————《莉莉的冒险》————袁佳艺 | YUANJIAYI数字三维动画工作室【她者之境】以女性身体为素材进行角色、场景创作，用唯美奇幻的场景消解对女性的凝视。————《她者之境》————主编 / 何一沙责编 / 杜隐珠
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: Jin Jun: The artistic ideal of "Direction of The heart" will surely be realized

2024-06-21

The artistic ideal of "Direction of The Heart" will surely be realized Jin JunCurator of CAFA Art MuseumFrom realistic style to abstract expression, from traditional easel painting to contemporary experimental art, thousands of diverse styles and media of artistic creations formed the 2024 Central Academy of Fine Arts Graduation Exhibition in early summer. Amidst this artistic extravaganza, the brilliance and panache of the new generation of young scholars were on full display. They unveiled a vibrant and diverse artistic realm to the community,via their diverse styles, impeccable craftsmanship, and distinct viewpoints.《ART MARKET》：As we enter the graduation season, the 2024 graduation exhibition of the Central Academy of Fine Arts (hereinafter referred to as "CAFA") is underway. Could you provide an overview of the overall planning and execution of this year's exhibition from a macro perspective?Jin Jun：Organizing graduation exhibitions is a core part of the annual graduation season in domestic art schools. It involves evaluating the academic achievements of each student on one hand; On the other hand, as a discipline closely related to social life, art graduation exhibitions are also a presentation aimed at the general public. Therefore, in recent years, graduation exhibitions of major art schools have attached increasing importance to the public's openness and dissemination, and have also produced a good response in society.Consistent with most domestic institutions, the graduation exhibition at the Central Academy of Fine Arts (CAFA) also takes place in May or June, primarily at the CAFA Art Museum. Owing to limited exhibition space, the CAFA graduation exhibition is structured into distinct phases: The first phase runs from April 30th to May 14th, featuring a graduate work exhibition; The second and third phases are dedicated to undergraduate graduation works, with each department showcasing its exhibits during separate timeframes. Works from the Oil Painting Department, Mural Painting Department, Experimental Art and Technology Art School, Urban Design School, Art Management and Education School, and the (Sino-French) Art and Design Management School will be displayed from May 19th to June 2nd. Meanwhile, the Chinese Painting School, Calligraphy School, Printmaking Department, Sculpture Department, Design School, Architecture School, and the Humanities School will be showcased from June 7th to 23rd. Scene of "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》：Compared to previous years, what adjustments and changes have been made in the planning of this year's Central Academy of Fine Arts Graduation Exhibition?Jin Jun：The Central Academy of Fine Arts' graduation exhibition has been held consecutively for nine sessions, offering different experiences each year. After years of evolution, the most significant impression this year's exhibition has made on me is the gradual shift towards simplicity and serenity in its curatorial approach, evident in both the visual design and the theme "Yearning for It". Furthermore, the overall planning and execution of the exhibition have become more sophisticated and streamlined. Scene of "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》：You just mentioned that the theme of this year's graduation season of the Central Academy of Fine Arts is "Direction of The heart", what is the deeper concept that this theme hopes to express? Jin Jun：The theme phrase was proposed by the school according to the overall positioning of the graduation exhibition, and I personally understand it more as a kind of simple blessing and expectation from the school to the students, and also a reflection of the students' state of mind; including the image design of the blue background and white clouds in the main visual, which heralds the good wishes of the young students, young artists, and designers to go out of the school campus and to a broader world. We expect to see the ideals and aspirations of the students from the graduation works; we expect the students to respond to the call of the times and climb up the artistic peak one step at a time with their love for art and persistence in artistic ideals; we expect the students to become a forceful force in the construction of modern civilization of the Chinese nation, and to become an important force in the promotion of the great fine arts in fusion with the modernized industrial system and the people's better life. Scene of "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》：What efforts has the Central American Art Museum made to improve the standard of graduation exhibition planning, service quality and visiting experience? Jin Jun：The whole graduation season is mainly led by the relevant departments and teams of the school, and through coordination with various faculties, we have carried out unified planning and execution from time allocation, space arrangement, image design and many other aspects. As the actual management department of the exhibition space, our job is to actively cooperate with the faculty to improve the overall service level and viewing experience of the graduation exhibition.First of all, this year, we improved the online exhibition booking program, which not only facilitates the participation of the public, but also helps the museum