Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

活动回顾|“隐入山的N种可能——空间中的山水”工作坊

2024-01-27

本次工作坊的主题是“打破时间与空间的鸿沟”,引导小朋友们如艺术家一般去重现悬浮在三维空间中的山峰。通过巧妙运用层层叠叠的亚克力板,引导小朋友们亲身参与,创造出静态却蕴含无穷奥妙的微观山水。
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寒假带小朋友们来美院看“央美·鲁信”优秀作品展

2024-01-23

由中央美术学院与山东鲁信公益基金会共同打造的全公益赛事——第四届“央美·鲁信全国儿童美术书法作品大赛”优秀作品展于近日在中央美术学院美术馆一层大厅展出。
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“耕耘在大地上——中央美术学院美术馆藏版画专题展” 正在展出

2024-01-21

“耕耘在大地上——中央美术学院美术馆藏版画专题展”由中央美术学院美术馆主办,展出的百余套作品是从中央美术学院美术馆藏版画作品中精选而来。本次展览从“土地、耕耘、建设、沉思”四个版块展示了几代艺术家对土地的思考、情感与创作。展览自1月18日开展,展期持续至3月3日。
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活动预告 | 隐入山的N种可能——空间中的山水

2024-01-19

广角°青年实验项目空间主办中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心隐入山的N种可能——空间中的山水时间:2024年1月20日下午2:00-4:00地点:中央美术学院美术馆展厅及咖啡厅授课导师:王相洁课程助理:何永昌 邢怡菲 何胤蓁 张俊秀 工作坊内容 基于此次展览,我们特别为小朋友设计了一场以“打破时间与空间的鸿沟”为主题的趣味工作坊,引导小朋友们如艺术家一般去重现悬浮在三维空间中的山峰。通过巧妙运用层层叠叠的亚克力板,引导小朋友们亲身参与,创造出静态却蕴含无穷奥妙的微观山水。在中国传统文化中,一枝一叶蕴藏天地乾坤,而这个趣味工作坊旨在通过小朋友们的双手创造,让他们深刻体会到这句古训的奥妙之处。工作坊选用亚克力板作为构建材料,将小小的几何空间打造成一个立体的画布,通过多层次渐变的亚克力,再现山水的自然美景。悬空的视觉效果和细致入微的细节将使小朋友们仿佛穿越时空,身临其境于宋代山水画中。招募对象:7-15岁热爱艺术创作的儿童(每位儿童需一位家长陪同)招募人数:10人报名方式:请编辑“参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功后,将会收到短信回复。请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,我们将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。 授课导师 王相洁中央美术学院山水专业本、硕、博个人经历2019年 香港水墨艺博会2019年 第四届“学院经典”——全国美术院校中青年工笔画作品展2020年 传统心相-博士研究生教学观摩双个展2021年 北京当代艺博会2022年 参与冬奥会主题创作 作品展示于组委会主新闻中心2018年中央美术学院优秀毕业创作奖入选中央美术学院青年英才驻留计划作品被中央美术学院美术馆、北京文联、北京美协收藏本次公共教育合作品牌隐入山海展览时间:2024年1月11日—2月25日展览地点:中央美术学院美术馆2层C展厅
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中央美院美术馆“首届青年批评家论坛” 征稿

2024-01-16

主办:中央美院美术馆时间:2024年4月下旬地点:中央美院美术馆报告厅地址:北京市朝阳区花家地南街8号主题阐释与论坛意义中央美院美术馆“首届青年批评家论坛”拟定于2024年4月在中央美术学院美术馆举行,本次论坛以“当下艺术现状之我见”为主题,以“艺术现象与批评写作”、“艺术批评与艺术市场”、“艺术批评与历史的选择”、“艺术批评与理论化术语的反思”为分论坛,邀请当代艺术批评、策展、艺术史以及艺术市场领域的青年学者、批评家分享最新的学术研究成果、独立的观点与主张,展开思想的交流与碰撞。当下的艺术批评面临着来自艺术行业之内与之外的多方面挑战。在艺术领域内部,艺术批评写作者一方面需要遵从行业的运行机制,成为艺术生产、传播、销售产业链环中的一员,另一方面又要对现行的艺术生态进行反思,通过撬动既有的话语体系寻求自身价值,这便造成了身份认同的割裂。而在现实中,大多数批评者受到环境和个人因素的影响,往往安于进入话语系统,而非反思和超越系统。在艺术行业外部,新媒体的传播力削弱了传统艺术批评写作的影响力,既让更广泛的群体参与到对艺术的讨论当中,为艺术批评带来新的机遇和可能性,同时舆论也将当代艺术的问题简单化、片面化,以非黑即白的思维看待作品、艺术家和艺术现象。面对艺术批评的机遇、困境或危机,活跃于艺术创作和传播现场的青年批评家需要更加深入地思考和讨论复杂的艺术现实,通过学理的研究和思辨的态度对当下的艺术现象给予回应,对中国当代艺术价值与方位进行研究,以独特的视角和深度的思考助力当代艺术朝向创新性、实验性、观念性的方向发展。分论坛主题(一)艺术现象与批评写作相关议题:面对现象,艺术与批评是否双重贫困?当下艺术的价值是否盲动?水墨绘画的现状?(二)艺术批评与艺术市场相关议题:艺术市场与艺术的走向、市场推手与学术推手之间是怎样的关系?是对抗?是共生?(三)艺术批评与历史的选择相关议题:艺术批评的回归与变革、00后一代的关注点与艺术创作的不确定性(无方向感)、自媒体的传播与无深度现象批判(四)艺术批评与理论化术语的反思相关议题:艺术批评的过度理论化与艺术的直接性、80年代、90年代及00后的批评术语分析与反思联系方式诚邀青年才俊积极写稿参与,请将文章(字数:5000-10000)发如下两个邮箱截稿日期:4月10日邮箱:jinjianru@cafa.edu.cn;237255743@qq.com联系人:简如、李捷电  话:15957702868
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广角°青年实验项目空间第二期展览项目 “隐入山海” 如期开幕

