Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

讲座预告 | 卡洛斯·爱德华多·科玛斯—短暂的纪念碑:巴西馆与世博会

2023-03-21

| 央美建筑系列讲堂|CAFAa Lecture Series     2023年03月22日,南大河州联邦大学(巴西阿雷格里港)的名誉教授,研究生院PROPAR-UFRGS的终身教授,以及该专业的ARQTEXTO杂志编辑、巴西建筑研究生项目协会(ANPARQ)前主席、国际现代建筑遗产保护理事会(DOCOMOMO)巴西分会的前主席、巴西国家遗产协会顾问卡洛斯·爱德华多·科玛斯先生将受邀来到中央美术学院,带来"央美建筑系列讲堂"的第十一次讲座——《短暂的纪念碑:巴西馆与世博会》(Ephemeral monuments: Brazilian Pavilions, International Exhibition)。     “央美建筑系列讲堂”(CAFAa Lecture Series)由中央美术学院建筑学院于2018年发起,旨在立足建筑学术前沿,邀请当今世界最杰出的学者、教育家、建筑师、艺术家展开研讨、讲座、会议等多种活动,共同建构批评、包容、开放的国际建筑学术平台。该系列已成功邀请雷姆·库哈斯、莫森·莫斯塔法维、曹汛、矶崎新、斯蒂文·霍尔、彼得·塔居里、崔愷、威尼·马斯、伊东丰雄等多位学术巨匠进行讲座及会谈。讲座题目 短暂的纪念碑:巴西馆与世博会  Ephemeral monuments:  Brazilian Pavilions, International Exhibition 演讲嘉宾卡洛斯·爱德华多·科玛斯南大河州联邦大学(巴西阿雷格里港)名誉教授研究生院PROPAR-UFRGS的终身教授巴西建筑研究生项目协会(ANPARQ)前主席国际现代建筑遗产保护理事会(DOCOMOMO)巴西分会的前主席巴西国家遗产协会顾问学术主持朱锫中央美术学院建筑学院院长、教授讲座观看地址中文同传直播地址:央美建筑学院b站中文同传直播地址:全球知识雷锋b站| 讲者简介 |卡洛斯·爱德华多·科玛斯卡洛斯·爱德华多·科玛斯(Carlos Eduardo Comas),毕业于南大河州联邦大学、宾夕法尼亚大学(建筑学、城市规划硕士) 、巴黎第八大学(建筑学博士)。他的博士论文题目是“巴西现代建筑和城市化过去的细节——基于1936年-1945年卢西奥·科斯塔(Lucio Costa),奥斯卡·尼迈耶(Oscar Niemeyer),MMM Roberto事务所,阿方索·雷迪(Affonso Reidy),Jorge Moreira & cie的设计作品”。他是南大河州联邦大学(巴西阿雷格里港)的名誉教授,研究生院PROPAR-UFRGS的终身教授,以及该专业的ARQTEXTO杂志编辑、巴西建筑研究生项目协会(ANPARQ)前主席、国际现代建筑遗产保护理事会(DOCOMOMO)巴西分会的前主席、巴西国家遗产协会顾问。卡洛斯撰写并发表了大量关于现代建筑和城市规划的文章,特别关注巴西在本国和国外的经验:阿根廷、奥地利、智利、中国、哥伦比亚、法国、芬兰、英国、葡萄牙、墨西哥、西班牙、瑞士、美国、乌拉圭、委内瑞拉。他是上海同济大学的客座教授,并曾在迈阿密大学和智利天主教大学任教。卡洛斯是2015年纽约现代艺术博物馆展览“1955-80拉丁美洲的建筑”的巴西客座策展人,展览名录的联合编辑和贡献者。该展览获得了2017年建筑历史学家协会菲利普·约翰逊奖。卡洛斯的作品《残酷与乌托邦:拉丁美洲的城市与景观》获得2005年亚信最佳建筑展览名录奖,对MoMA另一个展览名录:“勒·柯布西耶:现代景观地图集”也有深入的研究。《勒·柯布西耶:50年后》文选获得了2018年FAD奖,是伊比利亚半岛建筑理论和批评方面的最佳出版物。在他最近发表的论文中,与李翔宁、于云龙和马科斯·阿尔梅达合著的《重游被遗忘的纽带:中国和巴西的建筑交流》最为重要。他参加了许多研讨会,包括由东南大学和中国美术学院推动的《山与心》。他组织的活动包括在阿雷格里港多次举行的DOCOMOMO会议,特别关注现代建筑的物质性和时间性; 此外,他仍运营着一个小型建筑事务所进行实践与创作。主办  中央美术学院建筑学院承办  中央美术学院建筑学院学术部  中央美术学院建筑学院对外交流部协办中央美术学院美术馆  中央美术学院TEXTENT学社
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临时闭馆公告