to pay attention to the density of the flow of people in time to ensure that the exhibition is carried out in an orderly manner. Secondly, the museum has also organized volunteers to provide interpretation services, through guided tours or Q&A, to improve the dynamic line of the exhibition and increase the audience's understanding of the works in the exhibition. Once again, in terms of the exhibition's outreach communication, this year also produced a more detailed publicity program, in order to increase the social attention of the graduation exhibition.In addition, as an extension of the exhibition, the Museum's Cultural and Creative Shop has enriched its merchandise categories to enhance the quality of cultural consumption by the audience, and the Café has also improved its operational capacity to provide the audience with leisure experiences after the exhibition as much as possible. CAFA Art Museum Gift Shop Site《ART MARKET》：According to your observation, what are the current changing trends in the presentation, style, and thematic concepts of students' graduation work as a whole? Jin Jun：In recent years, the works of art college students have been showing a strong level and state of innovation and imagination. It is especially obvious in the development of the integration of art and technology. At present, many works of graduates from the School of Urban Design, Experimental Art and Science and Technology Art are integrated with the current new technologies such as digital technology, virtual reality, artificial intelligence, etc. They have created very complete works from different perspectives, fully expressing their respective ideologies. Obviously, the combination of art and new technology not only provides a broader creative space for creators and shows the innovative spirit of young students, but also makes the art works more vivid and intuitively presented to the audience, increasing the interactivity and sense of experience.In addition, the traditional departments represented by the School of Chinese Painting, the Department of Oil Painting, and the Department of Mural Painting also maintain their original professional characteristics in their graduation creations. In terms of expressing themes, it can be seen that everyone's concerns are more diverse and more oriented to social reality--Pay attention to the development status of different groups and regions in the current society. From this, we can also see the professional quality and creative ability of current graduates, as well as their in-depth thinking and artistic expression of social development. Scene of "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》：In recent years, the graduation exhibition of art schools has become more and more important and concerned by major institutions and the public, what are the influencing factors of this trend?Jin Jun：From the perspective of the first two phases of the graduation exhibition of the Central University of Fine Arts, the number of visitors to the exhibition has definitely increased compared to the previous two years. Especially during the two days of the weekend, due to the limited space and venue of the Central Academy of Fine Arts, we had to take measures to limit the flow of traffic, so as to ensure that the audience's viewing experience is safe and orderly. From this, it is not difficult to see that the community is highly concerned about the graduation exhibition of art schools.Of course, this highly concerned trend is brought about by the overall development and change of our society. Although art colleges and universities are teaching and researching units mainly located in talent cultivation, along with the improvement of domestic economic level in the past 10 years, the public's demand for spiritual and cultural fields is also increasing, and every family's pursuit of quality of life, and the importance of children's growth, aesthetic education, and education ...... These factors have prompted the public to pay high attention to graduation exhibitions of art colleges and universities, which determines that graduation exhibitions need to fully consider the interaction with the public. These factors have contributed to the high attention of the public to the graduation exhibition of art colleges, which also determines that the graduation exhibition needs to fully consider the interactivity with the public. Scene of "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》：What positive effects and significance can graduation shows have for both institutions and graduates?Jin Jun：When the relationship between the graduation exhibition and the public becomes more and more extensive and close, this will be conducive to the school to capture the public's feedback on aesthetics, market, technology and other aspects in a timely manner, which will have a certain direction reference for the cultivation of relevant art talents in the institution, so as to better serve the society.For students, the graduation exhibition is an important summary and concentration of their academic achievements for several years, and is an important moment in their life course. Through the graduation exhibition, students' graduation works can be seen by more people, which is an important step for their identity transformation and the next stage of their life. Scene of "Direction of The Heart"--2024 CAFA Graduation SeasonInterview｜Art Market Reporter Wu WenlongEditor-in-Chief / He YishaEditor / Du Yinzhu
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: 作品推介 · 书法学院丨2024中央美院本科生毕业作品展

