Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM讲座预告 | 名家对话:“谈谈袁运生”第二场

2023-10-09

《纵浪大化——袁运生与壁画梦》展览现场泼水节——生命的赞歌泼水节——生命的赞歌(局部)2023年9月15日,展览《纵浪大化——袁运生与壁画梦》在中央美术学院美术馆隆重开幕。展览以“壁画”为线索,系统回顾了袁运生先生的艺术生涯。艺术家的人生历程与中国美术的时代发展有着密不可分的联系,在很多重要的历史节点都能看到袁运生先生的身影,他的艺术人生可以作为观察中国现代美术发展的一个重要案例。同时,对于他的艺术实践与思想还有很多方面并不清晰,需要深入认识与研究。为此,美术馆将举办共计三场的系列名家对话,特别邀请与袁运生先生有过深入交往,并对他的艺术追求有着深刻认识的艺术名家与研究者共同回忆和探讨他的艺术生涯,回顾他所经历的这一段美术史,期望能够补充展览叙事的未尽之处,更加丰富立体地展现艺术家的人生经历与时代背景。本次系列活动的第一场《在美国的十四年》已于2023年9月26日在中央美术学院美术馆报告厅成功举办。第二场名家对话活动将于2023年10月10日(星期二)下午在中央美术学院美术馆报告厅举办,对话主题为《泼水节与新时期的启蒙》。1979年,袁运生受邀为首都机场创作壁画《泼水节——生命的赞歌》,袁运生认为这是他的“第一次壁画实践”,“在一幅27米宽、3.4米高的巨大墙壁上,画一幅赞颂傣家人的精神、情操的壁画,对我来说,真是如梦一般美好的事”。艺术家的壁画梦得以实现的同时,此幅壁画《泼水节——生命的赞歌》在全国也引起了极大轰动,围绕着壁画所产生的一系列讨论,成为当时大家关注的焦点。《泼水节——生命的赞歌》像是改革开放初期的一抹新绿,预示着80年代中国社会和中国艺术的变革,袁运生也成为全国各地艺术青年仰慕的对象,他的艺术探索精神影响了许多有志青年。本次对话活动将邀请到七位重要嘉宾,围绕《泼水节——生命的赞歌》的创作过程及其引起的巨大社会反响,探讨这一时期袁运生等艺术家的艺术活动与中国艺术发展的关系。《泼水节与新时期的启蒙》时间:2023年10月10日14:00-17:00地点:中央美院美术馆学术报告厅 致 辞 韩文超中央美术学院美术馆直属党支部书记 主 持 人 孙景波中央美术学院教授 对 话 嘉 宾 殷双喜中央美术学院教授丁方中国人民大学教授朝戈中央美术学院教授王华祥中央美术学院教授耿旭教授、北京清尚建筑设计研究院高级工艺美术师袁加清华大学张仃艺术研究中心研究员系列对话活动的第三场将于10月13日在美术馆报告厅举办,主题为《为什么关注传统?》,对话将围绕袁运生1996年归国任教后对中国传统雕刻课题的关注与思考展开,敬请期待。展览信息纵浪大化——袁运生与壁画梦主办:中央美术学院承办:中央美术学院美术馆 中央美术学院油画系 展览时间:2023年9月15日–10月15日展览地点:中央美术学院美术馆3层B展厅总顾问:高 洪学术主持:林 茂艺术总监:邱志杰展览总监:张子康 韩文超展览统筹:王春辰 高高策 展 人:李垚辰设计总监:纪玉洁设计协理:闵志伊 刘宇晗藏品管理:王春玲 崔然然 徐 研 窦天炜 梅 琦 姜 楠 西华伟资料协助:谭子鸣展览管理:吴 鹏 马 亮  宿世存 荆 鹏 媒体宣传:何一沙 吴 靖 贺伊飞官网文宣:王 静智识中心:肖宝珍公共教育:任 蕊 姚轶群 梁 雯 王 军财经事务:杨 柳 门 婧 寇 蕾行政支持:蒋思妤 岳君瑶 张 倩 郭 旭后勤保障:孙 炜 陈小华 吕智发鸣谢:王瑞支持展览使用摄影作品 
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“何处寻行迹”公开讲座系列 | 邵彦:明清山水画的风格源流

