Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM展览预告 | “复数之礼 通达永恒——韩国艺术四人展”即将开展

2024-07-03

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2024第三届全球大学生虚拟策展大赛7月1日启动

2024-07-01

第三届虚拟策展大赛7月1日即将再度起航这里有最前沿的策展工具最有力的学术支持最自由的展现舞台无论你是初次接触虚拟策展还是早已在等待机会施展拳脚只要你对策展有探索和创作的热情这里都将提供尽情释放天赋与想象的平台欢迎渴望“策展自由”的你来施展心中创想优胜作品将在各大平台进行传播推广更有机会获得展览落地的机会和津贴抓紧时间报名吧!赛事主旨以策展助力美育,为美育而策展赛事介绍为贯彻落实中共中央办公厅、国务院办公厅印发的《关于全面加强和改进新时代学校美育工作的意见》,推进社会主义文化强国建设的决策部署,中央美术学院自2022年起策划举办“大学生虚拟策展大赛”品牌赛事。前两届大赛共收到来自全球340所高校、803组报名方案,参赛者覆盖本、硕、博三个学历阶段,总人数达1854名,在全球高校中引发了热烈反响。基于前两届大赛的影响力,现计划于2024年7月1日启动2024第三届全球大学生虚拟策展大赛,进一步激发艺术创新动力,推动艺术成果传播。赛道设置1东城区钟楼“北京时间”主题赛道:以东城钟楼为现实落地点,融合北京古都独特的历史底蕴与人文特色,可选择北京中轴线的历史演变、传统纹样艺术、胡同肌理复原以及市井生活的再现等主题,与艺术前沿相结合,从时空跨度和文化变迁角度,通过现代科技手段诠释古都风貌的当代表达,打造具有在地性的特色展览。2北京画院“青春之齐白石”赛道:北京画院与中央美术学院美术博物馆虚拟实验室合作,以“青春之齐白石”为主题,在第三届全球大学生虚拟策展大赛中开辟齐白石赛道。希望年轻的策展人以青春的视角,共同来解读齐白石艺术的无限可能。3CAFAM广角项目赛道:可自主选择艺术作品,在中央美术学院美术馆(简称CAFAM)二层半“广角空间”进行展览策划,打造具有实验性和在地性的特色展览。4青年艺术100赛道:聚焦当代青年艺术家、艺术作品的挖掘与推广,从青年艺术100入围作品数据库中选择作品,在青年艺术100赛道限定场地进行展览策划。赛程安排1方案征集(2024.7.1—10.1):大赛组委会通过主办单位、承办单位及合作媒体发布大赛信息,参赛者可通过报名通道提交信息,并进入赛事交流群获取大赛资料包。参赛者需登录虚拟策展实验平台(vlam.cafa.edu.cn)制作虚拟策展方案,并于10月1日24:00前通过方案提交通道上传参赛材料(通道入口及材料要求详见文末)。未在规定时间内提交材料视为放弃参赛。2教学指导(2024.8.30—10.1):大赛方案征集阶段将同期举办线上系列讲座,并在赛事交流群中进行实时答疑,对方案策划的各个环节进行教学指导。3初评阶段(2024.10.10-10.15):大赛评审专家团队对各个赛道的参赛作品进行评分,从所有符合要求的作品中评选出入围方案,每个赛道20个入围名额,共80个方案进入复评。4入围结果公示(2024.10.15-10.20):入围结果将通过相关组织机构公众号发布并进行公示。5复评阶段(2024.10.20-10.25):通过分赛道线上答辩的形式组织评审专家对入围方案进行评分,入围成绩与复评成绩共同构成方案的最终成绩。6获奖名单公示(2024.10.25-10.30):获奖名单将通过相关组织机构公众号发布并进行公示。7颁奖庆典(2024.11.1):在线上平台举办大赛虚拟颁奖庆典,根据最终成绩颁发每个赛道的奖项,举办获奖展览方案的线上公众导赏活动。奖励机制1  实践激励:四大赛道各设特等奖1名,将获得特别支持将策展方案落地实施或入选指定实践项目,并颁发获奖证书。具体奖项设置如下:1. 东城区钟楼“北京时间”赛道:获得2万元(人民币)布展制作费,将展览方案在东城区地标性古建筑钟楼内部空间落地展出。展览实施的相关事宜皆由主办方工作团队配合获奖者共同执行,策划方案需调整至实操可落地。2. 