2024-06-20

展览现场书法学院本科生毕业作品选吴思昊作品名称:行书《黄山谷诗句》节录作品尺寸:240cmx49cm作品名称:《篆刻创作》
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: China Academy of Building Research Group visited CAFA Art Museum for an Exchange

2024-06-19

Recently, Sun Jianchao, President of Architectural Design Institute of China Academy of Building Research (ADI), Lai Yuqiang, Vice President of ADI, and Xue Ming, Chief Chief Architect visited the Art Museum of the Central Academy of Fine Arts (CAFA). Accompanied by Director Jin Jun, Secretary Han Wenchao, and related personnel from the Museum's Logistics and Infrastructure Department, Exhibition Department, and Design Department, the eight experts from CRA visited the undergraduate stage exhibition of the graduation season, and appreciated the active sparks of thinking in the students' works.After that, both parties held a discussion in the conference room of the museum, in which Jin Jun, director of the museum, Han Wenchao, secretary of the Party branch directly under the museum, Gao Gao, deputy director of the museum, Sun Wei, director of the logistics and infrastructure department, Wu Peng, director of the exhibition department, and Ji Yujie, director of the design department, participated. During the conversation, not only recalled and affirmed the foresight of the Art Museum at the beginning of its establishment, the Art Museum also put forward inquiries about the current problems faced by the venue, and the experts of CRRI gave professional suggestions for follow-up cooperation in a targeted manner. In the future, we are looking forward to an all-round "medical check-up" of the museum in terms of space function improvement, equipment rationalization and updating, and venue safety and security, so as to provide the best exhibition experience for teachers, students and art lovers.
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: "Art on the Move: The Graduation Night of Central Academy of Fine Arts Experience the New Mode of Online Exhibition Viewing

2024-06-19

On June 15, 2024, in the exhibition hall of the Art Museum of the Central Academy of Fine Arts (CAFA), a unique online art feast was presented: "2024 'Art Rise and Walk'-Central Academy of Fine Arts Graduation Season Night ". The event took full advantage of remote interactive technology, bringing the audience an unprecedented viewing experience.As a leading company in the field of remote interaction, Beijing Magic Eye Technology Co., Ltd. provides strong technical support for this graduation season works exhibition with its unique real-time remote interaction system. Combined with the depth of this Central America Graduation Works Exhibition, it allows viewers to enjoy the graduation season works anytime and anywhere. Regardless of whether the viewers are at home or abroad, they can come to the venue of the graduation exhibition of the Central Academy of Fine Arts by simply accessing the Internet and downloading and logging in the App. The viewers can also interact and communicate with the artists online and participate in the guided tours offline, so as to gain a deeper understanding of the creative background and connotations of the works.此次活动，除了开放给毕业生家长、国内外美术馆馆长和专业人士远程观展外，也将通过魔方眼远程交互技术将中央美术学院的优秀作品带到了偏远山区的学校和养老院的老人身边，让他们无需长途跋涉，便能近距离欣赏到艺术的瑰宝。借由技术将优秀的艺术公益资源普惠到更多的公众，这也是中央美术学院美术馆未来艺术教育的发展方向。希望藉此推动并展开美术馆公共教育的对外新链接。Editor-in-Chief / He YishaEditor / Du Yinzhu
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: Building an Art Bridge between Chinese and German To promote international exchange and cooperation

