Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

Public Guided Tour Arrangement for Central Academy of Fine Arts Museum (Aug. 6-Aug. 11)|Volunteers Wanted!

2024-08-05

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.Recruitment for Museum Guide Volunteers Continues,Art lovers and lecturers are welcome to join!Enrollment Methods (1)Click "Read Original" or visit the link: https://www.cafamuseum.org/gallery/volunteer, click "Join Volunteer", fill out the "Central Academy of Fine Arts Museum of Art Volunteer Application Form", please indicate the position you are applying for when applying;(2)Enrollment: Long-term;Enrollment and consultation time: Tuesday to Sunday 09:30 a.m. - 12:30 p.m. 13:30 p.m. - 17:30 p.m. Enrollment and consultation phone: 010-64771575;(3)Those who are willing to apply through the network and other means, the Central Academy of Fine Arts Museum of Art review qualified, unified to participate in interviews, interviews merit-based recruitment, qualified to participate in the pre-service training of volunteers. After training, assessment and qualified, will be able to officially become the Central Academy of Fine Arts Museum volunteers;(4)Volunteers have the right to apply for withdrawal from volunteer service. Applicants should inform the Ministry of Public Education one month in advance and return the volunteer documents in time.Editor-in-Chief / He YishaEditor / Du Yinzhu
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CAFAM Children's Education Program Recruitment | Futuristic Art Creation iPad Painting Workshop

2024-08-03

在“蓝图生产力——未来感在艺术中的表达”展览期间,我们邀请您参与一场别开生面的iPad绘画Workshop。本次工坊将引导参与者探索艺术与科技的融合,通过iPad这一现代媒介,表达对未来世界的无限想象。什么是iPad绘画?iPad绘画是一种利用数字设备进行的艺术创作方式,它结合了传统绘画的直观性和数字技术的便捷性。通过iPad,艺术家可以轻松实现色彩、线条、纹理的自由变换,创造出具有未来感的艺术作品。此次工作坊我们做什么?•  iPad绘画基础:介绍iPad绘画的基本工具和技巧。• 未来感主题探讨:引导参与者讨论和构思具有未来感的艺术主题。• 创作实践:在导师的指导下,使用iPad完成一幅表达未来感的艺术作品。• 作品分享与讨论:创作者展示自己的作品,并与其他参与者交流创作心得。此次iPad绘画体验带来什么?• 科技与艺术的结合:体验如何使用iPad进行艺术创作,探索科技在艺术表达中的应用。• 未来感的实践:引导参与者思考和表达对未来世界的想象,创作出具有未来感的艺术作品。• 艺术感知的拓展:通过iPad绘画,参与者将对艺术的感知和表达方式有新的认识。工作坊报名 工作坊时间:8月4日下午14:00-16:00工作坊地点:中央美术学院美术馆会议室招募对象:8岁以上热爱艺术的儿童(每位儿童限一位家长陪同)招募人数:10人报名方式:请编辑“未来感艺术创作Workshop+参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功者将会收到短信回复,请勿重复提交报名。参加工作坊需要准备什么?1. 一台安装有绘画应用(procreate)的iPad(建议使用Apple Pencil以获得最佳绘画体验)。2.对未来世界的好奇心和创造力。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。工作坊导师王冲清华大学美术学院社会美育研究所学术委员,VR&AI绘画艺术家,数字美育研究学者,社会美育推广人,拥有14年艺术教学与教研经验。Editor-in-Chief / He YishaEditor / Du Yinzhu
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CAFAM Collection Exhibition | Integration and Transformation Focus on Reality:Exploring the Classic Collections from 1900 to 1949