北京画院“青春之齐白石”赛道:展览方案在北京画院美术馆落地展出,展览实施经费由北京画院美术馆支持。展览实施的相关事宜皆由北京画院工作团队配合获奖者共同执行,策划方案需调整至实操可落地。3. CAFAM赛道:获得2万元(人民币)布展制作费,将展览方案在中央美术学院美术馆二层半“广角空间”落地展出。展览实施的相关事宜皆由中央美术学院美术馆工作团队配合获奖者共同执行,策划方案需调整至实操可落地。4. 青年艺术100赛道:可在下列实践计划中任选一种。a. 在青年艺术100年度展览中资助价值约15万元(人民币)的展位、搭建、媒体推广资源,将展览方案调整及实施。b. 获奖参赛者成为青年艺术100艺术乡建项目“特派策展员”,加入青年艺术100的艺术乡建策划团队,深度参与艺术驻地与展览活动的策划执行工作。2奖金激励:四大赛道各设一等奖2组、二等奖3组、三等奖4组,分别颁发奖金及获奖证书。入围但未获得名次的作品将获得优秀奖,颁发获奖证书。具体奖项设置如下:一等奖10,000元(人民币)二等奖5,000元(人民币)三等奖2,000元(人民币)3  综合激励:1.    入选工作坊:组委会将从获奖参赛者中择优选拔参赛者进入虚拟策展大赛创新工作坊,参与前沿课题,孵化创新成果,具体方案另行通知。2.    实习岗位:组委会将向优秀参赛者提供多个省市级艺术机构的实习岗位,通过实习且符合招聘条件的参赛者可优先获取正式录用通知。3.    专家推荐:优秀参赛者可向组委会申请专家推荐信或推荐评语,在就业申请或学位申请中增加优势。参赛说明1  参与对象:• 面向全球在校大学生征集展览策划方案,专业背景不限,学历层次包含专科、本科、硕士研究生及博士研究生。• 参赛者可选择独立参赛或组队参赛,允许跨校、跨专业组建参赛团队。组队参赛者每组人数不得超过3人,且每位小组成员均为在校大学生。• 每支参赛团队及个人只能选择一个赛道参赛,不得重复提交方案。2注意事项:• 已在往届大赛中获奖得参赛者(包含优秀奖)可以再次报名,但不得使用已获奖方案参赛。• 参赛者需确保个人信息及证件真实有效,提供虚假信息或证件者将取消作品参赛或获奖资格,并向有关部门进行通报。• 所有参赛材料一律不退,请自留底稿。组委会有权对参赛作品进行非商业用途的宣传、出版与展示。•参赛作品必须为参赛者本人原创,不得侵犯他人知识产权和物权。如有抄袭、盗用、提供虚假材料或违反相关法律法规的,一经发现,即可取消参赛相关权利并自负一切法律责任。• 所有参赛人员在方案策划中坚持正确的政治方向,遵守国家法律、法规,不得散布有悖国家法律、法规及路线、方针、政策的言论。违反本规定者将取消参赛或获奖资格,并向有关部门进行通报。报名方式报名步骤第一步扫描上方二维码填写报名信息。第二步加入赛事交流群(QQ群号:562844001),关注最新通知,获取参赛资料。第三步扫描上方二维码提交参赛材料。提交资料由虚拟策展实验平台vlam.cafa.edu.cn制作和生成的虚拟展览链接。20页以内的方案说明。3分钟以内的展览漫游视频,可自行剪辑或配音/字幕。策展人/策展团队简介及成员在校证明材料。赛事组织指导单位全国普通高校毕业生文旅艺术行业就业创业指导委员会主办单位中央美术学院中共北京市东城区委宣传部承办单位中央美术学院艺术管理与教育学院中央美术学院创新创业教育中心中央美术学院美术馆北京画院青年艺术100组委会学术支持单位中国国家博物馆、广东美术馆、湖北美术馆、湖南美术馆、江西省美术馆、云南美术馆、黑龙江省美术馆、内蒙古美术馆、郑州美术馆、石家庄市美术馆、北京今日美术馆、北京东城文化发展研究院项目执行单位中央美术学院美术博物馆虚拟策展与美育课程虚拟教研室技术支持平台广州市大湾区虚拟现实研究院联系我们联系地址:北京市朝阳区花家地南街8号中央美术学院北区14号楼D202联系电话:+86(0)10-64771910 合作咨询 +86(0)10-64771971 大赛详情及系统操作咨询官方邮箱:vlam@cafa.edu.cn赛事交流QQ群:562844001
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策展传播+设计美育|新中国设计的诞生(1945-1959)系列活动回顾

