Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

《纸上海洋》——感悟诗歌的张力与版画的诗意

2024-12-13

诗歌/版画国际交流展●  纸  ●   海  ●●  上  ●   洋  ●展览时间:2024年12月10日-2025年1月5日展览地点:中央美术学院美术馆四层展厅
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CAFAM馆藏陈列 | 伍必端、靳尚谊《毛主席和亚非拉人民在一起》——共筑友谊的桥梁

2024-12-12

>>>>《毛主席和亚非拉人民在一起》 伍必瑞、靳尚谊 1961年 纸本水粉 143×156cm 中央美术学院美术馆藏《毛主席和亚非拉人民在一起》由伍必端和靳尚谊合作创作,描绘了毛泽东主席与亚非拉人民代表相聚在一起的情景。此幅作品正在“中央美术学院美术馆藏陈列——现代中国美术”展览中展出。作品题材取自真实事件,即1960年5月,毛主席与非洲12个国家和地区的外宾会面的场景。反映了当时中国与亚洲、非洲、拉丁美洲等广大发展中国家建立友好合作关系、维护世界和平的诸多努力。从作品构图上来看,画面呈水平方向展开,同时向中心汇聚,所有人的目光聚焦在位于中心位置的领导人毛泽东身上,他们的目光充满着期盼、欣慰、喜悦和信任。而围绕在他身边的亚非拉朋友,虽然来自不同的国家、拥有不同的肤色和文化背景,但他们肩并肩、手挽手地站在一起,这种友好交往的精神令人动容。作品无论是人物的安排还是色彩的运用,都错落有致,富有节奏和音乐感。整幅画端庄雅正,十多个人物既从容不迫地展开,又和谐统一地团结在一起。>>>>中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅展览专业照明赞助:AKZU(深圳市埃克苏照明系统有限公司)展览空间建筑设计顾问:中国建筑科学研究院主编 / 何一沙 责编 / 杜隐珠
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CAFAM展览| 国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展

2024-12-10

“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展”共展出全国文史研究馆馆员、特约研究员书画作品151幅。其中,中央文史研究馆13位资深馆员、12位馆员、5位特约研究员作品参展。
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“崇高” ——探讨都市化进程的独特景观 | 罗马尼亚艺术家达尼·盖尔卡摄影展开幕

2024-12-06

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今日大雪

2024-12-06

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中轴之像——“北京中轴线文化主题摄影创作人才培训”结课展 开幕