2023-10-07

“何处寻行迹”展览研究工作坊公开讲座系列讲座题目:何处寻龙脉――明清山水画的风格源流主讲人:邵彦(中央美术学院人文学院教授)主持人:黄小峰(中央美术学院人文学院院长,“何处寻行迹”展览学术顾问)讲座时间:2023年10月9日(周一)18:30讲座地点:中央美术学院美术馆学术报告厅Tips:请从美术馆西门进入内容介绍:本此讲座将为“何处寻行迹——中央美术学院美术馆藏古代绘画中的人与自然”展览提供美术史背景知识。以展出作品为例,讲述明清山水画如何继承和发展中古以来的传统,几条主要风格脉络又是如何对立与融合的。【主讲人】邵彦,中央美术学院人文学院教授,博士生导师。专长中国美术史、书画史、书画鉴定。曾任美国纽约大都会艺术博物馆高级访问学者。中央美术学院美术史系《中国美术简史》、“马工程”《中国美术史》等重要教材撰稿专家。专著有《皇舆揽胜——清代宫廷山水》、《山川换古今——蓝瑛家族的故事》,主编《月明十二楼——解读元画》等,发表学术论文数十篇。【主持人】黄小峰,中央美术学院教授、博士生导师、人文学院院长。主要研究中国古代绘画史、书画鉴藏史。著有《古画新品录:一部眼睛的历史》《虢国夫人游春图:大唐丽人的生命瞬间》《西园雅集:两宋人物画》等,于《故宫博物院院刊》《中国国家博物馆馆刊》《艺术史研究》等学术刊物发表论文数十篇。部分展览及讲座涉及的作品文伯仁,《王维诗意图》扇面,明代   金笺设色,纵20厘米、横54厘米中央美术学院美术馆藏盛茂烨,《竹林书斋图》扇面,1624年金笺设色,纵20厘米、横54厘米中央美术学院美术馆藏李士达,《匡庐泉图》轴,明代绢本设色,纵193厘米、横99厘米中央美术学院美术馆藏蓝瑛,《白云红树图》轴,1659年绢本设色,纵162厘米、横86厘米中央美术学院美术馆藏潘恭寿,《仿陆叔平林屋洞天图》轴,清代纸本设色,纵64厘米、横31厘米中央美术学院美术馆藏王鉴,《仿沈石田山水图》轴,1673年绢本设色,纵191厘米、横98厘米中央美术学院美术馆藏展览信息文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目何处寻行迹馆藏古代绘画中的人与自然主办:中央美术学院美术馆展览时间:2023年9月8日-10月20日展览地点:中央美术学院美术馆2层A展厅赞助:北京鑫河艺博文化有限公司、北京自定义科技文化创意有限公司学术主持:邱志杰学术顾问:唐勇力、黄小峰展览总监:张子康、韩文超展览统筹:王春辰、高高策展顾问:郑弌策展人:刘希言、李垚辰策展助理:陈冠石资料整理:陈晨溪、刘盛焱、夏冉设计总监:纪玉洁展览设计:曹群、赵格
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CAFAM预告| “梦作为艺术创作的方法”研讨会、工作坊、专题导览系列学术活动

2023-10-05

“广角°—青年实验项目空间”第一期第五回展览 “化梦:李洋的艺术”以“实验性、社会性、专题性”为策划出发点。其中基于“社会性”的定位,一方面想通过开放的、互动的“展览”事件策划,调动观众的主动参与度,以深度理解和认知本次展览的主旨与内容,形成有效的知识生产。
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CAFAM现场 | “化梦:李洋的艺术”金秋启幕

2023-10-01

9月28日,“广角°——青年实验项目空间”第一期第五回展览“化梦:李洋的艺术”在中央美术学院美术馆二层C展厅如期开幕。本次展览是中央美术学院壁画系副教授李洋的个人作品专题展,由中央美术学院人文学院副院长邵亦杨、中央美术学院人文学院教授邵彦担任学术顾问,中央美术学院美术馆设计总监、副研究员纪玉洁担任策展人。
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“2022年度国家艺术基金传播交流推广资助项目——综合材料绘画作品展览”如期开幕

2023-09-29

9月26日,由中国美术家协会综合材料绘画与美术作品保存修复艺委会学术支持,浙江师范大学主办,浙江师范大学艺术学院、浙江师范大学设计与创意学院、中央美术学院美术馆共同承办的“2022年度国家艺术基金传播交流推广资助项目——综合材料绘画作品展览” 在中央美术学院美术馆开幕。
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CAFAM 工作坊招募 | “何处寻踪迹”展览公共教育活动