2023-03-20

闭馆公告根据学校内部工作安排,我馆将于2023年3月23日(周四)临时闭馆一天,由此给您带来的不便敬请谅解。中央美术学院美术馆2023年3月20日
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活动预告 | “加密艺术的发展及其未来”专家论坛

2023-03-17

专家论坛:加密艺术的发展及其未来时间:2023年3月18日14:00-16:00Time: 14:00-16:00, March 18, 2023.地点:中央美术学院美术馆学术报告厅Venue: Auditorium, CAFA Art Museum抖音平台直播通道扫码观看研讨会议题展览“加密艺术:一种新的可能性”正在中央美术学院美术馆展出,配合展览,中央美术学院美术馆举办了一系列的学术活动,从3月12日的“策展对谈:美术馆为什么要做加密艺术展?”,到3月14日的“元境无际——加密艺术国际学术研讨会”,到3月15日的讲座“奇点之下:从Crypto到Ai的艺术叠加”,从不同侧面对加密艺术进行了多方位的讨论。3月18日,这周六的下午,我们即将迎来另一场学术活动:“专家论坛:加密艺术的发展及其未来”,邀请国内专家,对加密艺术的概念、现状、未来发展以及艺术和科技的关系等方面进一步展开深入探讨。研讨会嘉宾费俊中央美术学院设计学院“艺术与科技”方向教授、博士生导师,某集体 ART+TECH 创始人、创意总监。曾任中央美术学院设计学院数码媒体工作室主任,北京媒体艺术双年展联合策展人。他以艺术家、设计师和教育者的多重身份从事艺术与科技研究、教育与实践,他的艺术实践主要关注由虚拟和实体场域共同构建的混合场域叙事。艺术及设计作品曾在58届威尼斯双年展中国馆等国际展览和艺术节中展出,并荣获了德国IF设计奖、红点设计奖、德国设计奖特别奖和亚洲最具影响力设计大奖等荣誉。高登科 清华大学艺术博物馆博士后,清华美院社会美育研究所学术主持 ,元宇宙三十人论坛学术与技术委员会委员。中译出版社《元宇宙艺术》作者,课题组负责人。主要研究中国艺术史、艺术与科学、美育理论与实践。2011年参与创办民艺杂志《蜗牛》,2015年至2017年策划北京国际设计周“民艺:转化的生机”系列论坛,编著《艺术作为一种职业》《青果京华:清华学派第四次学术研究展》等,于《装饰》《美术观察》《美术大观》《新美术》《艺术市场》《文化月刊》等杂志发表论文多篇。郭成《加密艺术年鉴主编》,数字化合物联合创始人。毕业于湖北美术学院,曾就职于武汉美术馆、《艺术与财富》杂志,创立公众号优看。2013年参加“KUMA文化管理在中国”项目,2019年参与屏幕间策划运营,2021年联合创立数字化合物。他对加密艺术的研究和写作以艺术机构运营和数字艺术发展为参考,关照历史维度的价值,是中文加密艺术领域具有代表性的研究和写作者。隋建国1989年毕业于中央美术学院雕塑系,获硕士学位,现居住和工作在北京,为中央美术学院资深教授。