2024-12-05

2024年11月30日,“中轴之像——北京中轴线文化主题摄影创作人才培训”结课展开幕式在中央美术学院美术馆举行。嘉宾、学员及观众近百人参与。中国美术家协会主席范迪安、中央美术学院院长林茂一早赴现场认真观展,并给予高度赞许。以不同形式参与开幕环节的还有中央美术学院副院长吕品晶、美术馆馆长靳军、设计学院副院长张欣荣、教务处副处长周岚、中轴线基金会专委会宋慰祖、遗产影像学专家周梅生、人民画报社中国专题图库总编辑吴亮、中国人民大学哲学院教授张旭、山东艺术学院传媒学院摄影系主任张博晨等。中央美术学院设计学院摄影方向主任、项目负责人林彤教授主持开幕式。习近平总书记在文化传承发展座谈会上的重要讲话中强调,在新的起点上继续推动文化繁荣、建设文化强国是我们在新时代新的文化使命。中央美术学院获批的国家艺术基金2024年度艺术人才培训资助项目《北京中轴线文化主题摄影创作人才培训》,将北京中轴线文化主题摄影的创作为导入,以影像展现北京文化整体风貌的摄影创作为案例,组织业界资深专家和学员面对面交流,实地考察拍摄。旨在让学员将文化地理的表述转换为摄影媒介的方式观察和思考。该项目已于2024年夏季完成集中培训,来自全国18个省区市的30名学员,在酷暑中完成培训和自由创作。参加此次培训项目的学员们的佳作成果汇聚在中央美术学院美术馆举办展览,以此向“北京中轴线”申遗成功献礼。美协主席范迪安先生对于“中轴之像”的展览策展表示肯定,并对影像作品的丰富性、多元性、当代性给予认可,鼓励学员们在创意之轴、时空之轴、民生之轴的理念下,持续挖掘和创作。林茂院长参观《中轴之像》展览林茂院长参观《中轴之像》展览林茂院长强调:“在此谨向国家艺术基金管理中心表示衷心的感谢!正是有了你们的支持和信任,我们才能够有机会开展这样一项具有重要意义的艺术人才培训项目。同时,我也要向参与本项目的各位专家学者、老师表示崇高的敬意。从创作实践成果来看,本次参加培训的学员们优质完成了既定任务,达到了培训目的。学员们以摄影为媒介,深入探索北京中轴线的每一个角落,用镜头捕捉那些被时光雕琢的建筑细节,记录那些在中轴线上生生不息的市井生活,定格那些转瞬即逝的光影变化。他们的作品不仅展现了高超的摄影技艺,更深刻地揭示了北京中轴线的独特韵味。”吕品晶副院长的致辞中指出:“科研是艺术创新的重要支撑,也是推动文化传承与发展的关键力量。我们将继续秉持‘尽精微、致广大’的理念,加强科研教学与理论研究的深度融合,推动艺术创作与理论研究的协调发展。林彤教授及其团队的严谨治学使得项目进展顺利,并推动摄影教育在央美科研的画卷中书写了浓墨重彩的一笔,这是双向奔赴的大好事。” 靳军馆长谈到:“展览中的摄影作品,具有非常深入的学术研究和新的当代思考,以艺术的方式对于北京中轴线做出既有经典传统内容又有现代生活场景的影像表达,是城市文化的新景观。在中轴之像的主题下,构成了古今对话不同凡响的创作探索。”宋慰祖先生说:“通过这些精彩的作品,我们不仅认知了北京城,更解了这个城市厚重的历史文化,也能看到建筑文化的艺术表达。作品为北京中轴线的文化传播,以及国际交流提供了良好的平台。”靳军馆长在《中轴之像》展览开幕式上致辞宋慰祖先生在《中轴之像》展览开幕式上致辞“北京中轴线申遗成功的消息,无疑是对中轴线文化价值的最高肯定,也彰显了此次培训项目的重要意义。我们向中轴线申遗成功表示最热烈的祝贺,同时大家也对为此贡献一份力量而深感荣幸。”来自山东省高校领域的学员代表张博晨对记者说。学员代表张博晨在《中轴之像》展览开幕式上发表感言中央美术学院设计学院摄影方向主任、项目负责人林彤教授在开幕式中表示,这不仅是一次展览,更是学员们对中轴线文化深刻理解和艺术感悟的集中展现。通过本次展览,可以看到学员们不仅在摄影技艺上得到了提升,更在摄影过程中经历了一场心灵的触碰与文化的洗礼,在影像艺术创作上实现了自我突破和成长。”林彤教授主持《中轴之像》展览开幕式并致辞“一根长达8公里,全世界最长,也最伟大的南北中轴线穿过全城。北京独有的壮美秩序就由这条中轴的建立而产生。前后起伏、左右对称的体形或空间的分配都是以这中轴线为依据的;气魄之雄伟就在这个南北引申、一贯到底的规模。”中国著名建筑学家梁思成先生曾感叹。北京中轴线,作为古都北京的文化象征和城市名片,它不仅是城市空间布局的核心,更是中国传统文化和现代文明的交汇点。北京中轴线向北向南伸展几十公里,挺起21世纪中国首都的“脊梁”。中轴线既体现了政权统一、政令贯通的政治理念,也反映了中正顺畅、平衡和谐的社会理想。中央美术学院作为当代中国艺术教育领域的先驱者和领导者,百年来都致力于打破各门类艺术间的藩篱,培养综合型艺术人才。我们培训的人才除具备过硬的影像技术外,更在项目内提升影像哲学、影像思辨、影像批评以及影像策展能力,完成全方位影像人才塑造。做坚持与时代同步,坚持以人民为中心,坚持以精品奉献人民,坚持用明德引领风尚的艺术工作者。文化源远流长,文明博大精深。只有全面深入了解中华文明的历史,才能更有效地推动优秀传统文化创造性转化、创新性发展。在这条贯穿南北的中轴线上,每一个学员都仿佛成了一位历史的见证者,用镜头捕捉那些被时光遗忘的角落,用光影讲述那些沉默不语的故事。他们并非在简单地拍摄影像,而是在用心地感受古都厚重的文化,用情与历史对话和进行艺术创作。他们的作品中蕴含着对中轴线文化的理解与热爱。影像中的城砖在轻声细语,讲述着它千年的沧桑与辉煌。古老的建筑、繁忙的胡同、宁静的公园......在学员们的镜头下,它们谱写出一曲关于时间、空间与文化的交响乐。当代影像教育是年轻的,具备当代影像精神的高端人才供不应求。推动社会创新的需求迫在眉睫,新时代呼唤杰出的艺术创作者,央美的新百年计划更是期望通过美育教育培养更多具有文化理想和创造能力的艺术创作实践人才。以影像方式塑造出充满象征意味的空间意象——走向复兴的中国更加开放、自信。
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“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展” 如期开幕