2024-06-28

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注入新生活力 | 我馆2024届毕业生收藏作品概览

2024-06-27

中央美术学院有着收藏毕业生作品的优秀传统,历届毕业生的作品都有着鲜明的时代特点和艺术气质,是美院教学的生命力体现和历史展现。目前,2024届毕业生作品的收藏工作圆满完成,经由收藏委员会审定确认,共有28名学生的优秀毕业作品被挑选留校,由中央美术学院美术馆永久收藏。其中研究生共10名18件(套)作品,本科生共18名22件(套)作品,不仅涵盖了绘画、雕塑、装置、设计等多种艺术形式,更有一批具有跨学科融合的数字多媒体艺术作品。这些作品的入藏,增加了我馆藏品的多元化和创新性,丰富了我馆的馆藏体系,为艺术更好地推广和交流奠定了坚实的基础。靳军馆长在2024中央美院毕业典礼上向馆藏作品的作者代表颁发证书| 被收藏作品毕业生名单 |研究生院:原晓轩中国画学院:高佳艺油画系:徐志洋、刘家豪、谭森垚版画系:周宏博、陈柏宇、范书媚、林圭宇、叶娉婷雕塑系:陈光耀、马千丁壁画系:高一鸣设计学院:张岩、吴兆伦、肖博涵、刘金涛、孙艺宸、李然、邵泓晔城市设计学院:谢孟瑶、杨云舒、朱若歌、刘峰岑、刘鑫 、陈仲烜、程海铸实验艺术与科技艺术学院:李晴
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实习生招募公告 | 中央美术学院美术馆期待你的加入!

2024-06-27

               中央美术学院美术馆               实习生招募中央美术学院美术馆为有志于从事美术馆相关学习、研究和实践的人士提供实习机会。通过参与具体项目的策划实施,切实了解和学习美术馆运营机制,为年轻学子未来的专业学习和职业发展积累实践经验,也为培养新一代高素质美术馆从业人员创造条件。如果你有艺术相关专业本科及以上学习背景,年龄在20-30岁之间;如果你身体健康,热爱美术馆事业,有较强的团队合作能力;我们为你开放美术馆7个部门的实习机会:一各部门岗位要求01典藏部| 岗位要求 |1、具备美术史基本知识;2、熟练掌握办公软件。02策划研究部| 岗位要求 |1、美术史相关专业硕士研究生及以上学历,有展览相关实习经历;2、熟练掌握办公软件。03公教部| 岗位要求 |1、艺术相关专业学习背景,美术、艺术设计、艺术教育等优先;2、英语能力佳、表达能力佳者优秀;3、熟练掌握办公软件。04展览部| 岗位要求 |1、熟练掌握办公软件及简单绘图软件;2、具备一定写作能力。05设计部| 岗位要求 |1、熟练掌握空间设计软件(SketchUp)及平面设计软件(Illustrator、Photoshop、Indesign)等(有展览视觉及空间设计经验者优先)。06媒体部| 岗位要求 |1、有艺术管理、艺术史专业学习背景或相关经历;2、具有扎实的文字功底,撰写和编辑能力强,可独立完成艺术类报道;3、有微信公众号、小红书平台编辑经验者优先。07发展部| 岗位要求 |1、熟练掌握办公软件(尤其PowerPoint);2、具备一定设计能力者优先。二实习期限1、 能够每周到岗参与工作4-5天,在校学生至少3天,能够接受周末及节假日的临时工作安排;2、 实习期不少于三个月,最长不超过一年。三实习生福利1、 实习期间不提供薪资,可为实习生申请临时校园卡用于餐食;2、 根据实习期间表现及时长记录,可开具实习证明。四报名申请请点击文末“阅读原文”或从以下百度网盘链接下载《中央美术学院美术馆实习生申请表》,填写后发送至cafamcafam@163.com, 邮件主题注明“姓名+申请部门”,我们将择优联系及安排面试。报名时间截至2024年7月7日(周日)。链接:https://pan.baidu.com/s/1DJWMHdVr4QNTycl6YJYgLw?pwd=r3ss提取码:r3ssCAFAM期待您的加入!
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Volunteers for the Central Academy of Fine Arts (CAFA) Museum of Fine Arts