2024-06-18

On June 13, 2024, a delegation of German artists led by Ren Rong, director of the Museum of Contemporary Art Bonn, visited our museum for exchange. The members of the delegation included: Camill Leberer, Juergen Paas, Otto Reitsperger, Herbert Mehler, Claudia Faehrenkemper, Eile Zrijkowski and Jürgen Paas. Faehrenkemper, Reiner Seliger, Clemens Weiss, Beba Ilic, Sonja Maria Edle von Hoeßle, Hartmut Reinhard Roy. Reinhard Roy). In addition to the German artists, several representatives of Chinese institutions also joined in an in-depth study and exchange at the museum.Accompanied by Jin Jun, Director of the museum, Gao Gao, Deputy Director of the museum, and relevant personnel of the Planning and Research Department, the delegation visited the second phase of the "Central Academy of Fine Arts undergraduate graduation exhibition", and then held a discussion to discuss the concept of artistic creation, cultural exchanges and the possibility of cooperation. This study tour not only promoted mutual understanding between Chinese and German artists, but also laid the foundation for more in-depth cooperation in the future.
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: 作品回顾 ‧ 手绘动画工作室 | 2024中央美院本科生毕业作品展（一）

2024-06-16

学生作品杨琰作品名称：亟待作品类型：视频动画创作年份：2024作品阐释由于航班延误，滞留机场10小时的的主角，在痛苦等待时间流逝的过程中受哄闹的机场园林吸引，从而被拉入了一场神秘的狂欢派对中…… ---------------------------------------------------------------------------------------周鑫鑫作品名称：我的乐园作品类型：视频动画创作年份：2024作品阐释随着我渐渐长大，逐渐明白，这一生所追求的，不过是童年时期那种无忧无虑的快乐。我怀念小时候去过的乐园，怀念儿时的玩伴。长手臂的小猴、保佑平安的虎头娃娃、懒羊羊，那时的我认为它们是有生命的，可以自言自语一整天，和它们诉说着只有彼此知道的，幼稚又真诚的心事。成人要思考的东西太多，内心长满了杂草。但是我想，在每个人疲惫的心里，都应该有一座乐园，需要一个引领者带着我们去找到它，心安即是归处。 -----------------------------------------------------------------------黄迎鑫作品名称：狩猎森林作品类型：视频动画创作年份：2024作品阐释一位猎人误入一片诡异的森林，进入到无数危险和怪异之中，自然的恐怖、生物的奇异、意识的迷乱环绕在他身体与意识的四周。最终，一群长着鹦鹉脑袋，戴着眼镜的人形怪物彻底使他陷入了癫狂，并扣下了扳机，却击中了自己...影片试图构建一种矛盾的狩猎与被狩猎的关系，探讨当代人类社会的生态困境。 ----------------------------------------------------------------------- 高铭阳作品名称：想起作品类型：视频动画创作年份：2024作品阐释以我幼时的零散的视觉记忆为灵感，从中感知到强烈的情绪。结合现实取景参考，创作了这部充满自我表达的短片。作品强调凸显客体，同时追求主体的渗入，模拟手持拍摄、主观视角都是主体相关的手法。更多的主体性体现在机位构图上。无意识地不在表达含义，只想传达感受。 -----------------------------------------------------------------------蒋琳作品名称：噪音作品类型：视频动画创作年份：2024作品阐释本作品灵感来源于都市生活中的一个普遍现象——居住空间的拥挤以及邻里之间的噪音干扰。