2024-12-04

11月30日上午,由国务院参事室、中央文史研究馆、中央美术学院共同主办的“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展”在中央美术学院美术馆开幕。国务院参事室党组书记、主任高雨在开幕式上讲话并宣布展览开幕。
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专访|米尔顿·顾然:塞巴斯提奥·萨尔加多,从巴西到世界

2024-12-02

值此中巴建交50周年之际,成都当代影像馆、文泽时代和巴西联邦共和国驻华大使馆携手献礼,于11月12日至12月1日在中央美术学院美术馆呈现巴西摄影大师赛巴斯提奥·萨尔加多(Sebastião Salgado)的展览“巴西,重返大地”。此次展览由米尔顿·顾然(Milton Guran)和让-吕克·蒙特罗索(Jean-Luc Monterosso)共同策划,通过萨尔加多最具代表性的三十余幅作品,带领观众回顾这位巴西最杰出摄影师的创作生涯,并透过他的镜头,看见人文与纪实摄影所蕴含的人道精神。我们与策展人米尔顿·顾然展开了一场深度对话。从展览的策划思路,到萨尔加多独特的创作视角,再到本次展览所蕴含更广泛的文化意义,米尔顿分享了他思考与见解。“巴西,重返大地——塞巴斯提奥·萨尔加多”正在中央美术学院美术馆四层展厅展出,展期将持续至2024年12月1日。----------------------------------------------------------------------------------------------------------------------   ◆采访:李文静(成都当代影像馆 媒体专员)受访者:米尔顿·顾然(本次展览策展人)李文静(以下简称“李”):为什么会选择“巴西,重返大地”作为展览主题?这一主题与萨尔加多的创作理念有何联系?米尔顿·顾然(以下简称“顾”):展览“巴西,重返大地”(Do Brasil à terra)旨在庆祝巴西与中国建交50周年。从这个意义上讲,我们认为有必要从展览标题就开始突出“巴西”。并且,萨尔加多是一位基于其祖国生活经历发展出自己摄影视角的摄影师,他将这种视角带向了世界。值得一提的是,葡萄牙语中的“terra”一词既指“土地”,也可以指“地球”。►“巴西,重返大地——塞巴斯提奥·萨尔加多”展览现场李:萨尔加多坚持以系列的形式呈现他的摄影作品,而不是单张照片。您如何看待这种叙事方式对观众理解作品的影响?顾:一张独立的照片具有极强的审美意义,因为它是作为一个整体被欣赏的。而一组照片则讲述了一个故事。事实上,萨尔加多不仅是我们这个时代标志性照片的创作者,他同样擅长构建宏大的叙事。能够像他这样专注于全球范围叙事的摄影师,在世界上寥寥无几。李:本次展览的叙事也是通过系列的方式展开,展出了《创世纪》、《劳动者》、《另一个美洲》等多个系列作品。您和让-吕克·蒙特罗索(Jean-Luc Monterosso)是如何筛选和组织这些作品的?这些作品存在什么样的联系?顾:本次展览的策展思路是向中国观众呈现赛巴斯提奥·萨尔加多在中国可见作品的概览。因此,我们对这些系列进行了梳理,从每个系列中挑选了具有代表性的影像。►“巴西,重返大地——塞巴斯提奥·萨尔加多”展览现场李:在人文与纪实摄影中,很多着眼于“第三世界”的作品常给人以悲情或使人怜悯的印象,而萨尔加多的作品却表现出一种微妙的社会和经济洞察力。您认为他是如何避免自己陷入刻板的叙事方式,并在艺术表现和情感表达之间找到这种微妙平衡的?