2024-06-25

Located on the campus of the Central Academy of Fine Arts, the Art Museum of the Central Academy of Fine Arts (CAFA) is a professional, internationalized and modern art museum with the functions of academic research, exhibition display, collection restoration and public education. It adheres to the academic philosophy of "being inclusive, following the past and opening up the present", serves the society with "wisdom", devotes itself to the construction of contemporary public cultural space, presents human artistic civilization to the general public with a brand new vision, and shares the culture of the times with all walks of life.The dissemination and promotion of art and culture requires wider public participation, and the work of art museum volunteers is an important window for public participation in the arts. At present, the art museum volunteer work has been carried out for more than nine years, and the volunteer team is getting stronger and stronger, injecting vivid power into the art museum. As an enthusiastic social welfare and art museums, you must hope to join our team and contribute to social aesthetic education. We are willing to build a platform for you to show yourself and serve the society.The Art Museum of the Central Academy of Fine Arts is now openly recruiting people from all walks of life who are enthusiastic about public welfare and museums, and invites you to join our volunteer team.1、您可参与的岗位    (1)公共咨询服务志愿者(2)导览志愿者(3)活动志愿者(4)公共教育多媒体志愿者2、期待您符合以下志愿者的基本条件  (1)18-65周岁,具有完全民事行为能力的自然人,无违纪违法不良记录;(2)身心健康、开朗热情、态度亲和、善于沟通,具有较强的责任心、志愿服务意识和组织协调能力,语言表达流畅,普通话发音标准;(3)大专以上文化程度,热爱艺术,愿意了解艺术的相关知识,有较强的学习能力;(4)有足够空余时间从事志愿工作;(5)符合以下条件者可优先考虑:  ①具有艺术类、文博类、语言文学类、历史、考古、新闻学、心理学、摄影摄像、新媒体运营、美术教育等专业背景者;  ②大中小学教师;  ③有博物馆志愿者一年以上服务经验者;  ④掌握一门或多门语言沟通能力者;  ⑤具有文字编辑、图片和视频拍摄能力者。3、岗位工作内容与具体要求  (一)公共咨询服务志愿者(1)为观众提供咨询和引导服务;(2)完成现场观众咨询解答和投诉接待工作;(3)完成公众服务工作,应急配合接待团体导览服务。以尊重的态度对待每一位公众,做到礼貌用语,微笑服务,引导观众文明参观,有序参观;(4)前台服务热线的接听和电话转接,做好来电咨询工作,重要事项认真记录并传达给相关人员;(5)配合馆内安全导引等相关工作预案,及时发现情况并上报且采取相应措施。(二)导览志愿者(1)参与展前培训,了解各展览学术点,提供志愿导览服务;(2)导览资料的整理及收集,策划并组织艺术知识的普及工作;(3)建构硕博生导览团的相关整理工作;(4)根据不同年龄层进行导览心理研究与探访。(三)活动志愿者(1)参与公共教育项目和活动的策划与实施;(2)协助讲座、工作坊等相关活动宣传资料的整理与收集;(3)参与部门项目活动的现场工作执行。(四)公共教育多媒体志愿者(1)完成现场照片、视频拍摄相关工作;(2)完成活动报告撰写、编辑校对、照片与视频等归档、编辑及整理等活动总结工作;(3) 必要时协助活动现场执行。4、服务时长  (1)每周二至周日开馆日上午9:30-13:30;下午13:30-17:30(请根据个人实际情况填写志愿服务时间,可选半天);(2)保证每月至少来馆服务2次(每次不少于2小时);(3)每年服务时间不少于48小时。5、您将获得的专属权益  (1)免费参加中央美术学院美术馆举办的各种培训学习、讲座研讨会等活动的权利;(2)凭志愿者证件可以免费参观展览的权利;(3)在服务期间,志愿者可以向管理部门申请免费查阅本馆资料;(4)将获得艺术专业知识培训,包括但不限于中西方美术简史,美学导论,博物馆、美术馆概论与发展史,展览阐释,解密展览策划,博物馆、美术馆多媒体记录技巧与应用。(5)了解和参与幕后的专业工作,可以接触艺术家、艺术品、策划人和专家学者,认识有共同兴趣和理想的人;(6)可以参加“志愿者活动日”——美术馆专门为志愿者设计的交流、培训和联谊活动;(7)可以累积“志愿北京”时长;(8)服务期满半年且服务时长超过36小时或年满一年且服务时长达48小时的志愿者可向管理部门申请志愿者服务证明,并享有优先申请“美术馆实习生”的资质;(9)每年优秀志愿者将获得一年度的美术馆个人年卡会员资格。6、报名方式  (1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30;报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编  / 何一沙责编 / 杜隐珠
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作品回顾 ‧ 数字三维动画工作室(一) | 2024中央美院本科生毕业作品展