隋建国在自己四十多年的艺术实践中对创作观念、作品形式、媒介选择、时空经验等多个方面都有深度理解和认识,曾多次在国内外举办个人艺术展,并应邀参加国际艺术群展。孙博涵创业者/策展人/艺术家;中央美术学院附中、本科、研究生;BCA科技艺术联合创始人;众甫联动投资合伙人。工作/创作/生活于北京/上海/洛杉矶的web3.0实践者。曾于艺术、教育、金融、科技领域工作,作品被中央美术学院美术馆收藏;早期区块链研究员、投资人,具有全行业研究视⻆。目前个人持续致力于推动科技、算法、人工智能与艺术结合的发展,探索构建完整、高效、规范的科技艺术生态闭环。王春辰中央美术学院美术馆副馆长,教授,博士生导师、著名美术批评家及策展人,从事现代美术史及当代艺术理论与批评研究。2013年第55届威尼斯双年展中国馆策展人。杨嘎加密艺术研究者/策展人/艺术家;中央美术学院博士;全国新闻出版标准技术委员会区块链版权应用技术标准起草组副组长; 独角兽非盈利艺术空间创始人; Unicorn art fund SG 合伙人,现工作、生活在新加坡、巴塞罗那。《美术观察》上发表理论文章《加密艺术:数字艺术向元宇宙迁移的“摆渡人”》,《美术研究》上发表理论文章《徐冰天书的区块链基因》,撰写的著作《加密艺术》中文书籍,由光明日报出版社出版。张远 Maya Zhang2020年获中央美术学院美术学博士,意大利代米克艺术博物馆(米兰)策展人;她研究了当代中国水墨艺术及其在国际的新发展。张远曾任大众传媒机构创作总监多年,拥有丰富的艺术实践与展览策划双重背景,作品在中国和北美艺术机构展出。她目前的工作重点在与中国的艺术机构、艺术家和学者建立多方位的交流合作,致力于促进东西方文化和艺术的交流,构建艺术多方位交互平台。(以上按嘉宾姓名首字母排序)展览信息加密艺术:一种新的可能性Crypto Art:A New Possibility展览地点:中央美术学院美术馆二层A展厅Exhibition Venue:2A Gallery, CAFA Art Museum展览时间:2023年3月14日-3月24日Exhibition Duration: March 14 – March 24, 2023开幕时间:2023年3月14日14:00Opening Time: 14:00, March 14, 2023主办:中央美术学院美术馆 意大利代米克艺术博物馆(米兰)Organizers: CAFA Art Museum & Dynamic Art Museum (Milan)艺术总监:邱志杰学术顾问:皮尔·吉利奥·兰萨  费俊  凯文·阿博什展览总监:张子康 韩文超 颜羚贻展览统筹:高高中方策展人:王春辰意方策展人:理查德·韦恩  张远
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展览前言 | “大道丰碑:周令钊、钟涵、邓澍、侯一民、詹建俊、李化吉先生纪念展”

