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CAFAM活动预告|“新中国设计的诞生”展览系列学术活动

2024-03-28

“新中国设计的诞生(1945-1959)”展览在总体史的框架下,以现代化为主题,深入挖掘中国设计史的叙事脉络,并且深入研究“策展性”问题,探讨如何将史学研究课题转化为展览研究课题,为大家理解20世纪中国现代设计提供一个新的切入点和视角。同时,也希望进一步探索美术馆在推动社会美育发展方面的多种可能性,从而发挥其更广泛的社会价值。为此,“新中国设计的诞生(1945-1959)”将开展系列学术活动,分别为两场专题导览,一场导览培训,一次策展课,两场儿童工作坊,期待公众的参与。01“新中国设计的诞生”专题导览(共两场)导览时间3月31日上午10:00(策展团队导览场)4月21日上午10:00(儿童导览员场)活动地点:中央美术学院美术馆二层A展厅活动介绍在专题导览中,一场来自专业的策展团队,另一场由经过美术馆培训的儿童导览员呈现。导览将以中国社会的巨变为背景,围绕1945-1959年之间的中国设计与中国现代文明和历史文化之间的关系对参展作品进行深度讲解,进而系统梳理中国现代设计史发展中的这个重要阶段。第一场:策展团队导览场3月31日上午10:00场谢书旖“新中国设计的诞生”策展助理,本科就读于中央美术学院城市设计学院学院,现中央美术学院设计学院中国设计文化研究方向在读研究生。在校期间荣获国家级奖学金、优秀毕业生等荣誉。凌晨“新中国设计的诞生”策展助理,本科于中国传媒大学新闻学院中央美术学院设计学院中国设计文化研究方向在读研究生,参与国家社科基金艺术学重点项目“新中国设计史”。于明慧“新中国设计的诞生”策展助理,中央美术学院设计学院设计学硕士,本科江南大学设计学院工业设计专业。参与国家社科基金艺术学重点项目“新中国设计史”,央美策展理论研究系列丛书《策展时刻Curating Now》编辑。陈珊珊“新中国设计的诞生”策展助理,中央美术学院设计学院中国设计文化研究方向在读研究生,参与国家社科基金艺术学重点项目“新中国设计史”。许梦伊“新中国设计的诞生”策展助理,本科就读于中央美术学院人文学院,现中央美术学院设计学院世界设计历史与理论研究方向在读研究生,参与国家社科基金艺术学重点项目“新中国设计史”。第二场:儿童导览员场讲解培训:4月6日(周六)上午 10:00-11:30公益导览:4月20日(周六)上午10:00-11:30活动地点:美术馆2A展厅及会议室*报名方式详见下期招募预告02一堂策展课“智性思辨——当代艺术与设计策展的方法探析”活动时间:3月29日(周五)下午13:30-16:30活动地点:中央美术学院美术馆会议室授课对象:艺术管理学院硕士研究生主讲人纪玉洁本次展览的策展人。博士、中央美术学院副研究员、中央美术学院美术馆设计总监/设计部主任,中央美术学院设计学院“设计批评与策展研究”、“书籍设计研究”方向硕士生导师,中央美术学院美术博物馆虚拟策展实验室设计顾问。主要从事展览设计、当代艺术与设计策展的实践与研究。策展项目包括“中的精神:当代中国设计与工艺展”“动见——国际动态设计展”“多维的感性——中央美术学院美术馆藏女艺术家作品专题展”、“2021成都双年展:时潮共燃”、“万物生息——后石油时代的材料与设计”等。曾入选文旅部“2022年全国美术馆青年策展人扶持计划”、国家艺术基金“国内艺术人才赴海外艺术机构交流项目”。出版专著:《变革与趋向:20世纪70年代以来的设计展策展研究》。出版译著:《创造力与幼儿美术》;在《美术研究》、《艺术与设计》等期刊发表多篇学术文章。曾获第四届“靳尚谊青年教师创作奖”,第二届中央美术学院“徐悲鸿奖”,“第九届全国书籍设计艺术展”铜奖等。03公共教育活动“联觉”时装创意儿童工作坊活动时间:4月13日(周六)下午13:30-16:30活动地点:中央美术学院美术馆会议室授课老师:马鸿锦(设计师、艺术家、中央美术学院博士候选人,北京服装学院服装艺术与工程学院助理教授)*报名方式详见下期招募预告04公共教育活动“我来设计我的课本”儿童设计工作坊活动时间:4月6日(周六)上午10:00活动地点:中央美术学院美术馆会议室授课导师:谭坦(中央美术学院版画系教师,北京美术家协会版画艺术委员会委员)*报名方式详见下期招募预告“新中国设计的诞生”展览系列学术活动学术主持:邱志杰项目策划:纪玉洁、周博项目执行:梁雯、姚轶群新中国设计的诞生(1945-1959)展览时间:2024年3月20日-4月21日展览地点:中央美术学院美术馆2层A展厅
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共赴“艺术之约”|中央美术学院美术馆志愿者招募