2024-01-12

1月11日,广角°青年实验项目空间第二期展览项目 “隐入山海” 在中央美术学院美术馆启幕。隐入山海,是一个半悬浮的实验空间项目。所谓悬浮指向两种状态,一种是物理空间,一种属于心理空间。物理空间指的是CAFAM这个二层半的展厅。它的一端连接了两道通向美术馆不同楼层的长廊,另一端如一弯封闭的桥梁跨在美术馆弧形墙壁上。这里是一座孤独的岛屿。
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“图示新探”系列学术讲座 第五讲 | 李垚辰:历史中的作品——袁运生《水乡的记忆》作品史研究

2024-01-10

2024年1月11日,中央美术学院美术馆典藏部主任、副研究员李垚辰将开启第五讲,主题为“历史中的作品——袁运生《水乡的记忆》作品史研究”。
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CAFAM展览预告 | 广角°青年实验项目空间 “隐入山海” 展览即将启幕

2024-01-10

“广角°青年实验项目空间”于2022年初启动首期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由中央美术学院美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。目前已完成第一期与第二期方案的征集、评选(现有十二个展览方案入选)。
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“万有引力”展览研讨会、工作坊活动回顾

2024-01-09

第二期“广角°青年实验项目空间”的首个展览“万有引力”——陈明强个人作品展于2023年10月24日至11月13日期间顺利举办。展览选择了陈明强新近创作与未曾展出的共14件作品,溯其创作思考的流变与关联,对材料本体与艺术再造之间的诸微妙处作出翻译,力图展现其个人创作思考与艺术面貌的新象。围绕展览主题,展览团队陆续举办了一次研讨会、一场儿童公共教育工作坊及六场公众导览活动。
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景德镇国际陶瓷艺术双年展百件佳作亮相