2024-07-31

As one of the national key art museums, CAFA Art Museum adhering to the academic philosophy of "being eclectic, following the past and opening up the present", has made great efforts in the construction of modern public cultural space and art collection, with a view to realizing its unique art history narrative. Over the past 100 years since the founding of the school, the Central Academy of Fine Arts and its affiliated art museums have been continuously and orderly carrying out the collection of classic works of art, and currently have a collection of more than 20,000 pieces of various types of artifacts, which cover the ancient and modern worlds and take into account the Chinese and Western cultures. The official launch of the collection of long-term display, with the collection of classic works of art constitute the presentation of the historical development of Chinese art, is the revitalization of the museum collection of academic exploration, but also for the community to provide a rich cultural and historical outlook, aesthetic education resources, as well as the core value of art teaching and research.The 20th century is an important period in the development of Chinese art, in which the Central Academy of Fine Arts has been involved from the beginning to the present day, playing an active role in promoting and leading, and its teachers and students have been involved in the creation of a large number of classic works, which have had a great impact on the history of art in modern China. This display selects more than 200 pieces of 20th century Chinese art works in the collection, and is divided into three sections, 1900-1949, 1950-1976 and 1977-2000, based on the time as the main line, presenting a hundred years of the development of the plastic arts. Through the exhibition, visitors can experience the artistic pursuit, artistic exploration of different periods as well as the contemporary outlook presented by the works.>>>>Plate I1900-1949At the beginning of the 20th century, against the backdrop of national peril, social upheaval, and the need to save the country, a new type of art gradually emerged as an important means of enlightening the people and seeking national rejuvenation. The following decades were an important period in the transition of Chinese art to modernity and the rise of modern art education in China, which not only absorbed the excellent achievements and scientific methods of world art, but also organized and inherited traditional Chinese art, and at the same time advocated going out into the society, paying attention to the reality, rescuing the country and fighting for its glory, and seeking to create a new kind of art in order to meet the needs of the development of the modern society.1900-1949 was a period of change and innovation in the history of Chinese art. The Art Museum of the Central Academy of Fine Arts invites you to enter the gallery of this history and feel those art echoes across time. Here, every piece of artwork is a story, and every piece of artwork carries the weight of history.>>>>Plate ISome of the works on display《半裸女像》李叔同 约1909年 布面油彩 90.5×116cm 中央美术学院美术馆藏《男人体正侧面速写》 徐悲鸿 1924年 纸上油彩 52×44cm 中央美术学院美术馆藏《怒吼吧,中国》 李桦 1935年 黑白木刻 27.5×18.7cm 中央美术学院美术馆藏《松鹰》(轴) 齐白石 1935年 纸本水墨 150×63cm 中央美术学院美术馆藏《蒙藏女子歌舞》 孙宗慰 1942年 布面油彩 82×121cm 中央美术学院美术馆藏《攻城》 胡一川 1946年 套色木刻 13×17.8cm 中央美术学院美术馆藏《轰炸》 滑田友 1946年 铸铜 116×90cm 中央美术学院美术馆藏>>>>中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅展览专业照明赞助:AKZU(深圳市埃克苏照明系统有限公司)展览空间建筑设计顾问:中国建筑科学研究院主编 / 何一沙责编/ 杜隐珠现场图/ 丁怡
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Good News | "Blueprint Productive Force" was selected for the "2024 Support Program for Young Curators of National Art Museums" of the Ministry of Culture and Tourism"

2024-07-29

On July 18, 2024, the General Office of the Ministry of Culture and Tourism announced the notice of "2024 National Art Museum Young Curators Support Program Selected Project List", and the exhibition project "Blueprint Productive Force - The Expression of Futuristic Sense in Art" submitted by the Museum of Central Academy of Fine Arts was successfully selected. The exhibition project "Blueprint Productivity - Expression of Future Sense in Art" submitted by the Museum of Central Academy of Fine Arts was successfully selected. This exhibition is curated by Yi Yue of the Central Academy of Fine Arts, and is on display in Hall A on the third floor of the museum until September 1st.The National Art Museum Young Curators Support Program is an annual program organized by the Ministry of Culture and Tourism to cultivate and support young curatorial talents in art museums across the country, improve the ability of art museums to plan exhibitions on their own, and enhance the level of professionalism in art museums. The program encourages the curation of exhibitions based on 20th century Chinese art history and case studies of artists, art museum collections, or art resources in the region."Blueprint Productivity - The Expression of Future Sense in Art" is not only based on the research of contemporary art works in the collection and inviting a number of artists' representative works to participate in the exhibition, but also makes full use of the academic resources of the Museum of Art of the Central Academy of Fine Arts, and delves into the contemporary issues of art creation and art education. It also makes full use of the academic resources of the Central Academy of Fine Arts Museum to explore the contemporary issues of art creation and art education. On the one hand, the exhibition discusses technological interventions and media utilization, and on the other hand, it points to the feedback of art's perception of the unknown and the future world, as well as how art pioneeringly pushes us to look into a broader future. The exhibition is presented in four sections as follows: Introduction|Beginning with ImaginationThe exhibition begins with a painting, a plan and a film excerpt created around the construction of the Thirteen Tombs Reservoir. These works correspond to the construction site in progress, the bright future to come, and the social scene twenty years later, presenting the expression and imagination of the "productive forces" of literature and art creation during the period of New China's construction. When we start from the imagination of the past and look to its position twenty years later, in 1978, when the "National Science Conference" was held, Xu Yanbo created three prints in continuity with this opportunity, presenting art's view of "science and technology as productive forces," and The three prints present art's view of "science and technology as a productive force" and unfold the imagination of the unknown and the future. 漫游深空对太空的遐想是艺术创作的永恒母题。天文观测的进步和航天的跨步飞跃,让深空不再只是想象之境。艺术家对人类痕迹置入广袤宇宙的表述,勾连出对空天探索进行当代文化诠释的特征与话题,比如科学与艺术的叠合、传统符号与现代设备的互观,以及人类世界与太空的分界。串联机器随着技术的加速更迭,人与机器的融合愈加紧密。在当下复杂的艺术媒介景观中,艺术家在使用机器时,首先需要面对的是自身和机器之间的关系,正视融合艺术之感和机器之手的创作实践与生产潜能。与此同时,不乏艺术家在跨学科多领域的交织中创造机器,展开对人工产物和自然力量之间的关系的思辨。余音|蓝图之问 正如我们所知,生产力是社会发展的根本动力。那么,艺术作为承载预见能力和想象感知的载体,将以何种生产力质态成为人类走向未来的先锋?展览终章以唐晖创作的“时空一击”系列,对这一回归艺术本体的提问做出回应,即穿透表象、跳脱时空,建构漫游于传统与当代的视觉叙事,由此指向人类文明的未来演进。文化和旅游部2024年全国美术馆青年策展人扶持计划入选项目蓝图生产力——未来感在艺术中的表达主办:中央美术学院美术馆展览时间:2024年7月19日至9月1日展览地点:中央美术学院美术馆3层A展厅| 艺术家 |王式廓  许彦博  周吉荣  孟禄丁唐晖  托马斯·吴(Tomas Vu) 张文超  徐娜苏永健  甘浩宇  金郑晓  李宇辰展览总监:靳军 韩文超学术顾问:曹庆晖展览统筹:王春辰 高高策展人:易玥 展览协调:刘希言 徐欣晨设计统筹:纪玉洁展览与视觉设计:孙彤支持机构:北京百展文化科技有限公司  上海特锐艺术展览服务股份有限公司主编 / 何一沙责编/ 杜隐珠
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Volunteer Guided Tour Arrangement of CAFA Art Museum (July 30 - August 4)