2024-06-25

段怡杉 | DUANYISHAN数字三维动画工作室【银河花园】银荷花园是我们一群一起长大的伙伴所居住的社区的名字,在这个场所当中,我们拥有很多共同的童年记忆。而随着光阴飞逝,一些小伙伴逐渐失去了联系,银荷花园也经历了改造翻新。————《银河花园》————侯铮儿 | HOUZHENGER数字三维动画工作室【切舍兔乐园】青春期是个体面临身份认同、自我价值和社会适应等诸多挑战的时期,而现代社会的沟通缺乏和心理问题使这一现象更加普遍。影片通过《爱丽丝》系列童话的符号和梦幻氛围,设计出兔面具女孩这一形象,代表青春期孩子的角色,将现实中的孩子们置于超现实乐园中,表面展现快乐,但现实问题逐步显现。通过从无意识到潜意识的叙事结构和色彩表现,影片揭示了主人公内心的变化和挣扎,探索了三维动画中的情感表达。————《切舍兔乐园》————张桂濠 | ZHANGGUIHAO数字三维动画工作室【碎片】粉色的蝴蝶在黑白的世界中寻找和自己一样色彩的伙伴,却遭遇到来自黑白世界无情的破坏。直到所有的色彩都在黑白的碎片中淹没。————《碎片》————伊溟霄 | YIMINGXIAO数字三维动画工作室【灵境】人类的灭亡是文化的灭亡而非肉体的灭亡,机械的智慧维系着生命的磅礴,但灵魂的消磨与腐朽无可阻拦。人类的灵魂必然再次融入自然完成与生俱来的使命,死亡。————《灵境》————宗怡雯 | ZONGYIWEN数字三维动画工作室【到高高山去】本片主要讲述了某一天小女孩捡到了一个密封的空罐头,罐头商标上的星星告诉她到高高山去,为了这个神秘的罐头,她踏上了前往高高山的旅途。一路上她面对周围环境中的审判、招揽与诱惑都不为所动。最后,她登上了高高山顶,打开了罐头……————《到高高山去》————明理河山 | MINGLIHESHAN数字三维动画工作室【林】短片主要展现的是动画创作者自我剖析的过程。动画主角象征着创作者的思想,它在由过往记忆与认知拼合而成的超现实空间里经历、体会与感知,最终在短片末那无声的浪花中获得内心的安宁与思想上的成长,使“我”更像“我”。————《林》————宋宸菲 | SONGCHENFEI数字三维动画工作室【莉莉的冒险】《莉莉的冒险》是一部2.5D的冒险类动画,故事讲述了一个精灵少女莉莉在成年日被魔镜吃掉,掉进异世界,历经种种冒险与磨难后,凭借友情与爱的力量,战胜自我,回归现实的故事。————《莉莉的冒险》————袁佳艺 | YUANJIAYI数字三维动画工作室【她者之境】以女性身体为素材进行角色、场景创作,用唯美奇幻的场景消解对女性的凝视。————《她者之境》————主编  / 何一沙责编 / 杜隐珠
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Jin Jun: The artistic ideal of "Direction of The heart" will surely be realized