2024-03-26

中央美术学院美术馆现面向社会公开招募热心公益事业和博物馆事业的各界人士,邀请您加入我们的志愿者团队。
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CAFAM工作坊招募 | “艺荟中西——海上丝绸之路视角下的19世纪澳门及广东地区图像展”系列公共教育活动

2024-03-25

“艺荟中西——海上丝绸之路视角下的19世纪澳门及广东地区图像展”是2023年国家艺术基金项目,并且为全国性巡回展览,在我馆的展览为巡回展览五站中的第一站。展出作品以银川当代美术馆收藏的洋风画,以及澳门科技大学图书馆收藏的澳门及广东地图为主,它向观众展示19世纪海上丝绸之路的重要节点澳门、广州及通商口岸的城市景观与历史变迁。我部门将在本周为公众策划两场工作坊,期待大家共同参与。
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“来美术馆跳舞——美术馆场域内的身体与编舞” 今日开展

2024-03-23

20世纪60年代,贾德森舞蹈剧场与视觉艺术家、先锋艺术家开始将舞蹈从再现生活、诠释文本的次要地位中解放出来。他们将身体作为表演的核心,使舞蹈从剧场中走出来,打破与观众之间的无形之墙。自此,陆续有美术馆邀请编舞家入场进行演出创作。近些年来,世界各地的美术馆与舞蹈联系更为紧密,不断有编舞家突破界限,与艺术甚至科学跨界联动,使舞蹈在美术馆中的展演形式愈加丰富。美术馆中的舞蹈在不断拓展自身概念和边界的同时也对观众发起挑战。
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“CHINA 354 记录中国的354个故事” 正在展出