2023-09-28

正值中秋十一小长假,美术馆将呈现多场公共教育活动,本系列活动由在展的“何处寻踪迹——馆藏古代绘画中的人与自然”展览生发,此次展览试图提供给公众的一个观看山水画的新向度:从“人”的在场与观看出发,重新进入山水画,观察并串联起不同时代的古代山水画和人物画的叙事共性,籍由山水中的人与人物间的景,重新理解中国传统文化思想中人与自然的共生关系。我们将通过系列工作坊带领大家共同感受古代文人山水画的魅力。
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策展人后记 | 李垚辰:纵浪大化——袁运生与壁画梦

2023-09-27

“纵浪大化 ——袁运生与壁画梦”这个展览不是一个日常形式的展览,策展人希望的是观众通过展览走入艺术家的思想。艺术家的作品是艺术家思想的体现,展览中的语录文字来自于袁运生先生自己的话语,策展人希望通过袁运生先生的自述和作品,抽离出袁运生先生作品背后的精神支撑,呈现出一个自传体的展览。
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CAFAM讲座预告|名家对话:“谈谈袁运生” 第一场

2023-09-25

本次系列活动的第一场《在美国的十四年》将于2023年9月26日在中央美术学院美术馆报告厅举办,嘉宾们将回顾与袁运生先生的交往,围绕着袁运生先生在美国时期的创作与思想变化展开对谈。
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CAFAM展览预告 | “化梦:李洋的艺术”及“画出你的梦境—征集计划”即将启幕