2024-01-09

展览开幕现场视频 2024年1月7日上午,“瓷的精神——景德镇国际陶瓷艺术双年展优秀作品巡展”(北京站)在中央美术学院美术馆开幕。此次巡展活动由景德镇陶瓷大学主办,中央美术学院美术馆、景德镇陶瓷大学博物馆承办,景德镇陶瓷大学国际合作与交流处、景德镇陶瓷大学美术学院、景德镇陶瓷大学设计艺术学院等协办。来自国家艺术基金管理中心、中央美术学院、中国美术家协会、中国对外文化集团、中国艺术研究院、北京教育科学研究院、清华大学、景德镇陶文旅集团及北京文化艺术界的嘉宾与学者,“双年展”获奖艺术家,中央美术学院相关职能部门负责人以及师生代表等出席开幕式。开幕式现场中国美术家协会主席、北京美术家协会主席范迪安致辞并宣布展览开幕中国美术家协会主席、北京美术家协会主席范迪安在致辞中表示,景德镇是一座因瓷而生、因瓷而兴、因瓷而名的城市,新时代以来,景德镇在推动陶瓷艺术创新和陶瓷产业发展上形成了新的格局,其中一个重要因素就是以学术推动创新,以创新带动产业。他指出,景德镇国际陶瓷艺术双年展是一个学术含量很高的品牌,通过展览,让国际陶瓷艺术家共同讲好陶瓷故事,让中国艺术家通过陶瓷讲好中国故事,起到文化交流、文明互鉴的作用。展览在中央美院举办,有助于不同学科专业的师生从陶瓷艺术中思考陶瓷材料媒介的转换运用,领悟陶瓷艺术蕴含的工匠精神,最为重要的是认识陶瓷艺术的文化内涵和文化精神,在各学科专业领域的创造创新中自觉弘扬中华优秀传统文化。中央美术学院院长林茂致辞中央美术学院院长林茂表示,中国是“陶瓷母邦”,几千年不间断传承与发展深深影响世界政治经济格局。景德镇是中国陶瓷古都,它承载着陶瓷的过去、现在和未来。今天,它在多元文化交流和交融中扮演了重要的纽带作用,树立起世界陶瓷中心的形象。他回溯了中央美术学院办学之初设立的陶瓷科所培养一批的我国陶瓷艺术设计教育家,对我国高等陶瓷教育做出的重要贡献,由此关联起和景德镇以及景德镇陶瓷大学的渊源。他强调,在吕品昌校长的努力下,中央美术学院陶瓷艺术研究院通过一系列高质量学术活动,促进了中央美术学院和景德镇市政府、企业以及景德镇陶瓷大学紧密地联系与合作,并取得了良好的社会效益,促进了地方的文化发展、经济建设以及人才培养。国家艺术基金管理中心主任王明亮致辞国家艺术基金管理中心主任王明亮在致辞中表示,景德镇陶瓷大学是艺术基金资助的重要单位之一,10年来共有22个项目获得资助。此次景德镇国际陶瓷艺术双年展优秀作品巡展,从上千件优秀作品中遴选出100件进行巡展,展示和交流了中外艺术家在陶瓷领域的最新成就,对促进世界优秀陶瓷艺术传承与发展起到积极推进作用。他希望通过此次双年展,能秉持对瓷的匠心,延续千年文脉,讲好以陶瓷文化为特色的中国故事。景德镇国际陶瓷艺术双年展总策展人、景德镇陶瓷大学党委副书记、副校长(主持行政工作)吕品昌先生致辞景德镇国际陶瓷艺术双年展总策展人、景德镇陶瓷大学党委副书记、副校长(主持行政工作)吕品昌在致辞中强调中央美术学院在参与景德镇文化艺术建设中所起的重要作用,以及高质量、国际化、可持续性的国际展对推动我国陶瓷文化艺术产业发展的必要性。他表示,景德镇陶瓷大学与中央美术学院将以此次“双年展”优秀作品巡展为契机,建立起更加广泛的、可持续的联系与合作,努力打造校地合作、校校合作的典范。中央美术学院美术馆副馆长高高主持开幕式本次巡展展示了来自15个国家和地区的100件(套)优秀作品,涵盖了陶瓷器皿、雕塑、装置、绘画和影像等多种艺术形式。活动旨在展示和推广国际陶瓷艺术领域的最新成果和创新理念,促进院校间陶瓷文化艺术、人才培养等方面的交流合作。展览将持续至2024年2月25日。开幕现场嘉宾合影嘉宾观展以“意义——材料、工艺、城市”为主题的学术研讨会和系列讲座同期举行,与会学者围绕陶瓷材料的创新应用、工艺技术的传承与发展、陶瓷与城市文化的融合等议题进行了深入探讨,分享了各自的研究成果和实践经验,为推动陶瓷艺术的发展提供了新的思路和方向。5位来自学院工作室的艺术家现场展示了陶瓷粉古彩绘画、陶瓷刻花、现代青花绘画、拉坯、陶瓷捏花等景德镇代表性的传统技艺,分享个人创作经验。《意义——材料、工艺、城市》学术研讨会现场《意义——材料、工艺、城市》系列主题讲座现场《分享——学院工作室艺术家》创作展演现场展览现场展出作品(部分)吕品昌《阿福 No.26》80x60x62cm 陶瓷黄山《汉风列传》系列(部分)尺寸可变 陶、木头郅敏《 二十四节气·大暑 》120x40×70cm 線合材料田野冬雪《物变》尺寸可变 瓷、综合材料钞子艺、钞子伟《史迹》尺寸可变 瓷、综合材料陈昭辰《曹植有天晚上做了个梦》尺寸可变 瓷、綜合材料孟胡蝶《不息的循环》之六 50×40×55cm 瓷片、陶片、大漆、银箔、金属锔钉等谭丹武《生生活研究系列·排排坐》 400x70x13om 高温瓷、木景德镇国际陶瓷艺术双年展优秀作品巡展(北京站)展览时间:2024年1月5日至2月25日展览地点:中央美术学院美术馆2层展厅主办单位:景德镇陶瓷大学承办单位:中央美术学院美术馆  景德镇陶瓷大学博物馆协办单位:景德镇陶瓷大学国际合作与交流处、美术学院、设计艺术学院支持单位:景德镇市人民政府  中国对外文化集团有限公司国际陶艺学会(IAC)  景德镇陶文旅控股集团有限公司
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Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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