2023-03-17

值此2023年新学期开学之际,学校隆重举办“大道丰碑”展览及学术活动,纪念六位刚刚离开我们,为学校建设和中国美术事业做出杰出贡献的老先生。
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对谈综述 | 美术馆为什么要做加密艺术展?

2023-03-17

2022年3月12日下午,策展对谈:“美术馆为什么要做加密艺术展”在中央美术学院美术馆学术报告厅举行。该活动是展览“加密艺术——一种新的可能性”的展前预热活动,展览已于3月14日于中央美术学院美术馆开幕。“加密艺术——一种新的可能性”是中央美术学院美术馆在疫情之后举办的第一个科技艺术国际展,展览由中央美术学院美术馆和意大利代米克艺术博物馆(米兰)联合举办。该对谈活动于展览开幕前夕举行,希望通过与观众分享举办展览的目的初衷,交流嘉宾们对加密艺术问题的思考和对未来艺术发展的展望,以引发观众的讨论和对展览议题的关注。“美术馆为什么要做加密艺术展”对谈现场参加此次对谈的嘉宾有四位,包括此次意大利代米克艺术博物馆(米兰)的创始人及馆长皮尔·吉利奥·兰萨(Pier Giulio Lanza)先生、此次展览的中方策展人、中央美术学院美术馆副馆长、博士生导师王春辰教授、和两位展览的外方策展人,分别是意大利代米克艺术博物馆策展人张远(Maya Zhang)博士和加利福尼亚州立大学洛杉矶分校艺术教授、雕塑艺术家理查德·韦恩(Richard Wearn)教授。此次对谈主题涉及到两个关键词,一是“美术馆”,二是“加密与艺术”。加密艺术在近两年持续成为学术界和艺术届讨论的热点,也伴随着一些争议。对此,理查德·韦恩教授指出,区块链是一种技术上的创新,能够确保在一个虚拟空间中的唯一性,它无法被复制,从而保护了艺术创作者的版权。区块链为加密艺术打开了一个新的空间、新的所在,这是一个虚拟的空间,可以将艺术作品在里面悬挂、展示和投射,某种程度上扩展了艺术创作的时间和空间维度,从而让艺术拥有了更多的可能性。从文化和社会的意义上来说,加密艺术意味着一种基于WEB3.0的全新文化时刻,它能够将我们在互联网和数字文化上生发出来的创作本能以一种独特的方式让创作者拥有版权,拥有作品的唯一性。过去的艺术作品传统是一种由艺术史所定义的传统,而加密艺术意味着我们可以与这样一种传统挥手告别,想象一种由未来定义的艺术作品。理查德·韦恩教授发言王春辰教授认为,无论是区块链、加密艺术还是时下正引发热议的ChatGPT,都意味着一种新的时代和新的变革,它已经超越了我们原有的对艺术的理解和界定。而作为美术馆,应当对世界范围内的新变化作出反应,特别是对高科技、新科技等一切系统中发生的变化作出反应。无论新事物是否发生在艺术领域,是艺术或不是艺术,都对整个时代的变化产生了巨大的影响。美术馆应当具有一种敏锐的、敏感的、及时的反映,并做出一种学术的探讨和判断,以使得学院的教育跟上时代的步伐,而不能仅仅停留在过去的思维中。近期中央美术学院实验艺术与科技艺术学院的成立,就意味着中央美术学院在科技艺术的领域即将迎头赶上。王春辰教授发言皮尔·吉利奥·兰萨馆长提到,过去几百年间的艺术发生了巨大的变化,并经历了一系列艺术运动,而艺术领域的变化也反映出社会发生的巨大变化。美术馆或艺术博物馆始终在尝试反映我们这个时代的当代艺术,加密艺术就是其中之一。2021年代米克艺术博物馆之所以举办“DART 2121:加密艺术在此刻”展览,就是因为将加密艺术看作是一场新的艺术运动,数字的创作方式为艺术家带来了全新的可能性。它保护原创者的权益,也通过区块链平台使艺术作品以数字化的方式更快在更广的范围内展出。不用于传统艺术,加密艺术可以使同一件作品同时在不同地区展出,从而将来自世界各地的更多的艺术爱好者聚集在同一个讨论之下。从这个意义上说,加密艺术的确改变了艺术在整个世界的生态。加密艺术并非短暂的泡沫,也不等同于与区块链相伴而生的虚拟货币,市场的火热的确促进了加密艺术的振兴,但这仅仅是表象。皮尔·吉利奥·兰萨馆长观察到,从事加密艺术的艺术家们已经形成了一个强有力的社群,他们彼此帮助、互相交换作品,这样的一个社群将在未来改变我们的世界。因此他认为,加密艺术在未来的一百年中将成为一个非常主要的艺术品生产方式,会有越来越多的加密艺术作品问世。兰萨馆长与张远博士认为,加密艺术正吸引着越来越多的年轻观众和藏家,我们作为美术馆、作为大学,也应该帮助年轻一代更好地了解和认知加密艺术。皮尔·吉利奥·兰萨馆长发言关于“加密艺术是否有未来”这一问题,张远博士与皮尔·吉利奥·兰萨馆长都持乐观的态度。