动画选择一个在狭小出租房内生活的男人作为主角，是为了探讨在有限空间中个体如何寻找属于自己的心理空间。通过对主角与拥挤的生活环境、邻居之间互动的描绘，本作品展现了个体在拥挤的城市生活的现状。 -----------------------------------------------------------靳冰雁作品名称：蝴蝶作品类型：视频动画创作年份：2024作品阐释我的毕设作品主人公是一个女孩，在纯白的、什么都没有的世界里写着让她不开心的东西，突然，黑暗从四面八方袭来，慢慢的侵占着她的生存空间，黑白世界象征着束缚住她的牢笼。一只蝴蝶的飞来打破了这个黑白空间，在蝴蝶的引导下，女孩也是成功逃脱了出来，她在草原上肆意奔跑，在太空中与星嬉戏，在海洋中肆意遨游，在云间与云朵打闹，并消失在云层之间。 ------------------------------------------------------------------------石语瑄作品名称：寻铃作品类型：视频动画创作年份：2024作品阐释生者和死者受限于不同时空无法相见，但总有某一刻的“铃声”是逝者传达的思念。 ---------------------------------------------------------------------------黄稣怀作品名称：小镇男孩作品类型：视频动画创作年份：2024作品阐释在南方的一个小镇上，一个考试失利的男孩，面对着家长的压力，十分苦恼。女孩想带着他逃离这个小镇，去外面追寻男孩从来没拥有过的自由。在离开小镇的一路上他们尽情玩乐潇洒，但在与一位归乡长者的闲聊中，他觉得他也应该回去，他要回去的是那个小镇，也是他成长后必须要面对的所有困难。 --------------------------------------------------------------陈妤婕作品名称：大风吹作品类型：视频动画创作年份：2024作品阐释时代的浪潮，像无人能抵挡的风，将一切都席卷走。新事物代替旧事物，这是亘古不变的道理，我们在风的夹缝中生存。大风吹是一种民间游戏，以这种游戏为载体，高矮胖瘦各不同的小孩代表四种立场，动画用游戏的过程来暗喻一种普世存在的现象。普通人在时代浪潮中，在最高位者的压迫中，见证自己的东西逝去，见证弱小者被夺走，见证权力者幸存，然而最终，无人能幸免。如何明晰自身在世界中的位置是所有人的难题，希望大家能在风的席卷中顽强抗衡，不论那有多短暂。 ---------------------------------------------------------------------------韩恺作品名称：追与逃作品类型：视频动画创作年份：2024作品阐释一场不断在变化与追逐的幻想。 -------------------------------------------------------------吴佳睿作品名称：翩跹纸鸢作品类型：视频动画创作年份：2024作品阐释-风筝渺渺，幽其远貌，悠远貌，微远貌。不声如动吹，无风自袅筝-兔兔动画主人公设计来源，是曾经陪伴了我一年的兔兔坨坨宝贝。在动画中，结合了云肩的服饰灵感，设计成了象征着美丽传统文化的“初筝”小兔。初筝乘坐着纸鸢在浩瀚的星河元宇宙世界里探索，认识到不同的科技新生物，与他们“相见-相知-相撞-相通”。从不解的蓝色变为冲突的紫色，再到后来温柔的粉色。虽说现在的我们科技对现状有一定的影响和害怕，但相信未来一定是优秀的传统文化与奇妙的科技世界相互促进沟通的美好新世界。 -------------------------------------------------------------------------------------李小白作品名称：与春深作品类型：视频动画创作年份：2024作品阐释推开门，置身如画般的水墨江南，在朦胧烟雨中探索一路景色，春意正浓，女孩也成了这幅名为春的画卷的一部分。春天，是开始，也是希望。 -----------------------------------------------------------------------俞扬扬作品名称：负荷作品类型：视频动画创作年份：2024作品阐释故事大致内容为疲于忙碌的主角面对无尽的工作心生焦虑，这种焦虑情绪具像化为以蛇为原型的怪物，它发现主角，追捕主角，试图吞噬主角，将其拖入内耗的深渊，主角的逃亡过程则象征着与内心焦虑情绪的斗争与挣扎，最终主角以笔为刃，选择结束无尽的挣扎，杀死了“焦虑”，回归平静的状态。 ---------------------------------------------------------------------------陈羽宁作品名称：烬作品类型：视频动画创作年份：2024作品阐释这是一个有关生命与死亡的故事，主要讲述了女孩在参加姥姥葬礼的过程中，通过火光中的蝴蝶，对死亡懵懵懂懂没有概念的她，逐渐对生命逝去以及生命延续有了新的认识和感悟。当生命的火焰燃尽后，究竟还剩下什么？主编 / 何一沙责编 / 杜隐珠
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.