您认为这种特质来自他的哪些创作理念或方法?顾:赛巴斯提奥·萨尔加多最初受训于经济学。在成为专职摄影师之前,他是一名职业的经济学家。此外,他的家庭居住在巴西内陆的一座农场里,这让他对土地相关的经济和社会问题有着丰富的实践经验。这些经历塑造了他的视角,并引导了他作为摄影师的创作方向。李:您认为萨尔加多是如何通过摄影探讨关于社会与环境议题,并传递平等和人类共同命运的观念?在当前的社会背景下,这些作品具有怎样的特殊意义?顾:萨尔加多的摄影不仅关注经济和社会层面的问题,还通过卓越的美学表现将这些议题提升到更高的认识层次。他的摄影作品不仅传递信息,更重要的是,能够打动人心。危地马拉城的郊区,1978 © 塞巴斯提奥·萨尔加多Os subúrbios da Cidade da Guatemala, 1978 © Sebastião Salgado李:巴西作为萨尔加多的故乡,对他的创作有何影响?这种影响如何贯穿于他的作品中?顾:萨尔加多在农庄里长大,因此,他的最初视角来源于土地、种植与收获的时间,以及基于农业经济模式所形成的社会关系。李:萨尔加多的摄影常以全球化视角审视地方性问题。您如何看待他的作品在不同文化背景下的解读和接受度?尤其本次展览在中国展出,是否存在文化距离?这种距离会对中国观众的理解产生怎样的影响?顾:赛巴斯提奥·萨尔加多的作品享誉全球。他几乎获得了所有表彰摄影师杰出成就的权威奖项。这种成功得益于他作品中体现的全球视角,以及他从个体出发看世界,并通过更宏大的全球视野触及个体的意愿。厄瓜多尔,1982 © 塞巴斯提奥·萨尔加多Ecuador, 1982 © Sebastião Salgado李:“巴西,重返大地”作为跨文化的展览项目,对于作为策展人的您来说,在策划和执行中有哪些亮点和挑战?顾:在我看来,尽管展览涵盖的所有主题都很重要,但其最大的亮点是对“人”的关注,尤其是对巴西土著人民的展现。李:您如何看待中巴两国在艺术和文化领域的互动?本次展览是否有助于加强两国之间的了解?顾:我们今天所知的巴西是一个非常年轻的国家,仅有五百年的历史。而中国则有着数千年的历史。国家与人一样,可以通过文化交流学到许多东西。通常,年轻的一方注入激情与好奇,而年长的一方则带来深度与稳重。我认为,我们两国之间的关系也将如此。| 关于策展人 |摄影师、策展人,巴西里约热内卢国际摄影节创始人、总监;社会传播学硕士,人类学博士。巴西里约热内卢联邦大学口述历史及图像实验室研究员,主要研究摄影和人类学领域,发表多篇论文,并出版著作。其作品被巴黎欧洲摄影博物馆、巴西圣保罗艺术博物馆、里约热内卢现代艺术博物馆、巴西里约艺术博物馆等多家公立和私人艺术机构收藏。巴西,重返大地Do Brasil à terra展览时间:2024年11月12日-12月1日展览地点:中央美术学院美术馆四层展厅艺术家:塞巴斯提奥·萨尔加多 Sebastião Salgado策展人:米尔顿·顾然 Milton Guran ,让-吕克·蒙特罗索 Jean-Luc Monterosso主办:成都当代影像馆 ,文泽时代协办:巴西联邦共和国驻华大使馆学术支持:中央美术学院美术馆特别支持:淡水河谷矿产品(中国)有限公司支持:SPX,Suzano特别鸣谢:莱莉娅·瓦尼克·萨尔加多 Lélia Wanick Salgado ,钟维兴主编 / 何一沙责编  / 杜隐珠
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CAFAM活动预告|艺术家对谈:数字屏幕时代的摄影