2023-09-22

“广角°——青年实验项目空间”第一期第五回“化梦:李洋的艺术”“广角°——青年实验项目空间”第一期第五回展览——“化梦:李洋的艺术”,将于9月28日下午2点在中央美术学院美术馆二层c展厅开幕。本次展览是中央美术学院壁画系副教授李洋的个人作品专题展,由中央美术学院人文学院副院长邵亦杨、中央美术学院人文学院教授邵彦担任学术顾问,由中央美术学院美术馆设计总监、副研究员纪玉洁担任策展人。本次展览以谱系和样本为空间叙事逻辑,通过轻松灵动的视觉设计,构建了一个时空交错、虚实交融、浪漫与逻辑并存的超现实图景。展览梳理并呈现了艺术家三十三年来以梦为核心展开的艺术探索与创作,包括油画、壁画、数字艺术、装置、图形设计、社会行为艺术以及艺术家日记、手稿等108件/组作品。核心议题是把梦作为一种艺术创作方法,探索“以梦化人”的潜在可能。作为中央美术学院培养的艺术家和美术教育者,美术学府深厚的艺术底蕴、开放的学术氛围,培塑了李洋鲜明而富有个性的艺术品格——研究型艺术家。他通过梦境探究当代中国社会的集体潜意识和精神世界,以图形、图像、文本等方式进行视觉转化,从个体梦的挖掘与研究连接到时代、历史、社会乃至人类问题的集体梦的表达与探索。以此展开对人类生存状态的普适性问题——梦与心理、梦与个人潜意识、梦与社会潜意识、梦与创造性之间的复杂关系和相互作用等问题的探讨。部分参展作品一九九八年的梦:红星公社 布面油画 109.5×65cm 1998一九九三年的梦:前知识经济的造人机制 布面丙烯 104.5×101.7cm 1999二零零一年八月七日的梦 纸本水彩 45×65cm 2013如何画梦 纸本墨水 21×29.7cm 2014被联合起来的366个人类的梦 iPad绘画 最大尺寸600×600cm 2019-2020一九九八年十二月二十六日的梦 布面油彩  145×68cm 2019二零零一年十一月二十六日的梦 IPad绘画 尺寸可变 2021一九九八年八月二十七日的梦 布面油彩  145×68cm 2022二零二二年十一月二十六日的梦 布面丙烯 240x90cm 2022画出你的梦境-征集计划人的一生大约有1/3的时间是在睡眠当中度过的,当代科学研究发现,每个成年人每天经历的正常睡眠中,会做4-6个梦。梦是人类个体及集体潜意识的反映,是人身体与精神生活的重要组成部分。梦也是拥有巨大创造力的内在的宝库。画出自身的梦,这不仅是一种回忆和纪念,也是自我观察、整理、再认知的过程,更是经典的自我审视与自我疗愈的手法之一。据此,我们将开展一次“画出你的梦境”征集计划。我们为大家提供了“画梦登记表”,不同年龄、不同职业的参与者都可以自行下载打印,绘制并上传关于各自梦境的绘画及文本,这些视觉化的梦境图像/图形与文本将会在展厅的特定墙面上张贴呈现,成为“化梦”展览展出作品的一部分。在这里,参与者既可以对不同人们的梦境产生宏观的认知,也可以和不同的参与者有着微观而具体层面的分享交流。所有参与者共同创作了一件关于梦的大型作品,随着上传作品的增加,梦的神秘园地会越来越庞大。梦的登记表下载地址https://pan.baidu.com/s/1ieu1u99aP9Ih8ZQ2fcZqOg 提取码: bckt梦的登记表上传邮箱:liyanghuameng@163.com艺术家简介李洋艺术家,梦工作者,中央美术学院壁画系副教授,硕士生导师,艺术学博士,目前生活和工作于北京。他的工作目前关注于梦工作的艺术、心理学、医学与社会学视角的整合,从梦的语言中获取新的社会生活工具的可能性。个展:“李洋画梦三十年加密艺术展”,沪申画廊,上海(2021)“捉梦器:关于梦的田野调查”,空间站艺术中心,北京(2020);“李洋-Unicorn-梦研所”,独角兽艺术空间,北京(2015);“现实的自疗——身藏”现实空间,北京(2010);“‘思无邪’——李洋作品展”,上海美术馆,上海(2007);“醒醒”,长征空间,北京(2006)等。群展及社会项目:“夜次元:奇遇之夜(Night Dimension:The Night of the Gifts)”,雷士德工学院旧址,上海(2023);“亚洲数字艺术展:地球太空船”,时代美术馆,北京(2022);“沙盒系统:关于治愈的三个样本”,线上展览,Cryptovoxels,雷电所(2022);“超融体:成都双年展”,天府艺术公园,成都(2021);“工艺之道:首届苏州工艺双年展”,苏州(2021);“不准停电”,明当代美术馆,上海(2021);“一席”第697位讲者:“画梦”,万象剧场,深圳(2019);“我绘百年 百年梦圆——中央美术学院校史壁画”,中央美术学院望京校区,北京(2017);“CAFAM双年展:空间协商”,中央美术学院美术馆,北京(2016);“旋构塔——中国青年艺术家推介展”,时代美术馆,北京(2014、2015);“第六届成都双年展”,成都现代艺术馆(2013);“造型——中央美术学院教师作品展”,中央美术学院美术馆,北京(2010);“中央美术学院素描60年”,中央美术学院美术馆,北京(2009);“新锐策展人计划-头发的故事”;“形无形”,一月当代画廊,北京(2006);“‘谈话十+十’当代艺术展”,证大现代艺术馆,上海(2006);“长征计划–延安项目”,长征,北京(2006);“第51届威尼斯双年展-处女园:浮现”,为王其亨《威尼斯双年展的风水》创作绘画并进行美术设计,中国国家馆,威尼斯,意大利(2005);“今日美术馆首届青年美展”,今日美术馆,北京(2003)。所获奖项:“中央美术学院2001届毕业作品展”,一等奖,中央美术学院美术馆,北京(2001);“诺基亚‘我看未来’艺术大奖赛”,当代美术馆,北京(1999);“中央美术学院80周年校庆招贴画展”,一等奖,中央美术学院美术馆,北京(1998)等。作品及访谈发表:《心理月刊》、《心探索》、《城市画报》、《中华英才》、《北京青年周刊》、《美术研究》、《美术观察》、《美术》、《新周刊》、《典藏(国际版)》、《中国艺志》、《中国国家地理》、《博物》等。教学课程:“超现实艺术解析与创作” 、“全观性素描” 、“神秘美术课”等。广角°——青年实验项目空间“广角°——青年实验项目空间”于2022年初启动第一期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。经历数月的方案征集和方案评选,第一期“青年实验项目空间”选定5份展览方案落地实施。“化梦:李洋的艺术”为第五个实现的展览。主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心筹备组:总顾问:苏新平、邱志杰总策划:张子康、韩文超、傅怡静特聘专家:吴洪亮、彭锋统筹:王春辰、高高、郁飞、扈学婷、李彦君执行策划:刘希言、李垚辰、李金朋、易玥、胡晓岚、金简如、王若冰视觉设计:闵志伊“广角°——青年实验项目空间”第一期第五回“化梦:李洋的艺术”展览时间:2023年9月28日—10月18日展览地点:中央美术学院美术馆2层C展厅学术顾问:邵亦杨  邵彦艺 术 家:李洋策 展 人:纪玉洁策展助理及设计团队:张倩媛  李晋羽  王悦嘉  郑璐瑶  郭双玉展览管理:马亮  荆鹏媒体宣传:何一沙  吴靖  贺伊飞官网文宣:王静智识中心:肖宝珍公共教育:任蕊  姚轶群  梁雯  王军财经事务:杨柳  门婧  寇蕾行政支持:蒋思妤  岳君瑶  张倩  郭旭后勤保障:孙炜  陈小华  吕智发
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“何处寻行迹”展览研究工作坊 学员招募