张远博士也提出,自2021年加密艺术在拍卖活动中创造记录后,引发了艺术圈内外的诸多关注,也产生了很大的影响。但重要的并非拍卖事件,而是要确定加密艺术本身的要点。她认为,加密艺术是否可以称得上是一场艺术运动还有待观察,其价值也在探讨之中,但有一种现象是值得关注的,即越来越多的艺术家正在投入到加密艺术的创作之中。加密艺术能否为艺术家带来更多的表达方式是尤为重要的问题,正如我们的展览标题,加密艺术是一种“新的可能性”。此次参展的艺术家中有很多从事绘画雕塑、摄影、装置、观念等传统艺术创作的艺术家,他们在从事加密艺术创作之前也已经创造了许多重要的作品,并在国际上获得了声誉,诸如凯文·阿博什(Kevin Abosch)和玛丽娜·努涅斯(Marina Núñez)。这些艺术家之所以也投入到加密艺术的创作中,正是因为这种未来的可能性。今天人们的生活与数字技术的关联愈来愈紧密,艺术家创作作品或策展人策划展览时也会考虑如何与社会分享,这是十分重要的问题。张远博士发言对于这一点,韦恩教授十分赞同,他认为美术馆具有社会功能,应当赋予这个社会的人,或者美术馆的观众一种找到新的意义的机会和可能性,让艺术家的创造性本能找到一种新的意义和新的展现渠道。回到艺术史的框架之中,我们可以看到其中存在一种权力的架构,那些被更多人喜爱的正是可以让人们凑近看到艺术家纯粹的内心想法的作品。例如,波洛克的作品之所以受到热爱和追捧,也是因为它们能够直接地、强有力地表达艺术家的内心状态和本能。从某种意义上来说,区块链或者加密艺术也能让我们更深、更直接地走进艺术家的内心。美术馆可以被理解为一个交互的界面,外在社会的文化态度与艺术家的内心世界在此得以交互。因此,美术馆也有义务展出更多数字艺术或者加密艺术作品。韦恩教授认为,技术有时是一种非常吊诡的存在,从某种程度上说,计算机的算法能够帮助人们成为更好的人,它拥有一种潜力,能让我们更好地理解人的内心世界,更好地实现共情和建立人与人之间的新的连接。王春辰教授指出,当今交通和通讯技术的便捷使时空转化变得极快,人们可以迅速在不同地点与事件之中转移。技术的迅速迭代和世界的飞速发展有时会使人产生一种“加密艺术已经过时”的感觉,但实际上,无论是从事创作的艺术家,还是科学家、艺术家,都尚未完全走进其中。因此对美术馆和学术界来说,跟进和探讨这样的现象仍然十分重要。学校的教育也需要不断的改进和更近,补充我们对于艺术以及整个时代变化的认知。过去关于“什么是艺术”已经历过多次讨论,今天的我们不可能再用过去所知道的艺术概念、理论和知识框架看待今天发生的艺术。这是一个全新的领域,已经改变了这个世界。从这个意义上说,展览“加密艺术:一种新的可能性”就是希望带来思想的变革和认识的改变。加密艺术是一个未知的领域,它还没有向我们完整地展示出来。此次对谈还包含一个小时的交流讨论环节,听众从加密艺术的终极目标及多元价值取向、艺术史发展脉络、区块链技术本身及加密艺术与其他媒体艺术的关系等方面展开了提问,提问者既有艺术专业的学生,也有对技术问题更为了解的艺术爱好者。观众们提出的问题都极具思考价值,几位嘉宾也对这些问题做出了精彩的回答。对谈结束后,与会嘉宾与观众一同合影留念。“加密艺术:一种新的可能性”展览期间将推出一系列学术活动,以期增进观众对于加密艺术的了解,引发有关加密艺术的新思考。关于展览的更多相关活动请关注后续推送。此次策展对谈:“美术馆为什么要做加密艺术展”由中央美术学院美术馆的胡晓岚博士主持。文/宗钰淇图/贺伊飞展览信息加密艺术:一种新的可能性Crypto Art:A New Possibility展览地点:中央美术学院美术馆二层A展厅Exhibition Venue:2A Gallery, CAFA Art Museum展览时间:2023年3月14日-3月24日Exhibition Duration: March 14 – March 24, 2023开幕时间:2023年3月14日14:00Opening Time: 14:00, March 14, 2023主办:中央美术学院美术馆 意大利代米克艺术博物馆(米兰)Organizers: CAFA Art Museum & Dynamic Art Museum (Milan)艺术总监:邱志杰学术顾问:皮尔·吉利奥·兰萨  费俊  凯文·阿博什展览总监:张子康 韩文超 颜羚贻展览统筹:高高中方策展人:王春辰意方策展人:理查德·韦恩  张远
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“加密艺术:一种新的可能性” 如期开幕