2024-07-29

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入! 报名方式(1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编/ 杜隐珠
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“光生万物"——斯特凡·杰罗夫斯基的艺术追求

2024-07-28

“那是光照进来的地方:斯特凡·杰罗夫斯基的艺术”正在中央美术学院美术馆展出。斯特凡·杰罗夫斯基(Stefan Gierowski)是战后欧洲最杰出的抽象艺术家之一。此次展览共展出作品27件,通过对艺术史和当代议题的探讨,以及对中国哲学影响的挖掘,为杰罗夫斯基艺术在当代的观看提供了新的视角。展览将持续至9月1日。
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Volunteer Guided Tour Arrangement of CAFA Art Museum (July 23 - July 28)

2024-07-25

为了艺术更广泛的普及和传播,我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约,请观众按时前往相应展厅入口展览前言墙前,“公益讲解指示牌”处等候即可。 CAFAM公益导览时间表 (7月23日—28日)美术馆导览志愿者持续招募中,欢迎广大艺术爱好者、讲解爱好者加入! 报名方式 (1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30,报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编/ 杜隐珠
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What does the art museum manage? | The third phase of the "Short-Term Training Course on Art Museum Operation and Exhibition Planning" has officially started!

2024-07-25

想深入了解美术馆的运作奥秘吗?想和美术馆资深专家面对面交流吗?想亲临美术馆展览背后的工作现场吗? 期盼已久的宝藏课程终于开班了!“美术馆运营与展览策划短期研修课程”依托于中央美术学院美术馆多年的机构管理与运营经验,及其丰富多样的展览学术资源。通过精心的课程设置,该项目践行个性化学习、终生学习的精神,致力于培养艺术机构运营领域学术与实践能力兼备的综合性人才,旨在通过展览背后故事的讲述、实际工作经验的分享,让学员全面、深入了解美术馆的实际运营以及展览的组织策划。该课程同时是中央美术学院继续教育学院"中华美育行"社会美育行动计划课程之一。
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Activity Review | The CAFAM aesthetic education research project was successfully concluded