2023-09-21

文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目 “何处寻行迹——馆藏古代绘画中的人与自然”展览研究工作坊时间:2023年9月、10月地点:中央美院美术馆报告厅、会议室、2A展厅,中央美院中国画与书法学院临摹教室*报名方式详见文末展览研究工作坊介绍2023年9月8日,由中央美术学院美术馆主办的“何处寻行迹——馆藏古代绘画中的人与自然”展览在中央美术学院美术馆2层A展厅正式开幕,精选出横跨元明清三个朝代的山水人物画共五十余件进行展出。作为文化和旅游部“2023 年全国美术馆馆藏精品展出季”的入选项目,秉承中央美术学院美术馆的教育职能,随着本次展览举办研究工作坊,旨在以新颖的模式鼓励年轻学子参与到与展览主题相关的科研项目中,尝试以浸入式教学让学员从展览前到展览后深入接触作品和展览,从多角度调动和激发青年学人对馆藏古代书画作品的深入研究以及探索美术史研究新视角。展览研究工作坊内容本次工作坊全程免费分为三个阶段进行第一阶段为展览开幕后的系列公开讲座。该阶段将依托中央美术学院美术馆平台举办学术讲座,展现杰出学者的前沿成就,与校内外师生形成积极互动,推出学界原创性的独有思考成果,并为工作坊下一阶段拟定研究方向和题目提供帮助。时间:2023年9月、10月地点:中央美院美术馆报告厅第二阶段为工作坊内部授课。主要内容为从多种角度进一步认识馆藏古代书画、确定研究题目与方向。该阶段将邀请策展人以及艺术史和中国画创作相关领域学者,带领学员从艺术史和绘画技法等角度分析馆藏古代山水作品及同时代艺术。时间:2023年9月、10月地点:中央美院美术馆报告厅、会议室、2A展厅,中央美院中国画与书法学院临摹教室第三阶段为学员成果汇报。学员根据前两个阶段的课程学习,于2023年10月18日汇报选题,于2023年12月1日以PPT形式汇报研究成果,优秀论文将推荐发表。时间:2023年10-12月地点:中央美院美术馆会议室    展览研究工作坊主持黄小峰  “何处寻行迹”展览学术顾问中央美术学院人文学院院长、教授研究工作坊授课教师公开讲座部分尹吉男中央美术学院人文学院原院长、现任广州美术学院图像与历史高等研究院院长付阳华中国人民大学艺术学院教授邵彦中央美术学院人文学院教授 内部授课部分董梅中央美术学院人文学院教授郭怀宇故宫博物院副研究馆员郑弌中央美术学院人文学院副教授边凯中央美术学院中国画与书法学院副教授窦天炜中央美术学院美术馆修复师刘希言“何处寻行迹”展览策展人、中央美术学院美术馆副研究员 成果汇报部分主持人姜鹏国家博物馆副研究馆员万笑石中央美术学院人文学院讲师 陈冠石“何处寻行迹”展览策展助理招募学员要求招募人数: 15人招募对象:美术史研究或中国画创作方向,北京地区在读硕、博士,或已毕业硕、博士报名方式: 请发送简历到chen.guanshi@foxmail.com(标注“工作坊+姓名+电话”发送申请,简历包含学术背景、研究方向、手机号,将由主办方共同讨论决定参加人选,并以收到回复为准。名额有限,报满为止,请勿重复提交报名)| 展览信息 |文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目何处寻行迹馆藏古代绘画中的人与自然展览时间:2023年9月8日-10月20日展览地点:中央美术学院美术馆2层A展厅主办:中央美术学院美术馆赞助:北京鑫河艺博文化有限公司、北京自定义科技文化创意有限公司学术主持:邱志杰学术顾问:唐勇力、黄小峰展览总监:张子康、韩文超展览统筹:王春辰、高高策展顾问:郑弌策展人:刘希言、李垚辰策展助理:陈冠石
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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