2024-03-21

CHINA 354记录中国的354个故事展览时间:2024年3月21日—4月21日展览地点:中央美术学院美术馆一楼大厅主办单位:西班牙驻中国大使馆支持单位:中央美术学院美术馆 中国对外艺术展览有限公司(CIEA)艺术家:Luis Cuenca Castro策展人:林昱制片人:Larry Levene、周贞徵展览策划:ES DOCU、ATLAS赞助机构:BBVΛ设备赞助:小米电视、Unilumin洲明特别支持:北京塞万提斯学院 《CHINA 354》是艺术家和电影导演Luis Cuenca Castro 将短视频的形式用于电影创作,结合旅行、观察、采访和影像写作于一体的影像作品,该项目记录了2019年至今的中国,涉及自然、社会、城市、普通人的生活、历史变迁和季节流转等各种具体和抽象的话题。展览是一个由27屏有声影像组成的大型视听装置,展示艺术家在中国拍摄的三百多段短篇影像:其中354部短片被分布在12组两两相背的电视机屏幕,每个屏幕代表了农历中国年24节气中的一个;另外3部短片被放置在3个并排的大型LED竖屏,它们以手机屏幕的比例,竖立在构成整个展览的影像森林的入口处。Luis Cuenca Castro生于西班牙马德里,先后毕业于纽约大学和南加州大学的电影系,曾在美国从事电影创作和制作,自2013年来到中国后,便一直工作、生活于北京,并以中国为主题,创作了一系列纪录片和电影短片。Castro的电影和纪录片作品曾经多次在国内外电影节展映并获得荣誉奖项,《CHINA 354》是他迄今为止最雄心勃勃的个人项目。“从到达中国的第一刻起,我就想拍一部关于这个国家和人民的电影。因为中国是我经历过的最具电影感的地方,从街上的人们到快速变化的物理环境。”短视频在中国乃至全世界迅速风靡并从此改变人们视觉消费的习惯,也是艺术家开启这个拍摄项目的契机之一。2018年底,Castro决定在未来一年的时间里,每天不间断用短篇影像做视觉日记。“354天354部电影。为什么要遵循中国农历而不是格里高利历?在我对中国历法和季节的研究中,根据节气和农历,每年的天数并不相同。这对我来说是一个惊人的概念,时间没有绝对的衡量标准。每一年都是独一无二的……”策展人林昱表示:Luis Cuenca Castro的《CHINA 354》堪比意大利著名导演安东尼奥尼1973年名作《中国》的当代版本和影像艺术版本,它有着更大的时间跨度、空间广度和信息密度,且带有更强的作者性和抒情性。这部由三百多个细小篇章所构筑成的雄心勃勃的影像巨作显示了2019年前后的中国的多样面貌。艺术家以摄影机作为观察和互动的工具,时而游弋于风景之外,时而进入故事内部,通过一段段影像谱写了一部关于当代中国的多声部交响乐,并揭示了一个手持摄影机的人是如何通过等待、跟踪、观察、对话等符合或不符合社会规范的行为,与其拍摄对象形成共生的关系。对林昱而言,另一个有趣的地方是,这部作品的原始素材原本可以编辑成一部关于时间流逝与世事变迁的纪录片,即一部基于时间的传统电影作品,但在美术馆的物理空间里,通过多屏幕影像装置的形式,艺术家将线性前进的时间固定于二十余块屏幕的几何阵列中。由此,目光和身体的移动(和停留)取代了时间的流动。时间,从一条不断向前的河流,变成了一个供人行走的场所;人,则从时间中被动的存在,变成了空间中自由的主体。当观众游走在中央美术学院美术馆一楼大厅那由27块屏幕所构成的影像丛林,他们将被抛入风景、邂逅人物、在习以为常中遇见惊奇,在陌生风景中认识中国(以及自己),于记忆、当下和未来中穿越。作为庆祝中国与西班牙建交50周年的一系列官方文化项目的收尾之作,《CHINA 354》因多方支持得以实现,在此艺术家想对他们致以感谢,他们是:主办方西班牙驻中国大使馆、支持机构中央美术学院美术馆和中国对外艺术展览公司,制作方ES DOCU和ATLAS,赞助方BBVA、提供特别支持的塞万提斯学院、以及北京展览的设备支持——小米电视与洲明科技。| 关于艺术家 |Luis Cuenca Castro出⽣于⻄班⽛⻢德⾥,毕业于纽约⼤学电影系,后续在南加⼤进修电影硕 ⼠。他曾在Roger Corman New Horizons 制作公司担任剪辑和助理导演。在美国迈阿密成⽴Mudbath Films。他导演和制作的短⽚《Passengers》、《L.A. Joy》和《A propos de America 》被许多著名的国际电影节选作节⽬。《L.A. Joy》赢得了布宜诺斯艾利斯拉丁电影节和Visual 04⻢德⾥⾸奖。《Passenger》⼊围2003年奥斯卡⾦像奖的“纪录⽚ - 短⽚主题"类别。《Passengers》和《L.A. Joy》也被选在⻢德⾥雷纳索⾮亚当代艺术博物馆放映。近期作品记录短⽚《White Joy ⽩喜》提名 2020年波兰 Camerimage 电影节 和Hi Shorts!厦⻔短⽚周最佳记录短⽚。《五⼀ May 1st》获得2021年第六届 Nespresso Talents 短⽚⼤赛 中国赛区第⼀名、国际赛区提名,和2022年Beyond Borders纪录片电影节最佳记录短片。Luis Cuenca Castro目前工作、生活于北京。| 关于策展人 |林昱(Aimee Lin),比较文学硕士,策展人、作家。曾是艺术评论杂志《ArtReview Asia》联合创始人和最初六年的主编、《艺术界》杂志创始编辑和北京长征空间的总监。个人近期策展项目包“麻剑锋:肖像”(上海 SNAP 艺术中心,2023) 、“阿涅类寻”(与Flavia Gomes Gimenes 联合策划,上海 SNAP 艺术中心,2023)、“也是郭凤怡”(金杜艺术中心,北 京,2020)、“Longan”(House of Egorn, Berlin, 2019)。作为写作者,她的中英文文章广泛发表于国际国内专业艺术杂志、平台和艺术家专著。林目前工作、生活于上海,她同时也是纽约视觉艺术学院的大中华区代表。| 部分展出作品 | 《五一》(海报) Luis Cuenca Castro 视频 10分钟 2022年May 1, Luis Cuenca Castro, video, 10 mins, 2022《喀什之王》(海报) Luis Cuenca Castro 视频 5分钟 2023年King of Kashgar, Luis Cuenca Castro, video, 5 mins, 2023《戴玉耳环的女人》(海报) Luis Cuenca Castro 视频 3分钟 2022年Lady with Jade Earrings, Luis Cuenca Castro, video, 3mins, 2022《中国354》(截图) Luis Cuenca Castro 视频 354分钟 2020年China 354, Luis Cuenca Castro, video, 354 mins, 2020
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“CHINA 354 记录中国的354个故事” 正在展出