2024-07-24

7月19日,“中央美术学院美术馆青少年美育研究项目”线下活动圆满落下帷幕。活动期间,在中央美术学院教育发展基金会的大力支持下,中央美术学院美术馆项目组精心策划,组织了为期四天的一系列丰富有趣的公共教育活动,有来自北京、天津、山西的师生共约180人参与了此次活动。这不仅延伸了美育课程实践的路径,为众多青少年带来生动的艺术实践体验,更展现出青少年美育研究实践活动在百年央美厚重文化底蕴的滋养下,所焕发出的崭新活力。2024CAFAM美育研究项目开幕01适逢大暑节前,虹销雨霁,绿意盎然,青少年美育研究实践活动在美术馆学术报告厅如约开幕。美术馆相关领导和嘉宾、参加实践活动的同学们以及志愿者们共同见证了这一时刻。美术馆副馆长高高发言开幕式由美术馆王军老师主持开幕式现场参加活动的同学及领导嘉宾合影艺术之美——作品导览02由我馆策划的“青少年美育研究实践活动——抽象之美艺术作品导览会”在美术馆3层B展厅中举行。展厅中来自韩国的四位艺术家和波兰的著名艺术家呈现的作品为同学们带来了一场艺术盛宴。在王军老师的带领下,同学们穿梭于艺术的海洋,他不仅传递了抽象艺术的多彩与奇妙,更是点燃了同学们对抽象艺术的好奇之心。跟随易玥老师的讲述,同学们也捕捉到“蓝图生产力”展览中艺术创作的闪光点,并对更为广阔和久远的时空充满遐想。美术馆馆长靳军、直属党支部书记韩文超书记与同学们亲切交谈公教部王军老师导览现场参观现场正逢“蓝图生产力——未来感在艺术中的表达”开幕式,策展人易玥老师导览现场参观现场“典藏主任面对面”分享交流活动03“典藏主任面对面”分享交流互动在美术馆会议室内举行。美术馆典藏部主任李垚辰老师为大家讲述《美术馆的典藏宝藏》。李老师着重介绍了美术馆的一些珍贵馆藏,详细介绍了这些艺术品的历史背景、创作风格以及它们在艺术史上的重要地位。本次交流会让同学们有机会近距离了解美术馆藏品背后的故事,并从中汲取艺术的灵感和智慧。希望未来能有更多的青少年参与进来,共同推动艺术和文化的传承与发展。美术馆典藏部主任李垚辰老师为大家讲述藏品活动现场形形色色——抽象绘画的语言表达04《形形色色——抽象绘画的语言表达》创作交流活动在美术馆会议室展开。本次活动由孙博老师带领同学们创作交流。同学们收获了很多抽象绘画的知识和技巧,随后同学们以“央美印象”为主题展开创作,并在创作过程中体验到了艺术的乐趣和魅力,提升了自己的艺术素养和创造力。孙博老师指导同学们进行创作同学们带着自己的“央美印象”作品与孙博老师合影留念木刻版画——历史悠长05同学们在卢标老师的带领下进行了一次别开生面的木刻版画木板油印的学习和体验。本次活动让同学们亲身感受到传统木刻版画的魅力,通过学习了解其创作过程,并激发他们对版画艺术的兴趣。卢标老师教授大家木板技法同学们拿着作品与卢标老师合影馆藏石膏雕塑——观摩学习06同学们在石膏陈列馆进行了一次与众不同的观摩学习活动。通过近距离接触石膏艺术品,可以提升同学们的艺术鉴赏能力和创作灵感,同时了解石膏雕塑这一艺术形式的历史和技法。同学们在专注地临摹石膏像观百年校史——与时代共进07在校史馆参观过程中,张子薇老师为大家进行了详细深入的导览。百年美院是中国美术事业百年历程的重要缩影,美院人为中国造型、与时代同行。同学们纷纷发言,在一代代名家大师和一幅幅经典名作前进行了充分探讨交流。王华老师带领同学们参观了美院校园,感受中央美术学院独特的艺术氛围和校园之美,激发他们对艺术的热爱和向往。张子薇老师为大家做校史讲解参观现场王华老师讲解校园历史收获满满——颁发证书08青少年美育研究实践活动证书颁发仪式在美术馆学术报告厅举行,李垚辰主任与杨柳主任为同学们颁发证书,此次学习和体验活动不仅是一次技艺的传授,更是一次艺术精神的传承。杨柳主任勉励大家,要继续保持对艺术的热爱和探索精神,在今后的学习中不断提升自己的艺术素养和创作能力。在热烈的掌声和欢声笑语中,本次青少年美育课程实践活动圆满结束。通过这次宝贵的实践经历,同学们不仅收获了知识和技能,更在心中埋下了对艺术的热爱和追求的种子。相信在未来的日子里,这些年轻的艺术爱好者们将继续在艺术的道路上探索前行。青少年美育研究实践活动证书颁发仪式合影主编 / 何一沙责编/ 杜隐珠
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CAFAM Collection Exhibition | “Modern Chinese Art”

2024-07-23

Collection of CAFA Art MuseumMordern Chinese ArtExhibition period: from July 23, 2024Venue: CAFA Art Museum, 2BThe "Collection of CAFA Art Museum" opened On July 23, 2024. CAFA Art Museum is one of the first national key art museums, and also one of the first key art museums to launch a long-term display of its collection. The "Modern Chinese Art" exhibition is the first part of the collection, and the "Ancient Chinese Art" exhibition will be opened in the fall of 2024.
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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