2023-03-15

3月14日,“加密艺术:一种新的可能性”在中央美院美术馆如期开幕。此次展览是中国国家重点美术馆第一次举办加密艺术国际展,展出了来自21国家的46位艺术家和艺术家小组的作品共计54件。参展作品形式多样,从摄影、装置、数字艺术、AI人工智能到区块链原生,集中呈现了艺术家如何充分利用区块链技术去创作和表达,以及他们对社会、生态环境和传统等议题的反思。意大利代米克艺术博物馆的创始人、馆长皮尔·吉利奥·兰萨;此次展览的意方策展人理查德·韦恩;意方策展人张远;中央美院教授、博士生导师、学术委员会副主任刘庆和;美术馆馆长张子康;美术馆直属党支部书记韩文超;中央美院教授、前任雕塑系主任、博士生导师隋建国;实验艺术与科技艺术学院副院长、博士生导师冯梦波;中央美院教授、博士生导师陈淑霞;中央美院教授、博士生导师费俊;此次展览的投影设备支持机构巴可大中华区市场营销负责人吴东亮;宋院南禅茶空间创始人黄建辉等嘉宾出席了开幕仪式。本次展览中方策展人、美术馆副馆长王春辰担任主持人。意大利代米克艺术博物馆馆长皮尔·朱利奥·兰萨致辞皮尔·朱利奥·兰萨在致辞中表示,加密艺术是一场全新的艺术运动,正在以快速的方式席卷全球。艺术家能够在加密艺术中更充分地表达自我,他们在其中加入2D、3D的元素,以及动态、音乐和人工智能等,让艺术充满了更多的可能性。它并不是取代了传统的各种艺术形式,而是使用一种新技术进行新的创作。加密艺术可以为人们带来新的思考,这就是本次展览邀请了来自世界各地的40多位艺术家来参与的原因。中央美术学院美术馆馆长张子康致辞张子康在致辞中谈到,此次展览是今年央美美术馆开馆后的第一个国际展和科技艺术展。这个展览引发了人们对加密艺术的认识与讨论,当今科技正在加速改变人们的生活,同时也正在塑造着新的当代艺术。美术馆始终秉承开放且包容的立场,从表象到本质,探求的是潜藏在新现象、新变化背后的深刻原因。从此次展出的54件作品中,可以看到加密艺术的多样性,继而发现这些艺术家们借助科技手段,对社会、生态、哲学、传统等为一体的思考表达。本次展览的意方策展人理查德·韦恩致辞理查德·韦恩在致辞中感谢艺术家们和展览团队的支持与付出。此次展览是在中国举办的第一场以加密艺术为主题的综合性国际展览,希望可以通过这种方式,将创造的能力与科技结合在一起,呈现一种未来的艺术发展方向。此次展览不仅为观众带来了一次全新的审美体验,同时也让观众了解到一种新的技术年代已经到来。中央美术学院实验艺术与科技艺术学院副院长、中央美院教授冯梦波致辞冯梦波在致辞中谈到,在加密艺术出现以后,对于从90年代就开始用数字媒体进行创作的艺术家来说,是一种很大的冲击,但同时也提供了一个新的契机。数字艺术应该怎么样去创作、展示、收藏和保存等等,这些问题都值得进一步思考和讨论。新的概念和新的技术层出不穷,很高兴可以看到美术馆呈现像加密艺术这种新兴艺术的展览,对于观众来说也是一个非常好的学习机会。本次展览中方策展人、美术馆副馆长王春辰担任主持人今天,艺术与科技比以往任何时候都更加紧密地交织在一起。科技不仅从多方面改变了世界,也催生了新的艺术形式。随着近两年加密艺术在全球的兴起,艺术与技术之间的关系被重新激活,引起了广泛的关注和激烈的讨论。中央美术学院美术馆持续关注当代艺术和文化最前沿的创新发展动态。此次与意大利代米克艺术博物馆共同举办这一展览,我们旨在向社会公众和师生群体展示国际加密艺术动态,希望通过展览提出问题、展开对话,探索加密艺术的美学、社会学和技术潜力,深入技术进步为艺术创新带来的可能性,推进科技艺术的发展,促进对艺术与当代技术迭代升级之间的互动关联的思考。展览将持续至3月24日。部分展出作品迈克·温科尔曼Beeple(美国USA)《嘿》图像2021 图片版权:RFC-Pablo Rodriguez-Fraile & Desiree Casoni。由艺术家提供。hey  Still  2021Credit: RFC- Pablo Rodriguez-Fraile & Desiree Casoni. 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中央美院实验艺术与科技艺术学院揭牌,“向量场”学生作品汇报展同期开幕