2024-11-30

艺术家对谈:数字屏幕时代的摄影时间:2024年11月30日16:30地点:中央美术学院美术馆 小会议室(即美术馆咖啡厅斜坡尽头左侧会议室)| 主旨发言人 | 达尼·盖尔卡Dani Ghercă“崇高”展参展艺术家 | 特邀嘉宾 |姚璐中央美术学院教授、博士生导师、当代影像艺术家迟鹏设计教育学博士,现从事儿童教育、当代艺术及电影艺术创作及研究 刘恪北京航空航天大学新媒体艺术与设计学院副教授、硕士生导师李新铎北京交通大学建筑与艺术学院数字媒体艺术专业助理教授、硕士生导师 | 主持人 |  刘希言中央美术学院美术馆策划研究部主任、副研究员 | 参与方式 |校内观众无需预约校外观众请扫码预约入校< 内容介绍 >从达尼·盖尔卡(Dani Ghercă)的摄影艺术出发,本次对谈活动将聚焦于摄影从触感真实的纸质照片向短暂易逝的数字屏幕形式的转变所带来的影响。嘉宾们将围绕这一转变探讨它如何深刻地改变了我们对摄影艺术的感知、分享和互动方式,从而重新定义其在当今数字时代中的角色,以及探讨当代摄影在这场数字革命中所面临的挑战与机遇。< 嘉宾介绍 >达尼·盖尔卡达尼·盖尔卡(Dani Ghercă),罗⻢尼亚新兴一代视觉艺术家之一。他以概念性的⽅式运⽤摄影媒介。他在布加勒斯特国⽴艺术⼤学学习摄影,其作品曾展出于马德⾥ICO博物馆、利物浦泰特交流中⼼、维也纳ESSL博物馆、布加勒斯特国家现代艺术馆、布鲁塞尔HISK、阿纳姆Sonsbeek等地。他的作品被多个机构和公司收藏,包括阿姆斯特丹ING、Proximus等。他是布加勒斯特当代艺术空间Switch Lab的创始人,布加勒斯特艺术馆Scanteia +的联合创始人,以及罗马尼亚布加勒斯特占地2500平方米的艺术中心Atelierele Scânteia的联合创始人,该中心设有多个艺术家工作室。姚璐姚璐,当代影像艺术家、中央美术学院摄影专业教授、博士生导师。1967年生于北京,1987-1991年就读于中央美术学院版画系, 获学士学位;1991-1998年就职于《中国国土资源报》,任编辑、记者;1998-2000年就读于中央美术学院与澳大利亚格里菲斯大学昆士兰艺术学院联合举办摄影艺术研究生班, 获昆士兰艺术学院视觉艺术硕士学位;2019年于中央美术学院研究生院版画专业毕业,获艺术学博士学位。  迟鹏迟鹏,设计教育学博士。他是儿童创造性思维方法创造者,故宫学校特聘客座教授,负责儿童美育课程及儿童读 物专项研发。他曾长期任教于中央美术学院,讲授基础性思维方法、艺术与设计创作方法、摄影艺术等课程,现从事儿童教育、绘本创作、当代艺术及电影艺术的创作及研究。刘恪刘恪,北京航空航天大学新媒体艺术与设计学院副教授、硕士生导师、德国卡塞尔艺术学院自由艺术系硕士、获大师生称号、德国汉堡艺术学院访问学者、中国美术学院跨媒体艺术学院实验艺术理论与跨媒体实践方向博士。研究方向为虚拟现实艺术、新媒体互动影像艺术及现当 代影像艺术,现工作生活于北京和杭州。以动态影像、表演、 纪录片、摄影、文本、装置为主要创作媒介,研究高低语境文化中“空间叙事与影像叙事”在社会观察与个体生存层面的异质化构建与表达。李新铎李新铎,北京交通大学建筑与艺术学院数字媒体艺术专业助理教授、硕士生导师。北京电影学院新媒体艺术专业方向硕士、博士,美国明尼苏达大学访问学者。发表CSSCI等论文十余篇,研究方向为现当代艺术理论,早期影像媒介语言,装置艺术的多媒介表达,关注基于当代视角的数字影像及其时空特征。< 主持人 >刘希言刘希言,艺术学理论博士、副研究员,中央美术学院美术馆策划研究部主任,北京文艺评论家协会会员,北京美协策展委员会委员,新美术馆学研究中心特聘研究员。入选文旅部青年策展人扶持计划,策划展览多次获得文旅部优秀展览项目。著有《建构与思辨:艺术博物馆陈列方法论研究》一书,研究方向为美术馆史、美术馆学理论及跨地域美术馆实践研究等。崇高THE SUBLIME主办:Switch Lab  北京罗马尼亚文化中心  文泽时代联合主办:中央美术学院美术馆协办:北京交通大学建筑与艺术学院艺术家:达尼·盖尔卡(Dani Ghercă)该项目由罗马尼亚国家文化基金共同资助主编 / 何一沙责编 / 杜隐珠
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CAFAM展览预告|罗马尼亚艺术家达尼·盖尔卡摄影展“崇高”即将呈现