2024-03-21

《CHINA 354》是艺术家和电影导演Luis Cuenca Castro 将短视频的形式用于电影创作,结合旅行、观察、采访和影像写作于一体的影像作品,该项目记录了2019年至今的中国,涉及自然、社会、城市、普通人的生活、历史变迁和季节流转等各种具体和抽象的话题。
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CAFAM讲座预告 | 托马斯·萨拉切诺:共生

2024-03-21

托马斯·萨拉切诺(1973年生)是一位居住在柏林的阿根廷裔艺术家,他的艺术项目有关生命形式与生命塑造的对话,致力于重新思考资本世时代的知识主线,并认识到多样化的存在方式如何涉及多重意义。二十多年来,萨拉切诺发起了多个开源、集体和跨学科项目,旨在重新思考大气的共同创造,包括Museo Aero Solar(2007至今)、Aerocene基金会(2015至今)和Arachnophilia,致力于追求生态社会正义,实现一个无碳排放的社会。
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“新中国设计的诞生” 春分开幕

2024-03-20

2024年3月20日,“新中国设计的诞生(1945-1959)”展览开幕式在中央美术学院美术馆2层A展厅开启。本次展览以20世纪40、50年代中国社会的巨变为背景,围绕1945-1959年之间的中国设计与中国现代文明和历史文化之间的关系,从“前进 前进”“视觉革命”“积极的工业化”“人民的时尚”“民族 科学 大众”五个板块,以实物、图像、影像和文献等多种途径展出作品二百余件,系统地呈现中国现代设计史发展中的这个重要阶段。
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CAFAM展览预告 | 绘画的提问:一个世界性的课题

2024-03-19

展览“绘画的提问:一个世界性的课题”将于2024年3月20日至2024年4月20日在中央美术学院美术馆举办。此次展览邀请了陈雷、陈曦、戴增钧、吴啸海、王茜瑶五位艺术家,涵盖了60后、70后、90后三代人,形成了中国当代绘画的一个时间线。五位艺术家的创作各有言说的特点,都有讨论的绘画特质及引申的话题,这些都是研究中国当代绘画的内容。
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CAFAM展览预告|新中国设计的诞生(1945-1959

2024-03-18

20世纪中叶的中国经历了社会巨变,中国的社会性质从半殖⺠半封建地社会过渡到新⺠主主义社会,进而又通过大规模的社会主义改造进入社会主义社会。
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This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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