2024-06-21

The artistic ideal of "Direction of  The Heart" will surely be realized  Jin JunCurator of CAFA Art MuseumFrom realistic style to abstract expression, from traditional easel painting to contemporary experimental art, thousands of diverse styles and media of artistic creations formed the 2024 Central Academy of Fine Arts Graduation Exhibition in early summer. Amidst this artistic extravaganza, the brilliance and panache of the new generation of young scholars were on full display. They unveiled a vibrant and diverse artistic realm to the community,via their diverse styles, impeccable craftsmanship, and distinct viewpoints.《ART MARKET》:As we enter the graduation season, the 2024 graduation exhibition of the Central Academy of Fine Arts (hereinafter referred to as "CAFA") is underway. Could you provide an overview of the overall planning and execution of this year's exhibition from a macro perspective?Jin Jun:Organizing graduation exhibitions is a core part of the annual graduation season in domestic art schools. It involves evaluating the academic achievements of each student on one hand; On the other hand, as a discipline closely related to social life, art graduation exhibitions are also a presentation aimed at the general public. Therefore, in recent years, graduation exhibitions of major art schools have attached increasing importance to the public's openness and dissemination, and have also produced a good response in society.Consistent with most domestic institutions, the graduation exhibition at the Central Academy of Fine Arts (CAFA) also takes place in May or June, primarily at the CAFA Art Museum. Owing to limited exhibition space, the CAFA graduation exhibition is structured into distinct phases: The first phase runs from April 30th to May 14th, featuring a graduate work exhibition; The second and third phases are dedicated to undergraduate graduation works, with each department showcasing its exhibits during separate timeframes. Works from the Oil Painting Department, Mural Painting Department, Experimental Art and Technology Art School, Urban Design School, Art Management and Education School, and the (Sino-French) Art and Design Management School will be displayed from May 19th to June 2nd. Meanwhile, the Chinese Painting School, Calligraphy School, Printmaking Department, Sculpture Department, Design School, Architecture School, and the Humanities School will be showcased from June 7th to 23rd.                                                    Scene of  "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》:Compared to previous years, what adjustments and changes have been made in the planning of this year's Central Academy of Fine Arts Graduation Exhibition?Jin Jun:The Central Academy of Fine Arts' graduation exhibition has been held consecutively for nine sessions, offering different experiences each year. After years of evolution, the most significant impression this year's exhibition has made on me is the gradual shift towards simplicity and serenity in its curatorial approach, evident in both the visual design and the theme "Yearning for It". Furthermore, the overall planning and execution of the exhibition have become more sophisticated and streamlined.                                                  Scene of  "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》:You just mentioned that the theme of this year's graduation season of the Central Academy of Fine Arts is "Direction of The heart", what is the deeper concept that this theme hopes to express?  Jin Jun:The theme phrase was proposed by the school according to the overall positioning of the graduation exhibition, and I personally understand it more as a kind of simple blessing and expectation from the school to the students, and also a reflection of the students' state of mind; including the image design of the blue background and white clouds in the main visual, which heralds the good wishes of the young students, young artists, and designers to go out of the school campus and to a broader world. We expect to see the ideals and aspirations of the students from the graduation works; we expect the students to respond to the call of the times and climb up the artistic peak one step at a time with their love for art and persistence in artistic ideals; we expect the students to become a forceful force in the construction of modern civilization of the Chinese nation, and to become an important force in the promotion of the great fine arts in fusion with the modernized industrial system and the people's better life.                                                   Scene of  "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》:What efforts has the Central American Art Museum made to improve the standard of graduation exhibition planning, service quality and visiting experience? Jin Jun:The whole graduation season is mainly led by the relevant departments and teams of the school, and through coordination with various faculties, we have carried out unified planning and execution from time allocation, space arrangement, image design and many other aspects. As the actual management department of the exhibition space, our job is to actively cooperate with the faculty to improve the overall service level and viewing experience of the graduation exhibition.First of all, this year, we improved the online exhibition booking program, which not only facilitates the participation of the public, but also helps the museum to pay attention to the density of the flow of people in time to ensure that the exhibition is carried out in an orderly manner. Secondly, the museum has also organized volunteers to provide interpretation services, through guided tours or Q&A, to improve the dynamic line of the exhibition and increase the audience's understanding of the works in the exhibition. Once again, in terms of the exhibition's outreach communication, this year also produced a more detailed publicity program, in order to increase the social attention of the graduation exhibition.In addition, as an extension of the exhibition, the Museum's Cultural and Creative Shop has enriched its merchandise categories to enhance the quality of cultural consumption by the audience, and the Café has also improved its operational capacity to provide the audience with leisure experiences after the exhibition as much as possible.                                                    CAFA Art Museum Gift Shop Site《ART MARKET》:According to your observation, what are the current changing trends in the presentation, style, and thematic concepts of students' graduation work as a whole? Jin Jun:In recent years, the works of art college students have been showing a strong level and state of innovation and imagination. It is especially obvious in the development of the integration of art and technology. At present, many works of graduates from the School of Urban Design, Experimental Art and Science and Technology Art are integrated with the current new technologies such as digital technology, virtual reality, artificial intelligence, etc. They have created very complete works from different perspectives, fully expressing their respective ideologies. Obviously, the combination of art and new technology not only provides a broader creative space for creators and shows the innovative spirit of young students, but also makes the art works more vivid and intuitively presented to the audience, increasing the interactivity and sense of experience.In addition, the traditional departments represented by the School of Chinese Painting, the Department of Oil Painting, and the Department of Mural Painting also maintain their original professional characteristics in their graduation creations. In terms of expressing themes, it can be seen that everyone's concerns are more diverse and more oriented to social reality--Pay attention to the development status of different groups and regions in the current society. From this, we can also see the professional quality and creative ability of current graduates, as well as their in-depth thinking and artistic expression of social development.                                                    Scene of  "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》:In recent years, the graduation exhibition of art schools has become more and more important and concerned by major institutions and the public, what are the influencing factors of this trend?Jin Jun:From the perspective of the first two phases of the graduation exhibition of the Central University of Fine Arts, the number of visitors to the exhibition has definitely increased compared to the previous two years. Especially during the two days of the weekend, due to the limited space and venue of the Central Academy of Fine Arts, we had to take measures to limit the flow of traffic, so as to ensure that the audience's viewing experience is safe and orderly. From this, it is not difficult to see that the community is highly concerned about the graduation exhibition of art schools.Of course, this highly concerned trend is brought about by the overall development and change of our society. Although art colleges and universities are teaching and researching units mainly located in talent cultivation, along with the improvement of domestic economic level in the past 10 years, the public's demand for spiritual and cultural fields is also increasing, and every family's pursuit of quality of life, and the importance of children's growth, aesthetic education, and education ...... These factors have prompted the public to pay high attention to graduation exhibitions of art colleges and universities, which determines that graduation exhibitions need to fully consider the interaction with the public. These factors have contributed to the high attention of the public to the graduation exhibition of art colleges, which also determines that the graduation exhibition needs to fully consider the interactivity with the public.                                       Scene of  "Direction of The Heart"--2024 CAFA Graduation Season《ART MARKET》:What positive effects and significance can graduation shows have for both institutions and graduates?Jin Jun:When the relationship between the graduation exhibition and the public becomes more and more extensive and close, this will be conducive to the school to capture the public's feedback on aesthetics, market, technology and other aspects in a timely manner, which will have a certain direction reference for the cultivation of relevant art talents in the institution, so as to better serve the society.For students, the graduation exhibition is an important summary and concentration of their academic achievements for several years, and is an important moment in their life course. Through the graduation exhibition, students' graduation works can be seen by more people, which is an important step for their identity transformation and the next stage of their life.                                                    Scene of  "Direction of The Heart"--2024 CAFA Graduation SeasonInterview|Art Market Reporter  Wu WenlongEditor-in-Chief / He YishaEditor / Du Yinzhu
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作品推介 · 书法学院丨2024中央美院本科生毕业作品展