2024-11-29

值此中国-罗马尼亚建交75周年之际,罗马尼亚艺术家达尼·盖尔卡(Dani Ghercă)的摄影展“崇高”(THE SUBLIME)将于2024年11月30日至2025年1月5日在中央美术学院美术馆呈现。此次展览由Switch Lab、北京罗马尼亚文化中心、文泽时代主办,中央美术学院美术馆联合主办,北京交通大学建筑与艺术学院协办,由罗马尼亚国家文化基金共同资助。展览将展出达尼·盖尔卡,这位罗马尼亚新一代视觉艺术家在2024年的持续创作项目。此次展览将通过艺术家的五件最新作品,向观众展示这位罗马尼亚摄影师对中国大都会城市景观的独特观察、捕捉和思考。>>>>《崇高/上海1号》 LED屏  200x400厘米  2024年The Sublime / Shanghai #I  LED panels  200x400cm  2024《崇高/重庆1号》 LED屏  200x350厘米  2024年The Sublime / Chongqing #I  LED panels  200x350cm  2024《崇高》是达尼·盖尔卡于2024年在上海斯沃琪中心驻留期间启动的持续创作项目。他的作品探讨了21世纪中国大都市中的“崇高”概念。城市景观的迅速扩张常常唤起一种敬畏与孤独感。这些复杂的人造环境既引发了惊叹,也带来了不安,突显出在这个以空前速度发展的世界中所产生的迷惘。《崇高/重庆3号》 LED屏 200x300厘米 2024年The Sublime / Chongqing #III  LED panels  200x300cm  2024期待罗马尼亚艺术家达尼·盖尔卡的个展“崇高”在中央美术学院美术馆的精彩呈现!< 关于艺术家 >达尼·盖尔卡(Dani Ghercă,生于1988年)是罗⻢尼亚新兴一代视觉艺术家之一。他以概念性的⽅式运⽤摄影媒介。他在布加勒斯特国⽴艺术⼤学学习摄影,其作品曾展出于马德⾥ICO博物馆、利物浦泰特交流中⼼、维也纳ESSL博物馆、布加勒斯特国家现代艺术馆、布鲁塞尔HISK、阿纳姆Sonsbeek等地。他的作品被多个机构和公司收藏,包括阿姆斯特丹ING、Proximus等。他是布加勒斯特当代艺术空间Switch Lab的创始人,布加勒斯特艺术馆Scanteia +的联合创始人,以及罗马尼亚布加勒斯特占地2500平方米的艺术中心Atelierele Scânteia的联合创始人,该中心设有多个艺术家工作室。< 开幕活动介绍 >01“崇高”展艺术家开幕导览活动 时间 : 2024年11月30日(周六) 16:00地点:中央美术学院美术馆一层大厅>>>>02“崇高”展艺术家开幕对谈活动 数字屏幕时代的摄影——达尼·盖尔卡艺术家对谈Photography in the age of digital screens: Dani Ghercă Artist Pannel Discussion时间 : 2024年11月30日(周六) 16:30地点: 中央美术学院美术馆 小会议室 | 主旨发言人 |达尼·盖尔卡(罗马尼亚视觉艺术家) | 特邀嘉宾 |姚璐(中央美术学院摄影专业教授、博士生导师)迟鹏(设计教育学博士,现从事儿童教育、当代艺术及电影艺术创作及研究)刘恪(北京航空航天大学新媒体艺术与设计学院副教授、 硕士生导师)李新铎(北京交通大学建筑与艺术学院数字媒体艺术专业助理教授、硕士生导师) | 主持人 |刘希言(中央美术学院美术馆策划研究部主任、副研究员) | 内容介绍 |本次对谈活动将聚焦于摄影从触感真实的纸质照片向短暂易逝的数字屏幕形式的转变所带来的影响。艺术家达尼·盖尔卡将阐述这一转变如何深刻地改变了我们对摄影艺术的感知、分享和互动方式,从而重新定义其在当今数字时代中的角色,探讨当代摄影在这场数字革命中所面临的挑战与机遇。 | 活动预约二维码 |校内观众无需预约校外观众请扫码预约入校崇高THE SUBLIME时间:2024年11月30日-2025年1月5日地点:中央美术学院美术馆一层大厅主办:Switch Lab  北京罗马尼亚文化中心  文泽时代联合主办:中央美术学院美术馆协办:北京交通大学建筑与艺术学院艺术家:达尼·盖尔卡(Dani Ghercă)该项目由罗马尼亚国家文化基金共同资助主编 / 何一沙 责编 / 杜隐珠
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
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ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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