2023-03-12

2023年3月7日,实验艺术与科技艺术学院揭牌仪式暨“实验艺术与科技艺术学院学生作品汇报展”开幕式在中央美术学院美术馆报告厅举行。中央美术学院党委书记高洪,院长范迪安,党委副书记、纪委书记杨文海,党委副书记王晓琳,副院长吕品晶、邱志杰,党政职能部门负责人代表,以及实验艺术与科技艺术学院全体师生共同出席了揭牌仪式。开幕式由实验艺术与科技艺术学院副院长冯梦波主持。实验艺术与科技艺术学院揭牌仪式现场学校高度重视实验艺术与科技艺术学科建设与人才培养。2022年10月17日,实验艺术学院更名为“实验艺术与科技艺术学院”,标志着学院建设发展进入了新阶段。学院前期的教学实践,以及目前拥有的实验艺术与科技艺术两个二级学科,为建设顶尖教学科研单位奠定了坚实基础。院长范迪安在致辞中表示,中央美院科技艺术发展具有三个优势:第一,实验艺术与科技艺术植根于中央美术学院深厚的人文底蕴,具有多学科相互支撑的优渥土壤;第二,在把握科技新发展趋势的同时,能够向世界更好地讲述中国故事;第三,中国新时代社会发展为科技艺术学科建设提供了大好时机。从城市更新到乡村振兴,都需要新主题、新内容和新形式的艺术创作,要加快加大科技艺术这方面的教学研究,在未来的建设中打造一个充满学术活力的“向量场”。党委书记高洪在致辞中提出“探索”“前沿”“趋势”三个关键词。他表示,艺术家探索反映时代新的艺术表达方式,是当代艺术迅猛发展的重要原因之一。实验艺术与科技艺术学院要把眼光瞄准未来,在教学改革、科研创作和学习过程中,要积极关注科技艺术领域的最前沿问题。科技和艺术的融合是非常重要的时代发展趋势,我们顺应趋势产生了新的学科,对科技艺术的发展和优秀人才的培养充满了期待。副院长邱志杰在致辞中表示,希望实验艺术与科技艺术学院在引领中国当今艺术教育和当代艺术创作的发展中,把科技艺术做实,并在全球一流的科技艺术教育中占一席之地,将学科建设与中国式现代化发展愿景深度融合。实验艺术与科技艺术学院副院长冯梦波主持揭牌仪式“向量场——实验艺术与科技艺术学院学生作品汇报展”同期开展,展览展示了实验艺术与科技艺术学院近年来的学生创作78件,作品包含从传统艺术语言的当代转化,到学生对于社会问题的关注和思考,还可以看到科技与艺术创作的紧密结合,体现出学院多元的教学与创作面貌。丨展 览 作 品丨(部分)作品名称:《诗颂会》姓名:王梦茹、李湘宜、万礼、葛泰然、范仕芸、单子曦材料:日常物品尺寸:可变作品名称:《蒹葭》姓名:张佳妮材料:装置、影像尺寸:可变作品名称:《一群不停自转的仙人球》作者:鲁艺冉材料:仙人球,陀螺花瓶,影像数量:10个作品名称:《果》作者:程亚男材料:水果、热敏纸尺寸:600x10cm名称:《迷宫》姓名:李倬阳材料:综合材料立体书尺寸:54*39cm作品名称:《原初》作者:于涵材料:刻纸尺寸:85*85cm作品:《记承天寺夜游》作者:廖玉琢材料:剪纸尺寸:85cm*85cm名称:《形显》作者:宋佳益材质:剪纸尺寸:85x85cm作品名称:《石头》姓名:杨斐材料:铅笔素描尺寸:844x1162mm名称:《紫砂茶壶盖》姓名:李彦樵材料:铅笔素描尺寸:53×76cm名称:《窗外的细节》姓名:李彦樵材料:纸本素描尺寸:53×53cm名称:《水雾之下》作者:宋佳益材质:铅笔素描尺寸50x70cm作品名称:《玩具肖像照》姓名:曲鸣飞材料:快消品纸尺寸:12x12m名称:《灵》姓名:谢婕材料:亚克力、树脂颜料尺寸:230cmx80cmx100cm作品名称:《花汐》姓名:刘晶晶材料:综合材料尺寸:60cm×60cm实验艺术与科技艺术学院/文宣传部 宋曼青 美术馆 贺伊飞 实验艺术与科技艺术学院/图
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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