2024-06-20

展览现场书法学院本科生毕业作品选 吴思昊作品名称:行书《黄山谷诗句》节录作品尺寸:240cmx49cm作品名称:《篆刻创作》
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China Academy of Building Research Group visited CAFA Art Museum for an Exchange

2024-06-19

Recently, Sun Jianchao, President of Architectural Design Institute of China Academy of Building Research (ADI), Lai Yuqiang, Vice President of ADI, and Xue Ming, Chief Chief Architect visited the Art Museum of the Central Academy of Fine Arts (CAFA). Accompanied by Director Jin Jun, Secretary Han Wenchao, and related personnel from the Museum's Logistics and Infrastructure Department, Exhibition Department, and Design Department, the eight experts from CRA visited the undergraduate stage exhibition of the graduation season, and appreciated the active sparks of thinking in the students' works.After that, both parties held a discussion in the conference room of the museum, in which Jin Jun, director of the museum, Han Wenchao, secretary of the Party branch directly under the museum, Gao Gao, deputy director of the museum, Sun Wei, director of the logistics and infrastructure department, Wu Peng, director of the exhibition department, and Ji Yujie, director of the design department, participated. During the conversation, not only recalled and affirmed the foresight of the Art Museum at the beginning of its establishment, the Art Museum also put forward inquiries about the current problems faced by the venue, and the experts of CRRI gave professional suggestions for follow-up cooperation in a targeted manner. In the future, we are looking forward to an all-round "medical check-up" of the museum in terms of space function improvement, equipment rationalization and updating, and venue safety and security, so as to provide the best exhibition experience for teachers, students and art lovers.
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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